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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF28B it is the complementary color #820D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF28B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF28B shade: #82F286, #93FF99, #A4FFAC, #B5FFBF and #C6FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF28B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF28B shade: #7DF28B, #6CE078, #5BCE65, #4ABC52 and #39AA3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF28B shade: #7DF28B, #8FF27D, #AEF27D, #CEF27D and #EDF27D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF28B shade: #7DF28B, #7DF2AB, #7DF2CA, #7DF2EA and #7DDBF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF28B shade matches the following richer shades: #7DF28B and #71FE82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF28B shade: #7DF28B, #89E794, #94DB9D, #A0CFA5 and #ABC4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF28B shade: #AEF27D, #8FF27D, #7DF28B, #7DF2AA and #7DF2C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF28B shade: #32EB48, #58EE6A, #7DF28B, #A3F6AD and #C8FACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF28B shade: #7DF28B, #7DCDF2 and #F27D9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF28B shade: #7DF28B, #8B7DF2 and #F28B7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF28B shade: #7DF28B, #7DCDF2, #F27DE4 and #F2A27D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF28B shade: #7DF28B, #7DAAF2, #F27DE4 and #F2C57D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

Complementary color

CMYK 0 / 90 / 11 / 49

HEX #820D74

RGB 130 13 116

HSL 307.18, 0.82%, 0.28%

LAB 30.14, 55.39, -28.3

 

CMYK 46 / 0 / 45 / 5

HEX #82F286

RGB 130 242 134

HSL 122.14, 0.81%, 0.73%

LAB 86.98, -53.44, 42.3

 

CMYK 42 / 0 / 40 / 0

HEX #93FF99

RGB 147 255 153

HSL 123.33, 1%, 0.79%

LAB 91.7, -51.26, 39.22

 

CMYK 36 / 0 / 33 / 0

HEX #A4FFAC

RGB 164 255 172

HSL 125.27, 1%, 0.82%

LAB 92.75, -43.39, 31.32

 

CMYK 29 / 0 / 25 / 0

HEX #B5FFBF

RGB 181 255 191

HSL 128.11, 1%, 0.85%

LAB 93.93, -35.08, 23.47

 

CMYK 22 / 0 / 18 / 0

HEX #C6FFD2

RGB 198 255 210

HSL 132.63, 1%, 0.89%

LAB 95.24, -26.47, 15.73

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 52 / 0 / 46 / 12

HEX #6CE078

RGB 108 224 120

HSL 126.21, 0.65%, 0.65%

LAB 80.66, -54.1, 40.96

 

CMYK 56 / 0 / 51 / 19

HEX #5BCE65

RGB 91 206 101

HSL 125.22, 0.54%, 0.58%

LAB 74.39, -54.01, 42.28

 

CMYK 61 / 0 / 56 / 26

HEX #4ABC52

RGB 74 188 82

HSL 124.21, 0.46%, 0.51%

LAB 68.04, -53.73, 43.61

 

CMYK 66 / 0 / 63 / 33

HEX #39AA3F

RGB 57 170 63

HSL 123.19, 0.5%, 0.45%

LAB 61.64, -53.15, 44.85

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 41 / 0 / 48 / 5

HEX #8FF27D

RGB 143 242 125

HSL 110.77, 0.82%, 0.72%

LAB 87.4, -50.91, 47.26

 

CMYK 28 / 0 / 48 / 5

HEX #AEF27D

RGB 174 242 125

HSL 94.87, 0.82%, 0.72%

LAB 88.91, -40.91, 49.47

 

CMYK 15 / 0 / 48 / 5

HEX #CEF27D

RGB 206 242 125

HSL 78.46, 0.82%, 0.72%

LAB 90.83, -29.4, 52.24

 

CMYK 2 / 0 / 48 / 5

HEX #EDF27D

RGB 237 242 125

HSL 62.56, 0.82%, 0.72%

LAB 93.01, -17.52, 55.38

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 48 / 0 / 29 / 5

HEX #7DF2AB

RGB 125 242 171

HSL 143.59, 0.82%, 0.72%

LAB 87.39, -48.69, 24.28

 

CMYK 48 / 0 / 17 / 5

HEX #7DF2CA

RGB 125 242 202

HSL 159.49, 0.82%, 0.72%

LAB 88.03, -42.45, 9.15

 

CMYK 48 / 0 / 3 / 5

HEX #7DF2EA

RGB 125 242 234

HSL 175.9, 0.82%, 0.72%

LAB 88.83, -35.04, -6.39

 

CMYK 48 / 10 / 0 / 5

HEX #7DDBF2

RGB 125 219 242

HSL 191.79, 0.82%, 0.72%

LAB 82.61, -21.92, -19.9

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 56 / 0 / 49 / 0

HEX #71FE82

RGB 113 254 130

HSL 127.23, 0.99%, 0.72%

LAB 89.86, -62.94, 47.7

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 41 / 0 / 36 / 9

HEX #89E794

RGB 137 231 148

HSL 127.02, 0.66%, 0.72%

LAB 84.28, -44.76, 31.9

 

CMYK 32 / 0 / 28 / 14

HEX #94DB9D

RGB 148 219 157

HSL 127.61, 0.5%, 0.72%

LAB 81.51, -34.59, 23.62

 

CMYK 23 / 0 / 20 / 19

HEX #A0CFA5

RGB 160 207 165

HSL 126.38, 0.33%, 0.72%

LAB 78.94, -23.58, 15.95

 

CMYK 13 / 0 / 11 / 23

HEX #ABC4AE

RGB 171 196 174

HSL 127.2, 0.17%, 0.72%

LAB 76.8, -12.68, 8.21

 

CMYK 28 / 0 / 48 / 5

HEX #AEF27D

RGB 174 242 125

HSL 94.87, 0.82%, 0.72%

LAB 88.91, -40.91, 49.47

 

CMYK 41 / 0 / 48 / 5

HEX #8FF27D

RGB 143 242 125

HSL 110.77, 0.82%, 0.72%

LAB 87.4, -50.91, 47.26

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 48 / 0 / 30 / 5

HEX #7DF2AA

RGB 125 242 170

HSL 143.08, 0.82%, 0.72%

LAB 87.37, -48.88, 24.77

 

CMYK 48 / 0 / 17 / 5

HEX #7DF2C9

RGB 125 242 201

HSL 158.97, 0.82%, 0.72%

LAB 88.01, -42.67, 9.64

 

CMYK 79 / 0 / 69 / 8

HEX #32EB48

RGB 50 235 72

HSL 127.14, 0.82%, 0.56%

LAB 82.14, -74.5, 63.4

 

CMYK 63 / 0 / 55 / 7

HEX #58EE6A

RGB 88 238 106

HSL 127.2, 0.82%, 0.64%

LAB 84.1, -65.74, 51.65

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 34 / 0 / 30 / 4

HEX #A3F6AD

RGB 163 246 173

HSL 127.23, 0.82%, 0.8%

LAB 90.19, -39.54, 27.35

 

CMYK 20 / 0 / 18 / 2

HEX #C8FACE

RGB 200 250 206

HSL 127.2, 0.83%, 0.88%

LAB 93.93, -24.14, 15.96

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 48 / 15 / 0 / 5

HEX #7DCDF2

RGB 125 205 242

HSL 198.97, 0.82%, 0.72%

LAB 78.71, -14.79, -25.83

 

CMYK 0 / 48 / 35 / 5

HEX #F27D9E

RGB 242 125 158

HSL 343.08, 0.82%, 0.72%

LAB 66.53, 48.23, 3.16

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 43 / 48 / 0 / 5

HEX #8B7DF2

RGB 139 125 242

HSL 247.18, 0.82%, 0.72%

LAB 58.57, 33.54, -57.26

 

CMYK 0 / 43 / 48 / 5

HEX #F28B7D

RGB 242 139 125

HSL 7.18, 0.82%, 0.72%

LAB 68.62, 37.66, 24.61

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 48 / 15 / 0 / 5

HEX #7DCDF2

RGB 125 205 242

HSL 198.97, 0.82%, 0.72%

LAB 78.71, -14.79, -25.83

 

CMYK 0 / 48 / 6 / 5

HEX #F27DE4

RGB 242 125 228

HSL 307.18, 0.82%, 0.72%

LAB 68.86, 58.23, -32.57

 

CMYK 0 / 33 / 48 / 5

HEX #F2A27D

RGB 242 162 125

HSL 18.97, 0.82%, 0.72%

LAB 73.67, 25.64, 31.31

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28B

RGB 125 242 139

HSL 127.18, 0.82%, 0.72%

LAB 86.86, -54.06, 39.67

 

CMYK 48 / 30 / 0 / 5

HEX #7DAAF2

RGB 125 170 242

HSL 216.92, 0.82%, 0.72%

LAB 69.13, 4.17, -40.64

 

CMYK 0 / 48 / 6 / 5

HEX #F27DE4

RGB 242 125 228

HSL 307.18, 0.82%, 0.72%

LAB 68.86, 58.23, -32.57

 

CMYK 0 / 19 / 48 / 5

HEX #F2C57D

RGB 242 197 125

HSL 36.92, 0.82%, 0.72%

LAB 82, 7.2, 41.98

 

Description

Color code: HEX #7DF28B | qconv.com Color code: HEX #7DF28B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 242 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 242 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 43% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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