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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4193 it is the complementary color #81BE6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4193 shade: #83418E, #9453A1, #A565B4, #B677C7 and #C789DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4193 shade: #7E4193, #6D2F80, #5C1D6D, #4B0B5A and #3A0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4193 shade: #7F4195, #954194, #95417D, #954167 and #954150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4193 shade: #7F4195, #694195, #524195 and #414195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4193 shade matches the following richer shades: #7F4195, #8830A6, #901FB8 and #990DC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4193 shade: #7F4195, #775384, #6F6472, #667561 and #5E8750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4193 shade: #524195, #684195, #7F4195, #954195 and #95417F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4193 shade: #4E285C, #673578, #7F4195, #984EB1 and #A96BBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4193 shade: #7E4193, #954147 and #41955D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4193 shade: #7E4193, #957F41 and #41957F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4193 shade: #7E4193, #954147, #589541 and #41958F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4193 shade: #7E4193, #955541, #589541 and #418195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 56 / 0 / 42

HEX #7E4193

RGB 126 65 147

HSL 284.63, 0.39%, 0.42%

LAB 38.42, 40.15, -34.51

 

Complementary color

CMYK 32 / 0 / 43 / 25

HEX #81BE6C

RGB 129 190 108

HSL 104.63, 0.39%, 0.58%

LAB 71.27, -35.06, 35.25

 

CMYK 8 / 54 / 0 / 44

HEX #83418E

RGB 131 65 142

HSL 291.43, 0.37%, 0.41%

LAB 38.83, 40.51, -30.78

 

CMYK 8 / 48 / 0 / 37

HEX #9453A1

RGB 148 83 161

HSL 290, 0.32%, 0.48%

LAB 45.71, 39.78, -31.23

 

CMYK 8 / 44 / 0 / 29

HEX #A565B4

RGB 165 101 180

HSL 288.61, 0.34%, 0.55%

LAB 52.51, 39, -31.58

 

CMYK 9 / 40 / 0 / 22

HEX #B677C7

RGB 182 119 199

HSL 287.25, 0.42%, 0.62%

LAB 59.22, 38.21, -31.87

 

CMYK 9 / 37 / 0 / 15

HEX #C789DA

RGB 199 137 218

HSL 285.93, 0.52%, 0.7%

LAB 65.82, 37.46, -32.13

 

CMYK 14 / 56 / 0 / 42

HEX #7E4193

RGB 126 65 147

HSL 284.63, 0.39%, 0.42%

LAB 38.42, 40.15, -34.51

 

CMYK 15 / 63 / 0 / 50

HEX #6D2F80

RGB 109 47 128

HSL 285.93, 0.46%, 0.34%

LAB 31.45, 40.76, -34.03

 

CMYK 16 / 73 / 0 / 57

HEX #5C1D6D

RGB 92 29 109

HSL 287.25, 0.58%, 0.27%

LAB 24.51, 40.93, -33.2

 

CMYK 17 / 88 / 0 / 65

HEX #4B0B5A

RGB 75 11 90

HSL 288.61, 0.78%, 0.2%

LAB 17.8, 39.99, -31.64

 

CMYK 18 / 100 / 0 / 72

HEX #3A0047

RGB 58 0 71

HSL 289.01, 1%, 0.14%

LAB 11.65, 36.73, -28.73

 

CMYK 15 / 56 / 0 / 42

HEX #7F4195

RGB 127 65 149

HSL 284.29, 0.39%, 0.42%

LAB 38.66, 40.86, -35.33

 

CMYK 0 / 56 / 1 / 42

HEX #954194

RGB 149 65 148

HSL 300.71, 0.39%, 0.42%

LAB 41.7, 46.83, -29.72

 

CMYK 0 / 56 / 16 / 42

HEX #95417D

RGB 149 65 125

HSL 317.14, 0.39%, 0.42%

LAB 40.66, 42.85, -17.32

 

CMYK 0 / 56 / 31 / 42

HEX #954167

RGB 149 65 103

HSL 332.86, 0.39%, 0.42%

LAB 39.83, 39.58, -4.93

 

CMYK 0 / 56 / 46 / 42

HEX #954150

RGB 149 65 80

HSL 349.29, 0.39%, 0.42%

LAB 39.16, 36.79, 8.51

 

CMYK 15 / 56 / 0 / 42

HEX #7F4195

RGB 127 65 149

HSL 284.29, 0.39%, 0.42%

LAB 38.66, 40.86, -35.33

 

CMYK 30 / 56 / 0 / 42

HEX #694195

RGB 105 65 149

HSL 268.57, 0.39%, 0.42%

LAB 35.9, 34.86, -39.9

 

CMYK 45 / 56 / 0 / 42

HEX #524195

RGB 82 65 149

HSL 252.14, 0.39%, 0.42%

LAB 33.44, 29.01, -43.96

 

CMYK 56 / 56 / 0 / 42

HEX #414195

RGB 65 65 149

HSL 240, 0.39%, 0.42%

LAB 31.98, 25.21, -46.4

 

CMYK 15 / 56 / 0 / 42

HEX #7F4195

RGB 127 65 149

HSL 284.29, 0.39%, 0.42%

LAB 38.66, 40.86, -35.33

 

CMYK 18 / 71 / 0 / 35

HEX #8830A6

RGB 136 48 166

HSL 284.75, 0.55%, 0.42%

LAB 38.02, 54.77, -46.51

 

CMYK 22 / 83 / 0 / 28

HEX #901FB8

RGB 144 31 184

HSL 284.31, 0.71%, 0.42%

LAB 38.5, 65.64, -56.39

 

CMYK 24 / 94 / 0 / 21

HEX #990DC9

RGB 153 13 201

HSL 284.68, 0.88%, 0.42%

LAB 40.04, 73.69, -63.78

 

CMYK 15 / 56 / 0 / 42

HEX #7F4195

RGB 127 65 149

HSL 284.29, 0.39%, 0.42%

LAB 38.66, 40.86, -35.33

 

CMYK 10 / 37 / 0 / 48

HEX #775384

RGB 119 83 132

HSL 284.08, 0.23%, 0.42%

LAB 40.86, 24.33, -21.63

 

CMYK 3 / 12 / 0 / 55

HEX #6F6472

RGB 111 100 114

HSL 287.14, 0.07%, 0.42%

LAB 43.81, 7.19, -6.27

 

CMYK 13 / 0 / 17 / 54

HEX #667561

RGB 102 117 97

HSL 105, 0.09%, 0.42%

LAB 47.51, -9.69, 9.18

 

CMYK 30 / 0 / 41 / 47

HEX #5E8750

RGB 94 135 80

HSL 104.73, 0.26%, 0.42%

LAB 52.16, -25.23, 25.14

 

CMYK 45 / 56 / 0 / 42

HEX #524195

RGB 82 65 149

HSL 252.14, 0.39%, 0.42%

LAB 33.44, 29.01, -43.96

 

CMYK 30 / 56 / 0 / 42

HEX #684195

RGB 104 65 149

HSL 267.86, 0.39%, 0.42%

LAB 35.78, 34.59, -40.09

 

CMYK 15 / 56 / 0 / 42

HEX #7F4195

RGB 127 65 149

HSL 284.29, 0.39%, 0.42%

LAB 38.66, 40.86, -35.33

 

CMYK 0 / 56 / 0 / 42

HEX #954195

RGB 149 65 149

HSL 300, 0.39%, 0.42%

LAB 41.75, 47.02, -30.25

 

CMYK 0 / 56 / 15 / 42

HEX #95417F

RGB 149 65 127

HSL 315.71, 0.39%, 0.42%

LAB 40.74, 43.18, -18.42

 

CMYK 15 / 57 / 0 / 64

HEX #4E285C

RGB 78 40 92

HSL 283.85, 0.39%, 0.26%

LAB 23.37, 27.51, -24.04

 

CMYK 14 / 56 / 0 / 53

HEX #673578

RGB 103 53 120

HSL 284.78, 0.39%, 0.34%

LAB 31.31, 34.11, -29.27

 

CMYK 15 / 56 / 0 / 42

HEX #7F4195

RGB 127 65 149

HSL 284.29, 0.39%, 0.42%

LAB 38.66, 40.86, -35.33

 

CMYK 14 / 56 / 0 / 31

HEX #984EB1

RGB 152 78 177

HSL 284.85, 0.39%, 0.5%

LAB 46.04, 46.89, -40.11

 

CMYK 11 / 44 / 0 / 25

HEX #A96BBE

RGB 169 107 190

HSL 284.82, 0.39%, 0.58%

LAB 54.73, 38.99, -33.84

 

CMYK 14 / 56 / 0 / 42

HEX #7E4193

RGB 126 65 147

HSL 284.63, 0.39%, 0.42%

LAB 38.42, 40.15, -34.51

 

CMYK 0 / 56 / 52 / 42

HEX #954147

RGB 149 65 71

HSL 355.71, 0.39%, 0.42%

LAB 38.94, 35.89, 13.85

 

CMYK 56 / 0 / 38 / 42

HEX #41955D

RGB 65 149 93

HSL 140, 0.39%, 0.42%

LAB 55.49, -38.53, 22.1

 

CMYK 14 / 56 / 0 / 42

HEX #7E4193

RGB 126 65 147

HSL 284.63, 0.39%, 0.42%

LAB 38.42, 40.15, -34.51

 

CMYK 0 / 15 / 56 / 42

HEX #957F41

RGB 149 127 65

HSL 44.29, 0.39%, 0.42%

LAB 53.97, 0.36, 36.41

 

CMYK 56 / 0 / 15 / 42

HEX #41957F

RGB 65 149 127

HSL 164.29, 0.39%, 0.42%

LAB 56.24, -31, 3.98

 

CMYK 14 / 56 / 0 / 42

HEX #7E4193

RGB 126 65 147

HSL 284.63, 0.39%, 0.42%

LAB 38.42, 40.15, -34.51

 

CMYK 0 / 56 / 52 / 42

HEX #954147

RGB 149 65 71

HSL 355.71, 0.39%, 0.42%

LAB 38.94, 35.89, 13.85

 

CMYK 41 / 0 / 56 / 42

HEX #589541

RGB 88 149 65

HSL 103.57, 0.39%, 0.42%

LAB 56.04, -36.02, 37.75

 

CMYK 56 / 0 / 4 / 42

HEX #41958F

RGB 65 149 143

HSL 175.71, 0.39%, 0.42%

LAB 56.69, -26.78, -4.52

 

CMYK 14 / 56 / 0 / 42

HEX #7E4193

RGB 126 65 147

HSL 284.63, 0.39%, 0.42%

LAB 38.42, 40.15, -34.51

 

CMYK 0 / 43 / 56 / 42

HEX #955541

RGB 149 85 65

HSL 14.29, 0.39%, 0.42%

LAB 43.16, 24.45, 23.1

 

CMYK 41 / 0 / 56 / 42

HEX #589541

RGB 88 149 65

HSL 103.57, 0.39%, 0.42%

LAB 56.04, -36.02, 37.75

 

CMYK 56 / 13 / 0 / 42

HEX #418195

RGB 65 129 149

HSL 194.29, 0.39%, 0.42%

LAB 50.68, -14.51, -17.01

 

Description

Color code: HEX #7E4193 | qconv.com Color code: HEX #7E4193 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 65 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 65 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 56 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 56% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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