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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E2928 it is the complementary color #81D6D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E2928. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E2928 shade: #832923, #943B36, #A54D49, #B65F5C and #C7716F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E2928. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E2928 shade: #7E2928, #6D1715, #5C0502, #4B0000 and #3A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E2928 shade: #802928 and #802828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E2928 shade: #802928, #804128, #805928, #807028 and #788028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E2928 shade matches the following richer shades: #802928, #8E1C1B and #9B0F0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E2928 shade: #802928, #723736, #654444, #575151 and #495F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E2928 shade: #802857, #802840, #802828, #804028 and #805728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E2928 shade: #411515, #611F1E, #802928, #9F3432 and #BF3E3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E2928 shade: #7E2928, #6E8028 and #284B80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E2928 shade: #7E2928, #288028 and #282880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E2928 shade: #7E2928, #6E8028, #288080 and #3A2880

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E2928 shade: #7E2928, #548028, #288080 and #542880

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 68 / 51

HEX #7E2928

RGB 126 41 40

HSL 0.7, 0.52%, 0.33%

LAB 29.85, 36.67, 20.84

 

Complementary color

CMYK 40 / 0 / 0 / 16

HEX #81D6D7

RGB 129 214 215

HSL 180.7, 0.52%, 0.67%

LAB 80.55, -25.43, -8.6

 

CMYK 0 / 69 / 73 / 49

HEX #832923

RGB 131 41 35

HSL 3.75, 0.58%, 0.33%

LAB 30.72, 38.21, 25.26

 

CMYK 0 / 60 / 64 / 42

HEX #943B36

RGB 148 59 54

HSL 3.19, 0.47%, 0.4%

LAB 37.28, 37.15, 22.21

 

CMYK 0 / 53 / 56 / 35

HEX #A54D49

RGB 165 77 73

HSL 2.61, 0.39%, 0.47%

LAB 43.93, 35.95, 19.75

 

CMYK 0 / 48 / 49 / 29

HEX #B65F5C

RGB 182 95 92

HSL 2, 0.38%, 0.54%

LAB 50.57, 34.75, 17.73

 

CMYK 0 / 43 / 44 / 22

HEX #C7716F

RGB 199 113 111

HSL 1.36, 0.44%, 0.61%

LAB 57.17, 33.62, 16.03

 

CMYK 0 / 67 / 68 / 51

HEX #7E2928

RGB 126 41 40

HSL 0.7, 0.52%, 0.33%

LAB 29.85, 36.67, 20.84

 

CMYK 0 / 79 / 81 / 57

HEX #6D1715

RGB 109 23 21

HSL 1.36, 0.68%, 0.25%

LAB 23.4, 37.22, 24.56

 

CMYK 0 / 95 / 98 / 64

HEX #5C0502

RGB 92 5 2

HSL 2, 0.96%, 0.18%

LAB 17.41, 36.61, 25.97

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 68 / 69 / 50

HEX #802928

RGB 128 41 40

HSL 0.68, 0.52%, 0.33%

LAB 30.23, 37.4, 21.39

 

CMYK 0 / 69 / 69 / 50

HEX #802828

RGB 128 40 40

HSL 0, 0.52%, 0.33%

LAB 30.06, 37.86, 21.19

 

CMYK 0 / 68 / 69 / 50

HEX #802928

RGB 128 41 40

HSL 0.68, 0.52%, 0.33%

LAB 30.23, 37.4, 21.39

 

CMYK 0 / 49 / 69 / 50

HEX #804128

RGB 128 65 40

HSL 17.05, 0.52%, 0.33%

LAB 35.05, 24.91, 27.19

 

CMYK 0 / 30 / 69 / 50

HEX #805928

RGB 128 89 40

HSL 33.41, 0.52%, 0.33%

LAB 41.04, 10.82, 34

 

CMYK 0 / 13 / 69 / 50

HEX #807028

RGB 128 112 40

HSL 49.09, 0.52%, 0.33%

LAB 47.41, -2.62, 40.87

 

CMYK 6 / 0 / 69 / 50

HEX #788028

RGB 120 128 40

HSL 65.45, 0.52%, 0.33%

LAB 51.36, -15.16, 44.75

 

CMYK 0 / 68 / 69 / 50

HEX #802928

RGB 128 41 40

HSL 0.68, 0.52%, 0.33%

LAB 30.23, 37.4, 21.39

 

CMYK 0 / 80 / 81 / 44

HEX #8E1C1B

RGB 142 28 27

HSL 0.52, 0.68%, 0.33%

LAB 31.02, 46.53, 31.06

 

CMYK 0 / 90 / 92 / 39

HEX #9B0F0D

RGB 155 15 13

HSL 0.85, 0.85%, 0.33%

LAB 32.57, 53.21, 40.87

 

CMYK 0 / 68 / 69 / 50

HEX #802928

RGB 128 41 40

HSL 0.68, 0.52%, 0.33%

LAB 30.23, 37.4, 21.39

 

CMYK 0 / 52 / 53 / 55

HEX #723736

RGB 114 55 54

HSL 1, 0.36%, 0.33%

LAB 30.82, 25.84, 12.69

 

CMYK 0 / 33 / 33 / 60

HEX #654444

RGB 101 68 68

HSL 0, 0.2%, 0.33%

LAB 32.52, 14.26, 5.75

 

CMYK 0 / 7 / 7 / 66

HEX #575151

RGB 87 81 81

HSL 0, 0.04%, 0.33%

LAB 35.01, 2.46, 0.88

 

CMYK 23 / 0 / 0 / 63

HEX #495F5F

RGB 73 95 95

HSL 180, 0.13%, 0.33%

LAB 38.6, -8.24, -2.73

 

CMYK 0 / 69 / 32 / 50

HEX #802857

RGB 128 40 87

HSL 327.95, 0.52%, 0.33%

LAB 31.34, 42.41, -7.8

 

CMYK 0 / 69 / 50 / 50

HEX #802840

RGB 128 40 64

HSL 343.64, 0.52%, 0.33%

LAB 30.59, 39.77, 6.2

 

CMYK 0 / 69 / 69 / 50

HEX #802828

RGB 128 40 40

HSL 0, 0.52%, 0.33%

LAB 30.06, 37.86, 21.19

 

CMYK 0 / 50 / 69 / 50

HEX #804028

RGB 128 64 40

HSL 16.36, 0.52%, 0.33%

LAB 34.82, 25.48, 26.92

 

CMYK 0 / 32 / 69 / 50

HEX #805728

RGB 128 87 40

HSL 32.05, 0.52%, 0.33%

LAB 40.51, 12.01, 33.41

 

CMYK 0 / 68 / 68 / 75

HEX #411515

RGB 65 21 21

HSL 0, 0.51%, 0.17%

LAB 13.91, 21.41, 11.05

 

CMYK 0 / 68 / 69 / 62

HEX #611F1E

RGB 97 31 30

HSL 0.9, 0.53%, 0.25%

LAB 22.36, 29.86, 16.86

 

CMYK 0 / 68 / 69 / 50

HEX #802928

RGB 128 41 40

HSL 0.68, 0.52%, 0.33%

LAB 30.23, 37.4, 21.39

 

CMYK 0 / 67 / 69 / 38

HEX #9F3432

RGB 159 52 50

HSL 1.1, 0.52%, 0.41%

LAB 37.94, 44.14, 25.92

 

CMYK 0 / 68 / 69 / 25

HEX #BF3E3C

RGB 191 62 60

HSL 0.92, 0.52%, 0.49%

LAB 45.43, 51.37, 30.33

 

CMYK 0 / 67 / 68 / 51

HEX #7E2928

RGB 126 41 40

HSL 0.7, 0.52%, 0.33%

LAB 29.85, 36.67, 20.84

 

CMYK 14 / 0 / 69 / 50

HEX #6E8028

RGB 110 128 40

HSL 72.27, 0.52%, 0.33%

LAB 50.58, -19.61, 43.69

 

CMYK 69 / 41 / 0 / 50

HEX #284B80

RGB 40 75 128

HSL 216.14, 0.52%, 0.33%

LAB 31.9, 5.94, -33.69

 

CMYK 0 / 67 / 68 / 51

HEX #7E2928

RGB 126 41 40

HSL 0.7, 0.52%, 0.33%

LAB 29.85, 36.67, 20.84

 

CMYK 69 / 0 / 69 / 50

HEX #288028

RGB 40 128 40

HSL 120, 0.52%, 0.33%

LAB 47.03, -43.98, 38.86

 

CMYK 69 / 69 / 0 / 50

HEX #282880

RGB 40 40 128

HSL 240, 0.52%, 0.33%

LAB 22.04, 29.77, -49.62

 

CMYK 0 / 67 / 68 / 51

HEX #7E2928

RGB 126 41 40

HSL 0.7, 0.52%, 0.33%

LAB 29.85, 36.67, 20.84

 

CMYK 14 / 0 / 69 / 50

HEX #6E8028

RGB 110 128 40

HSL 72.27, 0.52%, 0.33%

LAB 50.58, -19.61, 43.69

 

CMYK 69 / 0 / 0 / 50

HEX #288080

RGB 40 128 128

HSL 180, 0.52%, 0.33%

LAB 48.82, -25.19, -7.58

 

CMYK 55 / 69 / 0 / 50

HEX #3A2880

RGB 58 40 128

HSL 252.27, 0.52%, 0.33%

LAB 23.59, 32.77, -47.02

 

CMYK 0 / 67 / 68 / 51

HEX #7E2928

RGB 126 41 40

HSL 0.7, 0.52%, 0.33%

LAB 29.85, 36.67, 20.84

 

CMYK 34 / 0 / 69 / 50

HEX #548028

RGB 84 128 40

HSL 90, 0.52%, 0.33%

LAB 48.85, -30.41, 41.36

 

CMYK 69 / 0 / 0 / 50

HEX #288080

RGB 40 128 128

HSL 180, 0.52%, 0.33%

LAB 48.82, -25.19, -7.58

 

CMYK 34 / 69 / 0 / 50

HEX #542880

RGB 84 40 128

HSL 270, 0.52%, 0.33%

LAB 26.62, 38.21, -41.96

 

Description

Color code: HEX #7E2928 | qconv.com Color code: HEX #7E2928 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 41 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 41 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 68 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 68% 51% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - ホーム | 日本獣医生命科学大学
Link: http://www.nvlu.ac.jp

19% - eSkillz Live Support...
Link: http://eskillz.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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