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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF083 it is the complementary color #820F7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF083. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF083 shade: #82F07E, #93FF91, #A4FFA4, #B5FFB7 and #C6FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF083. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF083 shade: #7DF083, #6CDE70, #5BCC5D, #4ABA4A and #39A837

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF083 shade: #7FF085, #98F07F, #B6F07F, #D5F07F and #F0ED7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF083 shade: #7FF085, #7FF0A4, #7FF0C2, #7FF0E0 and #7FE1F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF083 shade matches the following richer shades: #7FF085 and #74FC7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF083 shade: #7FF085, #8BE48F, #96D99A, #A2CDA4 and #ADC2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF083 shade: #B6F07F, #98F07F, #7FF085, #7FF0A3 and #7FF0C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF083 shade: #35E73F, #5AEC62, #7FF085, #A4F4A8 and #C9F9CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF083 shade: #7DF083, #7FD4F0 and #F07FA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF083 shade: #7DF083, #857FF0 and #F0857F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF083 shade: #7DF083, #7FD4F0, #F07FEA and #F09B7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF083 shade: #7DF083, #7FB2F0, #F07FEA and #F0BD7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 45 / 6

HEX #7DF083

RGB 125 240 131

HSL 123.13, 0.79%, 0.72%

LAB 86.17, -54.42, 42.68

 

Complementary color

CMYK 0 / 88 / 5 / 49

HEX #820F7C

RGB 130 15 124

HSL 303.13, 0.79%, 0.28%

LAB 30.74, 56.24, -32.42

 

CMYK 46 / 0 / 48 / 6

HEX #82F07E

RGB 130 240 126

HSL 117.89, 0.79%, 0.72%

LAB 86.29, -53.74, 45.29

 

CMYK 42 / 0 / 43 / 0

HEX #93FF91

RGB 147 255 145

HSL 118.91, 1%, 0.78%

LAB 91.58, -52.42, 42.97

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA4

RGB 164 255 164

HSL 120, 1%, 0.82%

LAB 92.62, -44.63, 35.14

 

CMYK 29 / 0 / 28 / 0

HEX #B5FFB7

RGB 181 255 183

HSL 121.62, 1%, 0.85%

LAB 93.78, -36.41, 27.32

 

CMYK 22 / 0 / 21 / 0

HEX #C6FFCA

RGB 198 255 202

HSL 124.21, 1%, 0.89%

LAB 95.07, -27.85, 19.59

 

CMYK 48 / 0 / 45 / 6

HEX #7DF083

RGB 125 240 131

HSL 123.13, 0.79%, 0.72%

LAB 86.17, -54.42, 42.68

 

CMYK 51 / 0 / 50 / 13

HEX #6CDE70

RGB 108 222 112

HSL 122.11, 0.63%, 0.65%

LAB 79.95, -54.43, 43.96

 

CMYK 55 / 0 / 54 / 20

HEX #5BCC5D

RGB 91 204 93

HSL 121.06, 0.53%, 0.58%

LAB 73.68, -54.3, 45.25

 

CMYK 60 / 0 / 60 / 27

HEX #4ABA4A

RGB 74 186 74

HSL 120, 0.45%, 0.51%

LAB 67.33, -53.96, 46.48

 

CMYK 66 / 0 / 67 / 34

HEX #39A837

RGB 57 168 55

HSL 118.94, 0.51%, 0.44%

LAB 60.91, -53.29, 47.55

 

CMYK 47 / 0 / 45 / 6

HEX #7FF085

RGB 127 240 133

HSL 123.19, 0.79%, 0.72%

LAB 86.27, -53.6, 41.86

 

CMYK 37 / 0 / 47 / 6

HEX #98F07F

RGB 152 240 127

HSL 106.73, 0.79%, 0.72%

LAB 87.26, -47.06, 46.22

 

CMYK 24 / 0 / 47 / 6

HEX #B6F07F

RGB 182 240 127

HSL 90.8, 0.79%, 0.72%

LAB 88.83, -37, 48.51

 

CMYK 11 / 0 / 47 / 6

HEX #D5F07F

RGB 213 240 127

HSL 74.34, 0.79%, 0.72%

LAB 90.78, -25.62, 51.35

 

CMYK 0 / 1 / 47 / 6

HEX #F0ED7F

RGB 240 237 127

HSL 58.41, 0.79%, 0.72%

LAB 91.96, -13.73, 53.25

 

CMYK 47 / 0 / 45 / 6

HEX #7FF085

RGB 127 240 133

HSL 123.19, 0.79%, 0.72%

LAB 86.27, -53.6, 41.86

 

CMYK 47 / 0 / 32 / 6

HEX #7FF0A4

RGB 127 240 164

HSL 139.65, 0.79%, 0.72%

LAB 86.76, -48.62, 27.01

 

CMYK 47 / 0 / 19 / 6

HEX #7FF0C2

RGB 127 240 194

HSL 155.58, 0.79%, 0.72%

LAB 87.35, -42.8, 12.36

 

CMYK 47 / 0 / 7 / 6

HEX #7FF0E0

RGB 127 240 224

HSL 171.5, 0.79%, 0.72%

LAB 88.07, -36.09, -2.27

 

CMYK 47 / 6 / 0 / 6

HEX #7FE1F0

RGB 127 225 240

HSL 187.96, 0.79%, 0.72%

LAB 84.3, -24.97, -16.28

 

CMYK 47 / 0 / 45 / 6

HEX #7FF085

RGB 127 240 133

HSL 123.19, 0.79%, 0.72%

LAB 86.27, -53.6, 41.86

 

CMYK 54 / 0 / 51 / 1

HEX #74FC7B

RGB 116 252 123

HSL 123.09, 0.96%, 0.72%

LAB 89.28, -62.41, 50.28

 

CMYK 47 / 0 / 45 / 6

HEX #7FF085

RGB 127 240 133

HSL 123.19, 0.79%, 0.72%

LAB 86.27, -53.6, 41.86

 

CMYK 39 / 0 / 37 / 11

HEX #8BE48F

RGB 139 228 143

HSL 122.7, 0.62%, 0.72%

LAB 83.42, -43.67, 33.31

 

CMYK 31 / 0 / 29 / 15

HEX #96D99A

RGB 150 217 154

HSL 123.58, 0.47%, 0.72%

LAB 80.98, -33.54, 24.48

 

CMYK 21 / 0 / 20 / 20

HEX #A2CDA4

RGB 162 205 164

HSL 122.79, 0.3%, 0.72%

LAB 78.48, -22.1, 15.86

 

CMYK 11 / 0 / 10 / 24

HEX #ADC2AE

RGB 173 194 174

HSL 122.86, 0.15%, 0.72%

LAB 76.39, -10.96, 7.64

 

CMYK 24 / 0 / 47 / 6

HEX #B6F07F

RGB 182 240 127

HSL 90.8, 0.79%, 0.72%

LAB 88.83, -37, 48.51

 

CMYK 37 / 0 / 47 / 6

HEX #98F07F

RGB 152 240 127

HSL 106.73, 0.79%, 0.72%

LAB 87.26, -47.06, 46.22

 

CMYK 47 / 0 / 45 / 6

HEX #7FF085

RGB 127 240 133

HSL 123.19, 0.79%, 0.72%

LAB 86.27, -53.6, 41.86

 

CMYK 47 / 0 / 32 / 6

HEX #7FF0A3

RGB 127 240 163

HSL 139.12, 0.79%, 0.72%

LAB 86.74, -48.8, 27.49

 

CMYK 47 / 0 / 20 / 6

HEX #7FF0C1

RGB 127 240 193

HSL 155.04, 0.79%, 0.72%

LAB 87.33, -43.01, 12.85

 

CMYK 77 / 0 / 73 / 9

HEX #35E73F

RGB 53 231 63

HSL 123.37, 0.79%, 0.56%

LAB 80.89, -73.66, 65.34

 

CMYK 62 / 0 / 58 / 7

HEX #5AEC62

RGB 90 236 98

HSL 123.29, 0.79%, 0.64%

LAB 83.47, -65.58, 54.48

 

CMYK 47 / 0 / 45 / 6

HEX #7FF085

RGB 127 240 133

HSL 123.19, 0.79%, 0.72%

LAB 86.27, -53.6, 41.86

 

CMYK 33 / 0 / 31 / 4

HEX #A4F4A8

RGB 164 244 168

HSL 123, 0.78%, 0.8%

LAB 89.59, -39.16, 29.08

 

CMYK 19 / 0 / 18 / 2

HEX #C9F9CC

RGB 201 249 204

HSL 123.75, 0.8%, 0.88%

LAB 93.68, -23.68, 16.64

 

CMYK 48 / 0 / 45 / 6

HEX #7DF083

RGB 125 240 131

HSL 123.13, 0.79%, 0.72%

LAB 86.17, -54.42, 42.68

 

CMYK 47 / 12 / 0 / 6

HEX #7FD4F0

RGB 127 212 240

HSL 194.87, 0.79%, 0.72%

LAB 80.68, -18.48, -21.76

 

CMYK 0 / 47 / 30 / 6

HEX #F07FA7

RGB 240 127 167

HSL 338.76, 0.79%, 0.72%

LAB 66.9, 47.66, -1.43

 

CMYK 48 / 0 / 45 / 6

HEX #7DF083

RGB 125 240 131

HSL 123.13, 0.79%, 0.72%

LAB 86.17, -54.42, 42.68

 

CMYK 45 / 47 / 0 / 6

HEX #857FF0

RGB 133 127 240

HSL 243.19, 0.79%, 0.72%

LAB 58.47, 30.41, -56.34

 

CMYK 0 / 45 / 47 / 6

HEX #F0857F

RGB 240 133 127

HSL 3.19, 0.79%, 0.72%

LAB 67.15, 40.19, 21.47

 

CMYK 48 / 0 / 45 / 6

HEX #7DF083

RGB 125 240 131

HSL 123.13, 0.79%, 0.72%

LAB 86.17, -54.42, 42.68

 

CMYK 47 / 12 / 0 / 6

HEX #7FD4F0

RGB 127 212 240

HSL 194.87, 0.79%, 0.72%

LAB 80.68, -18.48, -21.76

 

CMYK 0 / 47 / 3 / 6

HEX #F07FEA

RGB 240 127 234

HSL 303.19, 0.79%, 0.72%

LAB 69.22, 57.7, -35.35

 

CMYK 0 / 35 / 47 / 6

HEX #F09B7F

RGB 240 155 127

HSL 14.87, 0.79%, 0.72%

LAB 71.89, 28.74, 27.84

 

CMYK 48 / 0 / 45 / 6

HEX #7DF083

RGB 125 240 131

HSL 123.13, 0.79%, 0.72%

LAB 86.17, -54.42, 42.68

 

CMYK 47 / 26 / 0 / 6

HEX #7FB2F0

RGB 127 178 240

HSL 212.92, 0.79%, 0.72%

LAB 71.31, -0.41, -36.14

 

CMYK 0 / 47 / 3 / 6

HEX #F07FEA

RGB 240 127 234

HSL 303.19, 0.79%, 0.72%

LAB 69.22, 57.7, -35.35

 

CMYK 0 / 21 / 47 / 6

HEX #F0BD7F

RGB 240 189 127

HSL 32.92, 0.79%, 0.72%

LAB 79.87, 10.77, 38.23

 

Description

Color code: HEX #7DF083 | qconv.com Color code: HEX #7DF083 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 240 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 240 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 45 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 45% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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