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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF127 it is the complementary color #820ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF127 shade: #82F122, #93FF35, #A4FF48, #B5FF5B and #C6FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF127 shade: #7DF127, #6CDF14, #5BCD01, #4ABB00 and #39A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF127 shade: #7DF127, #B4F127, #EAF127, #F1C227 and #F18B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF127 shade: #7DF127, #47F127, #27F13E, #27F175 and #27F1AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF127 shade matches the following richer shades: #7DF127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF127 shade: #7DF127, #80DF3A, #83CC4C, #86BA5F and #88A772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF127 shade: #EAF127, #B5F127, #7FF127, #49F127 and #27F13B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF127 shade: #56BA0C, #68E10E, #7DF127, #95F44E and #ACF675

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF127 shade: #7DF127, #27F1C2 and #F127D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF127 shade: #7DF127, #277FF1 and #F1277F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF127 shade: #7DF127, #27F1C2, #9A27F1 and #F12756

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF127 shade: #7DF127, #27E4F1, #9A27F1 and #F13527

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

Complementary color

CMYK 40 / 94 / 0 / 15

HEX #820ED8

RGB 130 14 216

HSL 274.46, 0.88%, 0.45%

LAB 37.87, 73.65, -76.16

 

CMYK 46 / 0 / 86 / 5

HEX #82F122

RGB 130 241 34

HSL 92.17, 0.88%, 0.54%

LAB 85.89, -61.55, 78.64

 

CMYK 42 / 0 / 79 / 0

HEX #93FF35

RGB 147 255 53

HSL 92.08, 1%, 0.6%

LAB 90.77, -60.85, 78.84

 

CMYK 36 / 0 / 72 / 0

HEX #A4FF48

RGB 164 255 72

HSL 89.84, 1%, 0.64%

LAB 91.63, -54.36, 74.21

 

CMYK 29 / 0 / 64 / 0

HEX #B5FF5B

RGB 181 255 91

HSL 87.07, 1%, 0.68%

LAB 92.62, -47.27, 68.59

 

CMYK 22 / 0 / 57 / 0

HEX #C6FF6E

RGB 198 255 110

HSL 83.59, 1%, 0.72%

LAB 93.73, -39.67, 62.27

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 52 / 0 / 91 / 13

HEX #6CDF14

RGB 108 223 20

HSL 93.99, 0.84%, 0.48%

LAB 79.62, -61.82, 75.39

 

CMYK 56 / 0 / 100 / 20

HEX #5BCD01

RGB 91 205 1

HSL 93.53, 0.99%, 0.4%

LAB 73.47, -60.46, 72.25

 

CMYK 60 / 0 / 100 / 27

HEX #4ABB00

RGB 74 187 0

HSL 96.26, 1%, 0.37%

LAB 67.27, -58.63, 67.23

 

CMYK 66 / 0 / 100 / 34

HEX #39A900

RGB 57 169 0

HSL 99.76, 1%, 0.33%

LAB 61, -56.53, 62.06

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 25 / 0 / 84 / 5

HEX #B4F127

RGB 180 241 39

HSL 78.12, 0.88%, 0.55%

LAB 88.33, -44.36, 80.66

 

CMYK 3 / 0 / 84 / 5

HEX #EAF127

RGB 234 241 39

HSL 62.08, 0.88%, 0.55%

LAB 91.93, -23.01, 85.14

 

CMYK 0 / 20 / 84 / 5

HEX #F1C227

RGB 241 194 39

HSL 46.04, 0.88%, 0.55%

LAB 80.42, 3.39, 75.84

 

CMYK 0 / 42 / 84 / 5

HEX #F18B27

RGB 241 139 39

HSL 29.7, 0.88%, 0.55%

LAB 67.51, 32.25, 65.01

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 71 / 0 / 84 / 5

HEX #47F127

RGB 71 241 39

HSL 110.5, 0.88%, 0.55%

LAB 84.17, -75.38, 75.42

 

CMYK 84 / 0 / 74 / 5

HEX #27F13E

RGB 39 241 62

HSL 126.83, 0.88%, 0.55%

LAB 83.8, -78.2, 68.55

 

CMYK 84 / 0 / 51 / 5

HEX #27F175

RGB 39 241 117

HSL 143.17, 0.88%, 0.55%

LAB 84.29, -72.2, 46.6

 

CMYK 84 / 0 / 29 / 5

HEX #27F1AB

RGB 39 241 171

HSL 159.21, 0.88%, 0.55%

LAB 85.14, -62.37, 20.87

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 43 / 0 / 74 / 13

HEX #80DF3A

RGB 128 223 58

HSL 94.55, 0.72%, 0.55%

LAB 80.55, -54.24, 67.4

 

CMYK 36 / 0 / 63 / 20

HEX #83CC4C

RGB 131 204 76

HSL 94.22, 0.56%, 0.55%

LAB 75.16, -44.16, 55.03

 

CMYK 28 / 0 / 49 / 27

HEX #86BA5F

RGB 134 186 95

HSL 94.29, 0.4%, 0.55%

LAB 70.18, -33.12, 40.5

 

CMYK 19 / 0 / 32 / 35

HEX #88A772

RGB 136 167 114

HSL 95.09, 0.23%, 0.55%

LAB 65.03, -20.55, 24.02

 

CMYK 3 / 0 / 84 / 5

HEX #EAF127

RGB 234 241 39

HSL 62.08, 0.88%, 0.55%

LAB 91.93, -23.01, 85.14

 

CMYK 25 / 0 / 84 / 5

HEX #B5F127

RGB 181 241 39

HSL 77.82, 0.88%, 0.55%

LAB 88.39, -43.99, 80.74

 

CMYK 47 / 0 / 84 / 5

HEX #7FF127

RGB 127 241 39

HSL 93.86, 0.88%, 0.55%

LAB 85.79, -62.27, 77.47

 

CMYK 70 / 0 / 84 / 5

HEX #49F127

RGB 73 241 39

HSL 109.9, 0.88%, 0.55%

LAB 84.21, -75.04, 75.47

 

CMYK 84 / 0 / 76 / 5

HEX #27F13B

RGB 39 241 59

HSL 125.94, 0.88%, 0.55%

LAB 83.79, -78.41, 69.49

 

CMYK 54 / 0 / 94 / 27

HEX #56BA0C

RGB 86 186 12

HSL 94.48, 0.88%, 0.39%

LAB 67.37, -54.87, 66.05

 

CMYK 54 / 0 / 94 / 12

HEX #68E10E

RGB 104 225 14

HSL 94.41, 0.88%, 0.47%

LAB 80.08, -63.74, 76.46

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 39 / 0 / 68 / 4

HEX #95F44E

RGB 149 244 78

HSL 94.34, 0.88%, 0.63%

LAB 87.8, -54.49, 67.98

 

CMYK 30 / 0 / 52 / 4

HEX #ACF675

RGB 172 246 117

HSL 94.42, 0.88%, 0.71%

LAB 89.84, -44.21, 54.27

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 84 / 0 / 20 / 5

HEX #27F1C2

RGB 39 241 194

HSL 166.04, 0.88%, 0.55%

LAB 85.62, -57.1, 9.62

 

CMYK 0 / 84 / 14 / 5

HEX #F127D0

RGB 241 39 208

HSL 309.8, 0.88%, 0.55%

LAB 56.79, 85.5, -40.18

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 84 / 47 / 0 / 5

HEX #277FF1

RGB 39 127 241

HSL 213.86, 0.88%, 0.55%

LAB 53.99, 15.69, -64.34

 

CMYK 0 / 84 / 47 / 5

HEX #F1277F

RGB 241 39 127

HSL 333.86, 0.88%, 0.55%

LAB 53.69, 76.89, 2.6

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 84 / 0 / 20 / 5

HEX #27F1C2

RGB 39 241 194

HSL 166.04, 0.88%, 0.55%

LAB 85.62, -57.1, 9.62

 

CMYK 36 / 84 / 0 / 5

HEX #9A27F1

RGB 154 39 241

HSL 274.16, 0.88%, 0.55%

LAB 45.18, 76.45, -78.29

 

CMYK 0 / 84 / 64 / 5

HEX #F12756

RGB 241 39 86

HSL 346.04, 0.88%, 0.55%

LAB 52.76, 74.17, 26.01

 

CMYK 48 / 0 / 84 / 5

HEX #7DF127

RGB 125 241 39

HSL 94.46, 0.88%, 0.55%

LAB 85.71, -62.86, 77.37

 

CMYK 84 / 5 / 0 / 5

HEX #27E4F1

RGB 39 228 241

HSL 183.86, 0.88%, 0.55%

LAB 83.06, -38.84, -18.9

 

CMYK 36 / 84 / 0 / 5

HEX #9A27F1

RGB 154 39 241

HSL 274.16, 0.88%, 0.55%

LAB 45.18, 76.45, -78.29

 

CMYK 0 / 78 / 84 / 5

HEX #F13527

RGB 241 53 39

HSL 4.16, 0.88%, 0.55%

LAB 53.38, 69.03, 52.85

 

Description

Color code: HEX #7DF127 | qconv.com Color code: HEX #7DF127 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 241 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 241 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 84 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 84% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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