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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E9F2D it is the complementary color #8160D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E9F2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E9F2D shade: #839F28, #94B13B, #A5C34E, #B6D561 and #C7E774

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E9F2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E9F2D shade: #7E9F2D, #6D8D1A, #5C7B07, #4B6900 and #3A5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E9F2D shade: #7E9F2D, #9D9F2D, #9F832D, #9F642D and #9F452D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E9F2D shade: #7E9F2D, #5F9F2D, #409F2D, #2D9F38 and #2D9F57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E9F2D shade matches the following richer shades: #7E9F2D, #85B01C and #8CC00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E9F2D shade: #7E9F2D, #778F3D, #707E4E, #696E5E and #625D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E9F2D shade: #9F832D, #9D9F2D, #7F9F2D, #609F2D and #429F2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E9F2D shade: #4B5F1B, #657F24, #7E9F2D, #98BF36 and #AACE51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E9F2D shade: #7E9F2D, #2D9F64 and #922D9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E9F2D shade: #7E9F2D, #2D7F9F and #9F2D7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E9F2D shade: #7E9F2D, #2D9F64, #4D2D9F and #9F2D68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E9F2D shade: #7E9F2D, #2D9F86, #4D2D9F and #9F2D46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

Complementary color

CMYK 39 / 54 / 0 / 18

HEX #8160D2

RGB 129 96 210

HSL 257.37, 0.56%, 0.6%

LAB 49.11, 39.14, -54.46

 

CMYK 18 / 0 / 75 / 38

HEX #839F28

RGB 131 159 40

HSL 74.12, 0.6%, 0.39%

LAB 61.46, -26.23, 55.04

 

CMYK 16 / 0 / 67 / 31

HEX #94B13B

RGB 148 177 59

HSL 74.75, 0.5%, 0.46%

LAB 68.06, -26.8, 54.79

 

CMYK 15 / 0 / 60 / 24

HEX #A5C34E

RGB 165 195 78

HSL 75.38, 0.49%, 0.54%

LAB 74.56, -27.22, 54.07

 

CMYK 15 / 0 / 54 / 16

HEX #B6D561

RGB 182 213 97

HSL 76.03, 0.58%, 0.61%

LAB 80.96, -27.53, 53.11

 

CMYK 14 / 0 / 50 / 9

HEX #C7E774

RGB 199 231 116

HSL 76.7, 0.71%, 0.68%

LAB 87.27, -27.76, 52.05

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 23 / 0 / 82 / 45

HEX #6D8D1A

RGB 109 141 26

HSL 76.7, 0.69%, 0.33%

LAB 54.42, -27.37, 52.52

 

CMYK 25 / 0 / 94 / 52

HEX #5C7B07

RGB 92 123 7

HSL 76.03, 0.89%, 0.25%

LAB 47.57, -26.45, 50.78

 

CMYK 29 / 0 / 100 / 59

HEX #4B6900

RGB 75 105 0

HSL 77.14, 1%, 0.21%

LAB 40.57, -25.15, 46.4

 

CMYK 33 / 0 / 100 / 66

HEX #3A5700

RGB 58 87 0

HSL 80, 1%, 0.17%

LAB 33.38, -23.62, 40.42

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 1 / 0 / 72 / 38

HEX #9D9F2D

RGB 157 159 45

HSL 61.05, 0.56%, 0.4%

LAB 63.47, -14.77, 55.85

 

CMYK 0 / 18 / 72 / 38

HEX #9F832D

RGB 159 131 45

HSL 45.26, 0.56%, 0.4%

LAB 55.88, 1.24, 48.38

 

CMYK 0 / 37 / 72 / 38

HEX #9F642D

RGB 159 100 45

HSL 28.95, 0.56%, 0.4%

LAB 47.85, 18.83, 40.01

 

CMYK 0 / 57 / 72 / 38

HEX #9F452D

RGB 159 69 45

HSL 12.63, 0.56%, 0.4%

LAB 40.92, 35.8, 32.37

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 40 / 0 / 72 / 38

HEX #5F9F2D

RGB 95 159 45

HSL 93.68, 0.56%, 0.4%

LAB 59.36, -39.89, 50.4

 

CMYK 60 / 0 / 72 / 38

HEX #409F2D

RGB 64 159 45

HSL 110, 0.56%, 0.4%

LAB 58.11, -49.32, 48.71

 

CMYK 72 / 0 / 65 / 38

HEX #2D9F38

RGB 45 159 56

HSL 125.79, 0.56%, 0.4%

LAB 57.69, -52.37, 43.49

 

CMYK 72 / 0 / 45 / 38

HEX #2D9F57

RGB 45 159 87

HSL 142.11, 0.56%, 0.4%

LAB 58.08, -47.9, 28.63

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 24 / 0 / 84 / 31

HEX #85B01C

RGB 133 176 28

HSL 77.43, 0.73%, 0.4%

LAB 66.61, -34, 63.35

 

CMYK 27 / 0 / 94 / 25

HEX #8CC00C

RGB 140 192 12

HSL 77.33, 0.88%, 0.4%

LAB 71.76, -38.86, 70.66

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 17 / 0 / 57 / 44

HEX #778F3D

RGB 119 143 61

HSL 77.56, 0.4%, 0.4%

LAB 55.99, -21.73, 40.13

 

CMYK 11 / 0 / 38 / 51

HEX #707E4E

RGB 112 126 78

HSL 77.5, 0.24%, 0.4%

LAB 50.59, -13.75, 24.45

 

CMYK 5 / 0 / 15 / 57

HEX #696E5E

RGB 105 110 94

HSL 78.75, 0.08%, 0.4%

LAB 45.58, -5.07, 8.28

 

CMYK 12 / 16 / 0 / 56

HEX #625D6F

RGB 98 93 111

HSL 256.67, 0.09%, 0.4%

LAB 40.53, 5.92, -9.49

 

CMYK 0 / 18 / 72 / 38

HEX #9F832D

RGB 159 131 45

HSL 45.26, 0.56%, 0.4%

LAB 55.88, 1.24, 48.38

 

CMYK 1 / 0 / 72 / 38

HEX #9D9F2D

RGB 157 159 45

HSL 61.05, 0.56%, 0.4%

LAB 63.47, -14.77, 55.85

 

CMYK 20 / 0 / 72 / 38

HEX #7F9F2D

RGB 127 159 45

HSL 76.84, 0.56%, 0.4%

LAB 61.22, -27.6, 52.88

 

CMYK 40 / 0 / 72 / 38

HEX #609F2D

RGB 96 159 45

HSL 93.16, 0.56%, 0.4%

LAB 59.41, -39.54, 50.46

 

CMYK 58 / 0 / 72 / 38

HEX #429F2D

RGB 66 159 45

HSL 108.95, 0.56%, 0.4%

LAB 58.17, -48.8, 48.8

 

CMYK 21 / 0 / 72 / 63

HEX #4B5F1B

RGB 75 95 27

HSL 77.65, 0.56%, 0.24%

LAB 37.41, -18.72, 34.92

 

CMYK 20 / 0 / 72 / 50

HEX #657F24

RGB 101 127 36

HSL 77.14, 0.56%, 0.32%

LAB 49.58, -23.27, 44.14

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 20 / 0 / 72 / 25

HEX #98BF36

RGB 152 191 54

HSL 77.08, 0.56%, 0.48%

LAB 72.36, -32.16, 61.16

 

CMYK 17 / 0 / 61 / 19

HEX #AACE51

RGB 170 206 81

HSL 77.28, 0.56%, 0.56%

LAB 78.04, -30.24, 56.7

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 72 / 0 / 37 / 38

HEX #2D9F64

RGB 45 159 100

HSL 148.95, 0.56%, 0.4%

LAB 58.3, -45.43, 21.91

 

CMYK 8 / 72 / 0 / 38

HEX #922D9F

RGB 146 45 159

HSL 293.16, 0.56%, 0.4%

LAB 38.71, 56.8, -41.12

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 72 / 20 / 0 / 38

HEX #2D7F9F

RGB 45 127 159

HSL 196.84, 0.56%, 0.4%

LAB 49.79, -13.78, -24.27

 

CMYK 0 / 72 / 20 / 38

HEX #9F2D7F

RGB 159 45 127

HSL 316.84, 0.56%, 0.4%

LAB 39.21, 54.73, -20.65

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 72 / 0 / 37 / 38

HEX #2D9F64

RGB 45 159 100

HSL 148.95, 0.56%, 0.4%

LAB 58.3, -45.43, 21.91

 

CMYK 52 / 72 / 0 / 38

HEX #4D2D9F

RGB 77 45 159

HSL 256.84, 0.56%, 0.4%

LAB 29.31, 42.76, -56.78

 

CMYK 0 / 72 / 35 / 38

HEX #9F2D68

RGB 159 45 104

HSL 328.95, 0.56%, 0.4%

LAB 38.28, 51.74, -7.69

 

CMYK 21 / 0 / 72 / 38

HEX #7E9F2D

RGB 126 159 45

HSL 77.37, 0.56%, 0.4%

LAB 61.15, -28.01, 52.79

 

CMYK 72 / 0 / 16 / 38

HEX #2D9F86

RGB 45 159 134

HSL 166.84, 0.56%, 0.4%

LAB 59.04, -37.49, 3.98

 

CMYK 52 / 72 / 0 / 38

HEX #4D2D9F

RGB 77 45 159

HSL 256.84, 0.56%, 0.4%

LAB 29.31, 42.76, -56.78

 

CMYK 0 / 72 / 56 / 38

HEX #9F2D46

RGB 159 45 70

HSL 346.84, 0.56%, 0.4%

LAB 37.28, 48.37, 12.5

 

Description

Color code: HEX #7E9F2D | qconv.com Color code: HEX #7E9F2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 159 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 159 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 72 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 72% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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