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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF06E it is the complementary color #820F91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF06E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF06E shade: #82F069, #93FF7C, #A4FF8F, #B5FFA2 and #C6FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF06E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF06E shade: #7DF06E, #6CDE5B, #5BCC48, #4ABA35 and #39A822

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF06E shade: #7FF070, #A1F070, #C4F070, #E6F070 and #F0D770

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF06E shade: #7FF070, #70F084, #70F0A6, #70F0C9 and #70F0EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF06E shade matches the following richer shades: #7FF070 and #75FD63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF06E shade: #7FF070, #89E37D, #92D68A, #9CCA96 and #A6BDA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF06E shade: #C3F070, #A1F070, #7FF070, #70F083 and #70F0A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF06E shade: #3CE825, #5DEC4B, #7FF070, #A0F495 and #C2F8BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF06E shade: #7DF06E, #70E5F0 and #F070B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF06E shade: #7DF06E, #707FF0 and #F0707F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF06E shade: #7DF06E, #70E5F0, #E170F0 and #F07B70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF06E shade: #7DF06E, #70BFF0, #E170F0 and #F0A170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 54 / 6

HEX #7DF06E

RGB 125 240 110

HSL 113.08, 0.81%, 0.69%

LAB 85.91, -57.12, 52.26

 

Complementary color

CMYK 10 / 90 / 0 / 43

HEX #820F91

RGB 130 15 145

HSL 293.08, 0.81%, 0.31%

LAB 32.11, 59.74, -43.33

 

CMYK 46 / 0 / 56 / 6

HEX #82F069

RGB 130 240 105

HSL 108.89, 0.82%, 0.68%

LAB 86.05, -56.28, 54.73

 

CMYK 42 / 0 / 51 / 0

HEX #93FF7C

RGB 147 255 124

HSL 109.47, 1%, 0.74%

LAB 91.31, -55.12, 52.55

 

CMYK 36 / 0 / 44 / 0

HEX #A4FF8F

RGB 164 255 143

HSL 108.75, 1%, 0.78%

LAB 92.31, -47.61, 45.01

 

CMYK 29 / 0 / 36 / 0

HEX #B5FFA2

RGB 181 255 162

HSL 107.74, 1%, 0.82%

LAB 93.43, -39.6, 37.36

 

CMYK 22 / 0 / 29 / 0

HEX #C6FFB5

RGB 198 255 181

HSL 106.22, 1%, 0.85%

LAB 94.68, -31.22, 29.7

 

CMYK 48 / 0 / 54 / 6

HEX #7DF06E

RGB 125 240 110

HSL 113.08, 0.81%, 0.69%

LAB 85.91, -57.12, 52.26

 

CMYK 51 / 0 / 59 / 13

HEX #6CDE5B

RGB 108 222 91

HSL 112.21, 0.66%, 0.61%

LAB 79.72, -56.97, 53.39

 

CMYK 55 / 0 / 65 / 20

HEX #5BCC48

RGB 91 204 72

HSL 111.36, 0.56%, 0.54%

LAB 73.47, -56.63, 54.38

 

CMYK 60 / 0 / 72 / 27

HEX #4ABA35

RGB 74 186 53

HSL 110.53, 0.56%, 0.47%

LAB 67.15, -56.01, 55.07

 

CMYK 66 / 0 / 80 / 34

HEX #39A822

RGB 57 168 34

HSL 109.7, 0.66%, 0.4%

LAB 60.77, -54.96, 55.15

 

CMYK 47 / 0 / 53 / 6

HEX #7FF070

RGB 127 240 112

HSL 112.97, 0.81%, 0.69%

LAB 86.01, -56.34, 51.48

 

CMYK 33 / 0 / 53 / 6

HEX #A1F070

RGB 161 240 112

HSL 97.03, 0.81%, 0.69%

LAB 87.52, -45.87, 53.65

 

CMYK 18 / 0 / 53 / 6

HEX #C4F070

RGB 196 240 112

HSL 80.63, 0.81%, 0.69%

LAB 89.5, -33.46, 56.47

 

CMYK 4 / 0 / 53 / 6

HEX #E6F070

RGB 230 240 112

HSL 64.69, 0.81%, 0.69%

LAB 91.83, -20.4, 59.77

 

CMYK 0 / 10 / 53 / 6

HEX #F0D770

RGB 240 215 112

HSL 48.28, 0.81%, 0.69%

LAB 86.15, -4, 53.36

 

CMYK 47 / 0 / 53 / 6

HEX #7FF070

RGB 127 240 112

HSL 112.97, 0.81%, 0.69%

LAB 86.01, -56.34, 51.48

 

CMYK 53 / 0 / 45 / 6

HEX #70F084

RGB 112 240 132

HSL 129.38, 0.81%, 0.69%

LAB 85.72, -57.59, 41.54

 

CMYK 53 / 0 / 31 / 6

HEX #70F0A6

RGB 112 240 166

HSL 145.31, 0.81%, 0.69%

LAB 86.26, -51.89, 25.23

 

CMYK 53 / 0 / 16 / 6

HEX #70F0C9

RGB 112 240 201

HSL 161.72, 0.81%, 0.69%

LAB 86.99, -44.68, 8.12

 

CMYK 53 / 0 / 2 / 6

HEX #70F0EB

RGB 112 240 235

HSL 177.66, 0.81%, 0.69%

LAB 87.85, -36.53, -8.4

 

CMYK 47 / 0 / 53 / 6

HEX #7FF070

RGB 127 240 112

HSL 112.97, 0.81%, 0.69%

LAB 86.01, -56.34, 51.48

 

CMYK 54 / 0 / 61 / 1

HEX #75FD63

RGB 117 253 99

HSL 112.99, 0.97%, 0.69%

LAB 89.36, -65.28, 60.99

 

CMYK 47 / 0 / 53 / 6

HEX #7FF070

RGB 127 240 112

HSL 112.97, 0.81%, 0.69%

LAB 86.01, -56.34, 51.48

 

CMYK 40 / 0 / 45 / 11

HEX #89E37D

RGB 137 227 125

HSL 112.94, 0.65%, 0.69%

LAB 82.77, -46.47, 41.42

 

CMYK 32 / 0 / 36 / 16

HEX #92D68A

RGB 146 214 138

HSL 113.68, 0.48%, 0.69%

LAB 79.64, -36.01, 30.92

 

CMYK 23 / 0 / 26 / 21

HEX #9CCA96

RGB 156 202 150

HSL 113.08, 0.33%, 0.69%

LAB 76.99, -25.07, 21.17

 

CMYK 12 / 0 / 14 / 26

HEX #A6BDA3

RGB 166 189 163

HSL 113.08, 0.16%, 0.69%

LAB 74.28, -12.8, 10.52

 

CMYK 19 / 0 / 53 / 6

HEX #C3F070

RGB 195 240 112

HSL 81.09, 0.81%, 0.69%

LAB 89.44, -33.83, 56.38

 

CMYK 33 / 0 / 53 / 6

HEX #A1F070

RGB 161 240 112

HSL 97.03, 0.81%, 0.69%

LAB 87.52, -45.87, 53.65

 

CMYK 47 / 0 / 53 / 6

HEX #7FF070

RGB 127 240 112

HSL 112.97, 0.81%, 0.69%

LAB 86.01, -56.34, 51.48

 

CMYK 53 / 0 / 45 / 6

HEX #70F083

RGB 112 240 131

HSL 128.91, 0.81%, 0.69%

LAB 85.71, -57.74, 42.01

 

CMYK 53 / 0 / 31 / 6

HEX #70F0A5

RGB 112 240 165

HSL 144.84, 0.81%, 0.69%

LAB 86.25, -52.08, 25.71

 

CMYK 74 / 0 / 84 / 9

HEX #3CE825

RGB 60 232 37

HSL 112.92, 0.81%, 0.53%

LAB 81.19, -74.53, 73.12

 

CMYK 61 / 0 / 68 / 7

HEX #5DEC4B

RGB 93 236 75

HSL 113.29, 0.81%, 0.61%

LAB 83.35, -67.21, 63.82

 

CMYK 47 / 0 / 53 / 6

HEX #7FF070

RGB 127 240 112

HSL 112.97, 0.81%, 0.69%

LAB 86.01, -56.34, 51.48

 

CMYK 34 / 0 / 39 / 4

HEX #A0F495

RGB 160 244 149

HSL 113.05, 0.81%, 0.77%

LAB 89.09, -43.3, 37.91

 

CMYK 22 / 0 / 25 / 3

HEX #C2F8BB

RGB 194 248 187

HSL 113.11, 0.81%, 0.85%

LAB 92.66, -28.33, 23.87

 

CMYK 48 / 0 / 54 / 6

HEX #7DF06E

RGB 125 240 110

HSL 113.08, 0.81%, 0.69%

LAB 85.91, -57.12, 52.26

 

CMYK 53 / 5 / 0 / 6

HEX #70E5F0

RGB 112 229 240

HSL 185.16, 0.81%, 0.69%

LAB 84.88, -30.05, -15.47

 

CMYK 0 / 53 / 26 / 6

HEX #F070B2

RGB 240 112 178

HSL 329.06, 0.81%, 0.69%

LAB 64.43, 56.33, -11.33

 

CMYK 48 / 0 / 54 / 6

HEX #7DF06E

RGB 125 240 110

HSL 113.08, 0.81%, 0.69%

LAB 85.91, -57.12, 52.26

 

CMYK 53 / 47 / 0 / 6

HEX #707FF0

RGB 112 127 240

HSL 232.97, 0.81%, 0.69%

LAB 56.99, 25.81, -58.79

 

CMYK 0 / 53 / 47 / 6

HEX #F0707F

RGB 240 112 127

HSL 352.97, 0.81%, 0.69%

LAB 63.05, 50.58, 15.84

 

CMYK 48 / 0 / 54 / 6

HEX #7DF06E

RGB 125 240 110

HSL 113.08, 0.81%, 0.69%

LAB 85.91, -57.12, 52.26

 

CMYK 53 / 5 / 0 / 6

HEX #70E5F0

RGB 112 229 240

HSL 185.16, 0.81%, 0.69%

LAB 84.88, -30.05, -15.47

 

CMYK 6 / 53 / 0 / 6

HEX #E170F0

RGB 225 112 240

HSL 292.97, 0.81%, 0.69%

LAB 64.87, 61.85, -45.59

 

CMYK 0 / 49 / 53 / 6

HEX #F07B70

RGB 240 123 112

HSL 5.16, 0.81%, 0.69%

LAB 64.85, 43.9, 26.77

 

CMYK 48 / 0 / 54 / 6

HEX #7DF06E

RGB 125 240 110

HSL 113.08, 0.81%, 0.69%

LAB 85.91, -57.12, 52.26

 

CMYK 53 / 20 / 0 / 6

HEX #70BFF0

RGB 112 191 240

HSL 202.97, 0.81%, 0.69%

LAB 74.19, -10.83, -31.74

 

CMYK 6 / 53 / 0 / 6

HEX #E170F0

RGB 225 112 240

HSL 292.97, 0.81%, 0.69%

LAB 64.87, 61.85, -45.59

 

CMYK 0 / 33 / 53 / 6

HEX #F0A170

RGB 240 161 112

HSL 22.97, 0.81%, 0.69%

LAB 73.01, 24.22, 37.31

 

Description

Color code: HEX #7DF06E | qconv.com Color code: HEX #7DF06E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 240 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 240 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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