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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E62FA it is the complementary color #819D05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E62FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E62FA shade: #8362F5, #9474FF, #A586FF, #B698FF and #C7AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E62FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E62FA shade: #7E62FA, #6D50E7, #5C3ED4, #4B2CC1 and #3A1AAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E62FA shade: #7D61FA, #A661FA, #D061FA, #F961FA and #FA61D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E62FA shade: #7D61FA and #6161FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E62FA shade matches the following richer shades: #7D61FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E62FA shade: #7D61FA, #856EED, #8E7BE0, #9688D2 and #9E96C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E62FA shade: #6196FA, #616DFA, #7D61FA, #A661FA and #CF61FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E62FA shade: #3B11F8, #5C39F9, #7D61FA, #9E89FB and #BFB1FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E62FA shade: #7E62FA, #FA61BF and #82FA61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E62FA shade: #7E62FA, #FA7D61 and #61FA7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E62FA shade: #7E62FA, #FA61BF, #DEFA61 and #61FA9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E62FA shade: #7E62FA, #FA6191, #DEFA61 and #61FACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 61 / 0 / 2

HEX #7E62FA

RGB 126 98 250

HSL 251.05, 0.94%, 0.68%

LAB 51.92, 48.53, -72.47

 

Complementary color

CMYK 18 / 0 / 97 / 38

HEX #819D05

RGB 129 157 5

HSL 71.05, 0.94%, 0.32%

LAB 60.6, -27.23, 62.47

 

CMYK 47 / 60 / 0 / 4

HEX #8362F5

RGB 131 98 245

HSL 253.47, 0.88%, 0.67%

LAB 52.01, 48.08, -69.52

 

CMYK 42 / 55 / 0 / 0

HEX #9474FF

RGB 148 116 255

HSL 253.81, 1%, 0.73%

LAB 58.04, 44.31, -65.25

 

CMYK 35 / 47 / 0 / 0

HEX #A586FF

RGB 165 134 255

HSL 255.37, 1%, 0.76%

LAB 63.57, 38.16, -56.33

 

CMYK 29 / 40 / 0 / 0

HEX #B698FF

RGB 182 152 255

HSL 257.48, 1%, 0.8%

LAB 69.2, 32.5, -47.31

 

CMYK 22 / 33 / 0 / 0

HEX #C7AAFF

RGB 199 170 255

HSL 260.47, 1%, 0.83%

LAB 74.9, 27.32, -38.3

 

CMYK 50 / 61 / 0 / 2

HEX #7E62FA

RGB 126 98 250

HSL 251.05, 0.94%, 0.68%

LAB 51.92, 48.53, -72.47

 

CMYK 53 / 65 / 0 / 9

HEX #6D50E7

RGB 109 80 231

HSL 251.52, 0.76%, 0.61%

LAB 45.3, 50.03, -72.65

 

CMYK 57 / 71 / 0 / 17

HEX #5C3ED4

RGB 92 62 212

HSL 252, 0.64%, 0.54%

LAB 38.68, 51.55, -72.7

 

CMYK 61 / 77 / 0 / 24

HEX #4B2CC1

RGB 75 44 193

HSL 252.48, 0.63%, 0.46%

LAB 32.14, 52.91, -72.45

 

CMYK 67 / 85 / 0 / 32

HEX #3A1AAE

RGB 58 26 174

HSL 252.97, 0.74%, 0.39%

LAB 25.85, 53.72, -71.61

 

CMYK 50 / 61 / 0 / 2

HEX #7D61FA

RGB 125 97 250

HSL 250.98, 0.94%, 0.68%

LAB 51.62, 48.9, -72.95

 

CMYK 34 / 61 / 0 / 2

HEX #A661FA

RGB 166 97 250

HSL 267.06, 0.94%, 0.68%

LAB 55.64, 57.12, -66.26

 

CMYK 17 / 61 / 0 / 2

HEX #D061FA

RGB 208 97 250

HSL 283.53, 0.94%, 0.68%

LAB 60.66, 66.48, -57.93

 

CMYK 0 / 61 / 0 / 2

HEX #F961FA

RGB 249 97 250

HSL 299.61, 0.94%, 0.68%

LAB 66.21, 76, -48.78

 

CMYK 0 / 61 / 16 / 2

HEX #FA61D2

RGB 250 97 210

HSL 315.69, 0.94%, 0.68%

LAB 64.58, 70.14, -29.05

 

CMYK 50 / 61 / 0 / 2

HEX #7D61FA

RGB 125 97 250

HSL 250.98, 0.94%, 0.68%

LAB 51.62, 48.9, -72.95

 

CMYK 61 / 61 / 0 / 2

HEX #6161FA

RGB 97 97 250

HSL 240, 0.94%, 0.68%

LAB 49.49, 44.2, -76.52

 

CMYK 50 / 61 / 0 / 2

HEX #7D61FA

RGB 125 97 250

HSL 250.98, 0.94%, 0.68%

LAB 51.62, 48.9, -72.95

 

CMYK 50 / 61 / 0 / 2

HEX #7D61FA

RGB 125 97 250

HSL 250.98, 0.94%, 0.68%

LAB 51.62, 48.9, -72.95

 

CMYK 44 / 54 / 0 / 7

HEX #856EED

RGB 133 110 237

HSL 250.87, 0.78%, 0.68%

LAB 54.29, 39.45, -61.36

 

CMYK 37 / 45 / 0 / 12

HEX #8E7BE0

RGB 142 123 224

HSL 251.29, 0.62%, 0.68%

LAB 57.37, 30.49, -49.14

 

CMYK 29 / 35 / 0 / 18

HEX #9688D2

RGB 150 136 210

HSL 251.35, 0.45%, 0.68%

LAB 60.56, 21.49, -36.22

 

CMYK 20 / 24 / 0 / 23

HEX #9E96C5

RGB 158 150 197

HSL 250.21, 0.29%, 0.68%

LAB 64.25, 12.76, -23.17

 

CMYK 61 / 40 / 0 / 2

HEX #6196FA

RGB 97 150 250

HSL 219.22, 0.94%, 0.68%

LAB 62.72, 12.42, -55.2

 

CMYK 61 / 56 / 0 / 2

HEX #616DFA

RGB 97 109 250

HSL 235.29, 0.94%, 0.68%

LAB 52.27, 37.07, -72.01

 

CMYK 50 / 61 / 0 / 2

HEX #7D61FA

RGB 125 97 250

HSL 250.98, 0.94%, 0.68%

LAB 51.62, 48.9, -72.95

 

CMYK 34 / 61 / 0 / 2

HEX #A661FA

RGB 166 97 250

HSL 267.06, 0.94%, 0.68%

LAB 55.64, 57.12, -66.26

 

CMYK 17 / 61 / 0 / 2

HEX #CF61FA

RGB 207 97 250

HSL 283.14, 0.94%, 0.68%

LAB 60.53, 66.25, -58.15

 

CMYK 76 / 93 / 0 / 3

HEX #3B11F8

RGB 59 17 248

HSL 250.91, 0.94%, 0.52%

LAB 34.21, 75.67, -100.7

 

CMYK 63 / 77 / 0 / 2

HEX #5C39F9

RGB 92 57 249

HSL 250.94, 0.94%, 0.6%

LAB 41.28, 64.57, -89.45

 

CMYK 50 / 61 / 0 / 2

HEX #7D61FA

RGB 125 97 250

HSL 250.98, 0.94%, 0.68%

LAB 51.62, 48.9, -72.95

 

CMYK 37 / 45 / 0 / 2

HEX #9E89FB

RGB 158 137 251

HSL 251.05, 0.93%, 0.76%

LAB 63.45, 33.68, -54.36

 

CMYK 25 / 30 / 0 / 1

HEX #BFB1FD

RGB 191 177 253

HSL 251.05, 0.95%, 0.84%

LAB 75.83, 20.68, -35.82

 

CMYK 50 / 61 / 0 / 2

HEX #7E62FA

RGB 126 98 250

HSL 251.05, 0.94%, 0.68%

LAB 51.92, 48.53, -72.47

 

CMYK 0 / 61 / 24 / 2

HEX #FA61BF

RGB 250 97 191

HSL 323.14, 0.94%, 0.68%

LAB 63.86, 67.57, -19.42

 

CMYK 48 / 0 / 61 / 2

HEX #82FA61

RGB 130 250 97

HSL 107.06, 0.94%, 0.68%

LAB 88.91, -60.93, 61.45

 

CMYK 50 / 61 / 0 / 2

HEX #7E62FA

RGB 126 98 250

HSL 251.05, 0.94%, 0.68%

LAB 51.92, 48.53, -72.47

 

CMYK 0 / 50 / 61 / 2

HEX #FA7D61

RGB 250 125 97

HSL 10.98, 0.94%, 0.68%

LAB 66.41, 45.48, 37.32

 

CMYK 61 / 0 / 50 / 2

HEX #61FA7D

RGB 97 250 125

HSL 130.98, 0.94%, 0.68%

LAB 88.16, -65.66, 47.84

 

CMYK 50 / 61 / 0 / 2

HEX #7E62FA

RGB 126 98 250

HSL 251.05, 0.94%, 0.68%

LAB 51.92, 48.53, -72.47

 

CMYK 0 / 61 / 24 / 2

HEX #FA61BF

RGB 250 97 191

HSL 323.14, 0.94%, 0.68%

LAB 63.86, 67.57, -19.42

 

CMYK 11 / 0 / 61 / 2

HEX #DEFA61

RGB 222 250 97

HSL 70.98, 0.94%, 0.68%

LAB 93.78, -29.39, 68.19

 

CMYK 61 / 0 / 38 / 2

HEX #61FA9C

RGB 97 250 156

HSL 143.14, 0.94%, 0.68%

LAB 88.6, -60.82, 33.35

 

CMYK 50 / 61 / 0 / 2

HEX #7E62FA

RGB 126 98 250

HSL 251.05, 0.94%, 0.68%

LAB 51.92, 48.53, -72.47

 

CMYK 0 / 61 / 42 / 2

HEX #FA6191

RGB 250 97 145

HSL 341.18, 0.94%, 0.68%

LAB 62.44, 62.3, 4.83

 

CMYK 11 / 0 / 61 / 2

HEX #DEFA61

RGB 222 250 97

HSL 70.98, 0.94%, 0.68%

LAB 93.78, -29.39, 68.19

 

CMYK 61 / 0 / 19 / 2

HEX #61FACA

RGB 97 250 202

HSL 161.18, 0.94%, 0.68%

LAB 89.48, -51.61, 11.1

 

Description

Color code: HEX #7E62FA | qconv.com Color code: HEX #7E62FA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 98 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 98 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 61 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 61% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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