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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4D5E it is the complementary color #81B2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4D5E shade: #834D59, #945F6C, #A5717F, #B68392 and #C795A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4D5E shade: #7E4D5E, #6D3B4B, #5C2938, #4B1725 and #3A0512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4D5E shade: #7E4D5E, #7E4D51 and #7E4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4D5E shade: #7E4D5E, #7E4D6B, #7E4D78, #764D7E and #694D7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4D5E shade matches the following richer shades: #7E4D5E, #8E3D59, #9F2C54, #AF1C4F and #C00B4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4D5E shade: #7E4D5E, #6D5E63, #5D6E68, #4C7F6D and #3C8F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4D5E shade: #7E4D78, #7E4D6B, #7E4D5E, #7E4D51 and #7E564D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4D5E shade: #4B2E38, #643D4B, #7E4D5E, #985D71 and #AA7487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4D5E shade: #7E4D5E, #7E774D and #4D727E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4D5E shade: #7E4D5E, #5E7E4D and #4D5E7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4D5E shade: #7E4D5E, #7E774D, #4D7E6D and #4D547E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4D5E shade: #7E4D5E, #777E4D, #4D7E6D and #544D7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

Complementary color

CMYK 28 / 0 / 10 / 30

HEX #81B2A1

RGB 129 178 161

HSL 159.18, 0.24%, 0.6%

LAB 68.81, -19.89, 3.46

 

CMYK 0 / 41 / 32 / 49

HEX #834D59

RGB 131 77 89

HSL 346.67, 0.26%, 0.41%

LAB 39.33, 24.39, 2.77

 

CMYK 0 / 36 / 27 / 42

HEX #945F6C

RGB 148 95 108

HSL 345.28, 0.22%, 0.48%

LAB 46.4, 23.47, 1.62

 

CMYK 0 / 32 / 23 / 35

HEX #A5717F

RGB 165 113 127

HSL 343.85, 0.22%, 0.55%

LAB 53.32, 22.64, 0.64

 

CMYK 0 / 28 / 20 / 29

HEX #B68392

RGB 182 131 146

HSL 342.35, 0.26%, 0.61%

LAB 60.12, 21.89, -0.24

 

CMYK 0 / 25 / 17 / 22

HEX #C795A5

RGB 199 149 165

HSL 340.8, 0.31%, 0.68%

LAB 66.79, 21.22, -1.03

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 46 / 31 / 57

HEX #6D3B4B

RGB 109 59 75

HSL 340.8, 0.3%, 0.33%

LAB 31.55, 24.13, -0.02

 

CMYK 0 / 55 / 39 / 64

HEX #5C2938

RGB 92 41 56

HSL 342.35, 0.38%, 0.26%

LAB 24.15, 25.14, 1.49

 

CMYK 0 / 69 / 51 / 71

HEX #4B1725

RGB 75 23 37

HSL 343.85, 0.53%, 0.19%

LAB 16.71, 26.02, 3.66

 

CMYK 0 / 91 / 69 / 77

HEX #3A0512

RGB 58 5 18

HSL 345.28, 0.84%, 0.12%

LAB 9.42, 26.35, 6.58

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 39 / 36 / 51

HEX #7E4D51

RGB 126 77 81

HSL 355.1, 0.24%, 0.4%

LAB 38.44, 21.25, 6.4

 

CMYK 0 / 39 / 39 / 51

HEX #7E4D4D

RGB 126 77 77

HSL 0, 0.24%, 0.4%

LAB 38.34, 20.71, 8.75

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 39 / 15 / 51

HEX #7E4D6B

RGB 126 77 107

HSL 323.27, 0.24%, 0.4%

LAB 39.25, 25.36, -8.63

 

CMYK 0 / 39 / 5 / 51

HEX #7E4D78

RGB 126 77 120

HSL 307.35, 0.24%, 0.4%

LAB 39.75, 27.78, -15.92

 

CMYK 6 / 39 / 0 / 51

HEX #764D7E

RGB 118 77 126

HSL 290.2, 0.24%, 0.4%

LAB 39.01, 26.25, -20.83

 

CMYK 17 / 39 / 0 / 51

HEX #694D7E

RGB 105 77 126

HSL 274.29, 0.24%, 0.4%

LAB 37.51, 21.87, -23.27

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 72 / 47 / 38

HEX #9F2C54

RGB 159 44 84

HSL 339.13, 0.57%, 0.4%

LAB 37.5, 49.98, 3.87

 

CMYK 0 / 84 / 55 / 31

HEX #AF1C4F

RGB 175 28 79

HSL 339.18, 0.72%, 0.4%

LAB 38.74, 58.97, 9.25

 

CMYK 0 / 94 / 61 / 25

HEX #C00B4A

RGB 192 11 74

HSL 339.12, 0.89%, 0.4%

LAB 41.12, 65.79, 16.26

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 14 / 9 / 57

HEX #6D5E63

RGB 109 94 99

HSL 340, 0.07%, 0.4%

LAB 41.47, 6.99, -0.62

 

CMYK 15 / 0 / 5 / 57

HEX #5D6E68

RGB 93 110 104

HSL 158.82, 0.08%, 0.4%

LAB 44.91, -7.68, 1.21

 

CMYK 40 / 0 / 14 / 50

HEX #4C7F6D

RGB 76 127 109

HSL 158.82, 0.25%, 0.4%

LAB 49.28, -21.59, 4.42

 

CMYK 58 / 0 / 20 / 44

HEX #3C8F72

RGB 60 143 114

HSL 159.04, 0.41%, 0.4%

LAB 53.84, -32.49, 7.95

 

CMYK 0 / 39 / 5 / 51

HEX #7E4D78

RGB 126 77 120

HSL 307.35, 0.24%, 0.4%

LAB 39.75, 27.78, -15.92

 

CMYK 0 / 39 / 15 / 51

HEX #7E4D6B

RGB 126 77 107

HSL 323.27, 0.24%, 0.4%

LAB 39.25, 25.36, -8.63

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 39 / 36 / 51

HEX #7E4D51

RGB 126 77 81

HSL 355.1, 0.24%, 0.4%

LAB 38.44, 21.25, 6.4

 

CMYK 0 / 32 / 39 / 51

HEX #7E564D

RGB 126 86 77

HSL 11.02, 0.24%, 0.4%

LAB 40.62, 15.36, 11.92

 

CMYK 0 / 39 / 25 / 71

HEX #4B2E38

RGB 75 46 56

HSL 339.31, 0.24%, 0.24%

LAB 22.78, 14.97, -0.83

 

CMYK 0 / 39 / 25 / 61

HEX #643D4B

RGB 100 61 75

HSL 338.46, 0.24%, 0.32%

LAB 30.77, 19.28, -1.31

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 39 / 26 / 40

HEX #985D71

RGB 152 93 113

HSL 339.66, 0.24%, 0.48%

LAB 46.57, 26.91, -1.07

 

CMYK 0 / 32 / 21 / 33

HEX #AA7487

RGB 170 116 135

HSL 338.89, 0.24%, 0.56%

LAB 54.85, 24.08, -1.74

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 6 / 39 / 51

HEX #7E774D

RGB 126 119 77

HSL 51.43, 0.24%, 0.4%

LAB 49.7, -4.02, 24.08

 

CMYK 39 / 10 / 0 / 51

HEX #4D727E

RGB 77 114 126

HSL 194.69, 0.24%, 0.4%

LAB 45.8, -9.78, -10.78

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 25 / 0 / 39 / 51

HEX #5E7E4D

RGB 94 126 77

HSL 99.18, 0.24%, 0.4%

LAB 49.3, -21.12, 23.08

 

CMYK 39 / 25 / 0 / 51

HEX #4D5E7E

RGB 77 94 126

HSL 219.18, 0.24%, 0.4%

LAB 39.73, 2.17, -20.03

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 6 / 39 / 51

HEX #7E774D

RGB 126 119 77

HSL 51.43, 0.24%, 0.4%

LAB 49.7, -4.02, 24.08

 

CMYK 39 / 0 / 13 / 51

HEX #4D7E6D

RGB 77 126 109

HSL 159.18, 0.24%, 0.4%

LAB 49.01, -20.76, 4.05

 

CMYK 39 / 33 / 0 / 51

HEX #4D547E

RGB 77 84 126

HSL 231.43, 0.24%, 0.4%

LAB 36.79, 8.48, -24.59

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 6 / 0 / 39 / 51

HEX #777E4D

RGB 119 126 77

HSL 68.57, 0.24%, 0.4%

LAB 51.13, -10.94, 25.81

 

CMYK 39 / 0 / 13 / 51

HEX #4D7E6D

RGB 77 126 109

HSL 159.18, 0.24%, 0.4%

LAB 49.01, -20.76, 4.05

 

CMYK 33 / 39 / 0 / 51

HEX #544D7E

RGB 84 77 126

HSL 248.57, 0.24%, 0.4%

LAB 35.4, 15.1, -26.73

 

Description

Color code: HEX #7E4D5E | qconv.com Color code: HEX #7E4D5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 77 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 77 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 25 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 25% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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