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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF432 it is the complementary color #820BCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF432. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF432 shade: #82F42D, #93FF40, #A4FF53, #B5FF66 and #C6FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF432. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF432 shade: #7DF432, #6CE21F, #5BD00C, #4ABE00 and #39AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF432 shade: #7EF434, #B2F434, #E6F434, #F4CF34 and #F49B34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF432 shade: #7EF434, #4AF434, #34F451, #34F485 and #34F4B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF432 shade matches the following richer shades: #7EF434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF432 shade: #7EF434, #82E345, #86D256, #8AC067 and #8EAF79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF432 shade: #E7F434, #B4F434, #81F434, #4DF434 and #34F44D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF432 shade: #55CB0B, #65F20D, #7EF434, #97F65B and #B0F882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF432 shade: #7DF432, #34F4CE and #F434CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF432 shade: #7DF432, #3481F4 and #F43481

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF432 shade: #7DF432, #34F4CE, #A734F4 and #F4345A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF432 shade: #7DF432, #34E1F4, #A734F4 and #F44734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 80 / 4

HEX #7DF432

RGB 125 244 50

HSL 96.8, 0.9%, 0.58%

LAB 86.65, -63.48, 75.53

 

Complementary color

CMYK 37 / 95 / 0 / 20

HEX #820BCD

RGB 130 11 205

HSL 276.8, 0.9%, 0.42%

LAB 36.73, 71.81, -71.68

 

CMYK 47 / 0 / 82 / 4

HEX #82F42D

RGB 130 244 45

HSL 94.37, 0.9%, 0.57%

LAB 86.82, -62.25, 77.03

 

CMYK 42 / 0 / 75 / 0

HEX #93FF40

RGB 147 255 64

HSL 93.93, 1%, 0.63%

LAB 90.82, -60.29, 75.74

 

CMYK 36 / 0 / 67 / 0

HEX #A4FF53

RGB 164 255 83

HSL 91.74, 1%, 0.66%

LAB 91.7, -53.64, 70.4

 

CMYK 29 / 0 / 60 / 0

HEX #B5FF66

RGB 181 255 102

HSL 89.02, 1%, 0.7%

LAB 92.71, -46.4, 64.24

 

CMYK 22 / 0 / 53 / 0

HEX #C6FF79

RGB 198 255 121

HSL 85.52, 1%, 0.74%

LAB 93.84, -38.67, 57.55

 

CMYK 49 / 0 / 80 / 4

HEX #7DF432

RGB 125 244 50

HSL 96.8, 0.9%, 0.58%

LAB 86.65, -63.48, 75.53

 

CMYK 52 / 0 / 86 / 11

HEX #6CE21F

RGB 108 226 31

HSL 96.31, 0.77%, 0.5%

LAB 80.56, -62.57, 74.31

 

CMYK 56 / 0 / 94 / 18

HEX #5BD00C

RGB 91 208 12

HSL 95.82, 0.89%, 0.43%

LAB 74.42, -61.32, 71.89

 

CMYK 61 / 0 / 100 / 25

HEX #4ABE00

RGB 74 190 0

HSL 96.63, 1%, 0.37%

LAB 68.23, -59.65, 67.99

 

CMYK 67 / 0 / 100 / 33

HEX #39AC00

RGB 57 172 0

HSL 100.12, 1%, 0.34%

LAB 61.98, -57.52, 62.84

 

CMYK 48 / 0 / 79 / 4

HEX #7EF434

RGB 126 244 52

HSL 96.88, 0.9%, 0.58%

LAB 86.69, -63.1, 75.04

 

CMYK 27 / 0 / 79 / 4

HEX #B2F434

RGB 178 244 52

HSL 80.63, 0.9%, 0.58%

LAB 89.12, -45.92, 78.16

 

CMYK 6 / 0 / 79 / 4

HEX #E6F434

RGB 230 244 52

HSL 64.38, 0.9%, 0.58%

LAB 92.47, -25.69, 82.43

 

CMYK 0 / 15 / 79 / 4

HEX #F4CF34

RGB 244 207 52

HSL 48.44, 0.9%, 0.58%

LAB 84.02, -1.63, 75.38

 

CMYK 0 / 36 / 79 / 4

HEX #F49B34

RGB 244 155 52

HSL 32.19, 0.9%, 0.58%

LAB 71.5, 25.51, 64.01

 

CMYK 48 / 0 / 79 / 4

HEX #7EF434

RGB 126 244 52

HSL 96.88, 0.9%, 0.58%

LAB 86.69, -63.1, 75.04

 

CMYK 70 / 0 / 79 / 4

HEX #4AF434

RGB 74 244 52

HSL 113.13, 0.9%, 0.58%

LAB 85.2, -75.14, 73.11

 

CMYK 79 / 0 / 67 / 4

HEX #34F451

RGB 52 244 81

HSL 129.06, 0.9%, 0.58%

LAB 85.01, -76.14, 63.04

 

CMYK 79 / 0 / 45 / 4

HEX #34F485

RGB 52 244 133

HSL 145.31, 0.9%, 0.58%

LAB 85.57, -69.44, 40.58

 

CMYK 79 / 0 / 24 / 4

HEX #34F4B9

RGB 52 244 185

HSL 161.56, 0.9%, 0.58%

LAB 86.47, -59.27, 15.52

 

CMYK 48 / 0 / 79 / 4

HEX #7EF434

RGB 126 244 52

HSL 96.88, 0.9%, 0.58%

LAB 86.69, -63.1, 75.04

 

CMYK 48 / 0 / 79 / 4

HEX #7EF434

RGB 126 244 52

HSL 96.88, 0.9%, 0.58%

LAB 86.69, -63.1, 75.04

 

CMYK 43 / 0 / 70 / 11

HEX #82E345

RGB 130 227 69

HSL 96.84, 0.74%, 0.58%

LAB 81.9, -54.45, 64.94

 

CMYK 36 / 0 / 59 / 18

HEX #86D256

RGB 134 210 86

HSL 96.77, 0.58%, 0.58%

LAB 77.18, -44.78, 52.99

 

CMYK 28 / 0 / 46 / 25

HEX #8AC067

RGB 138 192 103

HSL 96.4, 0.41%, 0.58%

LAB 72.28, -33.5, 39.16

 

CMYK 19 / 0 / 31 / 31

HEX #8EAF79

RGB 142 175 121

HSL 96.67, 0.25%, 0.58%

LAB 67.87, -21.3, 24.11

 

CMYK 5 / 0 / 79 / 4

HEX #E7F434

RGB 231 244 52

HSL 64.06, 0.9%, 0.58%

LAB 92.55, -25.28, 82.52

 

CMYK 26 / 0 / 79 / 4

HEX #B4F434

RGB 180 244 52

HSL 80, 0.9%, 0.58%

LAB 89.23, -45.18, 78.3

 

CMYK 47 / 0 / 79 / 4

HEX #81F434

RGB 129 244 52

HSL 95.94, 0.9%, 0.58%

LAB 86.81, -62.23, 75.19

 

CMYK 68 / 0 / 79 / 4

HEX #4DF434

RGB 77 244 52

HSL 112.19, 0.9%, 0.58%

LAB 85.26, -74.62, 73.19

 

CMYK 79 / 0 / 68 / 4

HEX #34F44D

RGB 52 244 77

HSL 127.81, 0.9%, 0.58%

LAB 84.98, -76.51, 64.53

 

CMYK 58 / 0 / 95 / 20

HEX #55CB0B

RGB 85 203 11

HSL 96.88, 0.9%, 0.42%

LAB 72.67, -61.16, 70.49

 

CMYK 58 / 0 / 95 / 5

HEX #65F20D

RGB 101 242 13

HSL 96.94, 0.9%, 0.5%

LAB 85.15, -70.28, 80.64

 

CMYK 48 / 0 / 79 / 4

HEX #7EF434

RGB 126 244 52

HSL 96.88, 0.9%, 0.58%

LAB 86.69, -63.1, 75.04

 

CMYK 39 / 0 / 63 / 4

HEX #97F65B

RGB 151 246 91

HSL 96.77, 0.9%, 0.66%

LAB 88.56, -53.63, 63.77

 

CMYK 29 / 0 / 48 / 3

HEX #B0F882

RGB 176 248 130

HSL 96.61, 0.89%, 0.74%

LAB 90.77, -42.29, 49.41

 

CMYK 49 / 0 / 80 / 4

HEX #7DF432

RGB 125 244 50

HSL 96.8, 0.9%, 0.58%

LAB 86.65, -63.48, 75.53

 

CMYK 79 / 0 / 16 / 4

HEX #34F4CE

RGB 52 244 206

HSL 168.13, 0.9%, 0.58%

LAB 86.94, -54.28, 5.27

 

CMYK 0 / 79 / 16 / 4

HEX #F434CE

RGB 244 52 206

HSL 311.88, 0.9%, 0.58%

LAB 58.17, 83.04, -36.83

 

CMYK 49 / 0 / 80 / 4

HEX #7DF432

RGB 125 244 50

HSL 96.8, 0.9%, 0.58%

LAB 86.65, -63.48, 75.53

 

CMYK 79 / 47 / 0 / 4

HEX #3481F4

RGB 52 129 244

HSL 215.94, 0.9%, 0.58%

LAB 55.03, 16.7, -64.3

 

CMYK 0 / 79 / 47 / 4

HEX #F43481

RGB 244 52 129

HSL 335.94, 0.9%, 0.58%

LAB 55.35, 74.78, 3.88

 

CMYK 49 / 0 / 80 / 4

HEX #7DF432

RGB 125 244 50

HSL 96.8, 0.9%, 0.58%

LAB 86.65, -63.48, 75.53

 

CMYK 79 / 0 / 16 / 4

HEX #34F4CE

RGB 52 244 206

HSL 168.13, 0.9%, 0.58%

LAB 86.94, -54.28, 5.27

 

CMYK 32 / 79 / 0 / 4

HEX #A734F4

RGB 167 52 244

HSL 275.94, 0.9%, 0.58%

LAB 48.51, 75.08, -74.46

 

CMYK 0 / 79 / 63 / 4

HEX #F4345A

RGB 244 52 90

HSL 348.13, 0.9%, 0.58%

LAB 54.48, 72.1, 25.96

 

CMYK 49 / 0 / 80 / 4

HEX #7DF432

RGB 125 244 50

HSL 96.8, 0.9%, 0.58%

LAB 86.65, -63.48, 75.53

 

CMYK 79 / 8 / 0 / 4

HEX #34E1F4

RGB 52 225 244

HSL 185.94, 0.9%, 0.58%

LAB 82.44, -35.56, -21.41

 

CMYK 32 / 79 / 0 / 4

HEX #A734F4

RGB 167 52 244

HSL 275.94, 0.9%, 0.58%

LAB 48.51, 75.08, -74.46

 

CMYK 0 / 71 / 79 / 4

HEX #F44734

RGB 244 71 52

HSL 5.94, 0.9%, 0.58%

LAB 56.08, 64.59, 49.18

 

Description

Color code: HEX #7DF432 | qconv.com Color code: HEX #7DF432 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 244 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 244 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 80 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 80% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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