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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E1672 it is the complementary color #81E98D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E1672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E1672 shade: #83166D, #942880, #A53A93, #B64CA6 and #C75EB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E1672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E1672 shade: #7E1672, #6D045F, #5C004C, #4B0039 and #3A0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E1672 shade: #7E1672, #7E1656, #7E163A, #7E161E and #7E1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E1672 shade: #7E1672, #6E167E, #52167E, #36167E and #1A167E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E1672 shade matches the following richer shades: #7E1672 and #8A0A7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E1672 shade: #7E1672, #722269, #662E5F, #5A3A56 and #4E464D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E1672 shade: #51167E, #6C167E, #7E1673, #7E1658 and #7E163C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E1672 shade: #380A32, #5B1052, #7E1672, #A11C92 and #C423B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E1672 shade: #7E1672, #7E3516 and #167E5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E1672 shade: #7E1672, #737E16 and #16737E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E1672 shade: #7E1672, #7E3516, #167E21 and #165F7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E1672 shade: #7E1672, #7E5416, #167E21 and #16407E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

Complementary color

CMYK 45 / 0 / 39 / 9

HEX #81E98D

RGB 129 233 141

HSL 126.92, 0.7%, 0.71%

LAB 84.42, -48.99, 35.54

 

CMYK 0 / 83 / 17 / 49

HEX #83166D

RGB 131 22 109

HSL 312.11, 0.71%, 0.3%

LAB 30.65, 52.57, -23.02

 

CMYK 0 / 73 / 14 / 42

HEX #942880

RGB 148 40 128

HSL 311.11, 0.57%, 0.37%

LAB 36.69, 53.87, -25.33

 

CMYK 0 / 65 / 11 / 35

HEX #A53A93

RGB 165 58 147

HSL 310.09, 0.48%, 0.44%

LAB 42.96, 54.22, -26.97

 

CMYK 0 / 58 / 9 / 29

HEX #B64CA6

RGB 182 76 166

HSL 309.06, 0.42%, 0.51%

LAB 49.33, 54.06, -28.18

 

CMYK 0 / 53 / 7 / 22

HEX #C75EB9

RGB 199 94 185

HSL 308, 0.48%, 0.57%

LAB 55.74, 53.6, -29.11

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 96 / 13 / 57

HEX #6D045F

RGB 109 4 95

HSL 308, 0.93%, 0.22%

LAB 24.21, 49.55, -24.35

 

CMYK 0 / 100 / 17 / 64

HEX #5C004C

RGB 92 0 76

HSL 310.43, 1%, 0.18%

LAB 19.21, 44.14, -19.7

 

CMYK 0 / 100 / 24 / 71

HEX #4B0039

RGB 75 0 57

HSL 314.4, 1%, 0.15%

LAB 14.35, 37.71, -14.29

 

CMYK 0 / 100 / 34 / 77

HEX #3A0026

RGB 58 0 38

HSL 320.69, 1%, 0.11%

LAB 9.32, 31.06, -8.44

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 83 / 32 / 51

HEX #7E1656

RGB 126 22 86

HSL 323.08, 0.7%, 0.29%

LAB 28.59, 48.24, -11.33

 

CMYK 0 / 83 / 54 / 51

HEX #7E163A

RGB 126 22 58

HSL 339.23, 0.7%, 0.29%

LAB 27.61, 45.3, 5.95

 

CMYK 0 / 83 / 76 / 51

HEX #7E161E

RGB 126 22 30

HSL 355.38, 0.7%, 0.29%

LAB 27.03, 43.49, 23.88

 

CMYK 0 / 83 / 83 / 51

HEX #7E1616

RGB 126 22 22

HSL 0, 0.7%, 0.29%

LAB 26.93, 43.17, 28.76

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 13 / 83 / 0 / 51

HEX #6E167E

RGB 110 22 126

HSL 290.77, 0.7%, 0.29%

LAB 27.83, 50.85, -38.55

 

CMYK 35 / 83 / 0 / 51

HEX #52167E

RGB 82 22 126

HSL 274.62, 0.7%, 0.29%

LAB 23.25, 45.58, -46.19

 

CMYK 57 / 83 / 0 / 51

HEX #36167E

RGB 54 22 126

HSL 258.46, 0.7%, 0.29%

LAB 19.49, 41.27, -52.49

 

CMYK 79 / 83 / 0 / 51

HEX #1A167E

RGB 26 22 126

HSL 242.31, 0.7%, 0.29%

LAB 16.99, 38.41, -56.71

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 93 / 11 / 46

HEX #8A0A7B

RGB 138 10 123

HSL 307.03, 0.86%, 0.29%

LAB 31.92, 58.53, -29.83

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 70 / 8 / 55

HEX #722269

RGB 114 34 105

HSL 306.75, 0.54%, 0.29%

LAB 28.75, 43.63, -23.65

 

CMYK 0 / 55 / 7 / 60

HEX #662E5F

RGB 102 46 95

HSL 307.5, 0.38%, 0.29%

LAB 28.39, 32.44, -17.89

 

CMYK 0 / 36 / 4 / 65

HEX #5A3A56

RGB 90 58 86

HSL 307.5, 0.22%, 0.29%

LAB 29.09, 19.25, -11.12

 

CMYK 0 / 10 / 1 / 69

HEX #4E464D

RGB 78 70 77

HSL 307.5, 0.05%, 0.29%

LAB 30.73, 4.85, -2.96

 

CMYK 36 / 83 / 0 / 51

HEX #51167E

RGB 81 22 126

HSL 274.04, 0.7%, 0.29%

LAB 23.1, 45.41, -46.44

 

CMYK 14 / 83 / 0 / 51

HEX #6C167E

RGB 108 22 126

HSL 289.62, 0.7%, 0.29%

LAB 27.49, 50.45, -39.12

 

CMYK 0 / 83 / 9 / 51

HEX #7E1673

RGB 126 22 115

HSL 306.35, 0.7%, 0.29%

LAB 30.03, 52.34, -27.9

 

CMYK 0 / 83 / 30 / 51

HEX #7E1658

RGB 126 22 88

HSL 321.92, 0.7%, 0.29%

LAB 28.68, 48.49, -12.52

 

CMYK 0 / 83 / 52 / 51

HEX #7E163C

RGB 126 22 60

HSL 338.08, 0.7%, 0.29%

LAB 27.67, 45.48, 4.68

 

CMYK 0 / 82 / 11 / 78

HEX #380A32

RGB 56 10 50

HSL 307.83, 0.7%, 0.13%

LAB 11.19, 27.73, -14.48

 

CMYK 0 / 82 / 10 / 64

HEX #5B1052

RGB 91 16 82

HSL 307.2, 0.7%, 0.21%

LAB 20.84, 40.53, -21.22

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 83 / 9 / 37

HEX #A11C92

RGB 161 28 146

HSL 306.77, 0.7%, 0.37%

LAB 38.7, 63.13, -33.1

 

CMYK 0 / 82 / 10 / 23

HEX #C423B1

RGB 196 35 177

HSL 307.08, 0.7%, 0.45%

LAB 47.12, 73.21, -37.97

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 58 / 83 / 51

HEX #7E3516

RGB 126 53 22

HSL 17.88, 0.7%, 0.29%

LAB 31.9, 29.76, 33.7

 

CMYK 83 / 0 / 25 / 51

HEX #167E5F

RGB 22 126 95

HSL 162.12, 0.7%, 0.29%

LAB 46.87, -36.07, 8.96

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 9 / 0 / 83 / 51

HEX #737E16

RGB 115 126 22

HSL 66.35, 0.7%, 0.29%

LAB 50.24, -17.3, 50.14

 

CMYK 83 / 9 / 0 / 51

HEX #16737E

RGB 22 115 126

HSL 186.35, 0.7%, 0.29%

LAB 44.14, -21.42, -13.47

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 58 / 83 / 51

HEX #7E3516

RGB 126 53 22

HSL 17.88, 0.7%, 0.29%

LAB 31.9, 29.76, 33.7

 

CMYK 83 / 0 / 74 / 51

HEX #167E21

RGB 22 126 33

HSL 126.35, 0.7%, 0.29%

LAB 45.91, -47.13, 40.54

 

CMYK 83 / 25 / 0 / 51

HEX #165F7E

RGB 22 95 126

HSL 197.88, 0.7%, 0.29%

LAB 37.59, -10.17, -23.54

 

CMYK 0 / 83 / 10 / 51

HEX #7E1672

RGB 126 22 114

HSL 306.92, 0.7%, 0.29%

LAB 29.97, 52.18, -27.35

 

CMYK 0 / 33 / 83 / 51

HEX #7E5416

RGB 126 84 22

HSL 35.77, 0.7%, 0.29%

LAB 39.3, 11.91, 40.69

 

CMYK 83 / 0 / 74 / 51

HEX #167E21

RGB 22 126 33

HSL 126.35, 0.7%, 0.29%

LAB 45.91, -47.13, 40.54

 

CMYK 83 / 49 / 0 / 51

HEX #16407E

RGB 22 64 126

HSL 215.77, 0.7%, 0.29%

LAB 27.69, 9.98, -39.22

 

Description

Color code: HEX #7E1672 | qconv.com Color code: HEX #7E1672 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 22 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 22 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 10 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 10% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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