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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E7694 it is the complementary color #81896B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E7694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E7694 shade: #83768F, #9488A2, #A59AB5, #B6ACC8 and #C7BEDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E7694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E7694 shade: #7E7694, #6D6481, #5C526E, #4B405B and #3A2E48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E7694 shade: #7E7693, #867693, #8E7693, #937691 and #937689

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E7694 shade: #7E7693 and #767693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E7694 shade matches the following richer shades: #7E7693, #7562A7, #6B4EBB, #623ACF and #5927E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E7694 shade: #7E7693, #878A7F, #909E6C, #99B158 and #A3C544

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E7694 shade: #767E93, #767693, #7E7693, #867693 and #8D7693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E7694 shade: #565066, #6A637D, #7E7693, #948DA5 and #A9A4B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E7694 shade: #7E7694, #937686 and #7A9376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E7694 shade: #7E7694, #937E76 and #76937E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E7694 shade: #7E7694, #937686, #8B9376 and #769384

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E7694 shade: #7E7694, #93767D, #8B9376 and #76938C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 20 / 0 / 42

HEX #7E7694

RGB 126 118 148

HSL 256, 0.12%, 0.52%

LAB 51.3, 9.41, -15.12

 

Complementary color

CMYK 6 / 0 / 22 / 46

HEX #81896B

RGB 129 137 107

HSL 76, 0.12%, 0.48%

LAB 55.71, -8.48, 15.14

 

CMYK 8 / 17 / 0 / 44

HEX #83768F

RGB 131 118 143

HSL 271.2, 0.1%, 0.51%

LAB 51.57, 10.04, -11.74

 

CMYK 9 / 16 / 0 / 36

HEX #9488A2

RGB 148 136 162

HSL 267.69, 0.12%, 0.58%

LAB 58.52, 9.64, -12.14

 

CMYK 9 / 15 / 0 / 29

HEX #A59AB5

RGB 165 154 181

HSL 264.44, 0.15%, 0.66%

LAB 65.32, 9.29, -12.54

 

CMYK 9 / 14 / 0 / 22

HEX #B6ACC8

RGB 182 172 200

HSL 261.43, 0.2%, 0.73%

LAB 71.97, 8.96, -12.94

 

CMYK 9 / 13 / 0 / 14

HEX #C7BEDB

RGB 199 190 219

HSL 258.62, 0.29%, 0.8%

LAB 78.51, 8.66, -13.34

 

CMYK 15 / 20 / 0 / 42

HEX #7E7694

RGB 126 118 148

HSL 256, 0.12%, 0.52%

LAB 51.3, 9.41, -15.12

 

CMYK 16 / 22 / 0 / 49

HEX #6D6481

RGB 109 100 129

HSL 258.62, 0.13%, 0.45%

LAB 44.16, 9.84, -14.83

 

CMYK 16 / 25 / 0 / 57

HEX #5C526E

RGB 92 82 110

HSL 261.43, 0.15%, 0.38%

LAB 36.81, 10.33, -14.56

 

CMYK 18 / 30 / 0 / 64

HEX #4B405B

RGB 75 64 91

HSL 264.44, 0.17%, 0.3%

LAB 29.2, 10.91, -14.33

 

CMYK 19 / 36 / 0 / 72

HEX #3A2E48

RGB 58 46 72

HSL 267.69, 0.22%, 0.23%

LAB 21.29, 11.61, -14.14

 

CMYK 14 / 20 / 0 / 42

HEX #7E7693

RGB 126 118 147

HSL 256.55, 0.12%, 0.52%

LAB 51.27, 9.18, -14.59

 

CMYK 9 / 20 / 0 / 42

HEX #867693

RGB 134 118 147

HSL 273.1, 0.12%, 0.52%

LAB 51.99, 11.97, -13.43

 

CMYK 3 / 20 / 0 / 42

HEX #8E7693

RGB 142 118 147

HSL 289.66, 0.12%, 0.52%

LAB 52.75, 14.81, -12.21

 

CMYK 0 / 20 / 1 / 42

HEX #937691

RGB 147 118 145

HSL 304.14, 0.12%, 0.52%

LAB 53.17, 16.2, -10.35

 

CMYK 0 / 20 / 7 / 42

HEX #937689

RGB 147 118 137

HSL 320.69, 0.12%, 0.52%

LAB 52.91, 14.66, -6.06

 

CMYK 14 / 20 / 0 / 42

HEX #7E7693

RGB 126 118 147

HSL 256.55, 0.12%, 0.52%

LAB 51.27, 9.18, -14.59

 

CMYK 20 / 20 / 0 / 42

HEX #767693

RGB 118 118 147

HSL 240, 0.12%, 0.52%

LAB 50.59, 6.44, -15.68

 

CMYK 14 / 20 / 0 / 42

HEX #7E7693

RGB 126 118 147

HSL 256.55, 0.12%, 0.52%

LAB 51.27, 9.18, -14.59

 

CMYK 30 / 41 / 0 / 35

HEX #7562A7

RGB 117 98 167

HSL 256.52, 0.28%, 0.52%

LAB 46.05, 23.23, -34.48

 

CMYK 43 / 58 / 0 / 27

HEX #6B4EBB

RGB 107 78 187

HSL 255.96, 0.44%, 0.52%

LAB 41.47, 38.11, -53.57

 

CMYK 53 / 72 / 0 / 19

HEX #623ACF

RGB 98 58 207

HSL 256.11, 0.61%, 0.52%

LAB 38.07, 53.07, -70.79

 

CMYK 61 / 83 / 0 / 11

HEX #5927E3

RGB 89 39 227

HSL 255.96, 0.77%, 0.52%

LAB 36.22, 65.79, -85.37

 

CMYK 14 / 20 / 0 / 42

HEX #7E7693

RGB 126 118 147

HSL 256.55, 0.12%, 0.52%

LAB 51.27, 9.18, -14.59

 

CMYK 2 / 0 / 8 / 46

HEX #878A7F

RGB 135 138 127

HSL 76.36, 0.04%, 0.52%

LAB 56.94, -3.22, 5.5

 

CMYK 9 / 0 / 32 / 38

HEX #909E6C

RGB 144 158 108

HSL 76.8, 0.2%, 0.52%

LAB 62.9, -13.71, 24.53

 

CMYK 14 / 0 / 50 / 31

HEX #99B158

RGB 153 177 88

HSL 76.18, 0.36%, 0.52%

LAB 68.69, -22.3, 42.43

 

CMYK 17 / 0 / 65 / 23

HEX #A3C544

RGB 163 197 68

HSL 75.81, 0.53%, 0.52%

LAB 74.91, -29.71, 58.62

 

CMYK 20 / 14 / 0 / 42

HEX #767E93

RGB 118 126 147

HSL 223.45, 0.12%, 0.52%

LAB 52.82, 1.75, -12.31

 

CMYK 20 / 20 / 0 / 42

HEX #767693

RGB 118 118 147

HSL 240, 0.12%, 0.52%

LAB 50.59, 6.44, -15.68

 

CMYK 14 / 20 / 0 / 42

HEX #7E7693

RGB 126 118 147

HSL 256.55, 0.12%, 0.52%

LAB 51.27, 9.18, -14.59

 

CMYK 9 / 20 / 0 / 42

HEX #867693

RGB 134 118 147

HSL 273.1, 0.12%, 0.52%

LAB 51.99, 11.97, -13.43

 

CMYK 4 / 20 / 0 / 42

HEX #8D7693

RGB 141 118 147

HSL 287.59, 0.12%, 0.52%

LAB 52.65, 14.45, -12.37

 

CMYK 16 / 22 / 0 / 60

HEX #565066

RGB 86 80 102

HSL 256.36, 0.12%, 0.36%

LAB 35.35, 7.44, -11.84

 

CMYK 15 / 21 / 0 / 51

HEX #6A637D

RGB 106 99 125

HSL 256.15, 0.12%, 0.44%

LAB 43.46, 8.43, -13.51

 

CMYK 14 / 20 / 0 / 42

HEX #7E7693

RGB 126 118 147

HSL 256.55, 0.12%, 0.52%

LAB 51.27, 9.18, -14.59

 

CMYK 10 / 15 / 0 / 35

HEX #948DA5

RGB 148 141 165

HSL 257.5, 0.12%, 0.6%

LAB 59.94, 7.43, -11.71

 

CMYK 8 / 11 / 0 / 28

HEX #A9A4B8

RGB 169 164 184

HSL 255, 0.12%, 0.68%

LAB 68.35, 5.7, -9.64

 

CMYK 15 / 20 / 0 / 42

HEX #7E7694

RGB 126 118 148

HSL 256, 0.12%, 0.52%

LAB 51.3, 9.41, -15.12

 

CMYK 0 / 20 / 9 / 42

HEX #937686

RGB 147 118 134

HSL 326.9, 0.12%, 0.52%

LAB 52.82, 14.1, -4.44

 

CMYK 17 / 0 / 20 / 42

HEX #7A9376

RGB 122 147 118

HSL 111.72, 0.12%, 0.52%

LAB 58.33, -14.67, 12.47

 

CMYK 15 / 20 / 0 / 42

HEX #7E7694

RGB 126 118 148

HSL 256, 0.12%, 0.52%

LAB 51.3, 9.41, -15.12

 

CMYK 0 / 14 / 20 / 42

HEX #937E76

RGB 147 126 118

HSL 16.55, 0.12%, 0.52%

LAB 54.48, 6.7, 7.32

 

CMYK 20 / 0 / 14 / 42

HEX #76937E

RGB 118 147 126

HSL 136.55, 0.12%, 0.52%

LAB 58.25, -14.59, 7.78

 

CMYK 15 / 20 / 0 / 42

HEX #7E7694

RGB 126 118 148

HSL 256, 0.12%, 0.52%

LAB 51.3, 9.41, -15.12

 

CMYK 0 / 20 / 9 / 42

HEX #937686

RGB 147 118 134

HSL 326.9, 0.12%, 0.52%

LAB 52.82, 14.1, -4.44

 

CMYK 5 / 0 / 20 / 42

HEX #8B9376

RGB 139 147 118

HSL 76.55, 0.12%, 0.52%

LAB 59.58, -8.23, 14.41

 

CMYK 20 / 0 / 10 / 42

HEX #769384

RGB 118 147 132

HSL 148.97, 0.12%, 0.52%

LAB 58.4, -13.37, 4.58

 

CMYK 15 / 20 / 0 / 42

HEX #7E7694

RGB 126 118 148

HSL 256, 0.12%, 0.52%

LAB 51.3, 9.41, -15.12

 

CMYK 0 / 20 / 15 / 42

HEX #93767D

RGB 147 118 125

HSL 345.52, 0.12%, 0.52%

LAB 52.55, 12.49, 0.46

 

CMYK 5 / 0 / 20 / 42

HEX #8B9376

RGB 139 147 118

HSL 76.55, 0.12%, 0.52%

LAB 59.58, -8.23, 14.41

 

CMYK 20 / 0 / 5 / 42

HEX #76938C

RGB 118 147 140

HSL 165.52, 0.12%, 0.52%

LAB 58.61, -11.67, 0.33

 

Description

Color code: HEX #7E7694 | qconv.com Color code: HEX #7E7694 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 118 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 118 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 20 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 20% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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