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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4A2B it is the complementary color #81B5D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4A2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4A2B shade: #834A26, #945C39, #A56E4C, #B6805F and #C79272

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4A2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4A2B shade: #7E4A2B, #6D3818, #5C2605, #4B1400 and #3A0200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4A2B shade: #7D4A2B, #7D332B and #7D2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4A2B shade: #7D4A2B, #7D602B, #7D762B, #6E7D2B and #587D2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4A2B shade matches the following richer shades: #7D4A2B, #8B461D, #994310 and #A63F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4A2B shade: #7D4A2B, #704D39, #625146, #555454 and #475761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4A2B shade: #7D2B39, #7D332B, #7D492B, #7D5F2B and #7D752B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4A2B shade: #402616, #5F3820, #7D4A2B, #9C5C35 and #BB6E40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4A2B shade: #7E4A2B, #4F7D2B and #2B2E7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4A2B shade: #7E4A2B, #2B7D49 and #492B7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4A2B shade: #7E4A2B, #4F7D2B, #2B5F7D and #5A2B7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4A2B shade: #7E4A2B, #367D2B, #2B5F7D and #722B7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 66 / 51

HEX #7E4A2B

RGB 126 74 43

HSL 22.41, 0.49%, 0.33%

LAB 36.94, 19.01, 27.6

 

Complementary color

CMYK 39 / 15 / 0 / 17

HEX #81B5D4

RGB 129 181 212

HSL 202.41, 0.49%, 0.67%

LAB 71.19, -9.24, -21.05

 

CMYK 0 / 44 / 71 / 49

HEX #834A26

RGB 131 74 38

HSL 23.23, 0.55%, 0.33%

LAB 37.6, 20.92, 31.36

 

CMYK 0 / 38 / 61 / 42

HEX #945C39

RGB 148 92 57

HSL 23.08, 0.44%, 0.4%

LAB 44.58, 19.35, 29.48

 

CMYK 0 / 33 / 54 / 35

HEX #A56E4C

RGB 165 110 76

HSL 22.92, 0.37%, 0.47%

LAB 51.47, 18.03, 27.76

 

CMYK 0 / 30 / 48 / 29

HEX #B6805F

RGB 182 128 95

HSL 22.76, 0.37%, 0.54%

LAB 58.24, 16.92, 26.21

 

CMYK 0 / 27 / 43 / 22

HEX #C79272

RGB 199 146 114

HSL 22.59, 0.43%, 0.61%

LAB 64.89, 15.97, 24.8

 

CMYK 0 / 41 / 66 / 51

HEX #7E4A2B

RGB 126 74 43

HSL 22.41, 0.49%, 0.33%

LAB 36.94, 19.01, 27.6

 

CMYK 0 / 49 / 78 / 57

HEX #6D3818

RGB 109 56 24

HSL 22.59, 0.64%, 0.26%

LAB 29.78, 20.76, 29.59

 

CMYK 0 / 59 / 95 / 64

HEX #5C2605

RGB 92 38 5

HSL 22.76, 0.9%, 0.19%

LAB 22.56, 22.81, 30.57

 

CMYK 0 / 73 / 100 / 71

HEX #4B1400

RGB 75 20 0

HSL 16, 1%, 0.15%

LAB 15.47, 25, 23.53

 

CMYK 0 / 97 / 100 / 77

HEX #3A0200

RGB 58 2 0

HSL 2.07, 1%, 0.11%

LAB 8.51, 26.81, 13.4

 

CMYK 0 / 41 / 66 / 51

HEX #7D4A2B

RGB 125 74 43

HSL 22.68, 0.49%, 0.33%

LAB 36.8, 18.56, 27.4

 

CMYK 0 / 59 / 66 / 51

HEX #7D332B

RGB 125 51 43

HSL 5.85, 0.49%, 0.33%

LAB 31.58, 31.55, 21.06

 

CMYK 0 / 66 / 66 / 51

HEX #7D2B2B

RGB 125 43 43

HSL 0, 0.49%, 0.33%

LAB 30.06, 35.56, 19.15

 

CMYK 0 / 41 / 66 / 51

HEX #7D4A2B

RGB 125 74 43

HSL 22.68, 0.49%, 0.33%

LAB 36.8, 18.56, 27.4

 

CMYK 0 / 23 / 66 / 51

HEX #7D602B

RGB 125 96 43

HSL 38.78, 0.49%, 0.33%

LAB 42.61, 5.48, 34.1

 

CMYK 0 / 6 / 66 / 51

HEX #7D762B

RGB 125 118 43

HSL 54.88, 0.49%, 0.33%

LAB 48.87, -7.21, 40.95

 

CMYK 12 / 0 / 66 / 51

HEX #6E7D2B

RGB 110 125 43

HSL 70.98, 0.49%, 0.33%

LAB 49.69, -17.82, 41.43

 

CMYK 30 / 0 / 66 / 51

HEX #587D2B

RGB 88 125 43

HSL 87.07, 0.49%, 0.33%

LAB 48.15, -27.14, 39.33

 

CMYK 0 / 41 / 66 / 51

HEX #7D4A2B

RGB 125 74 43

HSL 22.68, 0.49%, 0.33%

LAB 36.8, 18.56, 27.4

 

CMYK 0 / 50 / 79 / 45

HEX #8B461D

RGB 139 70 29

HSL 22.36, 0.65%, 0.33%

LAB 37.77, 26.25, 36.65

 

CMYK 0 / 56 / 90 / 40

HEX #994310

RGB 153 67 16

HSL 22.34, 0.81%, 0.33%

LAB 39.28, 33.33, 44.59

 

CMYK 0 / 62 / 99 / 35

HEX #A63F02

RGB 166 63 2

HSL 22.32, 0.98%, 0.33%

LAB 40.68, 40.21, 51.03

 

CMYK 0 / 41 / 66 / 51

HEX #7D4A2B

RGB 125 74 43

HSL 22.68, 0.49%, 0.33%

LAB 36.8, 18.56, 27.4

 

CMYK 0 / 31 / 49 / 56

HEX #704D39

RGB 112 77 57

HSL 21.82, 0.33%, 0.33%

LAB 36.08, 12.16, 17.76

 

CMYK 0 / 17 / 29 / 62

HEX #625146

RGB 98 81 70

HSL 23.57, 0.17%, 0.33%

LAB 35.84, 5.18, 9.11

 

CMYK 0 / 1 / 1 / 67

HEX #555454

RGB 85 84 84

HSL 0, 0.01%, 0.33%

LAB 35.81, 0.41, 0.14

 

CMYK 27 / 10 / 0 / 62

HEX #475761

RGB 71 87 97

HSL 203.08, 0.15%, 0.33%

LAB 36.02, -3.61, -7.82

 

CMYK 0 / 66 / 54 / 51

HEX #7D2B39

RGB 125 43 57

HSL 349.76, 0.49%, 0.33%

LAB 30.36, 36.69, 10.41

 

CMYK 0 / 59 / 66 / 51

HEX #7D332B

RGB 125 51 43

HSL 5.85, 0.49%, 0.33%

LAB 31.58, 31.55, 21.06

 

CMYK 0 / 42 / 66 / 51

HEX #7D492B

RGB 125 73 43

HSL 21.95, 0.49%, 0.33%

LAB 36.55, 19.15, 27.1

 

CMYK 0 / 24 / 66 / 51

HEX #7D5F2B

RGB 125 95 43

HSL 38.05, 0.49%, 0.33%

LAB 42.34, 6.07, 33.79

 

CMYK 0 / 6 / 66 / 51

HEX #7D752B

RGB 125 117 43

HSL 54.15, 0.49%, 0.33%

LAB 48.58, -6.65, 40.64

 

CMYK 0 / 41 / 66 / 75

HEX #402616

RGB 64 38 22

HSL 22.86, 0.49%, 0.17%

LAB 18.07, 10.31, 15.61

 

CMYK 0 / 41 / 66 / 63

HEX #5F3820

RGB 95 56 32

HSL 22.86, 0.5%, 0.25%

LAB 27.75, 14.77, 22.1

 

CMYK 0 / 41 / 66 / 51

HEX #7D4A2B

RGB 125 74 43

HSL 22.68, 0.49%, 0.33%

LAB 36.8, 18.56, 27.4

 

CMYK 0 / 41 / 66 / 39

HEX #9C5C35

RGB 156 92 53

HSL 22.72, 0.49%, 0.41%

LAB 45.61, 22.54, 33.19

 

CMYK 0 / 41 / 66 / 27

HEX #BB6E40

RGB 187 110 64

HSL 22.44, 0.49%, 0.49%

LAB 54.12, 26.43, 38.22

 

CMYK 0 / 41 / 66 / 51

HEX #7E4A2B

RGB 126 74 43

HSL 22.41, 0.49%, 0.33%

LAB 36.94, 19.01, 27.6

 

CMYK 37 / 0 / 66 / 51

HEX #4F7D2B

RGB 79 125 43

HSL 93.66, 0.49%, 0.33%

LAB 47.63, -30.64, 38.61

 

CMYK 66 / 63 / 0 / 51

HEX #2B2E7D

RGB 43 46 125

HSL 237.8, 0.49%, 0.33%

LAB 23.5, 25.17, -45.33

 

CMYK 0 / 41 / 66 / 51

HEX #7E4A2B

RGB 126 74 43

HSL 22.41, 0.49%, 0.33%

LAB 36.94, 19.01, 27.6

 

CMYK 66 / 0 / 42 / 51

HEX #2B7D49

RGB 43 125 73

HSL 141.95, 0.49%, 0.33%

LAB 46.53, -37.21, 21.26

 

CMYK 42 / 66 / 0 / 51

HEX #492B7D

RGB 73 43 125

HSL 261.95, 0.49%, 0.33%

LAB 25.64, 33.19, -41.73

 

CMYK 0 / 41 / 66 / 51

HEX #7E4A2B

RGB 126 74 43

HSL 22.41, 0.49%, 0.33%

LAB 36.94, 19.01, 27.6

 

CMYK 37 / 0 / 66 / 51

HEX #4F7D2B

RGB 79 125 43

HSL 93.66, 0.49%, 0.33%

LAB 47.63, -30.64, 38.61

 

CMYK 66 / 24 / 0 / 51

HEX #2B5F7D

RGB 43 95 125

HSL 201.95, 0.49%, 0.33%

LAB 38.16, -7.34, -21.99

 

CMYK 28 / 66 / 0 / 51

HEX #5A2B7D

RGB 90 43 125

HSL 274.39, 0.49%, 0.33%

LAB 27.8, 37.26, -38.14

 

CMYK 0 / 41 / 66 / 51

HEX #7E4A2B

RGB 126 74 43

HSL 22.41, 0.49%, 0.33%

LAB 36.94, 19.01, 27.6

 

CMYK 57 / 0 / 66 / 51

HEX #367D2B

RGB 54 125 43

HSL 111.95, 0.49%, 0.33%

LAB 46.48, -38.98, 37.01

 

CMYK 66 / 24 / 0 / 51

HEX #2B5F7D

RGB 43 95 125

HSL 201.95, 0.49%, 0.33%

LAB 38.16, -7.34, -21.99

 

CMYK 9 / 66 / 0 / 51

HEX #722B7D

RGB 114 43 125

HSL 291.95, 0.49%, 0.33%

LAB 31.31, 43.39, -32.31

 

Description

Color code: HEX #7E4A2B | qconv.com Color code: HEX #7E4A2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 74 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 74 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 66 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 66% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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