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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E221F it is the complementary color #81DDE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E221F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E221F shade: #83221A, #94342D, #A54640, #B65853 and #C76A66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E221F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E221F shade: #7E221F, #6D100C, #5C0000, #4B0000 and #3A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E221F shade: #7F221F and #7F1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E221F shade: #7F221F, #7F3C1F, #7F561F, #7F701F and #757F1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E221F shade matches the following richer shades: #7F221F, #8C1612 and #990A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E221F shade: #7F221F, #722E2C, #663A38, #594645 and #4C5252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E221F shade: #7F1F51, #7F1F37, #7F201F, #7F3A1F and #7F541F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E221F shade: #3D100F, #5E1917, #7F221F, #A02B27 and #C2342F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E221F shade: #7E221F, #6A7F1F and #1F447F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E221F shade: #7E221F, #1F7F20 and #201F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E221F shade: #7E221F, #6A7F1F, #1F7E7F and #341F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E221F shade: #7E221F, #4D7F1F, #1F7E7F and #511F7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 75 / 51

HEX #7E221F

RGB 126 34 31

HSL 1.89, 0.61%, 0.31%

LAB 28.59, 39.23, 25.04

 

Complementary color

CMYK 42 / 1 / 0 / 12

HEX #81DDE0

RGB 129 221 224

HSL 181.89, 0.61%, 0.69%

LAB 82.79, -26.63, -10.07

 

CMYK 0 / 74 / 80 / 49

HEX #83221A

RGB 131 34 26

HSL 4.57, 0.67%, 0.31%

LAB 29.52, 40.75, 29.39

 

CMYK 0 / 65 / 70 / 42

HEX #94342D

RGB 148 52 45

HSL 4.08, 0.53%, 0.38%

LAB 35.87, 39.94, 25.99

 

CMYK 0 / 58 / 61 / 35

HEX #A54640

RGB 165 70 64

HSL 3.56, 0.44%, 0.45%

LAB 42.38, 38.8, 23.19

 

CMYK 0 / 52 / 54 / 29

HEX #B65853

RGB 182 88 83

HSL 3.03, 0.4%, 0.52%

LAB 48.94, 37.59, 20.88

 

CMYK 0 / 47 / 49 / 22

HEX #C76A66

RGB 199 106 102

HSL 2.47, 0.46%, 0.59%

LAB 55.49, 36.41, 18.95

 

CMYK 0 / 73 / 75 / 51

HEX #7E221F

RGB 126 34 31

HSL 1.89, 0.61%, 0.31%

LAB 28.59, 39.23, 25.04

 

CMYK 0 / 85 / 89 / 57

HEX #6D100C

RGB 109 16 12

HSL 2.47, 0.8%, 0.24%

LAB 22.47, 39.25, 28.64

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 73 / 76 / 50

HEX #7F221F

RGB 127 34 31

HSL 1.88, 0.61%, 0.31%

LAB 28.79, 39.58, 25.32

 

CMYK 0 / 76 / 76 / 50

HEX #7F1F1F

RGB 127 31 31

HSL 0, 0.61%, 0.31%

LAB 28.36, 40.77, 24.83

 

CMYK 0 / 73 / 76 / 50

HEX #7F221F

RGB 127 34 31

HSL 1.88, 0.61%, 0.31%

LAB 28.79, 39.58, 25.32

 

CMYK 0 / 53 / 76 / 50

HEX #7F3C1F

RGB 127 60 31

HSL 18.13, 0.61%, 0.31%

LAB 33.65, 26.77, 30.72

 

CMYK 0 / 32 / 76 / 50

HEX #7F561F

RGB 127 86 31

HSL 34.38, 0.61%, 0.31%

LAB 40.03, 11.6, 37.41

 

CMYK 0 / 12 / 76 / 50

HEX #7F701F

RGB 127 112 31

HSL 50.63, 0.61%, 0.31%

LAB 47.23, -3.61, 44.58

 

CMYK 8 / 0 / 76 / 50

HEX #757F1F

RGB 117 127 31

HSL 66.25, 0.61%, 0.31%

LAB 50.76, -16.51, 47.65

 

CMYK 0 / 73 / 76 / 50

HEX #7F221F

RGB 127 34 31

HSL 1.88, 0.61%, 0.31%

LAB 28.79, 39.58, 25.32

 

CMYK 0 / 84 / 87 / 45

HEX #8C1612

RGB 140 22 18

HSL 1.97, 0.77%, 0.31%

LAB 29.89, 47.39, 34.91

 

CMYK 0 / 93 / 97 / 40

HEX #990A05

RGB 153 10 5

HSL 2.03, 0.94%, 0.31%

LAB 31.81, 53.34, 43.47

 

CMYK 0 / 73 / 76 / 50

HEX #7F221F

RGB 127 34 31

HSL 1.88, 0.61%, 0.31%

LAB 28.79, 39.58, 25.32

 

CMYK 0 / 60 / 61 / 55

HEX #722E2C

RGB 114 46 44

HSL 1.71, 0.44%, 0.31%

LAB 28.68, 29.89, 16.33

 

CMYK 0 / 43 / 45 / 60

HEX #663A38

RGB 102 58 56

HSL 2.61, 0.29%, 0.31%

LAB 29.75, 19.19, 9.64

 

CMYK 0 / 21 / 22 / 65

HEX #594645

RGB 89 70 69

HSL 3, 0.13%, 0.31%

LAB 31.66, 7.94, 3.68

 

CMYK 7 / 0 / 0 / 68

HEX #4C5252

RGB 76 82 82

HSL 180, 0.04%, 0.31%

LAB 34.36, -2.39, -0.83

 

CMYK 0 / 76 / 36 / 50

HEX #7F1F51

RGB 127 31 81

HSL 328.75, 0.61%, 0.31%

LAB 29.63, 44.96, -6.45

 

CMYK 0 / 76 / 57 / 50

HEX #7F1F37

RGB 127 31 55

HSL 345, 0.61%, 0.31%

LAB 28.82, 42.32, 9.68

 

CMYK 0 / 75 / 76 / 50

HEX #7F201F

RGB 127 32 31

HSL 0.63, 0.61%, 0.31%

LAB 28.5, 40.38, 24.99

 

CMYK 0 / 54 / 76 / 50

HEX #7F3A1F

RGB 127 58 31

HSL 16.88, 0.61%, 0.31%

LAB 33.22, 27.88, 30.25

 

CMYK 0 / 34 / 76 / 50

HEX #7F541F

RGB 127 84 31

HSL 33.13, 0.61%, 0.31%

LAB 39.5, 12.79, 36.87

 

CMYK 0 / 74 / 75 / 76

HEX #3D100F

RGB 61 16 15

HSL 1.3, 0.61%, 0.15%

LAB 11.94, 21.98, 11.92

 

CMYK 0 / 73 / 76 / 63

HEX #5E1917

RGB 94 25 23

HSL 1.69, 0.61%, 0.23%

LAB 20.58, 31.13, 19.24

 

CMYK 0 / 73 / 76 / 50

HEX #7F221F

RGB 127 34 31

HSL 1.88, 0.61%, 0.31%

LAB 28.79, 39.58, 25.32

 

CMYK 0 / 73 / 76 / 37

HEX #A02B27

RGB 160 43 39

HSL 1.98, 0.61%, 0.39%

LAB 36.65, 47.58, 31.08

 

CMYK 0 / 73 / 76 / 24

HEX #C2342F

RGB 194 52 47

HSL 2.04, 0.61%, 0.47%

LAB 44.42, 55.55, 36.85

 

CMYK 0 / 73 / 75 / 51

HEX #7E221F

RGB 126 34 31

HSL 1.89, 0.61%, 0.31%

LAB 28.59, 39.23, 25.04

 

CMYK 17 / 0 / 76 / 50

HEX #6A7F1F

RGB 106 127 31

HSL 73.13, 0.61%, 0.31%

LAB 49.91, -21.42, 46.54

 

CMYK 76 / 46 / 0 / 50

HEX #1F447F

RGB 31 68 127

HSL 216.88, 0.61%, 0.31%

LAB 29.31, 8.8, -37.23

 

CMYK 0 / 73 / 75 / 51

HEX #7E221F

RGB 126 34 31

HSL 1.89, 0.61%, 0.31%

LAB 28.59, 39.23, 25.04

 

CMYK 76 / 0 / 75 / 50

HEX #1F7F20

RGB 31 127 32

HSL 120.63, 0.61%, 0.31%

LAB 46.41, -46.16, 41.51

 

CMYK 75 / 76 / 0 / 50

HEX #201F7F

RGB 32 31 127

HSL 240.63, 0.61%, 0.31%

LAB 19.31, 34.12, -53.5

 

CMYK 0 / 73 / 75 / 51

HEX #7E221F

RGB 126 34 31

HSL 1.89, 0.61%, 0.31%

LAB 28.59, 39.23, 25.04

 

CMYK 17 / 0 / 76 / 50

HEX #6A7F1F

RGB 106 127 31

HSL 73.13, 0.61%, 0.31%

LAB 49.91, -21.42, 46.54

 

CMYK 76 / 1 / 0 / 50

HEX #1F7E7F

RGB 31 126 127

HSL 180.63, 0.61%, 0.31%

LAB 47.94, -25.76, -8.33

 

CMYK 59 / 76 / 0 / 50

HEX #341F7F

RGB 52 31 127

HSL 253.13, 0.61%, 0.31%

LAB 20.99, 36.7, -50.67

 

CMYK 0 / 73 / 75 / 51

HEX #7E221F

RGB 126 34 31

HSL 1.89, 0.61%, 0.31%

LAB 28.59, 39.23, 25.04

 

CMYK 39 / 0 / 76 / 50

HEX #4D7F1F

RGB 77 127 31

HSL 91.25, 0.61%, 0.31%

LAB 48.08, -33.29, 44.13

 

CMYK 76 / 1 / 0 / 50

HEX #1F7E7F

RGB 31 126 127

HSL 180.63, 0.61%, 0.31%

LAB 47.94, -25.76, -8.33

 

CMYK 36 / 76 / 0 / 50

HEX #511F7F

RGB 81 31 127

HSL 271.25, 0.61%, 0.31%

LAB 24.52, 41.83, -44.76

 

Description

Color code: HEX #7E221F | qconv.com Color code: HEX #7E221F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 34 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 34 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 75 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 75% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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