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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EA7E7 it is the complementary color #815818. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EA7E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EA7E7 shade: #83A7E2, #94B9F5, #A5CBFF, #B6DDFF and #C7EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EA7E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EA7E7 shade: #7EA7E7, #6D95D4, #5C83C1, #4B71AE and #3A5F9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EA7E7 shade: #7EA7E7, #7E8AE7, #8D7EE7, #AA7EE7 and #C67EE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EA7E7 shade: #7EA7E7, #7E8AE7 and #7E7EE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EA7E7 shade matches the following richer shades: #7EA7E7 and #71A4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EA7E7 shade: #7EA7E7, #8AAADB, #96ACCF, #A3AFC2 and #AFB2B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EA7E7 shade: #7EE0E7, #7EC4E7, #7EA8E7, #7E8CE7 and #8C7EE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EA7E7 shade: #3877DA, #5B8FE1, #7EA7E7, #A1BFEE and #C3D6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EA7E7 shade: #7EA7E7, #D27EE7 and #D2E77E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EA7E7 shade: #7EA7E7, #E77EA8 and #A8E77E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EA7E7 shade: #7EA7E7, #D27EE7, #E7BD7E and #93E77E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EA7E7 shade: #7EA7E7, #E77EDD, #E7BD7E and #7EE788

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

Complementary color

CMYK 0 / 32 / 81 / 49

HEX #815818

RGB 129 88 24

HSL 36.57, 0.69%, 0.3%

LAB 40.76, 11.04, 41.35

 

CMYK 42 / 26 / 0 / 11

HEX #83A7E2

RGB 131 167 226

HSL 217.26, 0.62%, 0.7%

LAB 67.99, 2.76, -33.64

 

CMYK 40 / 24 / 0 / 4

HEX #94B9F5

RGB 148 185 245

HSL 217.11, 0.83%, 0.77%

LAB 74.56, 2.33, -33.71

 

CMYK 35 / 20 / 0 / 0

HEX #A5CBFF

RGB 165 203 255

HSL 214.67, 1%, 0.82%

LAB 80.7, -0.35, -29.54

 

CMYK 29 / 13 / 0 / 0

HEX #B6DDFF

RGB 182 221 255

HSL 207.95, 1%, 0.86%

LAB 86.44, -5.16, -20.7

 

CMYK 22 / 6 / 0 / 0

HEX #C7EFFF

RGB 199 239 255

HSL 197.14, 1%, 0.89%

LAB 92.17, -9.48, -11.99

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 49 / 30 / 0 / 17

HEX #6D95D4

RGB 109 149 212

HSL 216.7, 0.54%, 0.63%

LAB 61.22, 3.52, -36.51

 

CMYK 52 / 32 / 0 / 24

HEX #5C83C1

RGB 92 131 193

HSL 216.83, 0.45%, 0.56%

LAB 54.4, 4.25, -36.53

 

CMYK 57 / 35 / 0 / 32

HEX #4B71AE

RGB 75 113 174

HSL 216.97, 0.4%, 0.49%

LAB 47.45, 5.15, -36.59

 

CMYK 63 / 39 / 0 / 39

HEX #3A5F9B

RGB 58 95 155

HSL 217.11, 0.46%, 0.42%

LAB 40.33, 6.31, -36.68

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 45 / 40 / 0 / 9

HEX #7E8AE7

RGB 126 138 231

HSL 233.14, 0.69%, 0.7%

LAB 60.23, 19.67, -48.57

 

CMYK 39 / 45 / 0 / 9

HEX #8D7EE7

RGB 141 126 231

HSL 248.57, 0.69%, 0.7%

LAB 58.37, 30.39, -51.46

 

CMYK 26 / 45 / 0 / 9

HEX #AA7EE7

RGB 170 126 231

HSL 265.14, 0.69%, 0.7%

LAB 60.99, 37.97, -47.14

 

CMYK 14 / 45 / 0 / 9

HEX #C67EE7

RGB 198 126 231

HSL 281.14, 0.69%, 0.7%

LAB 63.91, 45.74, -42.33

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 45 / 40 / 0 / 9

HEX #7E8AE7

RGB 126 138 231

HSL 233.14, 0.69%, 0.7%

LAB 60.23, 19.67, -48.57

 

CMYK 45 / 45 / 0 / 9

HEX #7E7EE7

RGB 126 126 231

HSL 240, 0.69%, 0.7%

LAB 57.2, 26.76, -53.39

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 54 / 33 / 0 / 4

HEX #71A4F4

RGB 113 164 244

HSL 216.64, 0.86%, 0.7%

LAB 66.97, 5.51, -45.15

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 37 / 22 / 0 / 14

HEX #8AAADB

RGB 138 170 219

HSL 216.3, 0.53%, 0.7%

LAB 68.94, 1.04, -28.28

 

CMYK 28 / 17 / 0 / 19

HEX #96ACCF

RGB 150 172 207

HSL 216.84, 0.37%, 0.7%

LAB 69.82, 0.33, -20.28

 

CMYK 16 / 10 / 0 / 24

HEX #A3AFC2

RGB 163 175 194

HSL 216.77, 0.2%, 0.7%

LAB 71.11, -0.23, -11.1

 

CMYK 4 / 2 / 0 / 29

HEX #AFB2B6

RGB 175 178 182

HSL 214.29, 0.05%, 0.7%

LAB 72.45, -0.28, -2.41

 

CMYK 45 / 3 / 0 / 9

HEX #7EE0E7

RGB 126 224 231

HSL 184, 0.69%, 0.7%

LAB 83.71, -27.02, -12.41

 

CMYK 45 / 15 / 0 / 9

HEX #7EC4E7

RGB 126 196 231

HSL 200, 0.69%, 0.7%

LAB 75.88, -12.87, -24.25

 

CMYK 45 / 27 / 0 / 9

HEX #7EA8E7

RGB 126 168 231

HSL 216, 0.69%, 0.7%

LAB 68.18, 2.36, -36.11

 

CMYK 45 / 39 / 0 / 9

HEX #7E8CE7

RGB 126 140 231

HSL 232, 0.69%, 0.7%

LAB 60.75, 18.49, -47.76

 

CMYK 39 / 45 / 0 / 9

HEX #8C7EE7

RGB 140 126 231

HSL 248, 0.69%, 0.7%

LAB 58.29, 30.14, -51.59

 

CMYK 74 / 45 / 0 / 15

HEX #3877DA

RGB 56 119 218

HSL 216.67, 0.69%, 0.54%

LAB 50.8, 13.78, -56.55

 

CMYK 60 / 36 / 0 / 12

HEX #5B8FE1

RGB 91 143 225

HSL 216.72, 0.69%, 0.62%

LAB 59.26, 7.23, -46.91

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 32 / 20 / 0 / 7

HEX #A1BFEE

RGB 161 191 238

HSL 216.62, 0.69%, 0.78%

LAB 76.69, 0.76, -26.61

 

CMYK 20 / 12 / 0 / 4

HEX #C3D6F4

RGB 195 214 244

HSL 216.73, 0.69%, 0.86%

LAB 85.11, -0.15, -16.82

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 9 / 45 / 0 / 9

HEX #D27EE7

RGB 210 126 231

HSL 288, 0.69%, 0.7%

LAB 65.27, 49.13, -40.11

 

CMYK 9 / 0 / 45 / 9

HEX #D2E77E

RGB 210 231 126

HSL 72, 0.69%, 0.7%

LAB 88.14, -22.56, 48.55

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 0 / 45 / 27 / 9

HEX #E77EA8

RGB 231 126 168

HSL 336, 0.69%, 0.7%

LAB 65.54, 45.26, -4.12

 

CMYK 27 / 0 / 45 / 9

HEX #A8E77E

RGB 168 231 126

HSL 96, 0.69%, 0.7%

LAB 85.5, -37.96, 44.69

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 9 / 45 / 0 / 9

HEX #D27EE7

RGB 210 126 231

HSL 288, 0.69%, 0.7%

LAB 65.27, 49.13, -40.11

 

CMYK 0 / 18 / 45 / 9

HEX #E7BD7E

RGB 231 189 126

HSL 36, 0.69%, 0.7%

LAB 78.98, 7.06, 37.43

 

CMYK 36 / 0 / 45 / 9

HEX #93E77E

RGB 147 231 126

HSL 108, 0.69%, 0.7%

LAB 84.41, -44.93, 43.1

 

CMYK 45 / 28 / 0 / 9

HEX #7EA7E7

RGB 126 167 231

HSL 216.57, 0.69%, 0.7%

LAB 67.9, 2.92, -36.53

 

CMYK 0 / 45 / 4 / 9

HEX #E77EDD

RGB 231 126 221

HSL 305.71, 0.69%, 0.7%

LAB 67.38, 53.37, -31.1

 

CMYK 0 / 18 / 45 / 9

HEX #E7BD7E

RGB 231 189 126

HSL 36, 0.69%, 0.7%

LAB 78.98, 7.06, 37.43

 

CMYK 45 / 0 / 41 / 9

HEX #7EE788

RGB 126 231 136

HSL 125.71, 0.69%, 0.7%

LAB 83.63, -49.76, 36.99

 

Description

Color code: HEX #7EA7E7 | qconv.com Color code: HEX #7EA7E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 167 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 167 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 28 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 28% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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