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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E2BC8 it is the complementary color #81D437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E2BC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E2BC8 shade: #832BC3, #943DD6, #A54FE9, #B661FC and #C773FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E2BC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E2BC8 shade: #7E2BC8, #6D19B5, #5C07A2, #4B008F and #3A007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E2BC8 shade: #7E2AC9, #A92AC9, #C92ABF, #C92A94 and #C92A69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E2BC8 shade: #7E2AC9, #542AC9 and #2A2AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E2BC8 shade matches the following richer shades: #7E2AC9, #8017DD and #8103F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E2BC8 shade: #7E2AC9, #7D3EB6, #7C52A2, #7B668E and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E2BC8 shade: #2A2DC9, #522AC9, #7D2AC9, #A72AC9 and #C92AC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E2BC8 shade: #541C85, #6923A7, #7E2AC9, #9346D7 and #A768DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E2BC8 shade: #7E2BC8, #C92A57 and #2AC93D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E2BC8 shade: #7E2BC8, #C97D2A and #2AC97D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E2BC8 shade: #7E2BC8, #C92A57, #77C92A and #2AC99C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E2BC8 shade: #7E2BC8, #C92D2A, #77C92A and #2AC7C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 79 / 0 / 22

HEX #7E2BC8

RGB 126 43 200

HSL 271.72, 0.65%, 0.48%

LAB 38.43, 62.23, -66

 

Complementary color

CMYK 39 / 0 / 74 / 17

HEX #81D437

RGB 129 212 55

HSL 91.72, 0.65%, 0.52%

LAB 77.3, -49.71, 65.23

 

CMYK 33 / 78 / 0 / 24

HEX #832BC3

RGB 131 43 195

HSL 274.74, 0.64%, 0.47%

LAB 38.71, 61.93, -62.59

 

CMYK 31 / 71 / 0 / 16

HEX #943DD6

RGB 148 61 214

HSL 274.12, 0.65%, 0.54%

LAB 44.93, 62.04, -63.4

 

CMYK 29 / 66 / 0 / 9

HEX #A54FE9

RGB 165 79 233

HSL 273.51, 0.78%, 0.61%

LAB 51.24, 61.68, -63.87

 

CMYK 28 / 62 / 0 / 1

HEX #B661FC

RGB 182 97 252

HSL 272.9, 0.96%, 0.68%

LAB 57.58, 61.05, -64.15

 

CMYK 22 / 55 / 0 / 0

HEX #C773FF

RGB 199 115 255

HSL 276, 1%, 0.73%

LAB 63.03, 56.79, -56.97

 

CMYK 37 / 79 / 0 / 22

HEX #7E2BC8

RGB 126 43 200

HSL 271.72, 0.65%, 0.48%

LAB 38.43, 62.23, -66

 

CMYK 40 / 86 / 0 / 29

HEX #6D19B5

RGB 109 25 181

HSL 272.31, 0.76%, 0.4%

LAB 32.44, 61.37, -64.71

 

CMYK 43 / 96 / 0 / 36

HEX #5C07A2

RGB 92 7 162

HSL 272.9, 0.92%, 0.33%

LAB 26.84, 59.1, -62.59

 

CMYK 48 / 100 / 0 / 44

HEX #4B008F

RGB 75 0 143

HSL 271.47, 1%, 0.28%

LAB 21.87, 54.61, -59.18

 

CMYK 53 / 100 / 0 / 51

HEX #3A007C

RGB 58 0 124

HSL 268.06, 1%, 0.24%

LAB 17.25, 48.7, -54.9

 

CMYK 37 / 79 / 0 / 21

HEX #7E2AC9

RGB 126 42 201

HSL 271.7, 0.65%, 0.48%

LAB 38.39, 62.83, -66.65

 

CMYK 16 / 79 / 0 / 21

HEX #A92AC9

RGB 169 42 201

HSL 287.92, 0.65%, 0.48%

LAB 44.67, 70.12, -56.17

 

CMYK 0 / 79 / 5 / 21

HEX #C92ABF

RGB 201 42 191

HSL 303.77, 0.65%, 0.48%

LAB 49.3, 74.6, -42.67

 

CMYK 0 / 79 / 26 / 21

HEX #C92A94

RGB 201 42 148

HSL 320, 0.65%, 0.48%

LAB 47.25, 68.78, -20.44

 

CMYK 0 / 79 / 48 / 21

HEX #C92A69

RGB 201 42 105

HSL 336.23, 0.65%, 0.48%

LAB 45.76, 64.35, 3.58

 

CMYK 37 / 79 / 0 / 21

HEX #7E2AC9

RGB 126 42 201

HSL 271.7, 0.65%, 0.48%

LAB 38.39, 62.83, -66.65

 

CMYK 58 / 79 / 0 / 21

HEX #542AC9

RGB 84 42 201

HSL 255.85, 0.65%, 0.48%

LAB 33.47, 57.11, -74.91

 

CMYK 79 / 79 / 0 / 21

HEX #2A2AC9

RGB 42 42 201

HSL 240, 0.65%, 0.48%

LAB 30.32, 53.44, -80.23

 

CMYK 37 / 79 / 0 / 21

HEX #7E2AC9

RGB 126 42 201

HSL 271.7, 0.65%, 0.48%

LAB 38.39, 62.83, -66.65

 

CMYK 42 / 90 / 0 / 13

HEX #8017DD

RGB 128 23 221

HSL 271.82, 0.81%, 0.48%

LAB 38.59, 72.9, -77.87

 

CMYK 46 / 99 / 0 / 5

HEX #8103F1

RGB 129 3 241

HSL 271.76, 0.98%, 0.48%

LAB 39.72, 80.03, -87.39

 

CMYK 37 / 79 / 0 / 21

HEX #7E2AC9

RGB 126 42 201

HSL 271.7, 0.65%, 0.48%

LAB 38.39, 62.83, -66.65

 

CMYK 31 / 66 / 0 / 29

HEX #7D3EB6

RGB 125 62 182

HSL 271.5, 0.49%, 0.48%

LAB 39.89, 49.52, -53.1

 

CMYK 23 / 49 / 0 / 36

HEX #7C52A2

RGB 124 82 162

HSL 271.5, 0.33%, 0.48%

LAB 42.66, 33.51, -36.83

 

CMYK 13 / 28 / 0 / 44

HEX #7B668E

RGB 123 102 142

HSL 271.5, 0.16%, 0.48%

LAB 46.53, 16.53, -18.87

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 79 / 78 / 0 / 21

HEX #2A2DC9

RGB 42 45 201

HSL 238.87, 0.65%, 0.48%

LAB 30.85, 51.91, -79.35

 

CMYK 59 / 79 / 0 / 21

HEX #522AC9

RGB 82 42 201

HSL 255.09, 0.65%, 0.48%

LAB 33.28, 56.89, -75.23

 

CMYK 38 / 79 / 0 / 21

HEX #7D2AC9

RGB 125 42 201

HSL 271.32, 0.65%, 0.48%

LAB 38.26, 62.67, -66.87

 

CMYK 17 / 79 / 0 / 21

HEX #A72AC9

RGB 167 42 201

HSL 287.17, 0.65%, 0.48%

LAB 44.36, 69.75, -56.68

 

CMYK 0 / 79 / 3 / 21

HEX #C92AC2

RGB 201 42 194

HSL 302.64, 0.65%, 0.48%

LAB 49.46, 75.05, -44.15

 

CMYK 37 / 79 / 0 / 48

HEX #541C85

RGB 84 28 133

HSL 272, 0.65%, 0.32%

LAB 24.98, 45.24, -47.77

 

CMYK 37 / 79 / 0 / 35

HEX #6923A7

RGB 105 35 167

HSL 271.82, 0.65%, 0.4%

LAB 31.8, 54.22, -57.41

 

CMYK 37 / 79 / 0 / 21

HEX #7E2AC9

RGB 126 42 201

HSL 271.7, 0.65%, 0.48%

LAB 38.39, 62.83, -66.65

 

CMYK 32 / 67 / 0 / 16

HEX #9346D7

RGB 147 70 215

HSL 271.86, 0.64%, 0.56%

LAB 46.3, 58.07, -61.75

 

CMYK 25 / 53 / 0 / 13

HEX #A768DF

RGB 167 104 223

HSL 271.76, 0.65%, 0.64%

LAB 55.53, 47.35, -51.35

 

CMYK 37 / 79 / 0 / 22

HEX #7E2BC8

RGB 126 43 200

HSL 271.72, 0.65%, 0.48%

LAB 38.43, 62.23, -66

 

CMYK 0 / 79 / 57 / 21

HEX #C92A57

RGB 201 42 87

HSL 343.02, 0.65%, 0.48%

LAB 45.31, 62.95, 14.09

 

CMYK 79 / 0 / 70 / 21

HEX #2AC93D

RGB 42 201 61

HSL 127.17, 0.65%, 0.48%

LAB 71.28, -66.08, 56.11

 

CMYK 37 / 79 / 0 / 22

HEX #7E2BC8

RGB 126 43 200

HSL 271.72, 0.65%, 0.48%

LAB 38.43, 62.23, -66

 

CMYK 0 / 38 / 79 / 21

HEX #C97D2A

RGB 201 125 42

HSL 31.32, 0.65%, 0.48%

LAB 59.21, 23.08, 54.53

 

CMYK 79 / 0 / 38 / 21

HEX #2AC97D

RGB 42 201 125

HSL 151.32, 0.65%, 0.48%

LAB 72.06, -56.9, 26.96

 

CMYK 37 / 79 / 0 / 22

HEX #7E2BC8

RGB 126 43 200

HSL 271.72, 0.65%, 0.48%

LAB 38.43, 62.23, -66

 

CMYK 0 / 79 / 57 / 21

HEX #C92A57

RGB 201 42 87

HSL 343.02, 0.65%, 0.48%

LAB 45.31, 62.95, 14.09

 

CMYK 41 / 0 / 79 / 21

HEX #77C92A

RGB 119 201 42

HSL 90.94, 0.65%, 0.48%

LAB 73.46, -49.32, 65.47

 

CMYK 79 / 0 / 22 / 21

HEX #2AC99C

RGB 42 201 156

HSL 163.02, 0.65%, 0.48%

LAB 72.67, -50.14, 11.33

 

CMYK 37 / 79 / 0 / 22

HEX #7E2BC8

RGB 126 43 200

HSL 271.72, 0.65%, 0.48%

LAB 38.43, 62.23, -66

 

CMYK 0 / 78 / 79 / 21

HEX #C92D2A

RGB 201 45 42

HSL 1.13, 0.65%, 0.48%

LAB 44.89, 59.8, 40.55

 

CMYK 41 / 0 / 79 / 21

HEX #77C92A

RGB 119 201 42

HSL 90.94, 0.65%, 0.48%

LAB 73.46, -49.32, 65.47

 

CMYK 79 / 1 / 0 / 21

HEX #2AC7C9

RGB 42 199 201

HSL 180.75, 0.65%, 0.48%

LAB 73.26, -37.18, -12.21

 

Description

Color code: HEX #7E2BC8 | qconv.com Color code: HEX #7E2BC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 43 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 43 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 79 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 79% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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