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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E881D it is the complementary color #8177E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E881D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E881D shade: #838818, #949A2B, #A5AC3E, #B6BE51 and #C7D064

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E881D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E881D shade: #7E881D, #6D760A, #5C6400, #4B5200 and #3A4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E881D shade: #7D871D, #87741D, #87571D, #873B1D and #871E1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E881D shade: #7D871D, #60871D, #44871D, #27871D and #1D872F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E881D shade matches the following richer shades: #7D871D, #87940F and #92A102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E881D shade: #7D871D, #72792A, #676C37, #5D5F44 and #525251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E881D shade: #87571D, #87731D, #7E871D, #62871D and #45871D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E881D shade: #3E430E, #5D6515, #7D871D, #9CA924 and #BCCB2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E881D shade: #7E881D, #1D873B and #651D87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E881D shade: #7E881D, #1D7E87 and #871D7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E881D shade: #7E881D, #1D873B, #251D87 and #871D69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E881D shade: #7E881D, #1D875A, #251D87 and #871D49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 79 / 47

HEX #7E881D

RGB 126 136 29

HSL 65.61, 0.65%, 0.32%

LAB 54.17, -17.29, 51.8

 

Complementary color

CMYK 43 / 47 / 0 / 11

HEX #8177E2

RGB 129 119 226

HSL 245.61, 0.65%, 0.68%

LAB 55.43, 30.16, -53.4

 

CMYK 4 / 0 / 82 / 47

HEX #838818

RGB 131 136 24

HSL 62.68, 0.7%, 0.31%

LAB 54.55, -15.24, 53.85

 

CMYK 4 / 0 / 72 / 40

HEX #949A2B

RGB 148 154 43

HSL 63.24, 0.56%, 0.39%

LAB 61.29, -16.23, 54.23

 

CMYK 4 / 0 / 64 / 33

HEX #A5AC3E

RGB 165 172 62

HSL 63.82, 0.47%, 0.46%

LAB 67.91, -17, 53.78

 

CMYK 4 / 0 / 57 / 25

HEX #B6BE51

RGB 182 190 81

HSL 64.4, 0.46%, 0.53%

LAB 74.42, -17.61, 52.93

 

CMYK 4 / 0 / 52 / 18

HEX #C7D064

RGB 199 208 100

HSL 65, 0.53%, 0.6%

LAB 80.84, -18.09, 51.89

 

CMYK 7 / 0 / 79 / 47

HEX #7E881D

RGB 126 136 29

HSL 65.61, 0.65%, 0.32%

LAB 54.17, -17.29, 51.8

 

CMYK 8 / 0 / 92 / 54

HEX #6D760A

RGB 109 118 10

HSL 65, 0.84%, 0.25%

LAB 47.27, -16.18, 50.46

 

CMYK 8 / 0 / 100 / 61

HEX #5C6400

RGB 92 100 0

HSL 64.8, 1%, 0.2%

LAB 40.23, -14.72, 46.71

 

CMYK 9 / 0 / 100 / 68

HEX #4B5200

RGB 75 82 0

HSL 65.12, 1%, 0.16%

LAB 32.99, -12.96, 40.68

 

CMYK 9 / 0 / 100 / 75

HEX #3A4000

RGB 58 64 0

HSL 65.63, 1%, 0.13%

LAB 25.46, -11.14, 33.99

 

CMYK 7 / 0 / 79 / 47

HEX #7D871D

RGB 125 135 29

HSL 65.66, 0.65%, 0.32%

LAB 53.79, -17.22, 51.43

 

CMYK 0 / 14 / 79 / 47

HEX #87741D

RGB 135 116 29

HSL 49.25, 0.65%, 0.32%

LAB 49.17, -2.2, 47.48

 

CMYK 0 / 36 / 79 / 47

HEX #87571D

RGB 135 87 29

HSL 32.83, 0.65%, 0.32%

LAB 41.3, 14.65, 39.97

 

CMYK 0 / 56 / 79 / 47

HEX #873B1D

RGB 135 59 29

HSL 16.98, 0.65%, 0.32%

LAB 34.74, 30.58, 33.36

 

CMYK 0 / 78 / 79 / 47

HEX #871E1D

RGB 135 30 29

HSL 0.57, 0.65%, 0.32%

LAB 29.83, 43.7, 28.17

 

CMYK 7 / 0 / 79 / 47

HEX #7D871D

RGB 125 135 29

HSL 65.66, 0.65%, 0.32%

LAB 53.79, -17.22, 51.43

 

CMYK 29 / 0 / 79 / 47

HEX #60871D

RGB 96 135 29

HSL 82.08, 0.65%, 0.32%

LAB 51.73, -29.71, 48.76

 

CMYK 50 / 0 / 79 / 47

HEX #44871D

RGB 68 135 29

HSL 97.92, 0.65%, 0.32%

LAB 50.27, -40.01, 46.86

 

CMYK 71 / 0 / 79 / 47

HEX #27871D

RGB 39 135 29

HSL 114.34, 0.65%, 0.32%

LAB 49.31, -47.68, 45.6

 

CMYK 79 / 0 / 65 / 47

HEX #1D872F

RGB 29 135 47

HSL 130.19, 0.65%, 0.32%

LAB 49.25, -47.7, 38.06

 

CMYK 7 / 0 / 79 / 47

HEX #7D871D

RGB 125 135 29

HSL 65.66, 0.65%, 0.32%

LAB 53.79, -17.22, 51.43

 

CMYK 9 / 0 / 90 / 42

HEX #87940F

RGB 135 148 15

HSL 65.86, 0.82%, 0.32%

LAB 58.38, -19.94, 59.35

 

CMYK 9 / 0 / 99 / 37

HEX #92A102

RGB 146 161 2

HSL 65.66, 0.98%, 0.32%

LAB 63.02, -21.9, 65.28

 

CMYK 7 / 0 / 79 / 47

HEX #7D871D

RGB 125 135 29

HSL 65.66, 0.65%, 0.32%

LAB 53.79, -17.22, 51.43

 

CMYK 6 / 0 / 65 / 53

HEX #72792A

RGB 114 121 42

HSL 65.32, 0.48%, 0.32%

LAB 48.78, -13.96, 41.02

 

CMYK 5 / 0 / 49 / 58

HEX #676C37

RGB 103 108 55

HSL 65.66, 0.33%, 0.32%

LAB 44.07, -10.57, 28.83

 

CMYK 2 / 0 / 28 / 63

HEX #5D5F44

RGB 93 95 68

HSL 64.44, 0.17%, 0.32%

LAB 39.46, -5.8, 15.24

 

CMYK 0 / 0 / 1 / 68

HEX #525251

RGB 82 82 81

HSL 60, 0.01%, 0.32%

LAB 34.85, -0.21, 0.58

 

CMYK 0 / 36 / 79 / 47

HEX #87571D

RGB 135 87 29

HSL 32.83, 0.65%, 0.32%

LAB 41.3, 14.65, 39.97

 

CMYK 0 / 15 / 79 / 47

HEX #87731D

RGB 135 115 29

HSL 48.68, 0.65%, 0.32%

LAB 48.89, -1.64, 47.21

 

CMYK 7 / 0 / 79 / 47

HEX #7E871D

RGB 126 135 29

HSL 65.09, 0.65%, 0.32%

LAB 53.87, -16.77, 51.53

 

CMYK 27 / 0 / 79 / 47

HEX #62871D

RGB 98 135 29

HSL 80.94, 0.65%, 0.32%

LAB 51.85, -28.89, 48.92

 

CMYK 49 / 0 / 79 / 47

HEX #45871D

RGB 69 135 29

HSL 97.36, 0.65%, 0.32%

LAB 50.31, -39.68, 46.91

 

CMYK 7 / 0 / 79 / 74

HEX #3E430E

RGB 62 67 14

HSL 65.66, 0.65%, 0.16%

LAB 26.93, -10.09, 29.77

 

CMYK 8 / 0 / 79 / 60

HEX #5D6515

RGB 93 101 21

HSL 66, 0.66%, 0.24%

LAB 40.72, -14.04, 41.13

 

CMYK 7 / 0 / 79 / 47

HEX #7D871D

RGB 125 135 29

HSL 65.66, 0.65%, 0.32%

LAB 53.79, -17.22, 51.43

 

CMYK 8 / 0 / 79 / 34

HEX #9CA924

RGB 156 169 36

HSL 65.86, 0.65%, 0.4%

LAB 66.19, -20.72, 61.41

 

CMYK 7 / 0 / 79 / 20

HEX #BCCB2B

RGB 188 203 43

HSL 65.63, 0.65%, 0.48%

LAB 78.21, -23.66, 71.06

 

CMYK 7 / 0 / 79 / 47

HEX #7E881D

RGB 126 136 29

HSL 65.61, 0.65%, 0.32%

LAB 54.17, -17.29, 51.8

 

CMYK 79 / 0 / 56 / 47

HEX #1D873B

RGB 29 135 59

HSL 136.98, 0.65%, 0.32%

LAB 49.38, -46.08, 32.34

 

CMYK 25 / 79 / 0 / 47

HEX #651D87

RGB 101 29 135

HSL 280.75, 0.65%, 0.32%

LAB 27.83, 48.52, -44.27

 

CMYK 7 / 0 / 79 / 47

HEX #7E881D

RGB 126 136 29

HSL 65.61, 0.65%, 0.32%

LAB 54.17, -17.29, 51.8

 

CMYK 79 / 7 / 0 / 47

HEX #1D7E87

RGB 29 126 135

HSL 185.09, 0.65%, 0.32%

LAB 48.17, -23.43, -12.7

 

CMYK 0 / 79 / 7 / 47

HEX #871D7E

RGB 135 29 126

HSL 305.09, 0.65%, 0.32%

LAB 33, 54.1, -30.05

 

CMYK 7 / 0 / 79 / 47

HEX #7E881D

RGB 126 136 29

HSL 65.61, 0.65%, 0.32%

LAB 54.17, -17.29, 51.8

 

CMYK 79 / 0 / 56 / 47

HEX #1D873B

RGB 29 135 59

HSL 136.98, 0.65%, 0.32%

LAB 49.38, -46.08, 32.34

 

CMYK 73 / 79 / 0 / 47

HEX #251D87

RGB 37 29 135

HSL 244.53, 0.65%, 0.32%

LAB 20.13, 38.55, -57.18

 

CMYK 0 / 79 / 22 / 47

HEX #871D69

RGB 135 29 105

HSL 316.98, 0.65%, 0.32%

LAB 31.92, 50.94, -18.42

 

CMYK 7 / 0 / 79 / 47

HEX #7E881D

RGB 126 136 29

HSL 65.61, 0.65%, 0.32%

LAB 54.17, -17.29, 51.8

 

CMYK 79 / 0 / 33 / 47

HEX #1D875A

RGB 29 135 90

HSL 154.53, 0.65%, 0.32%

LAB 49.89, -40.23, 16.07

 

CMYK 73 / 79 / 0 / 47

HEX #251D87

RGB 37 29 135

HSL 244.53, 0.65%, 0.32%

LAB 20.13, 38.55, -57.18

 

CMYK 0 / 79 / 46 / 47

HEX #871D49

RGB 135 29 73

HSL 335.09, 0.65%, 0.32%

LAB 30.67, 47.11, 0.54

 

Description

Color code: HEX #7E881D | qconv.com Color code: HEX #7E881D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 136 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 136 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 79 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 79% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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