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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E8317 it is the complementary color #817CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E8317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E8317 shade: #838312, #949525, #A5A738, #B6B94B and #C7CB5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E8317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E8317 shade: #7E8317, #6D7104, #5C5F00, #4B4D00 and #3A3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E8317 shade: #7D8217, #826A17, #824D17, #823017 and #821717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E8317 shade: #7D8217, #608217, #438217, #268217 and #178224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E8317 shade matches the following richer shades: #7D8217 and #888E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E8317 shade: #7D8217, #727623, #676930, #5B5D3C and #505148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E8317 shade: #824D17, #826917, #7E8217, #628217 and #458217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E8317 shade: #3A3C0B, #5B5F11, #7D8217, #9FA51D and #C1C823

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E8317 shade: #7E8317, #178230 and #5B1782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E8317 shade: #7E8317, #177E82 and #82177E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E8317 shade: #7E8317, #178230, #1B1782 and #821769

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E8317 shade: #7E8317, #178250, #1B1782 and #821749

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 82 / 49

HEX #7E8317

RGB 126 131 23

HSL 62.78, 0.7%, 0.3%

LAB 52.65, -14.9, 52.31

 

Complementary color

CMYK 44 / 47 / 0 / 9

HEX #817CE8

RGB 129 124 232

HSL 242.78, 0.7%, 0.7%

LAB 56.99, 28.93, -54.28

 

CMYK 0 / 0 / 86 / 49

HEX #838312

RGB 131 131 18

HSL 60, 0.76%, 0.29%

LAB 53.06, -12.76, 54.18

 

CMYK 1 / 0 / 75 / 42

HEX #949525

RGB 148 149 37

HSL 60.54, 0.6%, 0.36%

LAB 59.82, -13.91, 54.99

 

CMYK 1 / 0 / 66 / 35

HEX #A5A738

RGB 165 167 56

HSL 61.08, 0.5%, 0.44%

LAB 66.46, -14.81, 54.76

 

CMYK 2 / 0 / 59 / 27

HEX #B6B94B

RGB 182 185 75

HSL 61.64, 0.44%, 0.51%

LAB 72.99, -15.53, 54.02

 

CMYK 2 / 0 / 54 / 20

HEX #C7CB5E

RGB 199 203 94

HSL 62.2, 0.51%, 0.58%

LAB 79.42, -16.11, 53.03

 

CMYK 4 / 0 / 82 / 49

HEX #7E8317

RGB 126 131 23

HSL 62.78, 0.7%, 0.3%

LAB 52.65, -14.9, 52.31

 

CMYK 4 / 0 / 96 / 56

HEX #6D7104

RGB 109 113 4

HSL 62.2, 0.93%, 0.23%

LAB 45.73, -13.63, 50.52

 

CMYK 3 / 0 / 100 / 63

HEX #5C5F00

RGB 92 95 0

HSL 61.89, 1%, 0.19%

LAB 38.66, -11.94, 45.55

 

CMYK 3 / 0 / 100 / 70

HEX #4B4D00

RGB 75 77 0

HSL 61.56, 1%, 0.15%

LAB 31.36, -10.08, 39.48

 

CMYK 2 / 0 / 100 / 77

HEX #3A3B00

RGB 58 59 0

HSL 61.02, 1%, 0.12%

LAB 23.76, -8.13, 32.34

 

CMYK 4 / 0 / 82 / 49

HEX #7D8217

RGB 125 130 23

HSL 62.8, 0.7%, 0.3%

LAB 52.27, -14.82, 51.95

 

CMYK 0 / 18 / 82 / 49

HEX #826A17

RGB 130 106 23

HSL 46.54, 0.7%, 0.3%

LAB 45.79, 0.91, 46.38

 

CMYK 0 / 41 / 82 / 49

HEX #824D17

RGB 130 77 23

HSL 30.28, 0.7%, 0.3%

LAB 38.05, 17.96, 39.3

 

CMYK 0 / 63 / 82 / 49

HEX #823017

RGB 130 48 23

HSL 14.02, 0.7%, 0.3%

LAB 31.63, 33.99, 33.15

 

CMYK 0 / 82 / 82 / 49

HEX #821717

RGB 130 23 23

HSL 0, 0.7%, 0.3%

LAB 27.9, 44.17, 29.43

 

CMYK 4 / 0 / 82 / 49

HEX #7D8217

RGB 125 130 23

HSL 62.8, 0.7%, 0.3%

LAB 52.27, -14.82, 51.95

 

CMYK 26 / 0 / 82 / 49

HEX #608217

RGB 96 130 23

HSL 79.07, 0.7%, 0.3%

LAB 50.11, -27.61, 49.2

 

CMYK 48 / 0 / 82 / 49

HEX #438217

RGB 67 130 23

HSL 95.33, 0.7%, 0.3%

LAB 48.54, -38.63, 47.18

 

CMYK 71 / 0 / 82 / 49

HEX #268217

RGB 38 130 23

HSL 111.59, 0.7%, 0.3%

LAB 47.55, -46.54, 45.89

 

CMYK 82 / 0 / 72 / 49

HEX #178224

RGB 23 130 36

HSL 127.29, 0.7%, 0.3%

LAB 47.33, -48.05, 40.8

 

CMYK 4 / 0 / 82 / 49

HEX #7D8217

RGB 125 130 23

HSL 62.8, 0.7%, 0.3%

LAB 52.27, -14.82, 51.95

 

CMYK 4 / 0 / 92 / 44

HEX #888E0B

RGB 136 142 11

HSL 62.75, 0.86%, 0.3%

LAB 56.69, -16.48, 58.74

 

CMYK 4 / 0 / 82 / 49

HEX #7D8217

RGB 125 130 23

HSL 62.8, 0.7%, 0.3%

LAB 52.27, -14.82, 51.95

 

CMYK 3 / 0 / 70 / 54

HEX #727623

RGB 114 118 35

HSL 62.89, 0.54%, 0.3%

LAB 47.82, -12.81, 43.1

 

CMYK 2 / 0 / 54 / 59

HEX #676930

RGB 103 105 48

HSL 62.11, 0.37%, 0.3%

LAB 43.06, -9.61, 31.4

 

CMYK 2 / 0 / 35 / 64

HEX #5B5D3C

RGB 91 93 60

HSL 63.64, 0.22%, 0.3%

LAB 38.51, -6.71, 18.73

 

CMYK 1 / 0 / 11 / 68

HEX #505148

RGB 80 81 72

HSL 66.67, 0.06%, 0.3%

LAB 34.1, -2.27, 5.15

 

CMYK 0 / 41 / 82 / 49

HEX #824D17

RGB 130 77 23

HSL 30.28, 0.7%, 0.3%

LAB 38.05, 17.96, 39.3

 

CMYK 0 / 19 / 82 / 49

HEX #826917

RGB 130 105 23

HSL 45.98, 0.7%, 0.3%

LAB 45.51, 1.49, 46.13

 

CMYK 3 / 0 / 82 / 49

HEX #7E8217

RGB 126 130 23

HSL 62.24, 0.7%, 0.3%

LAB 52.36, -14.36, 52.05

 

CMYK 25 / 0 / 82 / 49

HEX #628217

RGB 98 130 23

HSL 77.94, 0.7%, 0.3%

LAB 50.24, -26.77, 49.37

 

CMYK 47 / 0 / 82 / 49

HEX #458217

RGB 69 130 23

HSL 94.21, 0.7%, 0.3%

LAB 48.63, -37.95, 47.29

 

CMYK 3 / 0 / 82 / 76

HEX #3A3C0B

RGB 58 60 11

HSL 62.45, 0.69%, 0.14%

LAB 24.18, -8.1, 28.27

 

CMYK 4 / 0 / 82 / 63

HEX #5B5F11

RGB 91 95 17

HSL 63.08, 0.7%, 0.22%

LAB 38.64, -11.84, 40.58

 

CMYK 4 / 0 / 82 / 49

HEX #7D8217

RGB 125 130 23

HSL 62.8, 0.7%, 0.3%

LAB 52.27, -14.82, 51.95

 

CMYK 4 / 0 / 82 / 35

HEX #9FA51D

RGB 159 165 29

HSL 62.65, 0.7%, 0.38%

LAB 65.26, -17.64, 62.65

 

CMYK 4 / 0 / 83 / 22

HEX #C1C823

RGB 193 200 35

HSL 62.55, 0.7%, 0.46%

LAB 77.74, -20.35, 72.87

 

CMYK 4 / 0 / 82 / 49

HEX #7E8317

RGB 126 131 23

HSL 62.78, 0.7%, 0.3%

LAB 52.65, -14.9, 52.31

 

CMYK 82 / 0 / 63 / 49

HEX #178230

RGB 23 130 48

HSL 134.02, 0.7%, 0.3%

LAB 47.44, -46.68, 35.51

 

CMYK 30 / 82 / 0 / 49

HEX #5B1782

RGB 91 23 130

HSL 278.13, 0.7%, 0.3%

LAB 25.1, 47.74, -45.64

 

CMYK 4 / 0 / 82 / 49

HEX #7E8317

RGB 126 131 23

HSL 62.78, 0.7%, 0.3%

LAB 52.65, -14.9, 52.31

 

CMYK 82 / 3 / 0 / 49

HEX #177E82

RGB 23 126 130

HSL 182.24, 0.7%, 0.3%

LAB 47.9, -25.69, -10.17

 

CMYK 0 / 82 / 3 / 49

HEX #82177E

RGB 130 23 126

HSL 302.24, 0.7%, 0.3%

LAB 31.5, 54.71, -32.48

 

CMYK 4 / 0 / 82 / 49

HEX #7E8317

RGB 126 131 23

HSL 62.78, 0.7%, 0.3%

LAB 52.65, -14.9, 52.31

 

CMYK 82 / 0 / 63 / 49

HEX #178230

RGB 23 130 48

HSL 134.02, 0.7%, 0.3%

LAB 47.44, -46.68, 35.51

 

CMYK 79 / 82 / 0 / 49

HEX #1B1782

RGB 27 23 130

HSL 242.24, 0.7%, 0.3%

LAB 17.73, 39.29, -58.03

 

CMYK 0 / 82 / 19 / 49

HEX #821769

RGB 130 23 105

HSL 314.02, 0.7%, 0.3%

LAB 30.35, 51.49, -20.94

 

CMYK 4 / 0 / 82 / 49

HEX #7E8317

RGB 126 131 23

HSL 62.78, 0.7%, 0.3%

LAB 52.65, -14.9, 52.31

 

CMYK 82 / 0 / 38 / 49

HEX #178250

RGB 23 130 80

HSL 151.96, 0.7%, 0.3%

LAB 47.91, -41.16, 19.06

 

CMYK 79 / 82 / 0 / 49

HEX #1B1782

RGB 27 23 130

HSL 242.24, 0.7%, 0.3%

LAB 17.73, 39.29, -58.03

 

CMYK 0 / 82 / 44 / 49

HEX #821749

RGB 130 23 73

HSL 331.96, 0.7%, 0.3%

LAB 29, 47.55, -2.01

 

Description

Color code: HEX #7E8317 | qconv.com Color code: HEX #7E8317 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 131 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 131 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 82 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 82% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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