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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EB012 it is the complementary color #814FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EB012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EB012 shade: #83B00D, #94C220, #A5D433, #B6E646 and #C7F859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EB012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EB012 shade: #7EB012, #6D9E00, #5C8C00, #4B7A00 and #3A6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EB012 shade: #7EAF12, #A8AF12, #AF8C12, #AF6212 and #AF3812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EB012 shade: #7EAF12, #53AF12, #29AF12, #12AF26 and #12AF50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EB012 shade matches the following richer shades: #7EAF12 and #83BF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EB012 shade: #7EAF12, #78A022, #729032, #6C8041 and #677151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EB012 shade: #AF8B12, #AAAF12, #80AF12, #56AF12 and #2DAF12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EB012 shade: #48650B, #638A0E, #7EAF12, #98D516 and #ADE92C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EB012 shade: #7EB012, #12AF61 and #A012AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EB012 shade: #7EB012, #1280AF and #AF1280

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EB012 shade: #7EB012, #12AF61, #4212AF and #AF1261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EB012 shade: #7EB012, #12AF90, #4212AF and #AF1232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 90 / 31

HEX #7EB012

RGB 126 176 18

HSL 78.99, 0.81%, 0.38%

LAB 66.16, -37.06, 64.91

 

Complementary color

CMYK 46 / 67 / 0 / 7

HEX #814FED

RGB 129 79 237

HSL 258.99, 0.81%, 0.62%

LAB 47.46, 55.69, -72.44

 

CMYK 26 / 0 / 93 / 31

HEX #83B00D

RGB 131 176 13

HSL 76.56, 0.86%, 0.37%

LAB 66.45, -35.2, 66.06

 

CMYK 24 / 0 / 84 / 24

HEX #94C220

RGB 148 194 32

HSL 77.04, 0.72%, 0.44%

LAB 72.88, -36.13, 68.19

 

CMYK 22 / 0 / 76 / 17

HEX #A5D433

RGB 165 212 51

HSL 77.52, 0.65%, 0.52%

LAB 79.23, -36.84, 69.05

 

CMYK 21 / 0 / 70 / 10

HEX #B6E646

RGB 182 230 70

HSL 78, 0.76%, 0.59%

LAB 85.49, -37.39, 69.11

 

CMYK 20 / 0 / 64 / 3

HEX #C7F859

RGB 199 248 89

HSL 78.49, 0.92%, 0.66%

LAB 91.68, -37.82, 68.68

 

CMYK 28 / 0 / 90 / 31

HEX #7EB012

RGB 126 176 18

HSL 78.99, 0.81%, 0.38%

LAB 66.16, -37.06, 64.91

 

CMYK 31 / 0 / 100 / 38

HEX #6D9E00

RGB 109 158 0

HSL 78.61, 1%, 0.31%

LAB 59.62, -36.01, 61.9

 

CMYK 34 / 0 / 100 / 45

HEX #5C8C00

RGB 92 140 0

HSL 80.57, 1%, 0.27%

LAB 52.98, -34.6, 56.38

 

CMYK 39 / 0 / 100 / 52

HEX #4B7A00

RGB 75 122 0

HSL 83.11, 1%, 0.24%

LAB 46.2, -33.15, 50.73

 

CMYK 44 / 0 / 100 / 59

HEX #3A6800

RGB 58 104 0

HSL 86.54, 1%, 0.2%

LAB 39.24, -31.61, 44.95

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF12

RGB 126 175 18

HSL 78.73, 0.81%, 0.38%

LAB 65.86, -36.61, 64.66

 

CMYK 4 / 0 / 90 / 31

HEX #A8AF12

RGB 168 175 18

HSL 62.68, 0.81%, 0.38%

LAB 68.77, -19.06, 68.23

 

CMYK 0 / 20 / 90 / 31

HEX #AF8C12

RGB 175 140 18

HSL 46.62, 0.81%, 0.38%

LAB 59.81, 2.59, 61.42

 

CMYK 0 / 44 / 90 / 31

HEX #AF6212

RGB 175 98 18

HSL 30.57, 0.81%, 0.38%

LAB 49.37, 25.97, 53.26

 

CMYK 0 / 68 / 90 / 31

HEX #AF3812

RGB 175 56 18

HSL 14.52, 0.81%, 0.38%

LAB 41.19, 46.86, 46.98

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF12

RGB 126 175 18

HSL 78.73, 0.81%, 0.38%

LAB 65.86, -36.61, 64.66

 

CMYK 53 / 0 / 90 / 31

HEX #53AF12

RGB 83 175 18

HSL 95.16, 0.81%, 0.38%

LAB 63.79, -51.53, 62.09

 

CMYK 77 / 0 / 90 / 31

HEX #29AF12

RGB 41 175 18

HSL 111.21, 0.81%, 0.38%

LAB 62.66, -60.93, 60.67

 

CMYK 90 / 0 / 78 / 31

HEX #12AF26

RGB 18 175 38

HSL 127.64, 0.81%, 0.38%

LAB 62.45, -62.46, 55.27

 

CMYK 90 / 0 / 54 / 31

HEX #12AF50

RGB 18 175 80

HSL 143.69, 0.81%, 0.38%

LAB 62.82, -57.86, 38.05

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF12

RGB 126 175 18

HSL 78.73, 0.81%, 0.38%

LAB 65.86, -36.61, 64.66

 

CMYK 31 / 0 / 98 / 25

HEX #83BF03

RGB 131 191 3

HSL 79.15, 0.97%, 0.38%

LAB 70.94, -42, 70.79

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF12

RGB 126 175 18

HSL 78.73, 0.81%, 0.38%

LAB 65.86, -36.61, 64.66

 

CMYK 25 / 0 / 79 / 37

HEX #78A022

RGB 120 160 34

HSL 79.05, 0.65%, 0.38%

LAB 61, -31.54, 56.35

 

CMYK 21 / 0 / 65 / 44

HEX #729032

RGB 114 144 50

HSL 79.15, 0.48%, 0.38%

LAB 55.84, -25.27, 44.98

 

CMYK 16 / 0 / 49 / 50

HEX #6C8041

RGB 108 128 65

HSL 79.05, 0.33%, 0.38%

LAB 50.7, -18.14, 31.62

 

CMYK 9 / 0 / 28 / 56

HEX #677151

RGB 103 113 81

HSL 78.75, 0.16%, 0.38%

LAB 46.03, -9.84, 16.55

 

CMYK 0 / 21 / 90 / 31

HEX #AF8B12

RGB 175 139 18

HSL 46.24, 0.81%, 0.38%

LAB 59.55, 3.14, 61.21

 

CMYK 3 / 0 / 90 / 31

HEX #AAAF12

RGB 170 175 18

HSL 61.91, 0.81%, 0.38%

LAB 68.93, -18.19, 68.43

 

CMYK 27 / 0 / 90 / 31

HEX #80AF12

RGB 128 175 18

HSL 77.96, 0.81%, 0.38%

LAB 65.98, -35.82, 64.8

 

CMYK 51 / 0 / 90 / 31

HEX #56AF12

RGB 86 175 18

HSL 94.01, 0.81%, 0.38%

LAB 63.9, -50.64, 62.23

 

CMYK 74 / 0 / 90 / 31

HEX #2DAF12

RGB 45 175 18

HSL 109.68, 0.81%, 0.38%

LAB 62.73, -60.3, 60.76

 

CMYK 29 / 0 / 89 / 60

HEX #48650B

RGB 72 101 11

HSL 79.33, 0.8%, 0.22%

LAB 39.09, -24.07, 42.26

 

CMYK 28 / 0 / 90 / 46

HEX #638A0E

RGB 99 138 14

HSL 78.87, 0.82%, 0.3%

LAB 52.8, -30.53, 53.91

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF12

RGB 126 175 18

HSL 78.73, 0.81%, 0.38%

LAB 65.86, -36.61, 64.66

 

CMYK 29 / 0 / 90 / 16

HEX #98D516

RGB 152 213 22

HSL 79.16, 0.81%, 0.46%

LAB 78.65, -43.26, 75.11

 

CMYK 26 / 0 / 81 / 9

HEX #ADE92C

RGB 173 233 44

HSL 79.05, 0.81%, 0.54%

LAB 85.68, -43.36, 77.04

 

CMYK 28 / 0 / 90 / 31

HEX #7EB012

RGB 126 176 18

HSL 78.99, 0.81%, 0.38%

LAB 66.16, -37.06, 64.91

 

CMYK 90 / 0 / 45 / 31

HEX #12AF61

RGB 18 175 97

HSL 150.19, 0.81%, 0.38%

LAB 63.05, -55.02, 29.71

 

CMYK 9 / 90 / 0 / 31

HEX #A012AF

RGB 160 18 175

HSL 294.27, 0.81%, 0.38%

LAB 39.58, 69.5, -49.17

 

CMYK 28 / 0 / 90 / 31

HEX #7EB012

RGB 126 176 18

HSL 78.99, 0.81%, 0.38%

LAB 66.16, -37.06, 64.91

 

CMYK 90 / 27 / 0 / 31

HEX #1280AF

RGB 18 128 175

HSL 197.96, 0.81%, 0.38%

LAB 50.29, -11.35, -32.82

 

CMYK 0 / 90 / 27 / 31

HEX #AF1280

RGB 175 18 128

HSL 317.96, 0.81%, 0.38%

LAB 39.76, 65.69, -20.18

 

CMYK 28 / 0 / 90 / 31

HEX #7EB012

RGB 126 176 18

HSL 78.99, 0.81%, 0.38%

LAB 66.16, -37.06, 64.91

 

CMYK 90 / 0 / 45 / 31

HEX #12AF61

RGB 18 175 97

HSL 150.19, 0.81%, 0.38%

LAB 63.05, -55.02, 29.71

 

CMYK 62 / 90 / 0 / 31

HEX #4212AF

RGB 66 18 175

HSL 258.34, 0.81%, 0.38%

LAB 25.82, 57.35, -72.23

 

CMYK 0 / 90 / 45 / 31

HEX #AF1261

RGB 175 18 97

HSL 329.81, 0.81%, 0.38%

LAB 38.57, 62.45, -2.5

 

CMYK 28 / 0 / 90 / 31

HEX #7EB012

RGB 126 176 18

HSL 78.99, 0.81%, 0.38%

LAB 66.16, -37.06, 64.91

 

CMYK 90 / 0 / 18 / 31

HEX #12AF90

RGB 18 175 144

HSL 168.15, 0.81%, 0.38%

LAB 64, -44.42, 5.47

 

CMYK 62 / 90 / 0 / 31

HEX #4212AF

RGB 66 18 175

HSL 258.34, 0.81%, 0.38%

LAB 25.82, 57.35, -72.23

 

CMYK 0 / 90 / 71 / 31

HEX #AF1232

RGB 175 18 50

HSL 347.77, 0.81%, 0.38%

LAB 37.44, 59.28, 26.03

 

Description

Color code: HEX #7EB012 | qconv.com Color code: HEX #7EB012 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 176 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 176 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 90% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Employee surveys, 36...
Link: http://www.etsplc.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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