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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF53E it is the complementary color #820AC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF53E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF53E shade: #82F539, #93FF4C, #A4FF5F, #B5FF72 and #C6FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF53E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF53E shade: #7DF53E, #6CE32B, #5BD118, #4ABF05 and #39AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF53E shade: #7CF53D, #AEF53D, #DFF53D, #F5D93D and #F5A73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF53E shade: #7CF53D, #4BF53D, #3DF561, #3DF593 and #3DF5C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF53E shade matches the following richer shades: #7CF53D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF53E shade: #7CF53D, #82E44E, #87D45E, #8CC36F and #91B37F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF53E shade: #DFF53D, #AEF53D, #7DF53D, #4DF53D and #3DF55F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF53E shade: #50D40B, #62F316, #7CF53D, #97F764 and #B1F98C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF53E shade: #7DF53E, #3DF5D9 and #F53DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF53E shade: #7DF53E, #3D7DF5 and #F53D7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF53E shade: #7DF53E, #3DF5D9, #B53DF5 and #F53D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF53E shade: #7DF53E, #3DD9F5, #B53DF5 and #F5593D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 75 / 4

HEX #7DF53E

RGB 125 245 62

HSL 99.34, 0.9%, 0.6%

LAB 87, -63.2, 72.36

 

Complementary color

CMYK 33 / 95 / 0 / 24

HEX #820AC1

RGB 130 10 193

HSL 279.34, 0.9%, 0.4%

LAB 35.62, 69.54, -66.48

 

CMYK 47 / 0 / 77 / 4

HEX #82F539

RGB 130 245 57

HSL 96.7, 0.9%, 0.59%

LAB 87.17, -62.05, 74.11

 

CMYK 42 / 0 / 70 / 0

HEX #93FF4C

RGB 147 255 76

HSL 96.2, 1%, 0.65%

LAB 90.89, -59.56, 71.85

 

CMYK 36 / 0 / 63 / 0

HEX #A4FF5F

RGB 164 255 95

HSL 94.13, 1%, 0.69%

LAB 91.79, -52.73, 65.86

 

CMYK 29 / 0 / 55 / 0

HEX #B5FF72

RGB 181 255 114

HSL 91.49, 1%, 0.72%

LAB 92.82, -45.32, 59.23

 

CMYK 22 / 0 / 48 / 0

HEX #C6FF85

RGB 198 255 133

HSL 88.03, 1%, 0.76%

LAB 93.98, -37.44, 52.22

 

CMYK 49 / 0 / 75 / 4

HEX #7DF53E

RGB 125 245 62

HSL 99.34, 0.9%, 0.6%

LAB 87, -63.2, 72.36

 

CMYK 52 / 0 / 81 / 11

HEX #6CE32B

RGB 108 227 43

HSL 98.8, 0.77%, 0.53%

LAB 80.91, -62.45, 71.88

 

CMYK 56 / 0 / 89 / 18

HEX #5BD118

RGB 91 209 24

HSL 98.27, 0.79%, 0.46%

LAB 74.76, -61.38, 70.43

 

CMYK 61 / 0 / 97 / 25

HEX #4ABF05

RGB 74 191 5

HSL 97.74, 0.95%, 0.38%

LAB 68.55, -59.89, 67.67

 

CMYK 67 / 0 / 100 / 32

HEX #39AD00

RGB 57 173 0

HSL 100.23, 1%, 0.34%

LAB 62.3, -57.85, 63.1

 

CMYK 49 / 0 / 75 / 4

HEX #7CF53D

RGB 124 245 61

HSL 99.46, 0.9%, 0.6%

LAB 86.96, -63.54, 72.62

 

CMYK 29 / 0 / 75 / 4

HEX #AEF53D

RGB 174 245 61

HSL 83.15, 0.9%, 0.6%

LAB 89.22, -47.38, 75.58

 

CMYK 9 / 0 / 75 / 4

HEX #DFF53D

RGB 223 245 61

HSL 67.17, 0.9%, 0.6%

LAB 92.28, -28.64, 79.54

 

CMYK 0 / 11 / 75 / 4

HEX #F5D93D

RGB 245 217 61

HSL 50.87, 0.9%, 0.6%

LAB 86.69, -5.96, 74.99

 

CMYK 0 / 32 / 75 / 4

HEX #F5A73D

RGB 245 167 61

HSL 34.57, 0.9%, 0.6%

LAB 74.44, 19.96, 63.33

 

CMYK 49 / 0 / 75 / 4

HEX #7CF53D

RGB 124 245 61

HSL 99.46, 0.9%, 0.6%

LAB 86.96, -63.54, 72.62

 

CMYK 69 / 0 / 75 / 4

HEX #4BF53D

RGB 75 245 61

HSL 115.43, 0.9%, 0.6%

LAB 85.57, -74.73, 70.8

 

CMYK 75 / 0 / 60 / 4

HEX #3DF561

RGB 61 245 97

HSL 131.74, 0.9%, 0.6%

LAB 85.58, -73.66, 57.19

 

CMYK 75 / 0 / 40 / 4

HEX #3DF593

RGB 61 245 147

HSL 148.04, 0.9%, 0.6%

LAB 86.21, -66.35, 34.54

 

CMYK 75 / 0 / 20 / 4

HEX #3DF5C4

RGB 61 245 196

HSL 164.02, 0.9%, 0.6%

LAB 87.14, -56.18, 10.77

 

CMYK 49 / 0 / 75 / 4

HEX #7CF53D

RGB 124 245 61

HSL 99.46, 0.9%, 0.6%

LAB 86.96, -63.54, 72.62

 

CMYK 49 / 0 / 75 / 4

HEX #7CF53D

RGB 124 245 61

HSL 99.46, 0.9%, 0.6%

LAB 86.96, -63.54, 72.62

 

CMYK 43 / 0 / 66 / 11

HEX #82E44E

RGB 130 228 78

HSL 99.2, 0.74%, 0.6%

LAB 82.26, -54.15, 61.89

 

CMYK 36 / 0 / 56 / 17

HEX #87D45E

RGB 135 212 94

HSL 99.15, 0.58%, 0.6%

LAB 77.9, -44.48, 50.23

 

CMYK 28 / 0 / 43 / 24

HEX #8CC36F

RGB 140 195 111

HSL 99.29, 0.41%, 0.6%

LAB 73.39, -33.15, 36.54

 

CMYK 19 / 0 / 29 / 30

HEX #91B37F

RGB 145 179 127

HSL 99.23, 0.25%, 0.6%

LAB 69.32, -21.28, 22.88

 

CMYK 9 / 0 / 75 / 4

HEX #DFF53D

RGB 223 245 61

HSL 67.17, 0.9%, 0.6%

LAB 92.28, -28.64, 79.54

 

CMYK 29 / 0 / 75 / 4

HEX #AEF53D

RGB 174 245 61

HSL 83.15, 0.9%, 0.6%

LAB 89.22, -47.38, 75.58

 

CMYK 49 / 0 / 75 / 4

HEX #7DF53D

RGB 125 245 61

HSL 99.13, 0.9%, 0.6%

LAB 87, -63.26, 72.67

 

CMYK 69 / 0 / 75 / 4

HEX #4DF53D

RGB 77 245 61

HSL 114.78, 0.9%, 0.6%

LAB 85.61, -74.38, 70.85

 

CMYK 75 / 0 / 61 / 4

HEX #3DF55F

RGB 61 245 95

HSL 131.09, 0.9%, 0.6%

LAB 85.57, -73.88, 58.02

 

CMYK 62 / 0 / 95 / 17

HEX #50D40B

RGB 80 212 11

HSL 99.4, 0.9%, 0.44%

LAB 75.34, -65.37, 72.61

 

CMYK 60 / 0 / 91 / 5

HEX #62F316

RGB 98 243 22

HSL 99.37, 0.9%, 0.52%

LAB 85.38, -71.14, 79.76

 

CMYK 49 / 0 / 75 / 4

HEX #7CF53D

RGB 124 245 61

HSL 99.46, 0.9%, 0.6%

LAB 86.96, -63.54, 72.62

 

CMYK 39 / 0 / 60 / 3

HEX #97F764

RGB 151 247 100

HSL 99.18, 0.9%, 0.68%

LAB 88.93, -53.23, 60.45

 

CMYK 29 / 0 / 44 / 2

HEX #B1F98C

RGB 177 249 140

HSL 99.63, 0.9%, 0.76%

LAB 91.23, -41.19, 45.23

 

CMYK 49 / 0 / 75 / 4

HEX #7DF53E

RGB 125 245 62

HSL 99.34, 0.9%, 0.6%

LAB 87, -63.2, 72.36

 

CMYK 75 / 0 / 11 / 4

HEX #3DF5D9

RGB 61 245 217

HSL 170.87, 0.9%, 0.6%

LAB 87.63, -51.03, 0.55

 

CMYK 0 / 75 / 19 / 4

HEX #F53DC7

RGB 245 61 199

HSL 315, 0.9%, 0.6%

LAB 58.86, 79.98, -31.75

 

CMYK 49 / 0 / 75 / 4

HEX #7DF53E

RGB 125 245 62

HSL 99.34, 0.9%, 0.6%

LAB 87, -63.2, 72.36

 

CMYK 75 / 49 / 0 / 4

HEX #3D7DF5

RGB 61 125 245

HSL 219.13, 0.9%, 0.6%

LAB 54.29, 20.5, -66.03

 

CMYK 0 / 75 / 49 / 4

HEX #F53D7D

RGB 245 61 125

HSL 339.13, 0.9%, 0.6%

LAB 56.32, 72.2, 7.66

 

CMYK 49 / 0 / 75 / 4

HEX #7DF53E

RGB 125 245 62

HSL 99.34, 0.9%, 0.6%

LAB 87, -63.2, 72.36

 

CMYK 75 / 0 / 11 / 4

HEX #3DF5D9

RGB 61 245 217

HSL 170.87, 0.9%, 0.6%

LAB 87.63, -51.03, 0.55

 

CMYK 26 / 75 / 0 / 4

HEX #B53DF5

RGB 181 61 245

HSL 279.13, 0.9%, 0.6%

LAB 51.56, 74.56, -69.99

 

CMYK 0 / 75 / 64 / 4

HEX #F53D59

RGB 245 61 89

HSL 350.87, 0.9%, 0.6%

LAB 55.55, 69.76, 27.98

 

CMYK 49 / 0 / 75 / 4

HEX #7DF53E

RGB 125 245 62

HSL 99.34, 0.9%, 0.6%

LAB 87, -63.2, 72.36

 

CMYK 75 / 11 / 0 / 4

HEX #3DD9F5

RGB 61 217 245

HSL 189.13, 0.9%, 0.6%

LAB 80.3, -30.59, -25.18

 

CMYK 26 / 75 / 0 / 4

HEX #B53DF5

RGB 181 61 245

HSL 279.13, 0.9%, 0.6%

LAB 51.56, 74.56, -69.99

 

CMYK 0 / 64 / 75 / 4

HEX #F5593D

RGB 245 89 61

HSL 9.13, 0.9%, 0.6%

LAB 58.88, 58.31, 47.52

 

Description

Color code: HEX #7DF53E | qconv.com Color code: HEX #7DF53E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 245 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 245 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 75 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 75% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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