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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E464F it is the complementary color #81B9B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E464F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E464F shade: #83464A, #94585D, #A56A70, #B67C83 and #C78E96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E464F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E464F shade: #7E464F, #6D343C, #5C2229, #4B1016 and #3A0003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E464F shade: #7D454E and #7D4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E464F shade: #7D454E, #7D455D, #7D456C, #7D457B and #70457D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E464F shade matches the following richer shades: #7D454E, #8D3543, #9C2539, #AC162E and #BC0623

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E464F shade: #7D454E, #6D5458, #5E6463, #4E746E and #3E8478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E464F shade: #7D456C, #7D455D, #7D454E, #7D4A45 and #7D5945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E464F shade: #48282D, #62363D, #7D454E, #98535E and #AC6873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E464F shade: #7E464F, #7B7D45 and #45657D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E464F shade: #7E464F, #4E7D45 and #454E7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E464F shade: #7E464F, #7B7D45, #457D74 and #47457D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E464F shade: #7E464F, #6A7D45, #457D74 and #58457D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 37 / 51

HEX #7E464F

RGB 126 70 79

HSL 350.36, 0.29%, 0.38%

LAB 36.71, 25.07, 5.18

 

Complementary color

CMYK 30 / 0 / 5 / 27

HEX #81B9B0

RGB 129 185 176

HSL 170.36, 0.29%, 0.62%

LAB 71.21, -20.16, -1.29

 

CMYK 0 / 47 / 44 / 49

HEX #83464A

RGB 131 70 74

HSL 356.07, 0.3%, 0.39%

LAB 37.3, 26.46, 9.27

 

CMYK 0 / 41 / 37 / 42

HEX #94585D

RGB 148 88 93

HSL 355, 0.25%, 0.46%

LAB 44.33, 25.38, 7.75

 

CMYK 0 / 36 / 32 / 35

HEX #A56A70

RGB 165 106 112

HSL 353.9, 0.25%, 0.53%

LAB 51.24, 24.41, 6.48

 

CMYK 0 / 32 / 28 / 29

HEX #B67C83

RGB 182 124 131

HSL 352.76, 0.28%, 0.6%

LAB 58.04, 23.55, 5.38

 

CMYK 0 / 29 / 25 / 22

HEX #C78E96

RGB 199 142 150

HSL 351.58, 0.34%, 0.67%

LAB 64.72, 22.78, 4.4

 

CMYK 0 / 44 / 37 / 51

HEX #7E464F

RGB 126 70 79

HSL 350.36, 0.29%, 0.38%

LAB 36.71, 25.07, 5.18

 

CMYK 0 / 52 / 45 / 57

HEX #6D343C

RGB 109 52 60

HSL 351.58, 0.35%, 0.32%

LAB 29.5, 26.17, 6.83

 

CMYK 0 / 63 / 55 / 64

HEX #5C2229

RGB 92 34 41

HSL 352.76, 0.46%, 0.25%

LAB 22.23, 27.27, 9.03

 

CMYK 0 / 79 / 71 / 71

HEX #4B1016

RGB 75 16 22

HSL 353.9, 0.65%, 0.18%

LAB 15.09, 28, 12.28

 

CMYK 0 / 100 / 95 / 77

HEX #3A0003

RGB 58 0 3

HSL 356.9, 1%, 0.11%

LAB 8.18, 28.07, 11.7

 

CMYK 0 / 45 / 38 / 51

HEX #7D454E

RGB 125 69 78

HSL 350.36, 0.29%, 0.38%

LAB 36.3, 25.12, 5.22

 

CMYK 0 / 45 / 45 / 51

HEX #7D4545

RGB 125 69 69

HSL 0, 0.29%, 0.38%

LAB 36.07, 23.99, 10.58

 

CMYK 0 / 45 / 38 / 51

HEX #7D454E

RGB 125 69 78

HSL 350.36, 0.29%, 0.38%

LAB 36.3, 25.12, 5.22

 

CMYK 0 / 45 / 26 / 51

HEX #7D455D

RGB 125 69 93

HSL 334.29, 0.29%, 0.38%

LAB 36.76, 27.29, -3.61

 

CMYK 0 / 45 / 14 / 51

HEX #7D456C

RGB 125 69 108

HSL 318.21, 0.29%, 0.38%

LAB 37.3, 29.81, -12.22

 

CMYK 0 / 45 / 2 / 51

HEX #7D457B

RGB 125 69 123

HSL 302.14, 0.29%, 0.38%

LAB 37.93, 32.63, -20.59

 

CMYK 10 / 45 / 0 / 51

HEX #70457D

RGB 112 69 125

HSL 286.07, 0.29%, 0.38%

LAB 36.33, 28.78, -24.43

 

CMYK 0 / 45 / 38 / 51

HEX #7D454E

RGB 125 69 78

HSL 350.36, 0.29%, 0.38%

LAB 36.3, 25.12, 5.22

 

CMYK 0 / 62 / 52 / 45

HEX #8D3543

RGB 141 53 67

HSL 350.45, 0.45%, 0.38%

LAB 35.23, 38.57, 11.08

 

CMYK 0 / 76 / 63 / 39

HEX #9C2539

RGB 156 37 57

HSL 349.92, 0.62%, 0.38%

LAB 35.37, 49.43, 18.16

 

CMYK 0 / 87 / 73 / 33

HEX #AC162E

RGB 172 22 46

HSL 350.4, 0.77%, 0.38%

LAB 37.01, 57.55, 27.87

 

CMYK 0 / 97 / 81 / 26

HEX #BC0623

RGB 188 6 35

HSL 350.44, 0.94%, 0.38%

LAB 39.48, 63.63, 38.15

 

CMYK 0 / 45 / 38 / 51

HEX #7D454E

RGB 125 69 78

HSL 350.36, 0.29%, 0.38%

LAB 36.3, 25.12, 5.22

 

CMYK 0 / 23 / 19 / 57

HEX #6D5458

RGB 109 84 88

HSL 350.4, 0.13%, 0.38%

LAB 38.37, 11.06, 1.66

 

CMYK 6 / 0 / 1 / 61

HEX #5E6463

RGB 94 100 99

HSL 170, 0.03%, 0.38%

LAB 41.84, -2.53, -0.24

 

CMYK 33 / 0 / 5 / 55

HEX #4E746E

RGB 78 116 110

HSL 170.53, 0.2%, 0.38%

LAB 45.96, -14.82, -0.98

 

CMYK 53 / 0 / 9 / 48

HEX #3E8478

RGB 62 132 120

HSL 169.71, 0.36%, 0.38%

LAB 50.55, -25.15, -0.25

 

CMYK 0 / 45 / 14 / 51

HEX #7D456C

RGB 125 69 108

HSL 318.21, 0.29%, 0.38%

LAB 37.3, 29.81, -12.22

 

CMYK 0 / 45 / 26 / 51

HEX #7D455D

RGB 125 69 93

HSL 334.29, 0.29%, 0.38%

LAB 36.76, 27.29, -3.61

 

CMYK 0 / 45 / 38 / 51

HEX #7D454E

RGB 125 69 78

HSL 350.36, 0.29%, 0.38%

LAB 36.3, 25.12, 5.22

 

CMYK 0 / 41 / 45 / 51

HEX #7D4A45

RGB 125 74 69

HSL 5.36, 0.29%, 0.38%

LAB 37.28, 21.06, 12.24

 

CMYK 0 / 29 / 45 / 51

HEX #7D5945

RGB 125 89 69

HSL 21.43, 0.29%, 0.38%

LAB 41.11, 12.13, 17.43

 

CMYK 0 / 44 / 38 / 72

HEX #48282D

RGB 72 40 45

HSL 350.63, 0.29%, 0.22%

LAB 20.38, 15.72, 3.19

 

CMYK 0 / 45 / 38 / 62

HEX #62363D

RGB 98 54 61

HSL 350.45, 0.29%, 0.3%

LAB 28.31, 20.57, 4.24

 

CMYK 0 / 45 / 38 / 51

HEX #7D454E

RGB 125 69 78

HSL 350.36, 0.29%, 0.38%

LAB 36.3, 25.12, 5.22

 

CMYK 0 / 45 / 38 / 40

HEX #98535E

RGB 152 83 94

HSL 350.43, 0.29%, 0.46%

LAB 43.76, 29.89, 6.41

 

CMYK 0 / 40 / 33 / 33

HEX #AC6873

RGB 172 104 115

HSL 350.29, 0.29%, 0.54%

LAB 51.73, 28.65, 5.53

 

CMYK 0 / 44 / 37 / 51

HEX #7E464F

RGB 126 70 79

HSL 350.36, 0.29%, 0.38%

LAB 36.71, 25.07, 5.18

 

CMYK 2 / 0 / 45 / 51

HEX #7B7D45

RGB 123 125 69

HSL 62.14, 0.29%, 0.38%

LAB 51.05, -9.64, 30.17

 

CMYK 45 / 19 / 0 / 51

HEX #45657D

RGB 69 101 125

HSL 205.71, 0.29%, 0.38%

LAB 41.3, -4.74, -17.05

 

CMYK 0 / 44 / 37 / 51

HEX #7E464F

RGB 126 70 79

HSL 350.36, 0.29%, 0.38%

LAB 36.71, 25.07, 5.18

 

CMYK 38 / 0 / 45 / 51

HEX #4E7D45

RGB 78 125 69

HSL 110.36, 0.29%, 0.38%

LAB 47.9, -27.78, 25.55

 

CMYK 45 / 38 / 0 / 51

HEX #454E7D

RGB 69 78 125

HSL 230.36, 0.29%, 0.38%

LAB 34.39, 9.71, -27.79

 

CMYK 0 / 44 / 37 / 51

HEX #7E464F

RGB 126 70 79

HSL 350.36, 0.29%, 0.38%

LAB 36.71, 25.07, 5.18

 

CMYK 2 / 0 / 45 / 51

HEX #7B7D45

RGB 123 125 69

HSL 62.14, 0.29%, 0.38%

LAB 51.05, -9.64, 30.17

 

CMYK 45 / 0 / 7 / 51

HEX #457D74

RGB 69 125 116

HSL 170.36, 0.29%, 0.38%

LAB 48.5, -20.81, -0.86

 

CMYK 43 / 45 / 0 / 51

HEX #47457D

RGB 71 69 125

HSL 242.14, 0.29%, 0.38%

LAB 31.98, 16.15, -31.57

 

CMYK 0 / 44 / 37 / 51

HEX #7E464F

RGB 126 70 79

HSL 350.36, 0.29%, 0.38%

LAB 36.71, 25.07, 5.18

 

CMYK 15 / 0 / 45 / 51

HEX #6A7D45

RGB 106 125 69

HSL 80.36, 0.29%, 0.38%

LAB 49.69, -16.9, 28.19

 

CMYK 45 / 0 / 7 / 51

HEX #457D74

RGB 69 125 116

HSL 170.36, 0.29%, 0.38%

LAB 48.5, -20.81, -0.86

 

CMYK 30 / 45 / 0 / 51

HEX #58457D

RGB 88 69 125

HSL 260.36, 0.29%, 0.38%

LAB 33.59, 21.15, -28.93

 

Description

Color code: HEX #7E464F | qconv.com Color code: HEX #7E464F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 70 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 70 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 37 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 37% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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