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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E63E7 it is the complementary color #819C18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E63E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E63E7 shade: #8363E2, #9475F5, #A587FF, #B699FF and #C7ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E63E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E63E7 shade: #7E63E7, #6D51D4, #5C3FC1, #4B2DAE and #3A1B9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E63E7 shade: #7F64E6, #A264E6, #C564E6, #E664E5 and #E664C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E63E7 shade: #7F64E6 and #6464E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E63E7 shade matches the following richer shades: #7F64E6 and #7656F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E63E7 shade: #7F64E6, #8773D8, #9081CA, #988FBB and #A19EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E63E7 shade: #6490E6, #646DE6, #7E64E6, #A164E6 and #C464E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E63E7 shade: #4621D7, #6140E1, #7F64E6, #9C88EC and #BAABF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E63E7 shade: #7E63E7, #E664B2 and #7EE664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E63E7 shade: #7E63E7, #E67E64 and #64E67E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E63E7 shade: #7E63E7, #E664B2, #CCE664 and #64E698

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E63E7 shade: #7E63E7, #E6648B, #CCE664 and #64E6BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 57 / 0 / 9

HEX #7E63E7

RGB 126 99 231

HSL 252.27, 0.73%, 0.65%

LAB 50.84, 42.57, -63.6

 

Complementary color

CMYK 17 / 0 / 85 / 39

HEX #819C18

RGB 129 156 24

HSL 72.27, 0.73%, 0.35%

LAB 60.35, -26.3, 58.82

 

CMYK 42 / 56 / 0 / 11

HEX #8363E2

RGB 131 99 226

HSL 255.12, 0.69%, 0.64%

LAB 50.97, 42.25, -60.55

 

CMYK 40 / 52 / 0 / 4

HEX #9475F5

RGB 148 117 245

HSL 254.53, 0.86%, 0.71%

LAB 57.67, 41.05, -60.33

 

CMYK 35 / 47 / 0 / 0

HEX #A587FF

RGB 165 135 255

HSL 255, 1%, 0.76%

LAB 63.79, 37.6, -55.96

 

CMYK 29 / 40 / 0 / 0

HEX #B699FF

RGB 182 153 255

HSL 257.06, 1%, 0.8%

LAB 69.43, 31.95, -46.95

 

CMYK 22 / 33 / 0 / 0

HEX #C7ABFF

RGB 199 171 255

HSL 260, 1%, 0.84%

LAB 75.13, 26.77, -37.93

 

CMYK 45 / 57 / 0 / 9

HEX #7E63E7

RGB 126 99 231

HSL 252.27, 0.73%, 0.65%

LAB 50.84, 42.57, -63.6

 

CMYK 49 / 62 / 0 / 17

HEX #6D51D4

RGB 109 81 212

HSL 252.82, 0.6%, 0.57%

LAB 44.07, 43.97, -63.83

 

CMYK 52 / 67 / 0 / 24

HEX #5C3FC1

RGB 92 63 193

HSL 253.38, 0.51%, 0.5%

LAB 37.26, 45.44, -63.98

 

CMYK 57 / 74 / 0 / 32

HEX #4B2DAE

RGB 75 45 174

HSL 253.95, 0.59%, 0.43%

LAB 30.47, 46.86, -63.93

 

CMYK 63 / 83 / 0 / 39

HEX #3A1B9B

RGB 58 27 155

HSL 254.53, 0.7%, 0.36%

LAB 23.84, 47.9, -63.41

 

CMYK 45 / 57 / 0 / 10

HEX #7F64E6

RGB 127 100 230

HSL 252.46, 0.72%, 0.65%

LAB 51.08, 41.92, -62.64

 

CMYK 30 / 57 / 0 / 10

HEX #A264E6

RGB 162 100 230

HSL 268.62, 0.72%, 0.65%

LAB 54.56, 49.88, -56.86

 

CMYK 14 / 57 / 0 / 10

HEX #C564E6

RGB 197 100 230

HSL 284.77, 0.72%, 0.65%

LAB 58.69, 58.48, -50.03

 

CMYK 0 / 57 / 0 / 10

HEX #E664E5

RGB 230 100 229

HSL 300.46, 0.72%, 0.65%

LAB 63.01, 66.64, -42.37

 

CMYK 0 / 57 / 16 / 10

HEX #E664C2

RGB 230 100 194

HSL 316.62, 0.72%, 0.65%

LAB 61.51, 61.09, -24.99

 

CMYK 45 / 57 / 0 / 10

HEX #7F64E6

RGB 127 100 230

HSL 252.46, 0.72%, 0.65%

LAB 51.08, 41.92, -62.64

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 45 / 57 / 0 / 10

HEX #7F64E6

RGB 127 100 230

HSL 252.46, 0.72%, 0.65%

LAB 51.08, 41.92, -62.64

 

CMYK 52 / 65 / 0 / 4

HEX #7656F5

RGB 118 86 245

HSL 252.08, 0.89%, 0.65%

LAB 48.39, 52.29, -75.46

 

CMYK 45 / 57 / 0 / 10

HEX #7F64E6

RGB 127 100 230

HSL 252.46, 0.72%, 0.65%

LAB 51.08, 41.92, -62.64

 

CMYK 38 / 47 / 0 / 15

HEX #8773D8

RGB 135 115 216

HSL 251.88, 0.56%, 0.65%

LAB 54.42, 31.2, -49.36

 

CMYK 29 / 36 / 0 / 21

HEX #9081CA

RGB 144 129 202

HSL 252.33, 0.41%, 0.65%

LAB 57.94, 21.79, -35.85

 

CMYK 19 / 24 / 0 / 27

HEX #988FBB

RGB 152 143 187

HSL 252.27, 0.24%, 0.65%

LAB 61.57, 12.52, -21.69

 

CMYK 7 / 9 / 0 / 32

HEX #A19EAD

RGB 161 158 173

HSL 252, 0.08%, 0.65%

LAB 65.79, 4.03, -7.39

 

CMYK 57 / 37 / 0 / 10

HEX #6490E6

RGB 100 144 230

HSL 219.69, 0.72%, 0.65%

LAB 60.22, 10.04, -48.14

 

CMYK 57 / 53 / 0 / 10

HEX #646DE6

RGB 100 109 230

HSL 235.85, 0.72%, 0.65%

LAB 51.11, 31.14, -62.7

 

CMYK 45 / 57 / 0 / 10

HEX #7E64E6

RGB 126 100 230

HSL 252, 0.72%, 0.65%

LAB 50.99, 41.71, -62.78

 

CMYK 30 / 57 / 0 / 10

HEX #A164E6

RGB 161 100 230

HSL 268.15, 0.72%, 0.65%

LAB 54.45, 49.64, -57.04

 

CMYK 15 / 57 / 0 / 10

HEX #C464E6

RGB 196 100 230

HSL 284.31, 0.72%, 0.65%

LAB 58.57, 58.23, -50.23

 

CMYK 67 / 85 / 0 / 16

HEX #4621D7

RGB 70 33 215

HSL 252.2, 0.73%, 0.49%

LAB 32.47, 63.27, -84.74

 

CMYK 57 / 72 / 0 / 12

HEX #6140E1

RGB 97 64 225

HSL 252.3, 0.73%, 0.57%

LAB 40.65, 54.98, -76.91

 

CMYK 45 / 57 / 0 / 10

HEX #7F64E6

RGB 127 100 230

HSL 252.46, 0.72%, 0.65%

LAB 51.08, 41.92, -62.64

 

CMYK 34 / 42 / 0 / 7

HEX #9C88EC

RGB 156 136 236

HSL 252, 0.72%, 0.73%

LAB 62.28, 29.81, -47.95

 

CMYK 23 / 29 / 0 / 5

HEX #BAABF2

RGB 186 171 242

HSL 252.68, 0.73%, 0.81%

LAB 73.53, 19.97, -33.47

 

CMYK 45 / 57 / 0 / 9

HEX #7E63E7

RGB 126 99 231

HSL 252.27, 0.73%, 0.65%

LAB 50.84, 42.57, -63.6

 

CMYK 0 / 57 / 23 / 10

HEX #E664B2

RGB 230 100 178

HSL 324, 0.72%, 0.65%

LAB 60.92, 58.82, -16.76

 

CMYK 45 / 0 / 57 / 10

HEX #7EE664

RGB 126 230 100

HSL 108, 0.72%, 0.65%

LAB 82.89, -54.05, 53.23

 

CMYK 45 / 57 / 0 / 9

HEX #7E63E7

RGB 126 99 231

HSL 252.27, 0.73%, 0.65%

LAB 50.84, 42.57, -63.6

 

CMYK 0 / 45 / 57 / 10

HEX #E67E64

RGB 230 126 100

HSL 12, 0.72%, 0.65%

LAB 63.89, 37.68, 31.92

 

CMYK 57 / 0 / 45 / 10

HEX #64E67E

RGB 100 230 126

HSL 132, 0.72%, 0.65%

LAB 82.28, -57.48, 40.01

 

CMYK 45 / 57 / 0 / 9

HEX #7E63E7

RGB 126 99 231

HSL 252.27, 0.73%, 0.65%

LAB 50.84, 42.57, -63.6

 

CMYK 0 / 57 / 23 / 10

HEX #E664B2

RGB 230 100 178

HSL 324, 0.72%, 0.65%

LAB 60.92, 58.82, -16.76

 

CMYK 11 / 0 / 57 / 10

HEX #CCE664

RGB 204 230 100

HSL 72, 0.72%, 0.65%

LAB 87.17, -26.78, 59.27

 

CMYK 57 / 0 / 34 / 10

HEX #64E698

RGB 100 230 152

HSL 144, 0.72%, 0.65%

LAB 82.68, -53.12, 27.48

 

CMYK 45 / 57 / 0 / 9

HEX #7E63E7

RGB 126 99 231

HSL 252.27, 0.73%, 0.65%

LAB 50.84, 42.57, -63.6

 

CMYK 0 / 57 / 40 / 10

HEX #E6648B

RGB 230 100 139

HSL 342, 0.72%, 0.65%

LAB 59.71, 54.05, 3.98

 

CMYK 11 / 0 / 57 / 10

HEX #CCE664

RGB 204 230 100

HSL 72, 0.72%, 0.65%

LAB 87.17, -26.78, 59.27

 

CMYK 57 / 0 / 17 / 10

HEX #64E6BF

RGB 100 230 191

HSL 162, 0.72%, 0.65%

LAB 83.48, -45.07, 8.28

 

Description

Color code: HEX #7E63E7 | qconv.com Color code: HEX #7E63E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 99 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 99 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 57 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 57% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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