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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF94D it is the complementary color #8206B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF94D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF94D shade: #82F948, #93FF5B, #A4FF6E, #B5FF81 and #C6FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF94D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF94D shade: #7DF94D, #6CE73A, #5BD527, #4AC314 and #39B101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF94D shade: #7DF94E, #ACF94E, #DAF94E, #F9EA4E and #F9BC4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF94D shade: #7DF94E, #4FF94E, #4EF97A, #4EF9A8 and #4EF9D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF94D shade matches the following richer shades: #7DF94E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF94D shade: #7DF94E, #84EA5D, #8BDB6C, #91CC7A and #98BD89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF94D shade: #D9F94E, #ACF94E, #7EF94E, #51F94E and #4EF979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF94D shade: #48EB09, #60F726, #7DF94E, #9BFA76 and #B8FB9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF94D shade: #7DF94D, #4EF9EA and #F94EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF94D shade: #7DF94D, #4E7EF9 and #F94E7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF94D shade: #7DF94D, #4EF9EA, #C84EF9 and #F94E5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF94D shade: #7DF94D, #4ED4F9, #C84EF9 and #F9734E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 69 / 2

HEX #7DF94D

RGB 125 249 77

HSL 103.26, 0.93%, 0.64%

LAB 88.28, -63.65, 68.54

 

Complementary color

CMYK 27 / 97 / 0 / 30

HEX #8206B2

RGB 130 6 178

HSL 283.26, 0.93%, 0.36%

LAB 34.17, 67.15, -59.97

 

CMYK 48 / 0 / 71 / 2

HEX #82F948

RGB 130 249 72

HSL 100.34, 0.94%, 0.63%

LAB 88.43, -62.61, 70.53

 

CMYK 42 / 0 / 64 / 0

HEX #93FF5B

RGB 147 255 91

HSL 99.51, 1%, 0.68%

LAB 91, -58.43, 66.37

 

CMYK 36 / 0 / 57 / 0

HEX #A4FF6E

RGB 164 255 110

HSL 97.66, 1%, 0.72%

LAB 91.93, -51.38, 59.72

 

CMYK 29 / 0 / 49 / 0

HEX #B5FF81

RGB 181 255 129

HSL 95.24, 1%, 0.75%

LAB 92.98, -43.77, 52.65

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF94

RGB 198 255 148

HSL 91.96, 1%, 0.79%

LAB 94.17, -35.72, 45.34

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94D

RGB 125 249 77

HSL 103.26, 0.93%, 0.64%

LAB 88.28, -63.65, 68.54

 

CMYK 53 / 0 / 75 / 9

HEX #6CE73A

RGB 108 231 58

HSL 102.66, 0.78%, 0.57%

LAB 82.19, -63.06, 68.74

 

CMYK 57 / 0 / 82 / 16

HEX #5BD527

RGB 91 213 39

HSL 102.07, 0.69%, 0.49%

LAB 76.04, -62.18, 68.28

 

CMYK 62 / 0 / 90 / 24

HEX #4AC314

RGB 74 195 20

HSL 101.49, 0.81%, 0.42%

LAB 69.85, -60.9, 66.76

 

CMYK 68 / 0 / 99 / 31

HEX #39B101

RGB 57 177 1

HSL 100.91, 0.99%, 0.35%

LAB 63.6, -59.13, 64

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94E

RGB 125 249 78

HSL 103.51, 0.93%, 0.64%

LAB 88.29, -63.58, 68.18

 

CMYK 31 / 0 / 69 / 2

HEX #ACF94E

RGB 172 249 78

HSL 87.02, 0.93%, 0.64%

LAB 90.35, -48.8, 70.97

 

CMYK 12 / 0 / 69 / 2

HEX #DAF94E

RGB 218 249 78

HSL 70.88, 0.93%, 0.64%

LAB 93.1, -31.66, 74.64

 

CMYK 0 / 6 / 69 / 2

HEX #F9EA4E

RGB 249 234 78

HSL 54.74, 0.93%, 0.64%

LAB 91.48, -12.02, 73.78

 

CMYK 0 / 24 / 69 / 2

HEX #F9BC4E

RGB 249 188 78

HSL 38.6, 0.93%, 0.64%

LAB 79.99, 11.4, 62.05

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94E

RGB 125 249 78

HSL 103.51, 0.93%, 0.64%

LAB 88.29, -63.58, 68.18

 

CMYK 68 / 0 / 69 / 2

HEX #4FF94E

RGB 79 249 78

HSL 119.65, 0.93%, 0.64%

LAB 86.98, -74, 66.41

 

CMYK 69 / 0 / 51 / 2

HEX #4EF97A

RGB 78 249 122

HSL 135.44, 0.93%, 0.64%

LAB 87.38, -69.24, 48.18

 

CMYK 69 / 0 / 33 / 2

HEX #4EF9A8

RGB 78 249 168

HSL 151.58, 0.93%, 0.64%

LAB 88.06, -61.51, 26.51

 

CMYK 69 / 0 / 14 / 2

HEX #4EF9D6

RGB 78 249 214

HSL 167.72, 0.93%, 0.64%

LAB 89.03, -51.37, 4.18

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94E

RGB 125 249 78

HSL 103.51, 0.93%, 0.64%

LAB 88.29, -63.58, 68.18

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94E

RGB 125 249 78

HSL 103.51, 0.93%, 0.64%

LAB 88.29, -63.58, 68.18

 

CMYK 44 / 0 / 60 / 8

HEX #84EA5D

RGB 132 234 93

HSL 103.4, 0.77%, 0.64%

LAB 84.25, -54.57, 57.92

 

CMYK 37 / 0 / 51 / 14

HEX #8BDB6C

RGB 139 219 108

HSL 103.24, 0.61%, 0.64%

LAB 80.31, -44.59, 46.61

 

CMYK 29 / 0 / 40 / 20

HEX #91CC7A

RGB 145 204 122

HSL 103.17, 0.45%, 0.64%

LAB 76.44, -34.09, 34.92

 

CMYK 20 / 0 / 28 / 26

HEX #98BD89

RGB 152 189 137

HSL 102.69, 0.28%, 0.64%

LAB 72.81, -22.18, 22.33

 

CMYK 13 / 0 / 69 / 2

HEX #D9F94E

RGB 217 249 78

HSL 71.23, 0.93%, 0.64%

LAB 93.04, -32.05, 74.55

 

CMYK 31 / 0 / 69 / 2

HEX #ACF94E

RGB 172 249 78

HSL 87.02, 0.93%, 0.64%

LAB 90.35, -48.8, 70.97

 

CMYK 49 / 0 / 69 / 2

HEX #7EF94E

RGB 126 249 78

HSL 103.16, 0.93%, 0.64%

LAB 88.32, -63.3, 68.23

 

CMYK 67 / 0 / 69 / 2

HEX #51F94E

RGB 81 249 78

HSL 118.95, 0.93%, 0.64%

LAB 87.02, -73.65, 66.47

 

CMYK 69 / 0 / 51 / 2

HEX #4EF979

RGB 78 249 121

HSL 135.09, 0.93%, 0.64%

LAB 87.36, -69.38, 48.63

 

CMYK 69 / 0 / 96 / 8

HEX #48EB09

RGB 72 235 9

HSL 103.27, 0.93%, 0.48%

LAB 82.28, -74.23, 78.35

 

CMYK 61 / 0 / 85 / 3

HEX #60F726

RGB 96 247 38

HSL 103.35, 0.93%, 0.56%

LAB 86.58, -72.4, 77.99

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94E

RGB 125 249 78

HSL 103.51, 0.93%, 0.64%

LAB 88.29, -63.58, 68.18

 

CMYK 38 / 0 / 53 / 2

HEX #9BFA76

RGB 155 250 118

HSL 103.18, 0.93%, 0.72%

LAB 90.16, -51.35, 53.99

 

CMYK 27 / 0 / 37 / 2

HEX #B8FB9D

RGB 184 251 157

HSL 102.77, 0.92%, 0.8%

LAB 92.41, -37.52, 38.52

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94D

RGB 125 249 77

HSL 103.26, 0.93%, 0.64%

LAB 88.28, -63.65, 68.54

 

CMYK 69 / 0 / 6 / 2

HEX #4EF9EA

RGB 78 249 234

HSL 174.74, 0.93%, 0.64%

LAB 89.54, -46.31, -5.49

 

CMYK 0 / 69 / 22 / 2

HEX #F94EC3

RGB 249 78 195

HSL 318.95, 0.93%, 0.64%

LAB 61.25, 75.04, -25.72

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94D

RGB 125 249 77

HSL 103.26, 0.93%, 0.64%

LAB 88.28, -63.65, 68.54

 

CMYK 69 / 49 / 0 / 2

HEX #4E7EF9

RGB 78 126 249

HSL 223.16, 0.93%, 0.64%

LAB 55.46, 23.48, -66.33

 

CMYK 0 / 69 / 49 / 2

HEX #F94E7E

RGB 249 78 126

HSL 343.16, 0.93%, 0.64%

LAB 59.06, 67.76, 11.06

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94D

RGB 125 249 77

HSL 103.26, 0.93%, 0.64%

LAB 88.28, -63.65, 68.54

 

CMYK 69 / 0 / 6 / 2

HEX #4EF9EA

RGB 78 249 234

HSL 174.74, 0.93%, 0.64%

LAB 89.54, -46.31, -5.49

 

CMYK 20 / 69 / 0 / 2

HEX #C84EF9

RGB 200 78 249

HSL 282.81, 0.93%, 0.64%

LAB 56.65, 72.59, -63.86

 

CMYK 0 / 69 / 63 / 2

HEX #F94E5C

RGB 249 78 92

HSL 355.09, 0.93%, 0.64%

LAB 58.38, 65.38, 29.99

 

CMYK 50 / 0 / 69 / 2

HEX #7DF94D

RGB 125 249 77

HSL 103.26, 0.93%, 0.64%

LAB 88.28, -63.65, 68.54

 

CMYK 69 / 15 / 0 / 2

HEX #4ED4F9

RGB 78 212 249

HSL 192.98, 0.93%, 0.64%

LAB 79.35, -24.86, -28.72

 

CMYK 20 / 69 / 0 / 2

HEX #C84EF9

RGB 200 78 249

HSL 282.81, 0.93%, 0.64%

LAB 56.65, 72.59, -63.86

 

CMYK 0 / 54 / 69 / 2

HEX #F9734E

RGB 249 115 78

HSL 12.98, 0.93%, 0.64%

LAB 64.12, 48.84, 44.67

 

Description

Color code: HEX #7DF94D | qconv.com Color code: HEX #7DF94D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 249 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 249 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 69% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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