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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF652 it is the complementary color #8209AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF652 shade: #82F64D, #93FF60, #A4FF73, #B5FF86 and #C6FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF652 shade: #7DF652, #6CE43F, #5BD22C, #4AC019 and #39AE06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF652 shade: #7CF651, #A8F651, #D5F651, #F6EA51 and #F6BE51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF652 shade: #7CF651, #51F652, #51F67E, #51F6AB and #51F6D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF652 shade matches the following richer shades: #7CF651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF652 shade: #7CF651, #83E75F, #8AD86E, #91C97D and #98BA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF652 shade: #D5F651, #A9F651, #7DF651, #51F651 and #51F67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF652 shade: #46E80C, #5EF429, #7CF651, #99F878 and #B7FA9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF652 shade: #7DF652, #51F6EB and #F651BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF652 shade: #7DF652, #517DF6 and #F6517D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF652 shade: #7DF652, #51F6EB, #CA51F6 and #F6515C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF652 shade: #7DF652, #51CFF6, #CA51F6 and #F67751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 67 / 4

HEX #7DF652

RGB 125 246 82

HSL 104.27, 0.9%, 0.64%

LAB 87.43, -62.16, 65.78

 

Complementary color

CMYK 25 / 95 / 0 / 32

HEX #8209AD

RGB 130 9 173

HSL 284.27, 0.9%, 0.36%

LAB 33.9, 65.79, -57.43

 

CMYK 47 / 0 / 69 / 4

HEX #82F64D

RGB 130 246 77

HSL 101.18, 0.9%, 0.63%

LAB 87.58, -61.14, 67.87

 

CMYK 42 / 0 / 62 / 0

HEX #93FF60

RGB 147 255 96

HSL 100.75, 1%, 0.69%

LAB 91.04, -58, 64.41

 

CMYK 36 / 0 / 55 / 0

HEX #A4FF73

RGB 164 255 115

HSL 99, 1%, 0.73%

LAB 91.98, -50.88, 57.59

 

CMYK 29 / 0 / 47 / 0

HEX #B5FF86

RGB 181 255 134

HSL 96.69, 1%, 0.76%

LAB 93.04, -43.2, 50.39

 

CMYK 22 / 0 / 40 / 0

HEX #C6FF99

RGB 198 255 153

HSL 93.53, 1%, 0.8%

LAB 94.24, -35.1, 43

 

CMYK 49 / 0 / 67 / 4

HEX #7DF652

RGB 125 246 82

HSL 104.27, 0.9%, 0.64%

LAB 87.43, -62.16, 65.78

 

CMYK 53 / 0 / 72 / 11

HEX #6CE43F

RGB 108 228 63

HSL 103.64, 0.75%, 0.57%

LAB 81.31, -61.66, 66.21

 

CMYK 57 / 0 / 79 / 18

HEX #5BD22C

RGB 91 210 44

HSL 103.01, 0.65%, 0.5%

LAB 75.14, -60.88, 66.07

 

CMYK 61 / 0 / 87 / 25

HEX #4AC019

RGB 74 192 25

HSL 102.4, 0.77%, 0.43%

LAB 68.91, -59.72, 65.01

 

CMYK 67 / 0 / 97 / 32

HEX #39AE06

RGB 57 174 6

HSL 101.79, 0.93%, 0.35%

LAB 62.64, -58.04, 62.57

 

CMYK 50 / 0 / 67 / 4

HEX #7CF651

RGB 124 246 81

HSL 104.36, 0.9%, 0.64%

LAB 87.38, -62.52, 66.1

 

CMYK 32 / 0 / 67 / 4

HEX #A8F651

RGB 168 246 81

HSL 88.36, 0.9%, 0.64%

LAB 89.31, -48.73, 68.72

 

CMYK 13 / 0 / 67 / 4

HEX #D5F651

RGB 213 246 81

HSL 72, 0.9%, 0.64%

LAB 91.98, -32.06, 72.31

 

CMYK 0 / 5 / 67 / 4

HEX #F6EA51

RGB 246 234 81

HSL 55.64, 0.9%, 0.64%

LAB 91.25, -13.09, 72.36

 

CMYK 0 / 23 / 67 / 4

HEX #F6BE51

RGB 246 190 81

HSL 39.64, 0.9%, 0.64%

LAB 80.19, 9.27, 60.88

 

CMYK 50 / 0 / 67 / 4

HEX #7CF651

RGB 124 246 81

HSL 104.36, 0.9%, 0.64%

LAB 87.38, -62.52, 66.1

 

CMYK 67 / 0 / 67 / 4

HEX #51F652

RGB 81 246 82

HSL 120.36, 0.9%, 0.64%

LAB 86.14, -72.34, 64.02

 

CMYK 67 / 0 / 49 / 4

HEX #51F67E

RGB 81 246 126

HSL 136.36, 0.9%, 0.64%

LAB 86.59, -67.13, 45.34

 

CMYK 67 / 0 / 30 / 4

HEX #51F6AB

RGB 81 246 171

HSL 152.73, 0.9%, 0.64%

LAB 87.29, -59.31, 23.94

 

CMYK 67 / 0 / 13 / 4

HEX #51F6D7

RGB 81 246 215

HSL 168.73, 0.9%, 0.64%

LAB 88.24, -49.45, 2.52

 

CMYK 50 / 0 / 67 / 4

HEX #7CF651

RGB 124 246 81

HSL 104.36, 0.9%, 0.64%

LAB 87.38, -62.52, 66.1

 

CMYK 50 / 0 / 67 / 4

HEX #7CF651

RGB 124 246 81

HSL 104.36, 0.9%, 0.64%

LAB 87.38, -62.52, 66.1

 

CMYK 43 / 0 / 59 / 9

HEX #83E75F

RGB 131 231 95

HSL 104.12, 0.74%, 0.64%

LAB 83.34, -53.49, 56.01

 

CMYK 36 / 0 / 49 / 15

HEX #8AD86E

RGB 138 216 110

HSL 104.15, 0.58%, 0.64%

LAB 79.41, -43.38, 44.54

 

CMYK 28 / 0 / 38 / 21

HEX #91C97D

RGB 145 201 125

HSL 104.21, 0.41%, 0.64%

LAB 75.62, -32.27, 32.31

 

CMYK 18 / 0 / 25 / 27

HEX #98BA8C

RGB 152 186 140

HSL 104.35, 0.25%, 0.64%

LAB 72.02, -20.19, 19.64

 

CMYK 13 / 0 / 67 / 4

HEX #D5F651

RGB 213 246 81

HSL 72, 0.9%, 0.64%

LAB 91.98, -32.06, 72.31

 

CMYK 31 / 0 / 67 / 4

HEX #A9F651

RGB 169 246 81

HSL 88, 0.9%, 0.64%

LAB 89.37, -48.38, 68.79

 

CMYK 49 / 0 / 67 / 4

HEX #7DF651

RGB 125 246 81

HSL 104, 0.9%, 0.64%

LAB 87.42, -62.24, 66.15

 

CMYK 67 / 0 / 67 / 4

HEX #51F651

RGB 81 246 81

HSL 120, 0.9%, 0.64%

LAB 86.13, -72.43, 64.4

 

CMYK 67 / 0 / 49 / 4

HEX #51F67D

RGB 81 246 125

HSL 136, 0.9%, 0.64%

LAB 86.57, -67.28, 45.8

 

CMYK 70 / 0 / 95 / 9

HEX #46E80C

RGB 70 232 12

HSL 104.18, 0.9%, 0.48%

LAB 81.31, -73.63, 77.29

 

CMYK 61 / 0 / 83 / 4

HEX #5EF429

RGB 94 244 41

HSL 104.33, 0.9%, 0.56%

LAB 85.63, -71.76, 76.46

 

CMYK 50 / 0 / 67 / 4

HEX #7CF651

RGB 124 246 81

HSL 104.36, 0.9%, 0.64%

LAB 87.38, -62.52, 66.1

 

CMYK 38 / 0 / 52 / 3

HEX #99F878

RGB 153 248 120

HSL 104.53, 0.9%, 0.72%

LAB 89.52, -50.93, 52.28

 

CMYK 27 / 0 / 36 / 2

HEX #B7FA9F

RGB 183 250 159

HSL 104.18, 0.9%, 0.8%

LAB 92.11, -37.12, 37.12

 

CMYK 49 / 0 / 67 / 4

HEX #7DF652

RGB 125 246 82

HSL 104.27, 0.9%, 0.64%

LAB 87.43, -62.16, 65.78

 

CMYK 67 / 0 / 4 / 4

HEX #51F6EB

RGB 81 246 235

HSL 176, 0.9%, 0.64%

LAB 88.76, -44.34, -7.15

 

CMYK 0 / 67 / 22 / 4

HEX #F651BF

RGB 246 81 191

HSL 320, 0.9%, 0.64%

LAB 60.99, 72.71, -23.87

 

CMYK 49 / 0 / 67 / 4

HEX #7DF652

RGB 125 246 82

HSL 104.27, 0.9%, 0.64%

LAB 87.43, -62.16, 65.78

 

CMYK 67 / 49 / 0 / 4

HEX #517DF6

RGB 81 125 246

HSL 224, 0.9%, 0.64%

LAB 55.14, 23.49, -65.17

 

CMYK 0 / 67 / 49 / 4

HEX #F6517D

RGB 246 81 125

HSL 344, 0.9%, 0.64%

LAB 58.94, 65.69, 11.39

 

CMYK 49 / 0 / 67 / 4

HEX #7DF652

RGB 125 246 82

HSL 104.27, 0.9%, 0.64%

LAB 87.43, -62.16, 65.78

 

CMYK 67 / 0 / 4 / 4

HEX #51F6EB

RGB 81 246 235

HSL 176, 0.9%, 0.64%

LAB 88.76, -44.34, -7.15

 

CMYK 18 / 67 / 0 / 4

HEX #CA51F6

RGB 202 81 246

HSL 284, 0.9%, 0.64%

LAB 57.17, 71.22, -61.35

 

CMYK 0 / 67 / 63 / 4

HEX #F6515C

RGB 246 81 92

HSL 356, 0.9%, 0.64%

LAB 58.27, 63.33, 29.75

 

CMYK 49 / 0 / 67 / 4

HEX #7DF652

RGB 125 246 82

HSL 104.27, 0.9%, 0.64%

LAB 87.43, -62.16, 65.78

 

CMYK 67 / 16 / 0 / 4

HEX #51CFF6

RGB 81 207 246

HSL 194.18, 0.9%, 0.64%

LAB 77.89, -22.84, -29.36

 

CMYK 18 / 67 / 0 / 4

HEX #CA51F6

RGB 202 81 246

HSL 284, 0.9%, 0.64%

LAB 57.17, 71.22, -61.35

 

CMYK 0 / 52 / 67 / 4

HEX #F67751

RGB 246 119 81

HSL 13.82, 0.9%, 0.64%

LAB 64.47, 45.97, 43.39

 

Description

Color code: HEX #7DF652 | qconv.com Color code: HEX #7DF652 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 246 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 246 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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