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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E9610 it is the complementary color #8169EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E9610. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E9610 shade: #83960B, #94A81E, #A5BA31, #B6CC44 and #C7DE57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E9610. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E9610 shade: #7E9610, #6D8400, #5C7200, #4B6000 and #3A4E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E9610 shade: #809810, #988C10, #986710, #984210 and #981E10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E9610 shade: #809810, #5B9810, #369810, #129810 and #109833

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E9610 shade matches the following richer shades: #809810 and #89A602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E9610 shade: #809810, #778B1E, #6E7D2B, #666F39 and #5D6246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E9610 shade: #986610, #988B10, #829810, #5D9810 and #399810

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E9610 shade: #414E08, #61730C, #809810, #9FBE14 and #BFE318

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E9610 shade: #7E9610, #109842 and #791098

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E9610 shade: #7E9610, #108298 and #981082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E9610 shade: #7E9610, #109842, #271098 and #981066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E9610 shade: #7E9610, #10986B, #271098 and #98103D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 89 / 41

HEX #7E9610

RGB 126 150 16

HSL 70.75, 0.81%, 0.33%

LAB 58.31, -24.87, 58.81

 

Complementary color

CMYK 46 / 56 / 0 / 6

HEX #8169EF

RGB 129 105 239

HSL 250.75, 0.81%, 0.67%

LAB 52.95, 42.03, -64.66

 

CMYK 13 / 0 / 93 / 41

HEX #83960B

RGB 131 150 11

HSL 68.2, 0.86%, 0.32%

LAB 58.66, -22.81, 60.14

 

CMYK 12 / 0 / 82 / 34

HEX #94A81E

RGB 148 168 30

HSL 68.7, 0.7%, 0.39%

LAB 65.27, -23.89, 62.07

 

CMYK 11 / 0 / 74 / 27

HEX #A5BA31

RGB 165 186 49

HSL 69.2, 0.58%, 0.46%

LAB 71.78, -24.74, 62.65

 

CMYK 11 / 0 / 67 / 20

HEX #B6CC44

RGB 182 204 68

HSL 69.71, 0.57%, 0.53%

LAB 78.2, -25.4, 62.45

 

CMYK 10 / 0 / 61 / 13

HEX #C7DE57

RGB 199 222 87

HSL 70.22, 0.67%, 0.61%

LAB 84.52, -25.94, 61.81

 

CMYK 16 / 0 / 89 / 41

HEX #7E9610

RGB 126 150 16

HSL 70.75, 0.81%, 0.33%

LAB 58.31, -24.87, 58.81

 

CMYK 17 / 0 / 100 / 48

HEX #6D8400

RGB 109 132 0

HSL 70.45, 1%, 0.26%

LAB 51.56, -23.68, 55.77

 

CMYK 19 / 0 / 100 / 55

HEX #5C7200

RGB 92 114 0

HSL 71.58, 1%, 0.22%

LAB 44.67, -22.14, 50.04

 

CMYK 22 / 0 / 100 / 62

HEX #4B6000

RGB 75 96 0

HSL 73.13, 1%, 0.19%

LAB 37.59, -20.58, 44.14

 

CMYK 26 / 0 / 100 / 69

HEX #3A4E00

RGB 58 78 0

HSL 75.38, 1%, 0.15%

LAB 30.27, -18.99, 38.04

 

CMYK 16 / 0 / 89 / 40

HEX #809810

RGB 128 152 16

HSL 70.59, 0.81%, 0.33%

LAB 59.05, -25, 59.48

 

CMYK 0 / 8 / 89 / 40

HEX #988C10

RGB 152 140 16

HSL 54.71, 0.81%, 0.33%

LAB 57.53, -8, 59.07

 

CMYK 0 / 32 / 89 / 40

HEX #986710

RGB 152 103 16

HSL 38.38, 0.81%, 0.33%

LAB 47.51, 12.8, 51.07

 

CMYK 0 / 57 / 89 / 40

HEX #984210

RGB 152 66 16

HSL 22.06, 0.81%, 0.33%

LAB 38.91, 33.45, 44.23

 

CMYK 0 / 80 / 89 / 40

HEX #981E10

RGB 152 30 16

HSL 6.18, 0.81%, 0.33%

LAB 33.22, 48.75, 39.71

 

CMYK 16 / 0 / 89 / 40

HEX #809810

RGB 128 152 16

HSL 70.59, 0.81%, 0.33%

LAB 59.05, -25, 59.48

 

CMYK 40 / 0 / 89 / 40

HEX #5B9810

RGB 91 152 16

HSL 86.91, 0.81%, 0.33%

LAB 56.8, -39.82, 56.69

 

CMYK 64 / 0 / 89 / 40

HEX #369810

RGB 54 152 16

HSL 103.24, 0.81%, 0.33%

LAB 55.36, -51, 54.89

 

CMYK 88 / 0 / 89 / 40

HEX #129810

RGB 18 152 16

HSL 119.12, 0.81%, 0.33%

LAB 54.68, -56.85, 54.04

 

CMYK 89 / 0 / 66 / 40

HEX #109833

RGB 16 152 51

HSL 135.44, 0.81%, 0.33%

LAB 54.87, -54.37, 42.46

 

CMYK 16 / 0 / 89 / 40

HEX #809810

RGB 128 152 16

HSL 70.59, 0.81%, 0.33%

LAB 59.05, -25, 59.48

 

CMYK 17 / 0 / 99 / 35

HEX #89A602

RGB 137 166 2

HSL 70.61, 0.98%, 0.33%

LAB 63.83, -28.23, 65.61

 

CMYK 16 / 0 / 89 / 40

HEX #809810

RGB 128 152 16

HSL 70.59, 0.81%, 0.33%

LAB 59.05, -25, 59.48

 

CMYK 14 / 0 / 78 / 45

HEX #778B1E

RGB 119 139 30

HSL 71.01, 0.64%, 0.33%

LAB 54.53, -21.9, 51.61

 

CMYK 12 / 0 / 66 / 51

HEX #6E7D2B

RGB 110 125 43

HSL 70.98, 0.49%, 0.33%

LAB 49.69, -17.82, 41.43

 

CMYK 8 / 0 / 49 / 56

HEX #666F39

RGB 102 111 57

HSL 70, 0.32%, 0.33%

LAB 44.93, -12.46, 28.77

 

CMYK 5 / 0 / 29 / 62

HEX #5D6246

RGB 93 98 70

HSL 70.71, 0.17%, 0.33%

LAB 40.42, -7.24, 15.33

 

CMYK 0 / 33 / 89 / 40

HEX #986610

RGB 152 102 16

HSL 37.94, 0.81%, 0.33%

LAB 47.26, 13.38, 50.87

 

CMYK 0 / 9 / 89 / 40

HEX #988B10

RGB 152 139 16

HSL 54.26, 0.81%, 0.33%

LAB 57.25, -7.46, 58.84

 

CMYK 14 / 0 / 89 / 40

HEX #829810

RGB 130 152 16

HSL 69.71, 0.81%, 0.33%

LAB 59.2, -24.13, 59.66

 

CMYK 39 / 0 / 89 / 40

HEX #5D9810

RGB 93 152 16

HSL 86.03, 0.81%, 0.33%

LAB 56.9, -39.1, 56.82

 

CMYK 63 / 0 / 89 / 40

HEX #399810

RGB 57 152 16

HSL 101.91, 0.81%, 0.33%

LAB 55.45, -50.28, 55

 

CMYK 17 / 0 / 90 / 69

HEX #414E08

RGB 65 78 8

HSL 71.14, 0.81%, 0.17%

LAB 30.85, -15.26, 35.78

 

CMYK 16 / 0 / 90 / 55

HEX #61730C

RGB 97 115 12

HSL 70.49, 0.81%, 0.25%

LAB 45.4, -20.06, 48.09

 

CMYK 16 / 0 / 89 / 40

HEX #809810

RGB 128 152 16

HSL 70.59, 0.81%, 0.33%

LAB 59.05, -25, 59.48

 

CMYK 16 / 0 / 89 / 25

HEX #9FBE14

RGB 159 190 20

HSL 70.94, 0.81%, 0.41%

LAB 72.39, -30.16, 70.52

 

CMYK 16 / 0 / 89 / 11

HEX #BFE318

RGB 191 227 24

HSL 70.64, 0.81%, 0.49%

LAB 85.04, -34.26, 80.97

 

CMYK 16 / 0 / 89 / 41

HEX #7E9610

RGB 126 150 16

HSL 70.75, 0.81%, 0.33%

LAB 58.31, -24.87, 58.81

 

CMYK 89 / 0 / 57 / 40

HEX #109842

RGB 16 152 66

HSL 142.06, 0.81%, 0.33%

LAB 55.03, -52.41, 35.57

 

CMYK 20 / 89 / 0 / 40

HEX #791098

RGB 121 16 152

HSL 286.32, 0.81%, 0.33%

LAB 31.12, 59.3, -49.3

 

CMYK 16 / 0 / 89 / 41

HEX #7E9610

RGB 126 150 16

HSL 70.75, 0.81%, 0.33%

LAB 58.31, -24.87, 58.81

 

CMYK 89 / 14 / 0 / 40

HEX #108298

RGB 16 130 152

HSL 189.71, 0.81%, 0.33%

LAB 49.91, -20.89, -20.05

 

CMYK 0 / 89 / 14 / 40

HEX #981082

RGB 152 16 130

HSL 309.71, 0.81%, 0.33%

LAB 35.32, 61.42, -28.68

 

CMYK 16 / 0 / 89 / 41

HEX #7E9610

RGB 126 150 16

HSL 70.75, 0.81%, 0.33%

LAB 58.31, -24.87, 58.81

 

CMYK 89 / 0 / 57 / 40

HEX #109842

RGB 16 152 66

HSL 142.06, 0.81%, 0.33%

LAB 55.03, -52.41, 35.57

 

CMYK 74 / 89 / 0 / 40

HEX #271098

RGB 39 16 152

HSL 250.15, 0.81%, 0.33%

LAB 20.32, 49.9, -67.45

 

CMYK 0 / 89 / 33 / 40

HEX #981066

RGB 152 16 102

HSL 322.06, 0.81%, 0.33%

LAB 33.99, 57.87, -13.03

 

CMYK 16 / 0 / 89 / 41

HEX #7E9610

RGB 126 150 16

HSL 70.75, 0.81%, 0.33%

LAB 58.31, -24.87, 58.81

 

CMYK 89 / 0 / 30 / 40

HEX #10986B

RGB 16 152 107

HSL 160.15, 0.81%, 0.33%

LAB 55.71, -44.45, 14.43

 

CMYK 74 / 89 / 0 / 40

HEX #271098

RGB 39 16 152

HSL 250.15, 0.81%, 0.33%

LAB 20.32, 49.9, -67.45

 

CMYK 0 / 89 / 60 / 40

HEX #98103D

RGB 152 16 61

HSL 340.15, 0.81%, 0.33%

LAB 32.66, 54.16, 11.79

 

Description

Color code: HEX #7E9610 | qconv.com Color code: HEX #7E9610 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 150 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 150 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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