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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E8BBB it is the complementary color #817444. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E8BBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E8BBB shade: #838BB6, #949DC9, #A5AFDC, #B6C1EF and #C7D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E8BBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E8BBB shade: #7E8BBB, #6D79A8, #5C6795, #4B5582 and #3A436F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E8BBB shade: #7D8ABA, #807DBA, #917DBA, #A17DBA and #B27DBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E8BBB shade: #7D8ABA and #7D7DBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E8BBB shade matches the following richer shades: #7D8ABA, #6D81CA, #5D77DB, #4C6EEB and #3C65FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E8BBB shade: #7D8ABA, #8D93AA, #9D9C9A, #ADA68A and #BDAF7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E8BBB shade: #7DABBA, #7D9BBA, #7D8ABA, #807DBA and #907DBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E8BBB shade: #4F5E96, #6272AC, #7D8ABA, #98A2C9 and #B3BAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E8BBB shade: #7E8BBB, #B97DBA and #A3BA7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E8BBB shade: #7E8BBB, #BA7D8A and #8ABA7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E8BBB shade: #7E8BBB, #B97DBA, #BAAD7D and #7EBA7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E8BBB shade: #7E8BBB, #BA7DA9, #BAAD7D and #7DBA8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 26 / 0 / 27

HEX #7E8BBB

RGB 126 139 187

HSL 227.21, 0.31%, 0.61%

LAB 58.5, 6.78, -26.59

 

Complementary color

CMYK 0 / 10 / 47 / 49

HEX #817444

RGB 129 116 68

HSL 47.21, 0.31%, 0.39%

LAB 48.98, -2.04, 28.26

 

CMYK 28 / 24 / 0 / 29

HEX #838BB6

RGB 131 139 182

HSL 230.59, 0.26%, 0.61%

LAB 58.67, 7, -23.46

 

CMYK 26 / 22 / 0 / 21

HEX #949DC9

RGB 148 157 201

HSL 229.81, 0.33%, 0.68%

LAB 65.46, 6.63, -23.62

 

CMYK 25 / 20 / 0 / 14

HEX #A5AFDC

RGB 165 175 220

HSL 229.09, 0.44%, 0.75%

LAB 72.11, 6.31, -23.81

 

CMYK 24 / 19 / 0 / 6

HEX #B6C1EF

RGB 182 193 239

HSL 228.42, 0.64%, 0.83%

LAB 78.65, 6.01, -24.03

 

CMYK 22 / 17 / 0 / 0

HEX #C7D3FF

RGB 199 211 255

HSL 227.14, 1%, 0.89%

LAB 84.97, 5.06, -22.82

 

CMYK 33 / 26 / 0 / 27

HEX #7E8BBB

RGB 126 139 187

HSL 227.21, 0.31%, 0.61%

LAB 58.5, 6.78, -26.59

 

CMYK 35 / 28 / 0 / 34

HEX #6D79A8

RGB 109 121 168

HSL 227.8, 0.25%, 0.54%

LAB 51.56, 7.25, -26.51

 

CMYK 38 / 31 / 0 / 42

HEX #5C6795

RGB 92 103 149

HSL 228.42, 0.24%, 0.47%

LAB 44.44, 7.8, -26.49

 

CMYK 42 / 35 / 0 / 49

HEX #4B5582

RGB 75 85 130

HSL 229.09, 0.27%, 0.4%

LAB 37.12, 8.47, -26.54

 

CMYK 48 / 40 / 0 / 56

HEX #3A436F

RGB 58 67 111

HSL 229.81, 0.31%, 0.33%

LAB 29.57, 9.32, -26.67

 

CMYK 33 / 26 / 0 / 27

HEX #7D8ABA

RGB 125 138 186

HSL 227.21, 0.31%, 0.61%

LAB 58.11, 6.81, -26.62

 

CMYK 31 / 33 / 0 / 27

HEX #807DBA

RGB 128 125 186

HSL 242.95, 0.31%, 0.61%

LAB 54.87, 15.32, -31.63

 

CMYK 22 / 33 / 0 / 27

HEX #917DBA

RGB 145 125 186

HSL 259.67, 0.31%, 0.61%

LAB 56.32, 20.47, -29.26

 

CMYK 13 / 33 / 0 / 27

HEX #A17DBA

RGB 161 125 186

HSL 275.41, 0.31%, 0.61%

LAB 57.84, 25.52, -26.79

 

CMYK 4 / 33 / 0 / 27

HEX #B27DBA

RGB 178 125 186

HSL 292.13, 0.31%, 0.61%

LAB 59.6, 31.02, -23.94

 

CMYK 33 / 26 / 0 / 27

HEX #7D8ABA

RGB 125 138 186

HSL 227.21, 0.31%, 0.61%

LAB 58.11, 6.81, -26.62

 

CMYK 33 / 33 / 0 / 27

HEX #7D7DBA

RGB 125 125 186

HSL 240, 0.31%, 0.61%

LAB 54.63, 14.44, -32.02

 

CMYK 33 / 26 / 0 / 27

HEX #7D8ABA

RGB 125 138 186

HSL 227.21, 0.31%, 0.61%

LAB 58.11, 6.81, -26.62

 

CMYK 46 / 36 / 0 / 21

HEX #6D81CA

RGB 109 129 202

HSL 227.1, 0.47%, 0.61%

LAB 55.29, 12.28, -40.18

 

CMYK 58 / 46 / 0 / 14

HEX #5D77DB

RGB 93 119 219

HSL 227.62, 0.64%, 0.61%

LAB 52.55, 20.11, -54.21

 

CMYK 68 / 53 / 0 / 8

HEX #4C6EEB

RGB 76 110 235

HSL 227.17, 0.8%, 0.61%

LAB 50.32, 28.19, -66.85

 

CMYK 76 / 60 / 0 / 2

HEX #3C65FB

RGB 60 101 251

HSL 227.12, 0.96%, 0.61%

LAB 48.55, 37.48, -78.69

 

CMYK 33 / 26 / 0 / 27

HEX #7D8ABA

RGB 125 138 186

HSL 227.21, 0.31%, 0.61%

LAB 58.11, 6.81, -26.62

 

CMYK 17 / 14 / 0 / 33

HEX #8D93AA

RGB 141 147 170

HSL 227.59, 0.15%, 0.61%

LAB 61.16, 2.75, -12.78

 

CMYK 0 / 1 / 2 / 38

HEX #9D9C9A

RGB 157 156 154

HSL 40, 0.02%, 0.61%

LAB 64.39, -0.01, 1.16

 

CMYK 0 / 4 / 20 / 32

HEX #ADA68A

RGB 173 166 138

HSL 48, 0.18%, 0.61%

LAB 68.01, -2.2, 15.42

 

CMYK 0 / 7 / 35 / 26

HEX #BDAF7A

RGB 189 175 122

HSL 47.46, 0.34%, 0.61%

LAB 71.48, -2.89, 29.02

 

CMYK 33 / 8 / 0 / 27

HEX #7DABBA

RGB 125 171 186

HSL 194.75, 0.31%, 0.61%

LAB 67.3, -11.64, -12.63

 

CMYK 33 / 17 / 0 / 27

HEX #7D9BBA

RGB 125 155 186

HSL 210.49, 0.31%, 0.61%

LAB 62.8, -2.89, -19.43

 

CMYK 33 / 26 / 0 / 27

HEX #7D8ABA

RGB 125 138 186

HSL 227.21, 0.31%, 0.61%

LAB 58.11, 6.81, -26.62

 

CMYK 31 / 33 / 0 / 27

HEX #807DBA

RGB 128 125 186

HSL 242.95, 0.31%, 0.61%

LAB 54.87, 15.32, -31.63

 

CMYK 23 / 33 / 0 / 27

HEX #907DBA

RGB 144 125 186

HSL 258.69, 0.31%, 0.61%

LAB 56.23, 20.16, -29.41

 

CMYK 47 / 37 / 0 / 41

HEX #4F5E96

RGB 79 94 150

HSL 227.32, 0.31%, 0.45%

LAB 41.01, 10.11, -32.53

 

CMYK 43 / 34 / 0 / 33

HEX #6272AC

RGB 98 114 172

HSL 227.03, 0.31%, 0.53%

LAB 49.02, 9.51, -32.85

 

CMYK 33 / 26 / 0 / 27

HEX #7D8ABA

RGB 125 138 186

HSL 227.21, 0.31%, 0.61%

LAB 58.11, 6.81, -26.62

 

CMYK 24 / 19 / 0 / 21

HEX #98A2C9

RGB 152 162 201

HSL 227.76, 0.31%, 0.69%

LAB 67.08, 5.05, -21.12

 

CMYK 17 / 13 / 0 / 16

HEX #B3BAD7

RGB 179 186 215

HSL 228.33, 0.31%, 0.77%

LAB 75.83, 3.51, -15.36

 

CMYK 33 / 26 / 0 / 27

HEX #7E8BBB

RGB 126 139 187

HSL 227.21, 0.31%, 0.61%

LAB 58.5, 6.78, -26.59

 

CMYK 1 / 33 / 0 / 27

HEX #B97DBA

RGB 185 125 186

HSL 299.02, 0.31%, 0.61%

LAB 60.36, 33.3, -22.7

 

CMYK 12 / 0 / 33 / 27

HEX #A3BA7D

RGB 163 186 125

HSL 82.62, 0.31%, 0.61%

LAB 72.49, -18.42, 28.4

 

CMYK 33 / 26 / 0 / 27

HEX #7E8BBB

RGB 126 139 187

HSL 227.21, 0.31%, 0.61%

LAB 58.5, 6.78, -26.59

 

CMYK 0 / 33 / 26 / 27

HEX #BA7D8A

RGB 186 125 138

HSL 347.21, 0.31%, 0.61%

LAB 58.92, 25.52, 2.68

 

CMYK 26 / 0 / 33 / 27

HEX #8ABA7D

RGB 138 186 125

HSL 107.21, 0.31%, 0.61%

LAB 70.87, -27.55, 25.96

 

CMYK 33 / 26 / 0 / 27

HEX #7E8BBB

RGB 126 139 187

HSL 227.21, 0.31%, 0.61%

LAB 58.5, 6.78, -26.59

 

CMYK 1 / 33 / 0 / 27

HEX #B97DBA

RGB 185 125 186

HSL 299.02, 0.31%, 0.61%

LAB 60.36, 33.3, -22.7

 

CMYK 0 / 7 / 33 / 27

HEX #BAAD7D

RGB 186 173 125

HSL 47.21, 0.31%, 0.61%

LAB 70.74, -2.66, 26.39

 

CMYK 32 / 0 / 33 / 27

HEX #7EBA7D

RGB 126 186 125

HSL 119.02, 0.31%, 0.61%

LAB 70.2, -31.63, 24.94

 

CMYK 33 / 26 / 0 / 27

HEX #7E8BBB

RGB 126 139 187

HSL 227.21, 0.31%, 0.61%

LAB 58.5, 6.78, -26.59

 

CMYK 0 / 33 / 9 / 27

HEX #BA7DA9

RGB 186 125 169

HSL 316.72, 0.31%, 0.61%

LAB 59.86, 30.52, -13.75

 

CMYK 0 / 7 / 33 / 27

HEX #BAAD7D

RGB 186 173 125

HSL 47.21, 0.31%, 0.61%

LAB 70.74, -2.66, 26.39

 

CMYK 33 / 0 / 24 / 27

HEX #7DBA8E

RGB 125 186 142

HSL 136.72, 0.31%, 0.61%

LAB 70.48, -28.95, 16.18

 

Description

Color code: HEX #7E8BBB | qconv.com Color code: HEX #7E8BBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 139 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 139 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 26 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 26% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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