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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E5E1A it is the complementary color #81A1E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E5E1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E5E1A shade: #835E15, #947028, #A5823B, #B6944E and #C7A661

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E5E1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E5E1A shade: #7E5E1A, #6D4C07, #5C3A00, #4B2800 and #3A1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E5E1A shade: #7E5E1A, #7E431A, #7E281A and #7E1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E5E1A shade: #7E5E1A, #7E791A, #687E1A, #4D7E1A and #327E1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E5E1A shade matches the following richer shades: #7E5E1A, #8B630D and #976701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E5E1A shade: #7E5E1A, #725A26, #665532, #59513F and #4D4C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E5E1A shade: #7E271A, #7E421A, #7E5D1A, #7E781A and #6A7E1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E5E1A shade: #3A2B0B, #5C4512, #7E5E1A, #A17821 and #C39128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E5E1A shade: #7E5E1A, #277E1A and #341A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E5E1A shade: #7E5E1A, #1A7E5D and #5D1A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E5E1A shade: #7E5E1A, #277E1A, #1A3B7E and #711A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E5E1A shade: #7E5E1A, #1A7E2A, #1A3B7E and #7E1A6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

Complementary color

CMYK 44 / 30 / 0 / 10

HEX #81A1E5

RGB 129 161 229

HSL 220.8, 0.66%, 0.7%

LAB 66.38, 6.49, -37.8

 

CMYK 0 / 28 / 84 / 49

HEX #835E15

RGB 131 94 21

HSL 39.82, 0.72%, 0.3%

LAB 42.59, 8.32, 44.28

 

CMYK 0 / 24 / 73 / 42

HEX #947028

RGB 148 112 40

HSL 40, 0.57%, 0.37%

LAB 49.54, 6.68, 43.75

 

CMYK 0 / 21 / 64 / 35

HEX #A5823B

RGB 165 130 59

HSL 40.19, 0.47%, 0.44%

LAB 56.37, 5.36, 42.63

 

CMYK 0 / 19 / 57 / 29

HEX #B6944E

RGB 182 148 78

HSL 40.38, 0.42%, 0.51%

LAB 63.07, 4.29, 41.32

 

CMYK 0 / 17 / 51 / 22

HEX #C7A661

RGB 199 166 97

HSL 40.59, 0.48%, 0.58%

LAB 69.67, 3.39, 39.99

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 0 / 30 / 94 / 57

HEX #6D4C07

RGB 109 76 7

HSL 40.59, 0.88%, 0.23%

LAB 34.87, 8.02, 41.33

 

CMYK 0 / 37 / 100 / 64

HEX #5C3A00

RGB 92 58 0

HSL 37.83, 1%, 0.18%

LAB 27.58, 10.44, 37.38

 

CMYK 0 / 47 / 100 / 71

HEX #4B2800

RGB 75 40 0

HSL 32, 1%, 0.15%

LAB 20.1, 13.26, 29.09

 

CMYK 0 / 62 / 100 / 77

HEX #3A1600

RGB 58 22 0

HSL 22.76, 1%, 0.11%

LAB 12.44, 16.19, 18.91

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 0 / 47 / 79 / 51

HEX #7E431A

RGB 126 67 26

HSL 24.6, 0.66%, 0.3%

LAB 35.05, 22.11, 34.78

 

CMYK 0 / 68 / 79 / 51

HEX #7E281A

RGB 126 40 26

HSL 8.4, 0.66%, 0.3%

LAB 29.48, 36.4, 29.05

 

CMYK 0 / 79 / 79 / 51

HEX #7E1A1A

RGB 126 26 26

HSL 0, 0.66%, 0.3%

LAB 27.43, 42.03, 26.86

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 0 / 4 / 79 / 51

HEX #7E791A

RGB 126 121 26

HSL 57, 0.66%, 0.3%

LAB 49.72, -9.35, 48.74

 

CMYK 17 / 0 / 79 / 51

HEX #687E1A

RGB 104 126 26

HSL 73.2, 0.66%, 0.3%

LAB 49.42, -22.05, 47.81

 

CMYK 39 / 0 / 79 / 51

HEX #4D7E1A

RGB 77 126 26

HSL 89.4, 0.66%, 0.3%

LAB 47.72, -33.16, 45.6

 

CMYK 60 / 0 / 79 / 51

HEX #327E1A

RGB 50 126 26

HSL 105.6, 0.66%, 0.3%

LAB 46.54, -42.01, 44.06

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 0 / 29 / 91 / 45

HEX #8B630D

RGB 139 99 13

HSL 40.95, 0.83%, 0.3%

LAB 44.86, 8.96, 49.1

 

CMYK 0 / 32 / 99 / 41

HEX #976701

RGB 151 103 1

HSL 40.8, 0.99%, 0.3%

LAB 47.34, 12.06, 54.39

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 0 / 21 / 67 / 55

HEX #725A26

RGB 114 90 38

HSL 41.05, 0.5%, 0.3%

LAB 39.63, 3.47, 33.02

 

CMYK 0 / 17 / 51 / 60

HEX #665532

RGB 102 85 50

HSL 40.38, 0.34%, 0.3%

LAB 37.03, 1.87, 22.94

 

CMYK 0 / 9 / 29 / 65

HEX #59513F

RGB 89 81 63

HSL 41.54, 0.17%, 0.3%

LAB 34.74, 0.06, 11.8

 

CMYK 0 / 1 / 3 / 70

HEX #4D4C4B

RGB 77 76 75

HSL 30, 0.01%, 0.3%

LAB 32.38, 0.2, 0.73

 

CMYK 0 / 69 / 79 / 51

HEX #7E271A

RGB 126 39 26

HSL 7.8, 0.66%, 0.3%

LAB 29.31, 36.85, 28.87

 

CMYK 0 / 48 / 79 / 51

HEX #7E421A

RGB 126 66 26

HSL 24, 0.66%, 0.3%

LAB 34.82, 22.68, 34.55

 

CMYK 0 / 26 / 79 / 51

HEX #7E5D1A

RGB 126 93 26

HSL 40.2, 0.66%, 0.3%

LAB 41.75, 6.73, 41.32

 

CMYK 0 / 5 / 79 / 51

HEX #7E781A

RGB 126 120 26

HSL 56.4, 0.66%, 0.3%

LAB 49.43, -8.8, 48.48

 

CMYK 16 / 0 / 79 / 51

HEX #6A7E1A

RGB 106 126 26

HSL 72, 0.66%, 0.3%

LAB 49.57, -21.16, 48

 

CMYK 0 / 26 / 81 / 77

HEX #3A2B0B

RGB 58 43 11

HSL 40.85, 0.68%, 0.14%

LAB 18.59, 2.88, 22.22

 

CMYK 0 / 25 / 80 / 64

HEX #5C4512

RGB 92 69 18

HSL 41.35, 0.67%, 0.22%

LAB 30.82, 4.23, 32.88

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 0 / 25 / 80 / 37

HEX #A17821

RGB 161 120 33

HSL 40.78, 0.66%, 0.38%

LAB 53.08, 7.78, 50.62

 

CMYK 0 / 26 / 79 / 24

HEX #C39128

RGB 195 145 40

HSL 40.65, 0.66%, 0.46%

LAB 63.35, 9.45, 58.86

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 69 / 0 / 79 / 51

HEX #277E1A

RGB 39 126 26

HSL 112.2, 0.66%, 0.3%

LAB 46.21, -44.71, 43.63

 

CMYK 59 / 79 / 0 / 51

HEX #341A7E

RGB 52 26 126

HSL 255.6, 0.66%, 0.3%

LAB 19.94, 39.06, -51.75

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 79 / 0 / 26 / 51

HEX #1A7E5D

RGB 26 126 93

HSL 160.2, 0.66%, 0.3%

LAB 46.88, -36.1, 10.16

 

CMYK 26 / 79 / 0 / 51

HEX #5D1A7E

RGB 93 26 126

HSL 280.2, 0.66%, 0.3%

LAB 25.48, 46.11, -42.48

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 69 / 0 / 79 / 51

HEX #277E1A

RGB 39 126 26

HSL 112.2, 0.66%, 0.3%

LAB 46.21, -44.71, 43.63

 

CMYK 79 / 53 / 0 / 51

HEX #1A3B7E

RGB 26 59 126

HSL 220.2, 0.66%, 0.3%

LAB 26.31, 13.96, -41.43

 

CMYK 10 / 79 / 0 / 51

HEX #711A7E

RGB 113 26 126

HSL 292.2, 0.66%, 0.3%

LAB 28.79, 50.21, -36.98

 

CMYK 0 / 25 / 79 / 51

HEX #7E5E1A

RGB 126 94 26

HSL 40.8, 0.66%, 0.3%

LAB 42.02, 6.14, 41.59

 

CMYK 79 / 0 / 67 / 51

HEX #1A7E2A

RGB 26 126 42

HSL 129.6, 0.66%, 0.3%

LAB 46.05, -45.6, 36.79

 

CMYK 79 / 53 / 0 / 51

HEX #1A3B7E

RGB 26 59 126

HSL 220.2, 0.66%, 0.3%

LAB 26.31, 13.96, -41.43

 

CMYK 0 / 79 / 13 / 51

HEX #7E1A6E

RGB 126 26 110

HSL 309.6, 0.66%, 0.3%

LAB 30.16, 50.39, -24.5

 

Description

Color code: HEX #7E5E1A | qconv.com Color code: HEX #7E5E1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 94 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 94 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 79 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 79% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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