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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4C7E it is the complementary color #81B381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4C7E shade: #834C79, #945E8C, #A5709F, #B682B2 and #C794C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4C7E shade: #7E4C7E, #6D3A6B, #5C2858, #4B1645 and #3A0432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4C7E shade: #804D80, #804D72, #804D64, #804D56 and #804D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4C7E shade: #804D80, #724D80, #644D80, #564D80 and #4D4D80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4C7E shade matches the following richer shades: #804D80, #903C90, #A12BA1, #B11BB1 and #C20AC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4C7E shade: #804D80, #6F5D6F, #5E6E5E, #4E7E4E and #3D8F3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4C7E shade: #644D80, #724D80, #804D80, #804D72 and #804D64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4C7E shade: #4C2E4C, #663D66, #804D80, #995C99 and #AB73AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4C7E shade: #7E4C7E, #80574D and #4D806B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4C7E shade: #7E4C7E, #80804D and #4D8080

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4C7E shade: #7E4C7E, #80574D, #4D804D and #4D7580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4C7E shade: #7E4C7E, #80664D, #4D804D and #4D6680

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 0 / 51

HEX #7E4C7E

RGB 126 76 126

HSL 300, 0.25%, 0.4%

LAB 39.77, 29.55, -19.58

 

Complementary color

CMYK 28 / 0 / 28 / 30

HEX #81B381

RGB 129 179 129

HSL 120, 0.25%, 0.6%

LAB 68.38, -26.58, 20.36

 

CMYK 0 / 42 / 8 / 49

HEX #834C79

RGB 131 76 121

HSL 310.91, 0.27%, 0.41%

LAB 40.2, 30.3, -15.78

 

CMYK 0 / 36 / 5 / 42

HEX #945E8C

RGB 148 94 140

HSL 308.89, 0.22%, 0.47%

LAB 47.23, 29.49, -16.38

 

CMYK 0 / 32 / 4 / 35

HEX #A5709F

RGB 165 112 159

HSL 306.79, 0.23%, 0.54%

LAB 54.12, 28.72, -16.9

 

CMYK 0 / 29 / 2 / 29

HEX #B682B2

RGB 182 130 178

HSL 304.62, 0.26%, 0.61%

LAB 60.89, 28.01, -17.37

 

CMYK 0 / 26 / 1 / 22

HEX #C794C5

RGB 199 148 197

HSL 302.35, 0.31%, 0.68%

LAB 67.54, 27.35, -17.81

 

CMYK 0 / 40 / 0 / 51

HEX #7E4C7E

RGB 126 76 126

HSL 300, 0.25%, 0.4%

LAB 39.77, 29.55, -19.58

 

CMYK 0 / 47 / 2 / 57

HEX #6D3A6B

RGB 109 58 107

HSL 302.35, 0.31%, 0.33%

LAB 32.57, 30.37, -19.04

 

CMYK 0 / 57 / 4 / 64

HEX #5C2858

RGB 92 40 88

HSL 304.62, 0.39%, 0.26%

LAB 25.25, 31.11, -18.31

 

CMYK 0 / 71 / 8 / 71

HEX #4B1645

RGB 75 22 69

HSL 306.79, 0.55%, 0.19%

LAB 17.92, 31.46, -17.16

 

CMYK 0 / 93 / 14 / 77

HEX #3A0432

RGB 58 4 50

HSL 308.89, 0.87%, 0.12%

LAB 10.68, 30.95, -15.25

 

CMYK 0 / 40 / 0 / 50

HEX #804D80

RGB 128 77 128

HSL 300, 0.25%, 0.4%

LAB 40.34, 30.06, -19.9

 

CMYK 0 / 40 / 11 / 50

HEX #804D72

RGB 128 77 114

HSL 316.47, 0.25%, 0.4%

LAB 39.77, 27.36, -12.16

 

CMYK 0 / 40 / 22 / 50

HEX #804D64

RGB 128 77 100

HSL 332.94, 0.25%, 0.4%

LAB 39.27, 24.92, -4.22

 

CMYK 0 / 40 / 33 / 50

HEX #804D56

RGB 128 77 86

HSL 349.41, 0.25%, 0.4%

LAB 38.84, 22.76, 3.89

 

CMYK 0 / 40 / 40 / 50

HEX #804D4D

RGB 128 77 77

HSL 0, 0.25%, 0.4%

LAB 38.61, 21.54, 9.16

 

CMYK 0 / 40 / 0 / 50

HEX #804D80

RGB 128 77 128

HSL 300, 0.25%, 0.4%

LAB 40.34, 30.06, -19.9

 

CMYK 11 / 40 / 0 / 50

HEX #724D80

RGB 114 77 128

HSL 283.53, 0.25%, 0.4%

LAB 38.63, 25.35, -22.69

 

CMYK 22 / 40 / 0 / 50

HEX #644D80

RGB 100 77 128

HSL 267.06, 0.25%, 0.4%

LAB 37.07, 20.72, -25.23

 

CMYK 33 / 40 / 0 / 50

HEX #564D80

RGB 86 77 128

HSL 250.59, 0.25%, 0.4%

LAB 35.68, 16.28, -27.5

 

CMYK 40 / 40 / 0 / 50

HEX #4D4D80

RGB 77 77 128

HSL 240, 0.25%, 0.4%

LAB 34.89, 13.58, -28.8

 

CMYK 0 / 40 / 0 / 50

HEX #804D80

RGB 128 77 128

HSL 300, 0.25%, 0.4%

LAB 40.34, 30.06, -19.9

 

CMYK 0 / 58 / 0 / 44

HEX #903C90

RGB 144 60 144

HSL 300, 0.41%, 0.4%

LAB 39.87, 47.1, -30.22

 

CMYK 0 / 73 / 0 / 37

HEX #A12BA1

RGB 161 43 161

HSL 300, 0.58%, 0.4%

LAB 41.02, 61.19, -38.5

 

CMYK 0 / 85 / 0 / 31

HEX #B11BB1

RGB 177 27 177

HSL 300, 0.74%, 0.4%

LAB 43.22, 71.22, -44.37

 

CMYK 0 / 95 / 0 / 24

HEX #C20AC2

RGB 194 10 194

HSL 300, 0.9%, 0.4%

LAB 46.42, 79.12, -49.06

 

CMYK 0 / 40 / 0 / 50

HEX #804D80

RGB 128 77 128

HSL 300, 0.25%, 0.4%

LAB 40.34, 30.06, -19.9

 

CMYK 0 / 16 / 0 / 56

HEX #6F5D6F

RGB 111 93 111

HSL 300, 0.09%, 0.4%

LAB 41.78, 10.8, -7.49

 

CMYK 15 / 0 / 15 / 57

HEX #5E6E5E

RGB 94 110 94

HSL 120, 0.08%, 0.4%

LAB 44.72, -9.4, 6.93

 

CMYK 38 / 0 / 38 / 51

HEX #4E7E4E

RGB 78 126 78

HSL 120, 0.24%, 0.4%

LAB 48.38, -26.8, 21.13

 

CMYK 57 / 0 / 57 / 44

HEX #3D8F3D

RGB 61 143 61

HSL 120, 0.4%, 0.4%

LAB 52.92, -42.2, 35.77

 

CMYK 22 / 40 / 0 / 50

HEX #644D80

RGB 100 77 128

HSL 267.06, 0.25%, 0.4%

LAB 37.07, 20.72, -25.23

 

CMYK 11 / 40 / 0 / 50

HEX #724D80

RGB 114 77 128

HSL 283.53, 0.25%, 0.4%

LAB 38.63, 25.35, -22.69

 

CMYK 0 / 40 / 0 / 50

HEX #804D80

RGB 128 77 128

HSL 300, 0.25%, 0.4%

LAB 40.34, 30.06, -19.9

 

CMYK 0 / 40 / 11 / 50

HEX #804D72

RGB 128 77 114

HSL 316.47, 0.25%, 0.4%

LAB 39.77, 27.36, -12.16

 

CMYK 0 / 40 / 22 / 50

HEX #804D64

RGB 128 77 100

HSL 332.94, 0.25%, 0.4%

LAB 39.27, 24.92, -4.22

 

CMYK 0 / 39 / 0 / 70

HEX #4C2E4C

RGB 76 46 76

HSL 300, 0.25%, 0.24%

LAB 23.71, 19.39, -12.91

 

CMYK 0 / 40 / 0 / 60

HEX #663D66

RGB 102 61 102

HSL 300, 0.25%, 0.32%

LAB 32.08, 25.17, -16.69

 

CMYK 0 / 40 / 0 / 50

HEX #804D80

RGB 128 77 128

HSL 300, 0.25%, 0.4%

LAB 40.34, 30.06, -19.9

 

CMYK 0 / 40 / 0 / 40

HEX #995C99

RGB 153 92 153

HSL 300, 0.25%, 0.48%

LAB 47.91, 34.79, -23.01

 

CMYK 0 / 33 / 0 / 33

HEX #AB73AB

RGB 171 115 171

HSL 300, 0.25%, 0.56%

LAB 55.95, 31.36, -21.01

 

CMYK 0 / 40 / 0 / 51

HEX #7E4C7E

RGB 126 76 126

HSL 300, 0.25%, 0.4%

LAB 39.77, 29.55, -19.58

 

CMYK 0 / 32 / 40 / 50

HEX #80574D

RGB 128 87 77

HSL 11.76, 0.25%, 0.4%

LAB 41.12, 15.62, 12.65

 

CMYK 40 / 0 / 16 / 50

HEX #4D806B

RGB 77 128 107

HSL 155.29, 0.25%, 0.4%

LAB 49.59, -22.27, 6.05

 

CMYK 0 / 40 / 0 / 51

HEX #7E4C7E

RGB 126 76 126

HSL 300, 0.25%, 0.4%

LAB 39.77, 29.55, -19.58

 

CMYK 0 / 0 / 40 / 50

HEX #80804D

RGB 128 128 77

HSL 60, 0.25%, 0.4%

LAB 52.47, -8.2, 27.68

 

CMYK 40 / 0 / 0 / 50

HEX #4D8080

RGB 77 128 128

HSL 180, 0.25%, 0.4%

LAB 50.19, -17.04, -5.4

 

CMYK 0 / 40 / 0 / 51

HEX #7E4C7E

RGB 126 76 126

HSL 300, 0.25%, 0.4%

LAB 39.77, 29.55, -19.58

 

CMYK 0 / 32 / 40 / 50

HEX #80574D

RGB 128 87 77

HSL 11.76, 0.25%, 0.4%

LAB 41.12, 15.62, 12.65

 

CMYK 40 / 0 / 40 / 50

HEX #4D804D

RGB 77 128 77

HSL 120, 0.25%, 0.4%

LAB 48.95, -28.29, 22.44

 

CMYK 40 / 9 / 0 / 50

HEX #4D7580

RGB 77 117 128

HSL 192.94, 0.25%, 0.4%

LAB 46.79, -10.94, -10.48

 

CMYK 0 / 40 / 0 / 51

HEX #7E4C7E

RGB 126 76 126

HSL 300, 0.25%, 0.4%

LAB 39.77, 29.55, -19.58

 

CMYK 0 / 20 / 40 / 50

HEX #80664D

RGB 128 102 77

HSL 29.41, 0.25%, 0.4%

LAB 45.12, 6.71, 18.08

 

CMYK 40 / 0 / 40 / 50

HEX #4D804D

RGB 77 128 77

HSL 120, 0.25%, 0.4%

LAB 48.95, -28.29, 22.44

 

CMYK 40 / 20 / 0 / 50

HEX #4D6680

RGB 77 102 128

HSL 210.59, 0.25%, 0.4%

LAB 42.21, -2.14, -17.42

 

Description

Color code: HEX #7E4C7E | qconv.com Color code: HEX #7E4C7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 76 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 76 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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