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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EB6D3 it is the complementary color #81492C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EB6D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EB6D3 shade: #83B6CE, #94C8E1, #A5DAF4, #B6ECFF and #C7FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EB6D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EB6D3 shade: #7EB6D3, #6DA4C0, #5C92AD, #4B809A and #3A6E87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EB6D3 shade: #7EB6D3, #7E9FD3, #7E88D3, #8B7ED3 and #A17ED3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EB6D3 shade: #7EB6D3, #7E9FD3, #7E88D3 and #7E7ED3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EB6D3 shade matches the following richer shades: #7EB6D3, #70BAE1, #62BFEF and #54C3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EB6D3 shade: #7EB6D3, #8CB1C5, #9AADB7, #A8A8A9 and #B6A49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EB6D3 shade: #7ED3C2, #7ECDD3, #7EB6D3, #7EA0D3 and #7E89D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EB6D3 shade: #4193BD, #5FA4C8, #7EB6D3, #9DC7DD and #BBD9E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EB6D3 shade: #7EB6D3, #AB7ED3 and #D3CD7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EB6D3 shade: #7EB6D3, #D37EB6 and #B6D37E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EB6D3 shade: #7EB6D3, #AB7ED3, #D39A7E and #A5D37E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EB6D3 shade: #7EB6D3, #C57ED3, #D39A7E and #8CD37E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

Complementary color

CMYK 0 / 43 / 66 / 49

HEX #81492C

RGB 129 73 44

HSL 20.47, 0.49%, 0.34%

LAB 37.14, 21.01, 27.36

 

CMYK 36 / 12 / 0 / 19

HEX #83B6CE

RGB 131 182 206

HSL 199.2, 0.43%, 0.66%

LAB 71.38, -10.79, -17.48

 

CMYK 34 / 11 / 0 / 12

HEX #94C8E1

RGB 148 200 225

HSL 199.48, 0.56%, 0.73%

LAB 77.9, -10.88, -17.84

 

CMYK 32 / 11 / 0 / 4

HEX #A5DAF4

RGB 165 218 244

HSL 199.75, 0.78%, 0.8%

LAB 84.32, -10.95, -18.2

 

CMYK 29 / 7 / 0 / 0

HEX #B6ECFF

RGB 182 236 255

HSL 195.62, 1%, 0.86%

LAB 90.39, -12.86, -14.75

 

CMYK 22 / 0 / 0 / 0

HEX #C7FEFF

RGB 199 254 255

HSL 181.07, 1%, 0.89%

LAB 96.1, -16.98, -6.16

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 43 / 15 / 0 / 25

HEX #6DA4C0

RGB 109 164 192

HSL 200.24, 0.4%, 0.59%

LAB 64.65, -10.65, -20.06

 

CMYK 47 / 16 / 0 / 32

HEX #5C92AD

RGB 92 146 173

HSL 200, 0.33%, 0.52%

LAB 57.89, -10.43, -19.73

 

CMYK 51 / 17 / 0 / 40

HEX #4B809A

RGB 75 128 154

HSL 199.75, 0.34%, 0.45%

LAB 51, -10.12, -19.4

 

CMYK 57 / 19 / 0 / 47

HEX #3A6E87

RGB 58 110 135

HSL 199.48, 0.4%, 0.38%

LAB 43.95, -9.7, -19.06

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 40 / 25 / 0 / 17

HEX #7E9FD3

RGB 126 159 211

HSL 216.71, 0.49%, 0.66%

LAB 64.91, 1.81, -30.14

 

CMYK 40 / 36 / 0 / 17

HEX #7E88D3

RGB 126 136 211

HSL 232.94, 0.49%, 0.66%

LAB 58.74, 15.1, -39.76

 

CMYK 34 / 40 / 0 / 17

HEX #8B7ED3

RGB 139 126 211

HSL 249.18, 0.49%, 0.66%

LAB 57.19, 24.47, -42.13

 

CMYK 24 / 40 / 0 / 17

HEX #A17ED3

RGB 161 126 211

HSL 264.71, 0.49%, 0.66%

LAB 59.16, 30.68, -38.89

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 40 / 25 / 0 / 17

HEX #7E9FD3

RGB 126 159 211

HSL 216.71, 0.49%, 0.66%

LAB 64.91, 1.81, -30.14

 

CMYK 40 / 36 / 0 / 17

HEX #7E88D3

RGB 126 136 211

HSL 232.94, 0.49%, 0.66%

LAB 58.74, 15.1, -39.76

 

CMYK 40 / 40 / 0 / 17

HEX #7E7ED3

RGB 126 126 211

HSL 240, 0.49%, 0.66%

LAB 56.15, 21.01, -43.84

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 50 / 17 / 0 / 12

HEX #70BAE1

RGB 112 186 225

HSL 200.71, 0.65%, 0.66%

LAB 72.23, -12.49, -26.63

 

CMYK 59 / 20 / 0 / 6

HEX #62BFEF

RGB 98 191 239

HSL 200.43, 0.82%, 0.66%

LAB 73.6, -13.89, -32.15

 

CMYK 67 / 23 / 0 / 1

HEX #54C3FD

RGB 84 195 253

HSL 200.59, 0.98%, 0.66%

LAB 74.83, -14.02, -37.83

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 29 / 10 / 0 / 23

HEX #8CB1C5

RGB 140 177 197

HSL 201.05, 0.33%, 0.66%

LAB 70.21, -7.79, -14.24

 

CMYK 16 / 5 / 0 / 28

HEX #9AADB7

RGB 154 173 183

HSL 200.69, 0.17%, 0.66%

LAB 69.59, -4.46, -7.35

 

CMYK 1 / 1 / 0 / 34

HEX #A8A8A9

RGB 168 168 169

HSL 240, 0.01%, 0.66%

LAB 68.89, 0.19, -0.52

 

CMYK 0 / 10 / 15 / 29

HEX #B6A49B

RGB 182 164 155

HSL 20, 0.16%, 0.66%

LAB 68.65, 5.02, 7.04

 

CMYK 40 / 0 / 8 / 17

HEX #7ED3C2

RGB 126 211 194

HSL 168, 0.49%, 0.66%

LAB 78.99, -29.73, 0.32

 

CMYK 40 / 3 / 0 / 17

HEX #7ECDD3

RGB 126 205 211

HSL 184.24, 0.49%, 0.66%

LAB 77.76, -22.71, -10.63

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 40 / 24 / 0 / 17

HEX #7EA0D3

RGB 126 160 211

HSL 216, 0.49%, 0.66%

LAB 65.18, 1.25, -29.72

 

CMYK 40 / 35 / 0 / 17

HEX #7E89D3

RGB 126 137 211

HSL 232.24, 0.49%, 0.66%

LAB 59, 14.51, -39.35

 

CMYK 66 / 22 / 0 / 26

HEX #4193BD

RGB 65 147 189

HSL 200.32, 0.49%, 0.5%

LAB 57.72, -11.69, -29.18

 

CMYK 53 / 18 / 0 / 22

HEX #5FA4C8

RGB 95 164 200

HSL 200.57, 0.49%, 0.58%

LAB 64.29, -11.71, -25.13

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 29 / 10 / 0 / 13

HEX #9DC7DD

RGB 157 199 221

HSL 200.63, 0.48%, 0.74%

LAB 78.01, -8.78, -15.46

 

CMYK 19 / 6 / 0 / 9

HEX #BBD9E8

RGB 187 217 232

HSL 200, 0.49%, 0.82%

LAB 85, -6.75, -10.68

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 19 / 40 / 0 / 17

HEX #AB7ED3

RGB 171 126 211

HSL 271.76, 0.49%, 0.66%

LAB 60.14, 33.6, -37.28

 

CMYK 0 / 3 / 40 / 17

HEX #D3CD7E

RGB 211 205 126

HSL 55.76, 0.49%, 0.66%

LAB 81.3, -9.26, 40.03

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 0 / 40 / 14 / 17

HEX #D37EB6

RGB 211 126 182

HSL 320.47, 0.49%, 0.66%

LAB 63.47, 40.62, -15.42

 

CMYK 14 / 0 / 40 / 17

HEX #B6D37E

RGB 182 211 126

HSL 80.47, 0.49%, 0.66%

LAB 80.76, -23.51, 38.9

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 19 / 40 / 0 / 17

HEX #AB7ED3

RGB 171 126 211

HSL 271.76, 0.49%, 0.66%

LAB 60.14, 33.6, -37.28

 

CMYK 0 / 27 / 40 / 17

HEX #D39A7E

RGB 211 154 126

HSL 19.76, 0.49%, 0.66%

LAB 68.36, 17.76, 23.08

 

CMYK 22 / 0 / 40 / 17

HEX #A5D37E

RGB 165 211 126

HSL 92.47, 0.49%, 0.66%

LAB 79.67, -29.78, 37.28

 

CMYK 40 / 14 / 0 / 17

HEX #7EB6D3

RGB 126 182 211

HSL 200.47, 0.49%, 0.66%

LAB 71.28, -10.82, -20.38

 

CMYK 7 / 40 / 0 / 17

HEX #C57ED3

RGB 197 126 211

HSL 290.12, 0.49%, 0.66%

LAB 62.92, 41.39, -32.74

 

CMYK 0 / 27 / 40 / 17

HEX #D39A7E

RGB 211 154 126

HSL 19.76, 0.49%, 0.66%

LAB 68.36, 17.76, 23.08

 

CMYK 34 / 0 / 40 / 17

HEX #8CD37E

RGB 140 211 126

HSL 110.12, 0.49%, 0.66%

LAB 78.27, -38.39, 35.2

 

Description

Color code: HEX #7EB6D3 | qconv.com Color code: HEX #7EB6D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 182 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 182 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 14 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 14% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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