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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4D20 it is the complementary color #81B2DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4D20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4D20 shade: #834D1B, #945F2E, #A57141, #B68354 and #C79567

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4D20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4D20 shade: #7E4D20, #6D3B0D, #5C2900, #4B1700 and #3A0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4D20 shade: #7E4D20, #7E3420 and #7E2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4D20 shade: #7E4D20, #7E6620, #7C7E20, #637E20 and #4A7E20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4D20 shade matches the following richer shades: #7E4D20, #8A4D14 and #974C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4D20 shade: #7E4D20, #714E2D, #644E3A, #574F47 and #4B4F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4D20 shade: #7E2027, #7E3320, #7E4C20, #7E6520 and #7E7E20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4D20 shade: #3C250F, #5D3918, #7E4D20, #9E6129 and #BF7531

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4D20 shade: #7E4D20, #407E20 and #27207E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4D20 shade: #7E4D20, #207E4C and #4C207E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4D20 shade: #7E4D20, #407E20, #20527E and #5F207E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4D20 shade: #7E4D20, #247E20, #20527E and #7B207E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

Complementary color

CMYK 42 / 20 / 0 / 13

HEX #81B2DF

RGB 129 178 223

HSL 208.72, 0.59%, 0.69%

LAB 70.76, -4.67, -27.73

 

CMYK 0 / 41 / 79 / 49

HEX #834D1B

RGB 131 77 27

HSL 28.85, 0.66%, 0.31%

LAB 38.22, 18.59, 37.69

 

CMYK 0 / 36 / 69 / 42

HEX #945F2E

RGB 148 95 46

HSL 28.82, 0.53%, 0.38%

LAB 45.19, 16.85, 36.18

 

CMYK 0 / 32 / 61 / 35

HEX #A57141

RGB 165 113 65

HSL 28.8, 0.43%, 0.45%

LAB 52.05, 15.4, 34.56

 

CMYK 0 / 28 / 54 / 29

HEX #B68354

RGB 182 131 84

HSL 28.78, 0.4%, 0.52%

LAB 58.81, 14.2, 32.99

 

CMYK 0 / 25 / 48 / 22

HEX #C79567

RGB 199 149 103

HSL 28.75, 0.46%, 0.59%

LAB 65.45, 13.18, 31.53

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 0 / 46 / 88 / 57

HEX #6D3B0D

RGB 109 59 13

HSL 28.75, 0.79%, 0.24%

LAB 30.42, 18.52, 35.54

 

CMYK 0 / 55 / 100 / 64

HEX #5C2900

RGB 92 41 0

HSL 26.74, 1%, 0.18%

LAB 23.21, 20.9, 33.28

 

CMYK 0 / 69 / 100 / 71

HEX #4B1700

RGB 75 23 0

HSL 18.4, 1%, 0.15%

LAB 16.05, 23.45, 24.26

 

CMYK 0 / 91 / 100 / 77

HEX #3A0500

RGB 58 5 0

HSL 5.17, 1%, 0.11%

LAB 9.06, 25.24, 14.19

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 0 / 59 / 75 / 51

HEX #7E3420

RGB 126 52 32

HSL 12.77, 0.59%, 0.31%

LAB 31.8, 30.75, 28.06

 

CMYK 0 / 75 / 75 / 51

HEX #7E2020

RGB 126 32 32

HSL 0, 0.59%, 0.31%

LAB 28.31, 40.09, 24.09

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 0 / 19 / 75 / 51

HEX #7E6620

RGB 126 102 32

HSL 44.68, 0.59%, 0.31%

LAB 44.29, 1.74, 41.23

 

CMYK 2 / 0 / 75 / 51

HEX #7C7E20

RGB 124 126 32

HSL 61.28, 0.59%, 0.31%

LAB 51.05, -12.73, 47.77

 

CMYK 21 / 0 / 75 / 51

HEX #637E20

RGB 99 126 32

HSL 77.23, 0.59%, 0.31%

LAB 49.1, -23.89, 45.21

 

CMYK 41 / 0 / 75 / 51

HEX #4A7E20

RGB 74 126 32

HSL 93.19, 0.59%, 0.31%

LAB 47.6, -33.88, 43.21

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 0 / 44 / 86 / 46

HEX #8A4D14

RGB 138 77 20

HSL 28.98, 0.75%, 0.31%

LAB 39.18, 21.5, 42.01

 

CMYK 0 / 50 / 95 / 41

HEX #974C07

RGB 151 76 7

HSL 28.75, 0.91%, 0.31%

LAB 40.84, 27.5, 48.4

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 0 / 31 / 60 / 56

HEX #714E2D

RGB 113 78 45

HSL 29.12, 0.43%, 0.31%

LAB 36.27, 10.81, 25.22

 

CMYK 0 / 22 / 42 / 61

HEX #644E3A

RGB 100 78 58

HSL 28.57, 0.27%, 0.31%

LAB 34.93, 6.18, 15.36

 

CMYK 0 / 9 / 18 / 66

HEX #574F47

RGB 87 79 71

HSL 30, 0.1%, 0.31%

LAB 34.13, 1.77, 5.92

 

CMYK 11 / 6 / 0 / 67

HEX #4B4F54

RGB 75 79 84

HSL 213.33, 0.06%, 0.31%

LAB 33.41, -0.46, -3.5

HEX #4B4F54

CMYK 0 / 75 / 69 / 51

HEX #7E2027

RGB 126 32 39

HSL 355.53, 0.59%, 0.31%

LAB 28.42, 40.47, 19.72

 

CMYK 0 / 60 / 75 / 51

HEX #7E3320

RGB 126 51 32

HSL 12.13, 0.59%, 0.31%

LAB 31.6, 31.27, 27.84

 

CMYK 0 / 40 / 75 / 51

HEX #7E4C20

RGB 126 76 32

HSL 28.09, 0.59%, 0.31%

LAB 37.31, 17.13, 34.06

 

CMYK 0 / 20 / 75 / 51

HEX #7E6520

RGB 126 101 32

HSL 44.04, 0.59%, 0.31%

LAB 44.01, 2.32, 40.95

 

CMYK 0 / 0 / 75 / 51

HEX #7E7E20

RGB 126 126 32

HSL 60, 0.59%, 0.31%

LAB 51.22, -11.82, 47.99

 

CMYK 0 / 38 / 75 / 76

HEX #3C250F

RGB 60 37 15

HSL 29.33, 0.6%, 0.15%

LAB 17.08, 8.3, 18.55

 

CMYK 0 / 39 / 74 / 64

HEX #5D3918

RGB 93 57 24

HSL 28.7, 0.59%, 0.23%

LAB 27.63, 12.6, 26.57

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 0 / 39 / 74 / 38

HEX #9E6129

RGB 158 97 41

HSL 28.72, 0.59%, 0.39%

LAB 46.95, 19.88, 40.99

 

CMYK 0 / 39 / 74 / 25

HEX #BF7531

RGB 191 117 49

HSL 28.73, 0.59%, 0.47%

LAB 56.11, 23.46, 48.03

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 69 / 75 / 0 / 51

HEX #27207E

RGB 39 32 126

HSL 244.47, 0.59%, 0.31%

LAB 19.93, 33.97, -51.83

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 75 / 0 / 40 / 51

HEX #207E4C

RGB 32 126 76

HSL 148.09, 0.59%, 0.31%

LAB 46.65, -39.12, 19.67

 

CMYK 40 / 75 / 0 / 51

HEX #4C207E

RGB 76 32 126

HSL 268.09, 0.59%, 0.31%

LAB 23.92, 40.1, -45.13

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 75 / 35 / 0 / 51

HEX #20527E

RGB 32 82 126

HSL 208.09, 0.59%, 0.31%

LAB 33.66, -0.77, -29.68

 

CMYK 25 / 75 / 0 / 51

HEX #5F207E

RGB 95 32 126

HSL 280.21, 0.59%, 0.31%

LAB 26.66, 44.05, -40.57

 

CMYK 0 / 39 / 75 / 51

HEX #7E4D20

RGB 126 77 32

HSL 28.72, 0.59%, 0.31%

LAB 37.57, 16.54, 34.32

 

CMYK 71 / 0 / 75 / 51

HEX #247E20

RGB 36 126 32

HSL 117.45, 0.59%, 0.31%

LAB 46.18, -44.86, 41.31

 

CMYK 75 / 35 / 0 / 51

HEX #20527E

RGB 32 82 126

HSL 208.09, 0.59%, 0.31%

LAB 33.66, -0.77, -29.68

 

CMYK 2 / 75 / 0 / 51

HEX #7B207E

RGB 123 32 126

HSL 298.09, 0.59%, 0.31%

LAB 31.23, 50.35, -32.98

 

Description

Color code: HEX #7E4D20 | qconv.com Color code: HEX #7E4D20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 77 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 77 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 75 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 75% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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