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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E7325 it is the complementary color #818CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E7325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E7325 shade: #837320, #948533, #A59746, #B6A959 and #C7BB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E7325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E7325 shade: #7E7325, #6D6112, #5C4F00, #4B3D00 and #3A2B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E7325 shade: #7E7325, #7E5B25, #7E4325, #7E2B25 and #7E2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E7325 shade: #7E7325, #717E25, #597E25, #417E25 and #297E25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E7325 shade matches the following richer shades: #7E7325, #8C7D18 and #99870A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E7325 shade: #7E7325, #716932, #64603F, #57564C and #4A4C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E7325 shade: #7E4325, #7E5B25, #7E7325, #737E25 and #5B7E25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E7325 shade: #3F3912, #5F561B, #7E7325, #9E912E and #BEAE37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E7325 shade: #7E7325, #257E2B and #4F257E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E7325 shade: #7E7325, #257E73 and #73257E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E7325 shade: #7E7325, #257E2B, #25317E and #7E2578

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E7325 shade: #7E7325, #257E46, #25317E and #7E255E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

Complementary color

CMYK 41 / 36 / 0 / 15

HEX #818CDA

RGB 129 140 218

HSL 232.58, 0.55%, 0.68%

LAB 60.32, 15.51, -41.18

 

CMYK 0 / 12 / 76 / 49

HEX #837320

RGB 131 115 32

HSL 50.3, 0.61%, 0.32%

LAB 48.5, -3.38, 45.54

 

CMYK 0 / 10 / 66 / 42

HEX #948533

RGB 148 133 51

HSL 50.72, 0.49%, 0.39%

LAB 55.39, -4.5, 44.87

 

CMYK 0 / 8 / 58 / 35

HEX #A59746

RGB 165 151 70

HSL 51.16, 0.4%, 0.46%

LAB 62.15, -5.38, 43.8

 

CMYK 0 / 7 / 51 / 29

HEX #B6A959

RGB 182 169 89

HSL 51.61, 0.39%, 0.53%

LAB 68.78, -6.1, 42.59

 

CMYK 0 / 6 / 46 / 22

HEX #C7BB6C

RGB 199 187 108

HSL 52.09, 0.45%, 0.6%

LAB 75.31, -6.68, 41.36

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 0 / 11 / 83 / 57

HEX #6D6112

RGB 109 97 18

HSL 52.09, 0.72%, 0.25%

LAB 40.97, -4.19, 42.97

 

CMYK 0 / 14 / 100 / 64

HEX #5C4F00

RGB 92 79 0

HSL 51.52, 1%, 0.18%

LAB 33.7, -2.59, 41.96

 

CMYK 0 / 19 / 100 / 71

HEX #4B3D00

RGB 75 61 0

HSL 48.8, 1%, 0.15%

LAB 26.25, -0.31, 35.37

 

CMYK 0 / 26 / 100 / 77

HEX #3A2B00

RGB 58 43 0

HSL 44.48, 1%, 0.11%

LAB 18.48, 2.18, 26.58

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 0 / 28 / 71 / 51

HEX #7E5B25

RGB 126 91 37

HSL 36.4, 0.55%, 0.32%

LAB 41.3, 8.51, 35.76

 

CMYK 0 / 47 / 71 / 51

HEX #7E4325

RGB 126 67 37

HSL 20.22, 0.55%, 0.32%

LAB 35.17, 22.7, 28.98

 

CMYK 0 / 66 / 71 / 51

HEX #7E2B25

RGB 126 43 37

HSL 4.04, 0.55%, 0.32%

LAB 30.15, 35.55, 23.11

 

CMYK 0 / 71 / 71 / 51

HEX #7E2525

RGB 126 37 37

HSL 0, 0.55%, 0.32%

LAB 29.14, 38.28, 21.89

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 10 / 0 / 71 / 51

HEX #717E25

RGB 113 126 37

HSL 68.76, 0.55%, 0.32%

LAB 50.18, -17.43, 44.62

 

CMYK 29 / 0 / 71 / 51

HEX #597E25

RGB 89 126 37

HSL 84.94, 0.55%, 0.32%

LAB 48.48, -27.72, 42.35

 

CMYK 48 / 0 / 71 / 51

HEX #417E25

RGB 65 126 37

HSL 101.12, 0.55%, 0.32%

LAB 47.21, -36.61, 40.62

 

CMYK 67 / 0 / 71 / 51

HEX #297E25

RGB 41 126 37

HSL 117.3, 0.55%, 0.32%

LAB 46.35, -43.32, 39.45

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 0 / 11 / 83 / 45

HEX #8C7D18

RGB 140 125 24

HSL 52.24, 0.71%, 0.32%

LAB 52.18, -5.11, 52.09

 

CMYK 0 / 12 / 93 / 40

HEX #99870A

RGB 153 135 10

HSL 52.45, 0.88%, 0.32%

LAB 56.21, -4.93, 59.19

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 0 / 7 / 56 / 56

HEX #716932

RGB 113 105 50

HSL 52.38, 0.39%, 0.32%

LAB 44.01, -4.81, 31.68

 

CMYK 0 / 4 / 37 / 61

HEX #64603F

RGB 100 96 63

HSL 53.51, 0.23%, 0.32%

LAB 40.3, -4.03, 19.45

 

CMYK 0 / 1 / 13 / 66

HEX #57564C

RGB 87 86 76

HSL 54.55, 0.07%, 0.32%

LAB 36.37, -1.6, 5.97

 

CMYK 18 / 16 / 0 / 65

HEX #4A4C5A

RGB 74 76 90

HSL 232.5, 0.1%, 0.32%

LAB 32.62, 2.52, -8.5

 

CMYK 0 / 47 / 71 / 51

HEX #7E4325

RGB 126 67 37

HSL 20.22, 0.55%, 0.32%

LAB 35.17, 22.7, 28.98

 

CMYK 0 / 28 / 71 / 51

HEX #7E5B25

RGB 126 91 37

HSL 36.4, 0.55%, 0.32%

LAB 41.3, 8.51, 35.76

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 9 / 0 / 71 / 51

HEX #737E25

RGB 115 126 37

HSL 67.42, 0.55%, 0.32%

LAB 50.33, -16.54, 44.83

 

CMYK 28 / 0 / 71 / 51

HEX #5B7E25

RGB 91 126 37

HSL 83.6, 0.55%, 0.32%

LAB 48.61, -26.9, 42.52

 

CMYK 0 / 10 / 71 / 75

HEX #3F3912

RGB 63 57 18

HSL 52, 0.56%, 0.16%

LAB 23.76, -3.12, 24.56

 

CMYK 0 / 9 / 72 / 63

HEX #5F561B

RGB 95 86 27

HSL 52.06, 0.56%, 0.24%

LAB 36.31, -4.12, 34.32

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 0 / 8 / 71 / 38

HEX #9E912E

RGB 158 145 46

HSL 53.04, 0.55%, 0.4%

LAB 59.63, -6.85, 51.71

 

CMYK 0 / 8 / 71 / 25

HEX #BEAE37

RGB 190 174 55

HSL 52.89, 0.55%, 0.48%

LAB 70.52, -7.65, 59.94

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 71 / 0 / 66 / 51

HEX #257E2B

RGB 37 126 43

HSL 124.04, 0.55%, 0.32%

LAB 46.3, -43.53, 36.67

 

CMYK 37 / 71 / 0 / 51

HEX #4F257E

RGB 79 37 126

HSL 268.31, 0.55%, 0.32%

LAB 25.23, 38.16, -42.98

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 71 / 0 / 9 / 51

HEX #257E73

RGB 37 126 115

HSL 172.58, 0.55%, 0.32%

LAB 47.69, -28.54, -1.59

 

CMYK 9 / 71 / 0 / 51

HEX #73257E

RGB 115 37 126

HSL 292.58, 0.55%, 0.32%

LAB 30.58, 46.51, -34.1

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 71 / 0 / 66 / 51

HEX #257E2B

RGB 37 126 43

HSL 124.04, 0.55%, 0.32%

LAB 46.3, -43.53, 36.67

 

CMYK 71 / 61 / 0 / 51

HEX #25317E

RGB 37 49 126

HSL 231.91, 0.55%, 0.32%

LAB 23.99, 22.51, -45.19

 

CMYK 0 / 71 / 5 / 51

HEX #7E2578

RGB 126 37 120

HSL 304.04, 0.55%, 0.32%

LAB 32.07, 48.14, -27.85

 

CMYK 0 / 9 / 71 / 51

HEX #7E7325

RGB 126 115 37

HSL 52.58, 0.55%, 0.32%

LAB 48.05, -5.45, 42.82

 

CMYK 71 / 0 / 44 / 51

HEX #257E46

RGB 37 126 70

HSL 142.25, 0.55%, 0.32%

LAB 46.65, -39.42, 23.07

 

CMYK 71 / 61 / 0 / 51

HEX #25317E

RGB 37 49 126

HSL 231.91, 0.55%, 0.32%

LAB 23.99, 22.51, -45.19

 

CMYK 0 / 71 / 25 / 51

HEX #7E255E

RGB 126 37 94

HSL 321.57, 0.55%, 0.32%

LAB 30.8, 44.03, -13.19

 

Description

Color code: HEX #7E7325 | qconv.com Color code: HEX #7E7325 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 115 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 115 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 71 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 71% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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