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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E5C34 it is the complementary color #81A3CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E5C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E5C34 shade: #835C2F, #946E42, #A58055, #B69268 and #C7A47B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E5C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E5C34 shade: #7E5C34, #6D4A21, #5C380E, #4B2600 and #3A1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E5C34 shade: #7F5C34, #7F4834 and #7F3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E5C34 shade: #7F5C34, #7F7134, #797F34, #657F34 and #507F34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E5C34 shade matches the following richer shades: #7F5C34, #8D5D25, #9C5F17 and #AA6008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E5C34 shade: #7F5C34, #705B42, #625A51, #53595F and #45586E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E5C34 shade: #7F3434, #7F4834, #7F5C34, #7F7034 and #7A7F34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E5C34 shade: #44321C, #614728, #7F5C34, #9C7240 and #B7874E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E5C34 shade: #7E5C34, #487F34 and #3E347F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E5C34 shade: #7E5C34, #347F5C and #5C347F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E5C34 shade: #7E5C34, #487F34, #34577F and #6B347F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E5C34 shade: #7E5C34, #347F36, #34577F and #7F347C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 59 / 51

HEX #7E5C34

RGB 126 92 52

HSL 32.43, 0.42%, 0.35%

LAB 41.75, 9.04, 28.22

 

Complementary color

CMYK 36 / 20 / 0 / 20

HEX #81A3CB

RGB 129 163 203

HSL 212.43, 0.42%, 0.65%

LAB 65.88, -1.77, -24.19

 

CMYK 0 / 30 / 64 / 49

HEX #835C2F

RGB 131 92 47

HSL 32.14, 0.47%, 0.35%

LAB 42.28, 10.93, 31.78

 

CMYK 0 / 26 / 55 / 42

HEX #946E42

RGB 148 110 66

HSL 32.2, 0.38%, 0.42%

LAB 49.3, 9.7, 30.21

 

CMYK 0 / 22 / 48 / 35

HEX #A58055

RGB 165 128 85

HSL 32.25, 0.32%, 0.49%

LAB 56.18, 8.7, 28.74

 

CMYK 0 / 20 / 43 / 29

HEX #B69268

RGB 182 146 104

HSL 32.31, 0.35%, 0.56%

LAB 62.93, 7.87, 27.37

 

CMYK 0 / 18 / 38 / 22

HEX #C7A47B

RGB 199 164 123

HSL 32.37, 0.4%, 0.63%

LAB 69.56, 7.17, 26.11

 

CMYK 0 / 27 / 59 / 51

HEX #7E5C34

RGB 126 92 52

HSL 32.43, 0.42%, 0.35%

LAB 41.75, 9.04, 28.22

 

CMYK 0 / 32 / 70 / 57

HEX #6D4A21

RGB 109 74 33

HSL 32.37, 0.54%, 0.28%

LAB 34.52, 10.41, 29.82

 

CMYK 0 / 39 / 85 / 64

HEX #5C380E

RGB 92 56 14

HSL 32.31, 0.74%, 0.21%

LAB 27.12, 12.2, 31.17

 

CMYK 0 / 49 / 100 / 71

HEX #4B2600

RGB 75 38 0

HSL 30.4, 1%, 0.15%

LAB 19.57, 14.54, 28.49

 

CMYK 0 / 66 / 100 / 77

HEX #3A1400

RGB 58 20 0

HSL 20.69, 1%, 0.11%

LAB 11.96, 17.42, 18.25

 

CMYK 0 / 28 / 59 / 50

HEX #7F5C34

RGB 127 92 52

HSL 32, 0.42%, 0.35%

LAB 41.87, 9.5, 28.39

 

CMYK 0 / 43 / 59 / 50

HEX #7F4834

RGB 127 72 52

HSL 16, 0.42%, 0.35%

LAB 36.73, 21.35, 22.05

 

CMYK 0 / 59 / 59 / 50

HEX #7F3434

RGB 127 52 52

HSL 0, 0.42%, 0.35%

LAB 32.29, 32.51, 16.32

 

CMYK 0 / 28 / 59 / 50

HEX #7F5C34

RGB 127 92 52

HSL 32, 0.42%, 0.35%

LAB 41.87, 9.5, 28.39

 

CMYK 0 / 11 / 59 / 50

HEX #7F7134

RGB 127 113 52

HSL 48.8, 0.42%, 0.35%

LAB 47.71, -2.77, 35.29

 

CMYK 5 / 0 / 59 / 50

HEX #797F34

RGB 121 127 52

HSL 64.8, 0.42%, 0.35%

LAB 51.26, -13.28, 39.17

 

CMYK 20 / 0 / 59 / 50

HEX #657F34

RGB 101 127 52

HSL 80.8, 0.42%, 0.35%

LAB 49.73, -21.95, 37.03

 

CMYK 37 / 0 / 59 / 50

HEX #507F34

RGB 80 127 52

HSL 97.6, 0.42%, 0.35%

LAB 48.43, -30.27, 35.19

 

CMYK 0 / 28 / 59 / 50

HEX #7F5C34

RGB 127 92 52

HSL 32, 0.42%, 0.35%

LAB 41.87, 9.5, 28.39

 

CMYK 0 / 34 / 74 / 45

HEX #8D5D25

RGB 141 93 37

HSL 32.31, 0.58%, 0.35%

LAB 43.69, 14.31, 38.86

 

CMYK 0 / 39 / 85 / 39

HEX #9C5F17

RGB 156 95 23

HSL 32.48, 0.74%, 0.35%

LAB 46.06, 19.4, 47.83

 

CMYK 0 / 44 / 95 / 33

HEX #AA6008

RGB 170 96 8

HSL 32.59, 0.91%, 0.35%

LAB 48.17, 24.73, 54.56

 

CMYK 0 / 28 / 59 / 50

HEX #7F5C34

RGB 127 92 52

HSL 32, 0.42%, 0.35%

LAB 41.87, 9.5, 28.39

 

CMYK 0 / 19 / 41 / 56

HEX #705B42

RGB 112 91 66

HSL 32.61, 0.26%, 0.35%

LAB 40.11, 4.75, 17.64

 

CMYK 0 / 8 / 17 / 62

HEX #625A51

RGB 98 90 81

HSL 31.76, 0.09%, 0.35%

LAB 38.73, 1.53, 6.36

 

CMYK 13 / 6 / 0 / 63

HEX #53595F

RGB 83 89 95

HSL 210, 0.07%, 0.35%

LAB 37.5, -0.98, -4.27

 

CMYK 37 / 20 / 0 / 57

HEX #45586E

RGB 69 88 110

HSL 212.2, 0.23%, 0.35%

LAB 36.69, -1.26, -14.92

 

CMYK 0 / 59 / 59 / 50

HEX #7F3434

RGB 127 52 52

HSL 0, 0.42%, 0.35%

LAB 32.29, 32.51, 16.32

 

CMYK 0 / 43 / 59 / 50

HEX #7F4834

RGB 127 72 52

HSL 16, 0.42%, 0.35%

LAB 36.73, 21.35, 22.05

 

CMYK 0 / 28 / 59 / 50

HEX #7F5C34

RGB 127 92 52

HSL 32, 0.42%, 0.35%

LAB 41.87, 9.5, 28.39

 

CMYK 0 / 12 / 59 / 50

HEX #7F7034

RGB 127 112 52

HSL 48, 0.42%, 0.35%

LAB 47.43, -2.2, 34.96

 

CMYK 4 / 0 / 59 / 50

HEX #7A7F34

RGB 122 127 52

HSL 64, 0.42%, 0.35%

LAB 51.34, -12.84, 39.29

 

CMYK 0 / 26 / 59 / 73

HEX #44321C

RGB 68 50 28

HSL 33, 0.42%, 0.19%

LAB 22.28, 4.97, 17.06

 

CMYK 0 / 27 / 59 / 62

HEX #614728

RGB 97 71 40

HSL 32.63, 0.42%, 0.27%

LAB 32.26, 7.07, 22.81

 

CMYK 0 / 28 / 59 / 50

HEX #7F5C34

RGB 127 92 52

HSL 32, 0.42%, 0.35%

LAB 41.87, 9.5, 28.39

 

CMYK 0 / 27 / 59 / 39

HEX #9C7240

RGB 156 114 64

HSL 32.61, 0.42%, 0.43%

LAB 51.24, 10.79, 33.86

 

CMYK 0 / 26 / 57 / 28

HEX #B7874E

RGB 183 135 78

HSL 32.57, 0.42%, 0.51%

LAB 59.84, 11.9, 37.49

 

CMYK 0 / 27 / 59 / 51

HEX #7E5C34

RGB 126 92 52

HSL 32.43, 0.42%, 0.35%

LAB 41.75, 9.04, 28.22

 

CMYK 43 / 0 / 59 / 50

HEX #487F34

RGB 72 127 52

HSL 104, 0.42%, 0.35%

LAB 48.01, -33.13, 34.6

 

CMYK 51 / 59 / 0 / 50

HEX #3E347F

RGB 62 52 127

HSL 248, 0.42%, 0.35%

LAB 26.77, 25.68, -41.21

 

CMYK 0 / 27 / 59 / 51

HEX #7E5C34

RGB 126 92 52

HSL 32.43, 0.42%, 0.35%

LAB 41.75, 9.04, 28.22

 

CMYK 59 / 0 / 28 / 50

HEX #347F5C

RGB 52 127 92

HSL 152, 0.42%, 0.35%

LAB 47.86, -32.04, 12.2

 

CMYK 28 / 59 / 0 / 50

HEX #5C347F

RGB 92 52 127

HSL 272, 0.42%, 0.35%

LAB 30.07, 33.25, -35.74

 

CMYK 0 / 27 / 59 / 51

HEX #7E5C34

RGB 126 92 52

HSL 32.43, 0.42%, 0.35%

LAB 41.75, 9.04, 28.22

 

CMYK 43 / 0 / 59 / 50

HEX #487F34

RGB 72 127 52

HSL 104, 0.42%, 0.35%

LAB 48.01, -33.13, 34.6

 

CMYK 59 / 31 / 0 / 50

HEX #34577F

RGB 52 87 127

HSL 212, 0.42%, 0.35%

LAB 36.14, 0.23, -26.35

 

CMYK 16 / 59 / 0 / 50

HEX #6B347F

RGB 107 52 127

HSL 284, 0.42%, 0.35%

LAB 32.07, 37.38, -32.44

 

CMYK 0 / 27 / 59 / 51

HEX #7E5C34

RGB 126 92 52

HSL 32.43, 0.42%, 0.35%

LAB 41.75, 9.04, 28.22

 

CMYK 59 / 0 / 57 / 50

HEX #347F36

RGB 52 127 54

HSL 121.6, 0.42%, 0.35%

LAB 47.2, -39, 32.43

 

CMYK 59 / 31 / 0 / 50

HEX #34577F

RGB 52 87 127

HSL 212, 0.42%, 0.35%

LAB 36.14, 0.23, -26.35

 

CMYK 0 / 59 / 2 / 50

HEX #7F347C

RGB 127 52 124

HSL 302.4, 0.42%, 0.35%

LAB 34.85, 42.46, -25.97

 

Description

Color code: HEX #7E5C34 | qconv.com Color code: HEX #7E5C34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 92 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 92 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 59 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 59% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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