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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EAF11 it is the complementary color #8150EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EAF11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EAF11 shade: #83AF0C, #94C11F, #A5D332, #B6E545 and #C7F758

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EAF11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EAF11 shade: #7EAF11, #6D9D00, #5C8B00, #4B7900 and #3A6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EAF11 shade: #7FB011, #AAB011, #B08C11, #B06111 and #B03611

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EAF11 shade: #7FB011, #54B011, #29B011, #11B024 and #11B04F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EAF11 shade matches the following richer shades: #7FB011 and #85C002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EAF11 shade: #7FB011, #79A121, #739131, #6D8140 and #677250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EAF11 shade: #B08B11, #ABB011, #81B011, #56B011 and #2CB011

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EAF11 shade: #49650A, #648B0E, #7FB011, #9AD615 and #AFEA2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EAF11 shade: #7EAF11, #11B061 and #A011B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EAF11 shade: #7EAF11, #1181B0 and #B01181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EAF11 shade: #7EAF11, #11B061, #4111B0 and #B01161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EAF11 shade: #7EAF11, #11B091, #4111B0 and #B01131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 90 / 31

HEX #7EAF11

RGB 126 175 17

HSL 78.61, 0.82%, 0.38%

LAB 65.85, -36.64, 64.83

 

Complementary color

CMYK 46 / 66 / 0 / 7

HEX #8150EE

RGB 129 80 238

HSL 258.61, 0.82%, 0.62%

LAB 47.72, 55.45, -72.57

 

CMYK 25 / 0 / 93 / 31

HEX #83AF0C

RGB 131 175 12

HSL 76.2, 0.87%, 0.37%

LAB 66.15, -34.76, 65.96

 

CMYK 23 / 0 / 84 / 24

HEX #94C11F

RGB 148 193 31

HSL 76.67, 0.72%, 0.44%

LAB 72.58, -35.71, 68.17

 

CMYK 22 / 0 / 76 / 17

HEX #A5D332

RGB 165 211 50

HSL 77.14, 0.65%, 0.51%

LAB 78.94, -36.44, 69.08

 

CMYK 21 / 0 / 70 / 10

HEX #B6E545

RGB 182 229 69

HSL 77.63, 0.75%, 0.58%

LAB 85.21, -37, 69.18

 

CMYK 19 / 0 / 64 / 3

HEX #C7F758

RGB 199 247 88

HSL 78.11, 0.91%, 0.66%

LAB 91.4, -37.44, 68.77

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF11

RGB 126 175 17

HSL 78.61, 0.82%, 0.38%

LAB 65.85, -36.64, 64.83

 

CMYK 31 / 0 / 100 / 38

HEX #6D9D00

RGB 109 157 0

HSL 78.34, 1%, 0.31%

LAB 59.31, -35.56, 61.66

 

CMYK 34 / 0 / 100 / 45

HEX #5C8B00

RGB 92 139 0

HSL 80.29, 1%, 0.27%

LAB 52.66, -34.15, 56.13

 

CMYK 38 / 0 / 100 / 53

HEX #4B7900

RGB 75 121 0

HSL 82.81, 1%, 0.24%

LAB 45.87, -32.7, 50.47

 

CMYK 44 / 0 / 100 / 60

HEX #3A6700

RGB 58 103 0

HSL 86.21, 1%, 0.2%

LAB 38.9, -31.17, 44.68

 

CMYK 28 / 0 / 90 / 31

HEX #7FB011

RGB 127 176 17

HSL 78.49, 0.82%, 0.38%

LAB 66.22, -36.69, 65.15

 

CMYK 3 / 0 / 90 / 31

HEX #AAB011

RGB 170 176 17

HSL 62.26, 0.82%, 0.38%

LAB 69.21, -18.71, 68.81

 

CMYK 0 / 20 / 90 / 31

HEX #B08C11

RGB 176 140 17

HSL 46.42, 0.82%, 0.38%

LAB 59.91, 3.02, 61.75

 

CMYK 0 / 45 / 90 / 31

HEX #B06111

RGB 176 97 17

HSL 30.19, 0.82%, 0.38%

LAB 49.28, 26.93, 53.54

 

CMYK 0 / 69 / 90 / 31

HEX #B03611

RGB 176 54 17

HSL 13.96, 0.82%, 0.38%

LAB 41.07, 48.01, 47.35

 

CMYK 28 / 0 / 90 / 31

HEX #7FB011

RGB 127 176 17

HSL 78.49, 0.82%, 0.38%

LAB 66.22, -36.69, 65.15

 

CMYK 52 / 0 / 90 / 31

HEX #54B011

RGB 84 176 17

HSL 94.72, 0.82%, 0.38%

LAB 64.14, -51.64, 62.58

 

CMYK 77 / 0 / 90 / 31

HEX #29B011

RGB 41 176 17

HSL 110.94, 0.82%, 0.38%

LAB 62.98, -61.28, 61.13

 

CMYK 90 / 0 / 80 / 31

HEX #11B024

RGB 17 176 36

HSL 127.17, 0.82%, 0.38%

LAB 62.76, -62.97, 56.2

 

CMYK 90 / 0 / 55 / 31

HEX #11B04F

RGB 17 176 79

HSL 143.4, 0.82%, 0.38%

LAB 63.12, -58.41, 38.91

 

CMYK 28 / 0 / 90 / 31

HEX #7FB011

RGB 127 176 17

HSL 78.49, 0.82%, 0.38%

LAB 66.22, -36.69, 65.15

 

CMYK 31 / 0 / 99 / 25

HEX #85C002

RGB 133 192 2

HSL 78.63, 0.98%, 0.38%

LAB 71.34, -41.69, 71.27

 

CMYK 28 / 0 / 90 / 31

HEX #7FB011

RGB 127 176 17

HSL 78.49, 0.82%, 0.38%

LAB 66.22, -36.69, 65.15

 

CMYK 25 / 0 / 80 / 37

HEX #79A121

RGB 121 161 33

HSL 78.75, 0.66%, 0.38%

LAB 61.36, -31.65, 57.01

 

CMYK 21 / 0 / 66 / 43

HEX #739131

RGB 115 145 49

HSL 78.75, 0.49%, 0.38%

LAB 56.21, -25.43, 45.83

 

CMYK 16 / 0 / 50 / 49

HEX #6D8140

RGB 109 129 64

HSL 78.46, 0.34%, 0.38%

LAB 51.06, -18.36, 32.61

 

CMYK 10 / 0 / 30 / 55

HEX #677250

RGB 103 114 80

HSL 79.41, 0.18%, 0.38%

LAB 46.31, -10.57, 17.52

 

CMYK 0 / 21 / 90 / 31

HEX #B08B11

RGB 176 139 17

HSL 46.04, 0.82%, 0.38%

LAB 59.65, 3.57, 61.55

 

CMYK 3 / 0 / 90 / 31

HEX #ABB011

RGB 171 176 17

HSL 61.89, 0.82%, 0.38%

LAB 69.29, -18.28, 68.91

 

CMYK 27 / 0 / 90 / 31

HEX #81B011

RGB 129 176 17

HSL 77.74, 0.82%, 0.38%

LAB 66.33, -35.91, 65.3

 

CMYK 51 / 0 / 90 / 31

HEX #56B011

RGB 86 176 17

HSL 93.96, 0.82%, 0.38%

LAB 64.22, -51.05, 62.68

 

CMYK 75 / 0 / 90 / 31

HEX #2CB011

RGB 44 176 17

HSL 109.81, 0.82%, 0.38%

LAB 63.03, -60.81, 61.2

 

CMYK 28 / 0 / 90 / 60

HEX #49650A

RGB 73 101 10

HSL 78.46, 0.82%, 0.22%

LAB 39.15, -23.67, 42.59

 

CMYK 28 / 0 / 90 / 45

HEX #648B0E

RGB 100 139 14

HSL 78.72, 0.82%, 0.3%

LAB 53.17, -30.59, 54.25

 

CMYK 28 / 0 / 90 / 31

HEX #7FB011

RGB 127 176 17

HSL 78.49, 0.82%, 0.38%

LAB 66.22, -36.69, 65.15

 

CMYK 28 / 0 / 90 / 16

HEX #9AD615

RGB 154 214 21

HSL 78.65, 0.82%, 0.46%

LAB 79.05, -42.96, 75.64

 

CMYK 25 / 0 / 82 / 8

HEX #AFEA2A

RGB 175 234 42

HSL 78.44, 0.82%, 0.54%

LAB 86.07, -43.12, 77.92

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF11

RGB 126 175 17

HSL 78.61, 0.82%, 0.38%

LAB 65.85, -36.64, 64.83

 

CMYK 90 / 0 / 45 / 31

HEX #11B061

RGB 17 176 97

HSL 150.19, 0.82%, 0.38%

LAB 63.37, -55.44, 30.11

 

CMYK 9 / 90 / 0 / 31

HEX #A011B0

RGB 160 17 176

HSL 293.96, 0.82%, 0.38%

LAB 39.6, 69.82, -49.75

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF11

RGB 126 175 17

HSL 78.61, 0.82%, 0.38%

LAB 65.85, -36.64, 64.83

 

CMYK 90 / 27 / 0 / 31

HEX #1181B0

RGB 17 129 176

HSL 197.74, 0.82%, 0.38%

LAB 50.63, -11.61, -32.86

 

CMYK 0 / 90 / 27 / 31

HEX #B01181

RGB 176 17 129

HSL 317.74, 0.82%, 0.38%

LAB 39.94, 66.18, -20.5

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF11

RGB 126 175 17

HSL 78.61, 0.82%, 0.38%

LAB 65.85, -36.64, 64.83

 

CMYK 90 / 0 / 45 / 31

HEX #11B061

RGB 17 176 97

HSL 150.19, 0.82%, 0.38%

LAB 63.37, -55.44, 30.11

 

CMYK 63 / 90 / 0 / 31

HEX #4111B0

RGB 65 17 176

HSL 258.11, 0.82%, 0.38%

LAB 25.74, 57.82, -72.97

 

CMYK 0 / 90 / 45 / 31

HEX #B01161

RGB 176 17 97

HSL 329.81, 0.82%, 0.38%

LAB 38.71, 62.85, -2.26

 

CMYK 28 / 0 / 90 / 31

HEX #7EAF11

RGB 126 175 17

HSL 78.61, 0.82%, 0.38%

LAB 65.85, -36.64, 64.83

 

CMYK 90 / 0 / 18 / 31

HEX #11B091

RGB 17 176 145

HSL 168.3, 0.82%, 0.38%

LAB 64.33, -44.63, 5.4

 

CMYK 63 / 90 / 0 / 31

HEX #4111B0

RGB 65 17 176

HSL 258.11, 0.82%, 0.38%

LAB 25.74, 57.82, -72.97

 

CMYK 0 / 90 / 72 / 31

HEX #B01131

RGB 176 17 49

HSL 347.92, 0.82%, 0.38%

LAB 37.58, 59.66, 26.88

 

Description

Color code: HEX #7EAF11 | qconv.com Color code: HEX #7EAF11 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 175 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 175 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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