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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E16AA it is the complementary color #81E955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E16AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E16AA shade: #8316A5, #9428B8, #A53ACB, #B64CDE and #C75EF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E16AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E16AA shade: #7E16AA, #6D0497, #5C0084, #4B0071 and #3A005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E16AA shade: #7F16AC, #A716AC, #AC1687, #AC165F and #AC1637

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E16AA shade: #7F16AC, #5716AC, #2F16AC and #1616AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E16AA shade matches the following richer shades: #7F16AC and #8507BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E16AA shade: #7F16AC, #79269C, #72368C, #6C457C and #66556D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E16AA shade: #2F16AC, #5716AC, #7F16AC, #A716AC and #AC1689

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E16AA shade: #490D62, #641287, #7F16AC, #9A1BD0 and #AF30E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E16AA shade: #7E16AA, #AC1625 and #16AC43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E16AA shade: #7E16AA, #AC7F16 and #16AC7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E16AA shade: #7E16AA, #AC1625, #43AC16 and #16AC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E16AA shade: #7E16AA, #AC3416, #43AC16 and #168EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 87 / 0 / 33

HEX #7E16AA

RGB 126 22 170

HSL 282.16, 0.77%, 0.38%

LAB 33.8, 62.27, -55.82

 

Complementary color

CMYK 45 / 0 / 64 / 9

HEX #81E955

RGB 129 233 85

HSL 102.16, 0.77%, 0.62%

LAB 83.76, -55.82, 60.68

 

CMYK 21 / 87 / 0 / 35

HEX #8316A5

RGB 131 22 165

HSL 285.73, 0.76%, 0.37%

LAB 34.22, 62.1, -52.09

 

CMYK 20 / 78 / 0 / 28

HEX #9428B8

RGB 148 40 184

HSL 285, 0.64%, 0.44%

LAB 40.04, 63.69, -53.87

 

CMYK 19 / 71 / 0 / 20

HEX #A53ACB

RGB 165 58 203

HSL 284.28, 0.58%, 0.51%

LAB 46.09, 64.3, -55.06

 

CMYK 18 / 66 / 0 / 13

HEX #B64CDE

RGB 182 76 222

HSL 283.56, 0.69%, 0.58%

LAB 52.27, 64.31, -55.88

 

CMYK 17 / 61 / 0 / 5

HEX #C75EF1

RGB 199 94 241

HSL 282.86, 0.84%, 0.66%

LAB 58.51, 63.97, -56.45

 

CMYK 26 / 87 / 0 / 33

HEX #7E16AA

RGB 126 22 170

HSL 282.16, 0.77%, 0.38%

LAB 33.8, 62.27, -55.82

 

CMYK 28 / 97 / 0 / 41

HEX #6D0497

RGB 109 4 151

HSL 282.86, 0.95%, 0.3%

LAB 28.31, 59.41, -53.35

 

CMYK 30 / 100 / 0 / 48

HEX #5C0084

RGB 92 0 132

HSL 281.82, 1%, 0.26%

LAB 23.48, 54.13, -49.54

 

CMYK 34 / 100 / 0 / 56

HEX #4B0071

RGB 75 0 113

HSL 279.82, 1%, 0.22%

LAB 18.75, 48, -45.26

 

CMYK 38 / 100 / 0 / 63

HEX #3A005E

RGB 58 0 94

HSL 277.02, 1%, 0.18%

LAB 13.87, 41.69, -40.85

 

CMYK 26 / 87 / 0 / 33

HEX #7F16AC

RGB 127 22 172

HSL 282, 0.77%, 0.38%

LAB 34.12, 62.82, -56.49

 

CMYK 3 / 87 / 0 / 33

HEX #A716AC

RGB 167 22 172

HSL 298, 0.77%, 0.38%

LAB 40.84, 69.55, -45.3

 

CMYK 0 / 87 / 22 / 33

HEX #AC1687

RGB 172 22 135

HSL 314.8, 0.77%, 0.38%

LAB 39.74, 65.22, -24.58

 

CMYK 0 / 87 / 45 / 33

HEX #AC165F

RGB 172 22 95

HSL 330.8, 0.77%, 0.38%

LAB 38.15, 60.82, -1.91

 

CMYK 0 / 87 / 68 / 33

HEX #AC1637

RGB 172 22 55

HSL 346.8, 0.77%, 0.38%

LAB 37.15, 57.97, 22.38

 

CMYK 26 / 87 / 0 / 33

HEX #7F16AC

RGB 127 22 172

HSL 282, 0.77%, 0.38%

LAB 34.12, 62.82, -56.49

 

CMYK 49 / 87 / 0 / 33

HEX #5716AC

RGB 87 22 172

HSL 266, 0.77%, 0.38%

LAB 28.32, 57.42, -66.21

 

CMYK 73 / 87 / 0 / 33

HEX #2F16AC

RGB 47 22 172

HSL 250, 0.77%, 0.38%

LAB 24.18, 53.89, -73.19

 

CMYK 87 / 87 / 0 / 33

HEX #1616AC

RGB 22 22 172

HSL 240, 0.77%, 0.38%

LAB 22.73, 52.75, -75.65

 

CMYK 26 / 87 / 0 / 33

HEX #7F16AC

RGB 127 22 172

HSL 282, 0.77%, 0.38%

LAB 34.12, 62.82, -56.49

 

CMYK 29 / 96 / 0 / 27

HEX #8507BB

RGB 133 7 187

HSL 282, 0.93%, 0.38%

LAB 35.45, 69.13, -63.2

 

CMYK 26 / 87 / 0 / 33

HEX #7F16AC

RGB 127 22 172

HSL 282, 0.77%, 0.38%

LAB 34.12, 62.82, -56.49

 

CMYK 22 / 76 / 0 / 39

HEX #79269C

RGB 121 38 156

HSL 282.2, 0.61%, 0.38%

LAB 33.67, 53.55, -47.61

 

CMYK 19 / 61 / 0 / 45

HEX #72368C

RGB 114 54 140

HSL 281.86, 0.44%, 0.38%

LAB 34.21, 41.14, -37.02

 

CMYK 13 / 44 / 0 / 51

HEX #6C457C

RGB 108 69 124

HSL 282.55, 0.28%, 0.38%

LAB 35.79, 27.25, -24.69

 

CMYK 6 / 22 / 0 / 57

HEX #66556D

RGB 102 85 109

HSL 282.5, 0.12%, 0.38%

LAB 38.6, 11.89, -11.13

 

CMYK 73 / 87 / 0 / 33

HEX #2F16AC

RGB 47 22 172

HSL 250, 0.77%, 0.38%

LAB 24.18, 53.89, -73.19

 

CMYK 49 / 87 / 0 / 33

HEX #5716AC

RGB 87 22 172

HSL 266, 0.77%, 0.38%

LAB 28.32, 57.42, -66.21

 

CMYK 26 / 87 / 0 / 33

HEX #7F16AC

RGB 127 22 172

HSL 282, 0.77%, 0.38%

LAB 34.12, 62.82, -56.49

 

CMYK 3 / 87 / 0 / 33

HEX #A716AC

RGB 167 22 172

HSL 298, 0.77%, 0.38%

LAB 40.84, 69.55, -45.3

 

CMYK 0 / 87 / 20 / 33

HEX #AC1689

RGB 172 22 137

HSL 314, 0.77%, 0.38%

LAB 39.83, 65.48, -25.66

 

CMYK 26 / 87 / 0 / 62

HEX #490D62

RGB 73 13 98

HSL 282.35, 0.77%, 0.22%

LAB 18.3, 40.68, -36.17

 

CMYK 26 / 87 / 0 / 47

HEX #641287

RGB 100 18 135

HSL 282.05, 0.76%, 0.3%

LAB 26.42, 51.96, -46.56

 

CMYK 26 / 87 / 0 / 33

HEX #7F16AC

RGB 127 22 172

HSL 282, 0.77%, 0.38%

LAB 34.12, 62.82, -56.49

 

CMYK 26 / 87 / 0 / 18

HEX #9A1BD0

RGB 154 27 208

HSL 282.1, 0.77%, 0.46%

LAB 41.54, 72.76, -65.4

 

CMYK 23 / 79 / 0 / 11

HEX #AF30E4

RGB 175 48 228

HSL 282.33, 0.77%, 0.54%

LAB 48.04, 74.44, -66.15

 

CMYK 26 / 87 / 0 / 33

HEX #7E16AA

RGB 126 22 170

HSL 282.16, 0.77%, 0.38%

LAB 33.8, 62.27, -55.82

 

CMYK 0 / 87 / 78 / 33

HEX #AC1625

RGB 172 22 37

HSL 354, 0.77%, 0.38%

LAB 36.89, 57.2, 33.23

 

CMYK 87 / 0 / 61 / 33

HEX #16AC43

RGB 22 172 67

HSL 138, 0.77%, 0.38%

LAB 61.72, -58.39, 42.97

 

CMYK 26 / 87 / 0 / 33

HEX #7E16AA

RGB 126 22 170

HSL 282.16, 0.77%, 0.38%

LAB 33.8, 62.27, -55.82

 

CMYK 0 / 26 / 87 / 33

HEX #AC7F16

RGB 172 127 22

HSL 42, 0.77%, 0.38%

LAB 56.1, 8.52, 57.33

 

CMYK 87 / 0 / 26 / 33

HEX #16AC7F

RGB 22 172 127

HSL 162, 0.77%, 0.38%

LAB 62.68, -47.24, 13.02

 

CMYK 26 / 87 / 0 / 33

HEX #7E16AA

RGB 126 22 170

HSL 282.16, 0.77%, 0.38%

LAB 33.8, 62.27, -55.82

 

CMYK 0 / 87 / 78 / 33

HEX #AC1625

RGB 172 22 37

HSL 354, 0.77%, 0.38%

LAB 36.89, 57.2, 33.23

 

CMYK 61 / 0 / 87 / 33

HEX #43AC16

RGB 67 172 22

HSL 102, 0.77%, 0.38%

LAB 62.3, -54.63, 59.8

 

CMYK 87 / 0 / 9 / 33

HEX #16AC9D

RGB 22 172 157

HSL 174, 0.77%, 0.38%

LAB 63.43, -39.31, -2.59

 

CMYK 26 / 87 / 0 / 33

HEX #7E16AA

RGB 126 22 170

HSL 282.16, 0.77%, 0.38%

LAB 33.8, 62.27, -55.82

 

CMYK 0 / 70 / 87 / 33

HEX #AC3416

RGB 172 52 22

HSL 12, 0.77%, 0.38%

LAB 40.06, 47.55, 44.16

 

CMYK 61 / 0 / 87 / 33

HEX #43AC16

RGB 67 172 22

HSL 102, 0.77%, 0.38%

LAB 62.3, -54.63, 59.8

 

CMYK 87 / 17 / 0 / 33

HEX #168EAC

RGB 22 142 172

HSL 192, 0.77%, 0.38%

LAB 54.55, -19.91, -24.47

 

Description

Color code: HEX #7E16AA | qconv.com Color code: HEX #7E16AA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 22 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 22 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 87 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 87% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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