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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF32B it is the complementary color #820CD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF32B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF32B shade: #82F326, #93FF39, #A4FF4C, #B5FF5F and #C6FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF32B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF32B shade: #7DF32B, #6CE118, #5BCF05, #4ABD00 and #39AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF32B shade: #7DF32B, #B3F32B, #E9F32B, #F3C72B and #F3912B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF32B shade: #7DF32B, #47F32B, #2BF345, #2BF37B and #2BF3B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF32B shade matches the following richer shades: #7DF32B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF32B shade: #7DF32B, #80E13D, #83CE4F, #87BC61 and #8AAA74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF32B shade: #E9F32B, #B3F32B, #7EF32B, #49F32B and #2BF342

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF32B shade: #55C00B, #67E70D, #7DF32B, #95F552 and #ADF779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF32B shade: #7DF32B, #2BF3C7 and #F32BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF32B shade: #7DF32B, #2B7EF3 and #F32B7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF32B shade: #7DF32B, #2BF3C7, #9F2BF3 and #F32B56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF32B shade: #7DF32B, #2BE2F3, #9F2BF3 and #F33C2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

Complementary color

CMYK 39 / 94 / 0 / 17

HEX #820CD4

RGB 130 12 212

HSL 275.4, 0.89%, 0.44%

LAB 37.41, 73.1, -74.61

 

CMYK 47 / 0 / 84 / 5

HEX #82F326

RGB 130 243 38

HSL 93.07, 0.9%, 0.55%

LAB 86.5, -62.16, 78.35

 

CMYK 42 / 0 / 78 / 0

HEX #93FF39

RGB 147 255 57

HSL 92.73, 1%, 0.61%

LAB 90.79, -60.66, 77.77

 

CMYK 36 / 0 / 70 / 0

HEX #A4FF4C

RGB 164 255 76

HSL 90.5, 1%, 0.65%

LAB 91.66, -54.11, 72.87

 

CMYK 29 / 0 / 63 / 0

HEX #B5FF5F

RGB 181 255 95

HSL 87.75, 1%, 0.69%

LAB 92.65, -46.96, 67.04

 

CMYK 22 / 0 / 55 / 0

HEX #C6FF72

RGB 198 255 114

HSL 84.26, 1%, 0.72%

LAB 93.77, -39.32, 60.58

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 52 / 0 / 89 / 12

HEX #6CE118

RGB 108 225 24

HSL 94.93, 0.81%, 0.49%

LAB 80.24, -62.43, 75.3

 

CMYK 56 / 0 / 98 / 19

HEX #5BCF05

RGB 91 207 5

HSL 94.46, 0.95%, 0.42%

LAB 74.1, -61.09, 72.34

 

CMYK 61 / 0 / 100 / 26

HEX #4ABD00

RGB 74 189 0

HSL 96.51, 1%, 0.37%

LAB 67.91, -59.31, 67.74

 

CMYK 67 / 0 / 100 / 33

HEX #39AB00

RGB 57 171 0

HSL 100, 1%, 0.34%

LAB 61.65, -57.19, 62.58

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 26 / 0 / 82 / 5

HEX #B3F32B

RGB 179 243 43

HSL 79.2, 0.89%, 0.56%

LAB 88.86, -45.46, 80.2

 

CMYK 4 / 0 / 82 / 5

HEX #E9F32B

RGB 233 243 43

HSL 63, 0.89%, 0.56%

LAB 92.4, -24.26, 84.64

 

CMYK 0 / 18 / 82 / 5

HEX #F3C72B

RGB 243 199 43

HSL 46.8, 0.89%, 0.56%

LAB 81.88, 1.77, 76.08

 

CMYK 0 / 40 / 82 / 5

HEX #F3912B

RGB 243 145 43

HSL 30.6, 0.89%, 0.56%

LAB 69.1, 30.05, 65.1

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 71 / 0 / 82 / 5

HEX #47F32B

RGB 71 243 43

HSL 111.6, 0.89%, 0.56%

LAB 84.8, -75.81, 75.06

 

CMYK 82 / 0 / 72 / 5

HEX #2BF345

RGB 43 243 69

HSL 127.8, 0.89%, 0.56%

LAB 84.51, -77.86, 66.9

 

CMYK 82 / 0 / 49 / 5

HEX #2BF37B

RGB 43 243 123

HSL 144, 0.89%, 0.56%

LAB 85.02, -71.59, 44.67

 

CMYK 82 / 0 / 28 / 5

HEX #2BF3B0

RGB 43 243 176

HSL 159.9, 0.89%, 0.56%

LAB 85.88, -61.71, 19.33

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 43 / 0 / 73 / 12

HEX #80E13D

RGB 128 225 61

HSL 95.49, 0.73%, 0.56%

LAB 81.17, -54.84, 67

 

CMYK 36 / 0 / 62 / 19

HEX #83CE4F

RGB 131 206 79

HSL 95.43, 0.56%, 0.56%

LAB 75.78, -44.75, 54.43

 

CMYK 28 / 0 / 48 / 26

HEX #87BC61

RGB 135 188 97

HSL 94.95, 0.4%, 0.56%

LAB 70.86, -33.45, 40.35

 

CMYK 19 / 0 / 32 / 33

HEX #8AAA74

RGB 138 170 116

HSL 95.56, 0.24%, 0.56%

LAB 66.07, -21.02, 24.35

 

CMYK 4 / 0 / 82 / 5

HEX #E9F32B

RGB 233 243 43

HSL 63, 0.89%, 0.56%

LAB 92.4, -24.26, 84.64

 

CMYK 26 / 0 / 82 / 5

HEX #B3F32B

RGB 179 243 43

HSL 79.2, 0.89%, 0.56%

LAB 88.86, -45.46, 80.2

 

CMYK 48 / 0 / 82 / 5

HEX #7EF32B

RGB 126 243 43

HSL 95.1, 0.89%, 0.56%

LAB 86.36, -63.14, 77.05

 

CMYK 70 / 0 / 82 / 5

HEX #49F32B

RGB 73 243 43

HSL 111, 0.89%, 0.56%

LAB 84.84, -75.47, 75.11

 

CMYK 82 / 0 / 73 / 5

HEX #2BF342

RGB 43 243 66

HSL 126.9, 0.89%, 0.56%

LAB 84.49, -78.1, 67.92

 

CMYK 56 / 0 / 94 / 25

HEX #55C00B

RGB 85 192 11

HSL 95.47, 0.89%, 0.4%

LAB 69.22, -57.32, 67.68

 

CMYK 55 / 0 / 94 / 9

HEX #67E70D

RGB 103 231 13

HSL 95.23, 0.89%, 0.48%

LAB 81.87, -66.09, 78

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 39 / 0 / 67 / 4

HEX #95F552

RGB 149 245 82

HSL 95.34, 0.89%, 0.64%

LAB 88.11, -54.59, 66.8

 

CMYK 30 / 0 / 51 / 3

HEX #ADF779

RGB 173 247 121

HSL 95.24, 0.89%, 0.72%

LAB 90.22, -43.88, 52.9

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 82 / 0 / 18 / 5

HEX #2BF3C7

RGB 43 243 199

HSL 166.8, 0.89%, 0.56%

LAB 86.37, -56.38, 8.09

 

CMYK 0 / 82 / 15 / 5

HEX #F32BCE

RGB 243 43 206

HSL 311.1, 0.89%, 0.56%

LAB 57.31, 84.85, -38.2

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 82 / 48 / 0 / 5

HEX #2B7EF3

RGB 43 126 243

HSL 215.1, 0.89%, 0.56%

LAB 53.93, 17.38, -65.54

 

CMYK 0 / 82 / 48 / 5

HEX #F32B7E

RGB 243 43 126

HSL 335.1, 0.89%, 0.56%

LAB 54.33, 76.44, 4.17

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 82 / 0 / 18 / 5

HEX #2BF3C7

RGB 43 243 199

HSL 166.8, 0.89%, 0.56%

LAB 86.37, -56.38, 8.09

 

CMYK 35 / 82 / 0 / 5

HEX #9F2BF3

RGB 159 43 243

HSL 274.8, 0.89%, 0.56%

LAB 46.4, 76.44, -77.39

 

CMYK 0 / 82 / 65 / 5

HEX #F32B56

RGB 243 43 86

HSL 347.1, 0.89%, 0.56%

LAB 53.44, 73.82, 26.97

 

CMYK 49 / 0 / 82 / 5

HEX #7DF32B

RGB 125 243 43

HSL 95.4, 0.89%, 0.56%

LAB 86.32, -63.43, 77

 

CMYK 82 / 7 / 0 / 5

HEX #2BE2F3

RGB 43 226 243

HSL 185.1, 0.89%, 0.56%

LAB 82.58, -37.05, -20.67

 

CMYK 35 / 82 / 0 / 5

HEX #9F2BF3

RGB 159 43 243

HSL 274.8, 0.89%, 0.56%

LAB 46.4, 76.44, -77.39

 

CMYK 0 / 75 / 82 / 5

HEX #F33C2B

RGB 243 60 43

HSL 5.1, 0.89%, 0.56%

LAB 54.51, 67.66, 52.1

 

Description

Color code: HEX #7DF32B | qconv.com Color code: HEX #7DF32B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 243 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 243 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 82 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 82% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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