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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E6F5E it is the complementary color #8190A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E6F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E6F5E shade: #836F59, #94816C, #A5937F, #B6A592 and #C7B7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E6F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E6F5E shade: #7E6F5E, #6D5D4B, #5C4B38, #4B3925 and #3A2712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E6F5E shade: #7E6E5D, #7E655D and #7E5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E6F5E shade: #7E6E5D, #7E775D, #7B7E5D, #727E5D and #6A7E5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E6F5E shade matches the following richer shades: #7E6E5D, #8F6F4B, #A17039, #B37227 and #C57316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E6F5E shade: #7E6E5D, #6C6D6E, #5A6C80, #486B92 and #376AA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E6F5E shade: #7E5D5D, #7E655D, #7E6E5D, #7E765D and #7C7E5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E6F5E shade: #4E453A, #66594B, #7E6E5D, #94836F and #A69787

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E6F5E shade: #7E6F5E, #667E5D and #615D7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E6F5E shade: #7E6F5E, #5D7E6E and #6E5D7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E6F5E shade: #7E6F5E, #667E5D, #5D6D7E and #745D7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E6F5E shade: #7E6F5E, #5D7E5D, #5D6D7E and #7E5D7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 25 / 51

HEX #7E6F5E

RGB 126 111 94

HSL 31.88, 0.15%, 0.43%

LAB 47.77, 2.98, 11.62

 

Complementary color

CMYK 20 / 11 / 0 / 37

HEX #8190A1

RGB 129 144 161

HSL 211.88, 0.15%, 0.57%

LAB 59.15, -1.6, -10.78

 

CMYK 0 / 15 / 32 / 49

HEX #836F59

RGB 131 111 89

HSL 31.43, 0.19%, 0.43%

LAB 48.15, 4.35, 15.18

 

CMYK 0 / 13 / 27 / 42

HEX #94816C

RGB 148 129 108

HSL 31.5, 0.16%, 0.5%

LAB 55.15, 3.84, 14.06

 

CMYK 0 / 11 / 23 / 35

HEX #A5937F

RGB 165 147 127

HSL 31.58, 0.17%, 0.57%

LAB 62, 3.41, 13.04

 

CMYK 0 / 9 / 20 / 29

HEX #B6A592

RGB 182 165 146

HSL 31.67, 0.2%, 0.64%

LAB 68.7, 3.04, 12.09

 

CMYK 0 / 8 / 17 / 22

HEX #C7B7A5

RGB 199 183 165

HSL 31.76, 0.23%, 0.71%

LAB 75.28, 2.72, 11.2

 

CMYK 0 / 12 / 25 / 51

HEX #7E6F5E

RGB 126 111 94

HSL 31.88, 0.15%, 0.43%

LAB 47.77, 2.98, 11.62

 

CMYK 0 / 15 / 31 / 57

HEX #6D5D4B

RGB 109 93 75

HSL 31.76, 0.18%, 0.36%

LAB 40.55, 3.47, 12.75

 

CMYK 0 / 18 / 39 / 64

HEX #5C4B38

RGB 92 75 56

HSL 31.67, 0.24%, 0.29%

LAB 33.12, 4.09, 14.02

 

CMYK 0 / 24 / 51 / 71

HEX #4B3925

RGB 75 57 37

HSL 31.58, 0.34%, 0.22%

LAB 25.43, 4.93, 15.49

 

CMYK 0 / 33 / 69 / 77

HEX #3A2712

RGB 58 39 18

HSL 31.5, 0.53%, 0.15%

LAB 17.43, 6.15, 17.21

 

CMYK 0 / 13 / 26 / 51

HEX #7E6E5D

RGB 126 110 93

HSL 30.91, 0.15%, 0.43%

LAB 47.47, 3.41, 11.79

 

CMYK 0 / 20 / 26 / 51

HEX #7E655D

RGB 126 101 93

HSL 14.55, 0.15%, 0.43%

LAB 44.99, 8.72, 8.32

 

CMYK 0 / 26 / 26 / 51

HEX #7E5D5D

RGB 126 93 93

HSL 0, 0.15%, 0.43%

LAB 42.85, 13.49, 5.27

 

CMYK 0 / 13 / 26 / 51

HEX #7E6E5D

RGB 126 110 93

HSL 30.91, 0.15%, 0.43%

LAB 47.47, 3.41, 11.79

 

CMYK 0 / 6 / 26 / 51

HEX #7E775D

RGB 126 119 93

HSL 47.27, 0.15%, 0.43%

LAB 50, -1.8, 15.3

 

CMYK 2 / 0 / 26 / 51

HEX #7B7E5D

RGB 123 126 93

HSL 65.45, 0.15%, 0.43%

LAB 51.75, -7.01, 17.64

 

CMYK 10 / 0 / 26 / 51

HEX #727E5D

RGB 114 126 93

HSL 81.82, 0.15%, 0.43%

LAB 51.02, -10.67, 16.53

 

CMYK 16 / 0 / 26 / 51

HEX #6A7E5D

RGB 106 126 93

HSL 96.36, 0.15%, 0.43%

LAB 50.42, -13.84, 15.62

 

CMYK 0 / 13 / 26 / 51

HEX #7E6E5D

RGB 126 110 93

HSL 30.91, 0.15%, 0.43%

LAB 47.47, 3.41, 11.79

 

CMYK 0 / 22 / 48 / 44

HEX #8F6F4B

RGB 143 111 75

HSL 31.76, 0.31%, 0.43%

LAB 49.15, 7.8, 24.85

 

CMYK 0 / 30 / 65 / 37

HEX #A17039

RGB 161 112 57

HSL 31.73, 0.48%, 0.43%

LAB 51.22, 13.62, 37.7

 

CMYK 0 / 36 / 78 / 30

HEX #B37227

RGB 179 114 39

HSL 32.14, 0.64%, 0.43%

LAB 53.78, 19.49, 49.63

 

CMYK 0 / 42 / 89 / 23

HEX #C57316

RGB 197 115 22

HSL 31.89, 0.8%, 0.43%

LAB 56.28, 26.23, 58.78

 

CMYK 0 / 13 / 26 / 51

HEX #7E6E5D

RGB 126 110 93

HSL 30.91, 0.15%, 0.43%

LAB 47.47, 3.41, 11.79

 

CMYK 2 / 1 / 0 / 57

HEX #6C6D6E

RGB 108 109 110

HSL 210, 0.01%, 0.43%

LAB 45.98, -0.17, -0.7

 

CMYK 30 / 16 / 0 / 50

HEX #5A6C80

RGB 90 108 128

HSL 211.58, 0.17%, 0.43%

LAB 44.88, -1.7, -13.28

 

CMYK 51 / 27 / 0 / 43

HEX #486B92

RGB 72 107 146

HSL 211.62, 0.34%, 0.43%

LAB 44.19, -1.03, -25.2

 

CMYK 66 / 35 / 0 / 36

HEX #376AA4

RGB 55 106 164

HSL 211.93, 0.5%, 0.43%

LAB 43.95, 2.04, -36.31

 

CMYK 0 / 26 / 26 / 51

HEX #7E5D5D

RGB 126 93 93

HSL 0, 0.15%, 0.43%

LAB 42.85, 13.49, 5.27

 

CMYK 0 / 20 / 26 / 51

HEX #7E655D

RGB 126 101 93

HSL 14.55, 0.15%, 0.43%

LAB 44.99, 8.72, 8.32

 

CMYK 0 / 13 / 26 / 51

HEX #7E6E5D

RGB 126 110 93

HSL 30.91, 0.15%, 0.43%

LAB 47.47, 3.41, 11.79

 

CMYK 0 / 6 / 26 / 51

HEX #7E765D

RGB 126 118 93

HSL 45.45, 0.15%, 0.43%

LAB 49.72, -1.23, 14.91

 

CMYK 2 / 0 / 26 / 51

HEX #7C7E5D

RGB 124 126 93

HSL 63.64, 0.15%, 0.43%

LAB 51.83, -6.6, 17.77

 

CMYK 0 / 12 / 26 / 69

HEX #4E453A

RGB 78 69 58

HSL 33, 0.15%, 0.27%

LAB 29.87, 1.76, 8.05

 

CMYK 0 / 13 / 26 / 60

HEX #66594B

RGB 102 89 75

HSL 31.11, 0.15%, 0.35%

LAB 38.69, 2.83, 10.05

 

CMYK 0 / 13 / 26 / 51

HEX #7E6E5D

RGB 126 110 93

HSL 30.91, 0.15%, 0.43%

LAB 47.47, 3.41, 11.79

 

CMYK 0 / 11 / 25 / 42

HEX #94836F

RGB 148 131 111

HSL 32.43, 0.15%, 0.51%

LAB 55.76, 3.15, 13.18

 

CMYK 0 / 9 / 19 / 35

HEX #A69787

RGB 166 151 135

HSL 30.97, 0.15%, 0.59%

LAB 63.33, 2.83, 10.43

 

CMYK 0 / 12 / 25 / 51

HEX #7E6F5E

RGB 126 111 94

HSL 31.88, 0.15%, 0.43%

LAB 47.77, 2.98, 11.62

 

CMYK 19 / 0 / 26 / 51

HEX #667E5D

RGB 102 126 93

HSL 103.64, 0.15%, 0.43%

LAB 50.14, -15.39, 15.18

 

CMYK 23 / 26 / 0 / 51

HEX #615D7E

RGB 97 93 126

HSL 247.27, 0.15%, 0.43%

LAB 41.02, 9.24, -17.91

 

CMYK 0 / 12 / 25 / 51

HEX #7E6F5E

RGB 126 111 94

HSL 31.88, 0.15%, 0.43%

LAB 47.77, 2.98, 11.62

 

CMYK 26 / 0 / 13 / 51

HEX #5D7E6E

RGB 93 126 110

HSL 150.91, 0.15%, 0.43%

LAB 49.95, -15.32, 4.92

 

CMYK 13 / 26 / 0 / 51

HEX #6E5D7E

RGB 110 93 126

HSL 270.91, 0.15%, 0.43%

LAB 42.23, 13.76, -15.95

 

CMYK 0 / 12 / 25 / 51

HEX #7E6F5E

RGB 126 111 94

HSL 31.88, 0.15%, 0.43%

LAB 47.77, 2.98, 11.62

 

CMYK 19 / 0 / 26 / 51

HEX #667E5D

RGB 102 126 93

HSL 103.64, 0.15%, 0.43%

LAB 50.14, -15.39, 15.18

 

CMYK 26 / 13 / 0 / 51

HEX #5D6D7E

RGB 93 109 126

HSL 210.91, 0.15%, 0.43%

LAB 45.32, -1.84, -11.4

 

CMYK 8 / 26 / 0 / 51

HEX #745D7E

RGB 116 93 126

HSL 281.82, 0.15%, 0.43%

LAB 42.84, 15.89, -14.97

 

CMYK 0 / 12 / 25 / 51

HEX #7E6F5E

RGB 126 111 94

HSL 31.88, 0.15%, 0.43%

LAB 47.77, 2.98, 11.62

 

CMYK 26 / 0 / 26 / 51

HEX #5D7E5D

RGB 93 126 93

HSL 120, 0.15%, 0.43%

LAB 49.54, -18.77, 14.27

 

CMYK 26 / 13 / 0 / 51

HEX #5D6D7E

RGB 93 109 126

HSL 210.91, 0.15%, 0.43%

LAB 45.32, -1.84, -11.4

 

CMYK 0 / 26 / 1 / 51

HEX #7E5D7D

RGB 126 93 125

HSL 301.82, 0.15%, 0.43%

LAB 43.86, 19.3, -12.7

 

Description

Color code: HEX #7E6F5E | qconv.com Color code: HEX #7E6F5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 25 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 25% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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