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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E71C0 it is the complementary color #818E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E71C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E71C0 shade: #8371BB, #9483CE, #A595E1, #B6A7F4 and #C7B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E71C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E71C0 shade: #7E71C0, #6D5FAD, #5C4D9A, #4B3B87 and #3A2974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E71C0 shade: #7E71C1, #9471C1, #A971C1, #BF71C1 and #C171AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E71C0 shade: #7E71C1 and #7171C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E71C0 shade matches the following richer shades: #7E71C1, #7361D1, #6850E2 and #5D40F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E71C0 shade: #7E71C1, #8982B0, #9492A0, #A0A38F and #ABB37F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E71C0 shade: #7190C1, #717BC1, #7D71C1, #9271C1 and #A871C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E71C0 shade: #52449B, #6455B4, #7E71C1, #988ECD and #B2ABDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E71C0 shade: #7E71C0, #C171A5 and #85C171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E71C0 shade: #7E71C0, #C17D71 and #71C17D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E71C0 shade: #7E71C0, #C171A5, #B5C171 and #71C18D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E71C0 shade: #7E71C0, #C1718D, #B5C171 and #71C1A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 41 / 0 / 25

HEX #7E71C0

RGB 126 113 192

HSL 249.87, 0.39%, 0.6%

LAB 51.9, 23.48, -39.74

 

Complementary color

CMYK 9 / 0 / 56 / 44

HEX #818E3F

RGB 129 142 63

HSL 69.87, 0.39%, 0.4%

LAB 56.46, -16.8, 39.88

 

CMYK 30 / 40 / 0 / 27

HEX #8371BB

RGB 131 113 187

HSL 254.59, 0.35%, 0.59%

LAB 52.09, 23.57, -36.53

 

CMYK 28 / 36 / 0 / 19

HEX #9483CE

RGB 148 131 206

HSL 253.6, 0.43%, 0.66%

LAB 58.96, 22.8, -36.48

 

CMYK 27 / 34 / 0 / 12

HEX #A595E1

RGB 165 149 225

HSL 252.63, 0.56%, 0.73%

LAB 65.69, 22.11, -36.46

 

CMYK 25 / 32 / 0 / 4

HEX #B6A7F4

RGB 182 167 244

HSL 251.69, 0.78%, 0.81%

LAB 72.3, 21.49, -36.48

 

CMYK 22 / 27 / 0 / 0

HEX #C7B9FF

RGB 199 185 255

HSL 252, 1%, 0.86%

LAB 78.5, 19.09, -32.73

 

CMYK 34 / 41 / 0 / 25

HEX #7E71C0

RGB 126 113 192

HSL 249.87, 0.39%, 0.6%

LAB 51.9, 23.48, -39.74

 

CMYK 37 / 45 / 0 / 32

HEX #6D5FAD

RGB 109 95 173

HSL 250.77, 0.32%, 0.53%

LAB 44.88, 24.43, -39.91

 

CMYK 40 / 50 / 0 / 40

HEX #5C4D9A

RGB 92 77 154

HSL 251.69, 0.33%, 0.45%

LAB 37.69, 25.53, -40.13

 

CMYK 44 / 56 / 0 / 47

HEX #4B3B87

RGB 75 59 135

HSL 252.63, 0.39%, 0.38%

LAB 30.33, 26.81, -40.4

 

CMYK 50 / 65 / 0 / 55

HEX #3A2974

RGB 58 41 116

HSL 253.6, 0.48%, 0.31%

LAB 22.81, 28.3, -40.66

 

CMYK 35 / 41 / 0 / 24

HEX #7E71C1

RGB 126 113 193

HSL 249.75, 0.39%, 0.6%

LAB 51.95, 23.75, -40.24

 

CMYK 23 / 41 / 0 / 24

HEX #9471C1

RGB 148 113 193

HSL 266.25, 0.39%, 0.6%

LAB 53.98, 30.03, -36.9

 

CMYK 12 / 41 / 0 / 24

HEX #A971C1

RGB 169 113 193

HSL 282, 0.39%, 0.6%

LAB 56.18, 36.31, -33.29

 

CMYK 1 / 41 / 0 / 24

HEX #BF71C1

RGB 191 113 193

HSL 298.5, 0.39%, 0.6%

LAB 58.73, 43.03, -29.13

 

CMYK 0 / 41 / 10 / 24

HEX #C171AD

RGB 193 113 173

HSL 315, 0.39%, 0.6%

LAB 58.19, 40.08, -18.49

 

CMYK 35 / 41 / 0 / 24

HEX #7E71C1

RGB 126 113 193

HSL 249.75, 0.39%, 0.6%

LAB 51.95, 23.75, -40.24

 

CMYK 41 / 41 / 0 / 24

HEX #7171C1

RGB 113 113 193

HSL 240, 0.39%, 0.6%

LAB 50.89, 20.27, -41.98

 

CMYK 35 / 41 / 0 / 24

HEX #7E71C1

RGB 126 113 193

HSL 249.75, 0.39%, 0.6%

LAB 51.95, 23.75, -40.24

 

CMYK 45 / 54 / 0 / 18

HEX #7361D1

RGB 115 97 209

HSL 249.64, 0.55%, 0.6%

LAB 48, 35.04, -55.74

 

CMYK 54 / 65 / 0 / 11

HEX #6850E2

RGB 104 80 226

HSL 249.86, 0.72%, 0.6%

LAB 44.48, 47.73, -71.18

 

CMYK 62 / 74 / 0 / 5

HEX #5D40F2

RGB 93 64 242

HSL 249.78, 0.87%, 0.6%

LAB 41.85, 59.36, -84.57

 

CMYK 35 / 41 / 0 / 24

HEX #7E71C1

RGB 126 113 193

HSL 249.75, 0.39%, 0.6%

LAB 51.95, 23.75, -40.24

 

CMYK 22 / 26 / 0 / 31

HEX #8982B0

RGB 137 130 176

HSL 249.13, 0.23%, 0.6%

LAB 56.5, 12.62, -23.31

 

CMYK 7 / 9 / 0 / 37

HEX #9492A0

RGB 148 146 160

HSL 248.57, 0.07%, 0.6%

LAB 61.13, 3.54, -7.1

 

CMYK 2 / 0 / 12 / 36

HEX #A0A38F

RGB 160 163 143

HSL 69, 0.1%, 0.6%

LAB 66.25, -4.71, 10.03

 

CMYK 4 / 0 / 29 / 30

HEX #ABB37F

RGB 171 179 127

HSL 69.23, 0.25%, 0.6%

LAB 71.17, -11.47, 25.68

 

CMYK 41 / 25 / 0 / 24

HEX #7190C1

RGB 113 144 193

HSL 216.75, 0.39%, 0.6%

LAB 59.26, 1.88, -28.88

 

CMYK 41 / 36 / 0 / 24

HEX #717BC1

RGB 113 123 193

HSL 232.5, 0.39%, 0.6%

LAB 53.52, 14.24, -37.82

 

CMYK 35 / 41 / 0 / 24

HEX #7D71C1

RGB 125 113 193

HSL 249, 0.39%, 0.6%

LAB 51.86, 23.48, -40.38

 

CMYK 24 / 41 / 0 / 24

HEX #9271C1

RGB 146 113 193

HSL 264.75, 0.39%, 0.6%

LAB 53.78, 29.45, -37.22

 

CMYK 13 / 41 / 0 / 24

HEX #A871C1

RGB 168 113 193

HSL 281.25, 0.39%, 0.6%

LAB 56.07, 36.01, -33.47

 

CMYK 47 / 56 / 0 / 39

HEX #52449B

RGB 82 68 155

HSL 249.66, 0.39%, 0.44%

LAB 34.59, 28.98, -45.76

 

CMYK 44 / 53 / 0 / 29

HEX #6455B4

RGB 100 85 180

HSL 249.47, 0.39%, 0.52%

LAB 42, 30.27, -48.65

 

CMYK 35 / 41 / 0 / 24

HEX #7E71C1

RGB 126 113 193

HSL 249.75, 0.39%, 0.6%

LAB 51.95, 23.75, -40.24

 

CMYK 26 / 31 / 0 / 20

HEX #988ECD

RGB 152 142 205

HSL 249.52, 0.39%, 0.68%

LAB 62.02, 17.38, -31.12

 

CMYK 18 / 22 / 0 / 15

HEX #B2ABDA

RGB 178 171 218

HSL 248.94, 0.39%, 0.76%

LAB 72, 12.07, -22.81

 

CMYK 34 / 41 / 0 / 25

HEX #7E71C0

RGB 126 113 192

HSL 249.87, 0.39%, 0.6%

LAB 51.9, 23.48, -39.74

 

CMYK 0 / 41 / 15 / 24

HEX #C171A5

RGB 193 113 165

HSL 321, 0.39%, 0.6%

LAB 57.91, 38.75, -14.32

 

CMYK 31 / 0 / 41 / 24

HEX #85C171

RGB 133 193 113

HSL 105, 0.39%, 0.6%

LAB 72.44, -34.38, 34.23

 

CMYK 34 / 41 / 0 / 25

HEX #7E71C0

RGB 126 113 192

HSL 249.87, 0.39%, 0.6%

LAB 51.9, 23.48, -39.74

 

CMYK 0 / 35 / 41 / 24

HEX #C17D71

RGB 193 125 113

HSL 9, 0.39%, 0.6%

LAB 59.16, 24.99, 17.49

 

CMYK 41 / 0 / 35 / 24

HEX #71C17D

RGB 113 193 125

HSL 129, 0.39%, 0.6%

LAB 71.64, -38.93, 26.76

 

CMYK 34 / 41 / 0 / 25

HEX #7E71C0

RGB 126 113 192

HSL 249.87, 0.39%, 0.6%

LAB 51.9, 23.48, -39.74

 

CMYK 0 / 41 / 15 / 24

HEX #C171A5

RGB 193 113 165

HSL 321, 0.39%, 0.6%

LAB 57.91, 38.75, -14.32

 

CMYK 6 / 0 / 41 / 24

HEX #B5C171

RGB 181 193 113

HSL 69, 0.39%, 0.6%

LAB 75.55, -16.49, 38.83

 

CMYK 41 / 0 / 27 / 24

HEX #71C18D

RGB 113 193 141

HSL 141, 0.39%, 0.6%

LAB 71.94, -36.05, 18.66

 

CMYK 34 / 41 / 0 / 25

HEX #7E71C0

RGB 126 113 192

HSL 249.87, 0.39%, 0.6%

LAB 51.9, 23.48, -39.74

 

CMYK 0 / 41 / 27 / 24

HEX #C1718D

RGB 193 113 141

HSL 339, 0.39%, 0.6%

LAB 57.14, 35.09, -1.55

 

CMYK 6 / 0 / 41 / 24

HEX #B5C171

RGB 181 193 113

HSL 69, 0.39%, 0.6%

LAB 75.55, -16.49, 38.83

 

CMYK 41 / 0 / 15 / 24

HEX #71C1A5

RGB 113 193 165

HSL 159, 0.39%, 0.6%

LAB 72.47, -31.1, 6.45

 

Description

Color code: HEX #7E71C0 | qconv.com Color code: HEX #7E71C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 113 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 113 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 41 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 41% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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