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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E24A8 it is the complementary color #81DB57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E24A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E24A8 shade: #8324A3, #9436B6, #A548C9, #B65ADC and #C76CEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E24A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E24A8 shade: #7E24A8, #6D1295, #5C0082, #4B006F and #3A005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E24A8 shade: #7E24A8, #A224A8, #A8248B, #A82467 and #A82443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E24A8 shade: #7E24A8, #5A24A8, #3724A8 and #2424A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E24A8 shade matches the following richer shades: #7E24A8, #8413B9 and #8A03C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E24A8 shade: #7E24A8, #783498, #724587, #6C5577 and #666666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E24A8 shade: #3524A8, #5924A8, #7C24A8, #9F24A8 and #A8248E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E24A8 shade: #4B1564, #651C86, #7E24A8, #982BCA and #AA47D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E24A8 shade: #7E24A8, #A82435 and #24A847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E24A8 shade: #7E24A8, #A87C24 and #24A87C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E24A8 shade: #7E24A8, #A82435, #50A824 and #24A897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E24A8 shade: #7E24A8, #A83A24, #50A824 and #2492A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

Complementary color

CMYK 41 / 0 / 60 / 14

HEX #81DB57

RGB 129 219 87

HSL 100.91, 0.65%, 0.6%

LAB 79.62, -50.06, 55.25

 

CMYK 20 / 78 / 0 / 36

HEX #8324A3

RGB 131 36 163

HSL 284.88, 0.64%, 0.39%

LAB 35.46, 57.68, -48.87

 

CMYK 19 / 70 / 0 / 29

HEX #9436B6

RGB 148 54 182

HSL 284.06, 0.54%, 0.46%

LAB 41.71, 58.14, -50

 

CMYK 18 / 64 / 0 / 21

HEX #A548C9

RGB 165 72 201

HSL 283.26, 0.54%, 0.54%

LAB 48.07, 58.01, -50.73

 

CMYK 17 / 59 / 0 / 14

HEX #B65ADC

RGB 182 90 220

HSL 282.46, 0.65%, 0.61%

LAB 54.47, 57.54, -51.23

 

CMYK 17 / 55 / 0 / 6

HEX #C76CEF

RGB 199 108 239

HSL 281.68, 0.8%, 0.68%

LAB 60.87, 56.9, -51.57

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 27 / 88 / 0 / 42

HEX #6D1295

RGB 109 18 149

HSL 281.68, 0.78%, 0.33%

LAB 29.04, 56.33, -50.93

 

CMYK 29 / 100 / 0 / 49

HEX #5C0082

RGB 92 0 130

HSL 282.46, 1%, 0.25%

LAB 23.29, 53.72, -48.58

 

CMYK 32 / 100 / 0 / 56

HEX #4B006F

RGB 75 0 111

HSL 280.54, 1%, 0.22%

LAB 18.56, 47.57, -44.27

 

CMYK 37 / 100 / 0 / 64

HEX #3A005C

RGB 58 0 92

HSL 277.83, 1%, 0.18%

LAB 13.66, 41.24, -39.85

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 4 / 79 / 0 / 34

HEX #A224A8

RGB 162 36 168

HSL 297.27, 0.65%, 0.4%

LAB 40.85, 64.72, -42.95

 

CMYK 0 / 79 / 17 / 34

HEX #A8248B

RGB 168 36 139

HSL 313.18, 0.65%, 0.4%

LAB 40.33, 61.57, -26.17

 

CMYK 0 / 79 / 39 / 34

HEX #A82467

RGB 168 36 103

HSL 329.55, 0.65%, 0.4%

LAB 38.84, 57.14, -6.05

 

CMYK 0 / 79 / 60 / 34

HEX #A82443

RGB 168 36 67

HSL 345.91, 0.65%, 0.4%

LAB 37.83, 54.01, 15.45

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 46 / 79 / 0 / 34

HEX #5A24A8

RGB 90 36 168

HSL 264.55, 0.65%, 0.4%

LAB 30.07, 51.68, -60.93

 

CMYK 67 / 79 / 0 / 34

HEX #3724A8

RGB 55 36 168

HSL 248.64, 0.65%, 0.4%

LAB 26.45, 47.21, -67

 

CMYK 79 / 79 / 0 / 34

HEX #2424A8

RGB 36 36 168

HSL 240, 0.65%, 0.4%

LAB 25.15, 45.58, -69.2

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 29 / 90 / 0 / 27

HEX #8413B9

RGB 132 19 185

HSL 280.84, 0.81%, 0.4%

LAB 35.74, 66.78, -61.55

 

CMYK 31 / 99 / 0 / 21

HEX #8A03C9

RGB 138 3 201

HSL 280.91, 0.97%, 0.4%

LAB 37.27, 72.92, -68.41

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 21 / 66 / 0 / 40

HEX #783498

RGB 120 52 152

HSL 280.8, 0.49%, 0.4%

LAB 35.43, 46.34, -42.35

 

CMYK 16 / 49 / 0 / 47

HEX #724587

RGB 114 69 135

HSL 280.91, 0.32%, 0.4%

LAB 37.08, 31.69, -29.4

 

CMYK 9 / 29 / 0 / 53

HEX #6C5577

RGB 108 85 119

HSL 280.59, 0.17%, 0.4%

LAB 39.61, 16.34, -15.7

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 68 / 79 / 0 / 34

HEX #3524A8

RGB 53 36 168

HSL 247.73, 0.65%, 0.4%

LAB 26.29, 47.01, -67.27

 

CMYK 47 / 79 / 0 / 34

HEX #5924A8

RGB 89 36 168

HSL 264.09, 0.65%, 0.4%

LAB 29.94, 51.53, -61.13

 

CMYK 26 / 79 / 0 / 34

HEX #7C24A8

RGB 124 36 168

HSL 280, 0.65%, 0.4%

LAB 34.75, 57.39, -53.09

 

CMYK 5 / 79 / 0 / 34

HEX #9F24A8

RGB 159 36 168

HSL 295.91, 0.65%, 0.4%

LAB 40.34, 64.12, -43.79

 

CMYK 0 / 79 / 15 / 34

HEX #A8248E

RGB 168 36 142

HSL 311.82, 0.65%, 0.4%

LAB 40.47, 61.99, -27.78

 

CMYK 25 / 79 / 0 / 61

HEX #4B1564

RGB 75 21 100

HSL 281.01, 0.65%, 0.24%

LAB 19.85, 38.51, -34.97

 

CMYK 25 / 79 / 0 / 47

HEX #651C86

RGB 101 28 134

HSL 281.32, 0.65%, 0.32%

LAB 27.62, 48.68, -43.98

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 25 / 79 / 0 / 21

HEX #982BCA

RGB 152 43 202

HSL 281.13, 0.65%, 0.48%

LAB 42.26, 66.98, -60.77

 

CMYK 21 / 67 / 0 / 15

HEX #AA47D8

RGB 170 71 216

HSL 280.97, 0.65%, 0.56%

LAB 49.51, 62.64, -56.99

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 0 / 79 / 68 / 34

HEX #A82435

RGB 168 36 53

HSL 352.27, 0.65%, 0.4%

LAB 37.56, 53.16, 23.97

 

CMYK 79 / 0 / 58 / 34

HEX #24A847

RGB 36 168 71

HSL 135.91, 0.65%, 0.4%

LAB 60.64, -55.01, 39.86

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 0 / 26 / 79 / 34

HEX #A87C24

RGB 168 124 36

HSL 40, 0.65%, 0.4%

LAB 54.94, 8.84, 51.48

 

CMYK 79 / 0 / 26 / 34

HEX #24A87C

RGB 36 168 124

HSL 160, 0.65%, 0.4%

LAB 61.51, -45.03, 13.06

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 0 / 79 / 68 / 34

HEX #A82435

RGB 168 36 53

HSL 352.27, 0.65%, 0.4%

LAB 37.56, 53.16, 23.97

 

CMYK 52 / 0 / 79 / 34

HEX #50A824

RGB 80 168 36

HSL 100, 0.65%, 0.4%

LAB 61.51, -48.97, 55.48

 

CMYK 79 / 0 / 10 / 34

HEX #24A897

RGB 36 168 151

HSL 172.27, 0.65%, 0.4%

LAB 62.18, -38.03, -1.05

 

CMYK 25 / 79 / 0 / 34

HEX #7E24A8

RGB 126 36 168

HSL 280.91, 0.65%, 0.4%

LAB 35.05, 57.76, -52.58

 

CMYK 0 / 65 / 79 / 34

HEX #A83A24

RGB 168 58 36

HSL 10, 0.65%, 0.4%

LAB 40.37, 44.03, 37.22

 

CMYK 52 / 0 / 79 / 34

HEX #50A824

RGB 80 168 36

HSL 100, 0.65%, 0.4%

LAB 61.51, -48.97, 55.48

 

CMYK 79 / 13 / 0 / 34

HEX #2492A8

RGB 36 146 168

HSL 190, 0.65%, 0.4%

LAB 55.85, -22.16, -20.17

 

Description

Color code: HEX #7E24A8 | qconv.com Color code: HEX #7E24A8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 36 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 36 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 79 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 79% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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