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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E0C83 it is the complementary color #81F37C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E0C83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E0C83 shade: #830C7E, #941E91, #A530A4, #B642B7 and #C754CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E0C83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E0C83 shade: #7E0C83, #6D0070, #5C005D, #4B004A and #3A0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E0C83 shade: #7E0C83, #830C68, #830C48, #830C28 and #830C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E0C83 shade: #7E0C83, #5E0C83, #3E0C83, #1E0C83 and #0C0C83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E0C83 shade matches the following richer shades: #7E0C83 and #88018E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E0C83 shade: #7E0C83, #731877, #69236C, #5E2F60 and #533A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E0C83 shade: #3E0C83, #5D0C83, #7D0C83, #830C69 and #830C49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E0C83 shade: #350537, #59095D, #7E0C83, #A210A8 and #C613CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E0C83 shade: #7E0C83, #831E0C and #0C834D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E0C83 shade: #7E0C83, #837D0C and #0C837D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E0C83 shade: #7E0C83, #831E0C, #12830C and #0C7183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E0C83 shade: #7E0C83, #83410C, #12830C and #0C4D83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

Complementary color

CMYK 47 / 0 / 49 / 5

HEX #81F37C

RGB 129 243 124

HSL 117.48, 0.83%, 0.72%

LAB 87.11, -55.47, 47.25

 

CMYK 0 / 91 / 4 / 49

HEX #830C7E

RGB 131 12 126

HSL 302.52, 0.83%, 0.28%

LAB 30.87, 57.3, -33.48

 

CMYK 0 / 80 / 2 / 42

HEX #941E91

RGB 148 30 145

HSL 301.53, 0.66%, 0.35%

LAB 36.5, 59.72, -36.12

 

CMYK 0 / 71 / 1 / 35

HEX #A530A4

RGB 165 48 164

HSL 300.51, 0.55%, 0.42%

LAB 42.45, 60.87, -37.98

 

CMYK 1 / 64 / 0 / 28

HEX #B642B7

RGB 182 66 183

HSL 299.49, 0.47%, 0.49%

LAB 48.59, 61.23, -39.32

 

CMYK 1 / 58 / 0 / 21

HEX #C754CA

RGB 199 84 202

HSL 298.47, 0.53%, 0.56%

LAB 54.81, 61.12, -40.31

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 3 / 100 / 0 / 56

HEX #6D0070

RGB 109 0 112

HSL 298.39, 1%, 0.22%

LAB 25.02, 53.03, -34.15

 

CMYK 1 / 100 / 0 / 64

HEX #5C005D

RGB 92 0 93

HSL 299.35, 1%, 0.18%

LAB 20.3, 46.82, -29.44

 

CMYK 0 / 100 / 1 / 71

HEX #4B004A

RGB 75 0 74

HSL 300.8, 1%, 0.15%

LAB 15.44, 40.39, -24.54

 

CMYK 0 / 100 / 5 / 77

HEX #3A0037

RGB 58 0 55

HSL 303.1, 1%, 0.11%

LAB 10.37, 33.7, -19.38

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 0 / 91 / 21 / 49

HEX #830C68

RGB 131 12 104

HSL 313.61, 0.83%, 0.28%

LAB 29.63, 54.07, -21.39

 

CMYK 0 / 91 / 45 / 49

HEX #830C48

RGB 131 12 72

HSL 329.75, 0.83%, 0.28%

LAB 28.26, 50.34, -2.41

 

CMYK 0 / 91 / 69 / 49

HEX #830C28

RGB 131 12 40

HSL 345.88, 0.83%, 0.28%

LAB 27.41, 47.93, 18.01

 

CMYK 0 / 91 / 91 / 49

HEX #830C0C

RGB 131 12 12

HSL 0, 0.83%, 0.28%

LAB 27.06, 46.91, 34.76

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 28 / 91 / 0 / 49

HEX #5E0C83

RGB 94 12 131

HSL 281.34, 0.83%, 0.28%

LAB 24.58, 51.66, -47.1

 

CMYK 53 / 91 / 0 / 49

HEX #3E0C83

RGB 62 12 131

HSL 265.21, 0.83%, 0.28%

LAB 19.74, 47.36, -55.21

 

CMYK 77 / 91 / 0 / 49

HEX #1E0C83

RGB 30 12 131

HSL 249.08, 0.83%, 0.28%

LAB 16.39, 44.72, -60.87

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C83

RGB 12 12 131

HSL 240, 0.83%, 0.28%

LAB 15.38, 43.99, -62.58

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 4 / 99 / 0 / 44

HEX #88018E

RGB 136 1 142

HSL 297.45, 0.99%, 0.28%

LAB 32.28, 62.39, -41.14

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 3 / 80 / 0 / 53

HEX #731877

RGB 115 24 119

HSL 297.47, 0.66%, 0.28%

LAB 28.46, 49.99, -33.06

 

CMYK 3 / 68 / 0 / 58

HEX #69236C

RGB 105 35 108

HSL 297.53, 0.51%, 0.28%

LAB 27.54, 41.35, -27.59

 

CMYK 2 / 51 / 0 / 62

HEX #5E2F60

RGB 94 47 96

HSL 297.55, 0.34%, 0.28%

LAB 27.46, 29.45, -20.09

 

CMYK 1 / 31 / 0 / 67

HEX #533A54

RGB 83 58 84

HSL 297.69, 0.18%, 0.28%

LAB 28.13, 16.14, -11.35

 

CMYK 53 / 91 / 0 / 49

HEX #3E0C83

RGB 62 12 131

HSL 265.21, 0.83%, 0.28%

LAB 19.74, 47.36, -55.21

 

CMYK 29 / 91 / 0 / 49

HEX #5D0C83

RGB 93 12 131

HSL 280.84, 0.83%, 0.28%

LAB 24.41, 51.5, -47.37

 

CMYK 5 / 91 / 0 / 49

HEX #7D0C83

RGB 125 12 131

HSL 296.97, 0.83%, 0.28%

LAB 30.06, 56.97, -37.96

 

CMYK 0 / 91 / 20 / 49

HEX #830C69

RGB 131 12 105

HSL 313.11, 0.83%, 0.28%

LAB 29.68, 54.21, -21.96

 

CMYK 0 / 91 / 44 / 49

HEX #830C49

RGB 131 12 73

HSL 329.24, 0.83%, 0.28%

LAB 28.3, 50.44, -3.03

 

CMYK 4 / 91 / 0 / 78

HEX #350537

RGB 53 5 55

HSL 297.6, 0.83%, 0.12%

LAB 10.12, 30.18, -19.86

 

CMYK 4 / 90 / 0 / 64

HEX #59095D

RGB 89 9 93

HSL 297.14, 0.82%, 0.2%

LAB 20.48, 43.97, -29.2

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 4 / 90 / 0 / 34

HEX #A210A8

RGB 162 16 168

HSL 297.63, 0.83%, 0.36%

LAB 39.38, 69.02, -45.31

 

CMYK 4 / 91 / 0 / 19

HEX #C613CE

RGB 198 19 206

HSL 297.43, 0.83%, 0.44%

LAB 48.17, 80.64, -53.18

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 0 / 77 / 91 / 49

HEX #831E0C

RGB 131 30 12

HSL 9.08, 0.83%, 0.28%

LAB 28.85, 41.85, 36.27

 

CMYK 91 / 0 / 41 / 49

HEX #0C834D

RGB 12 131 77

HSL 152.77, 0.83%, 0.28%

LAB 48.07, -43.23, 20.93

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 0 / 5 / 91 / 49

HEX #837D0C

RGB 131 125 12

HSL 56.97, 0.83%, 0.28%

LAB 51.29, -9.66, 54.09

 

CMYK 91 / 0 / 5 / 49

HEX #0C837D

RGB 12 131 125

HSL 176.97, 0.83%, 0.28%

LAB 49.24, -30.6, -5.24

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 0 / 77 / 91 / 49

HEX #831E0C

RGB 131 30 12

HSL 9.08, 0.83%, 0.28%

LAB 28.85, 41.85, 36.27

 

CMYK 86 / 0 / 91 / 49

HEX #12830C

RGB 18 131 12

HSL 116.97, 0.83%, 0.28%

LAB 47.48, -50.62, 48.6

 

CMYK 91 / 14 / 0 / 49

HEX #0C7183

RGB 12 113 131

HSL 189.08, 0.83%, 0.28%

LAB 43.55, -19.42, -17.38

 

CMYK 4 / 91 / 0 / 49

HEX #7E0C83

RGB 126 12 131

HSL 297.48, 0.83%, 0.28%

LAB 30.25, 57.16, -37.66

 

CMYK 0 / 50 / 91 / 49

HEX #83410C

RGB 131 65 12

HSL 26.72, 0.83%, 0.28%

LAB 35.27, 25, 41.34

 

CMYK 86 / 0 / 91 / 49

HEX #12830C

RGB 18 131 12

HSL 116.97, 0.83%, 0.28%

LAB 47.48, -50.62, 48.6

 

CMYK 91 / 41 / 0 / 49

HEX #0C4D83

RGB 12 77 131

HSL 207.23, 0.83%, 0.28%

LAB 31.86, 2.3, -35.66

 

Description

Color code: HEX #7E0C83 | qconv.com Color code: HEX #7E0C83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 12 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 12 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 91 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 91% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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