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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DECC2 it is the complementary color #82133D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DECC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DECC2 shade: #82ECBD, #93FED0, #A4FFE3, #B5FFF6 and #C6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DECC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DECC2 shade: #7DECC2, #6CDAAF, #5BC89C, #4AB689 and #39A476

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DECC2 shade: #7EECC2, #7EECA5, #7EEC87, #93EC7E and #B0EC7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DECC2 shade: #7EECC2, #7EECE0, #7EDAEC, #7EBDEC and #7E9FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DECC2 shade matches the following richer shades: #7EECC2 and #72F8C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DECC2 shade: #7EECC2, #8AE0BF, #96D4BD, #A2C8BA and #AEBCB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DECC2 shade: #7EEC87, #7EECA5, #7EECC2, #7EECDF and #7EDBEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DECC2 shade: #37E1A1, #5AE6B1, #7EECC2, #A2F1D3 and #C6F7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DECC2 shade: #7DECC2, #7E92EC and #EC967E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DECC2 shade: #7DECC2, #C27EEC and #ECC27E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DECC2 shade: #7DECC2, #7E92EC, #EC7EA8 and #ECD87E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DECC2 shade: #7DECC2, #8B7EEC, #EC7EA8 and #DFEC7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 18 / 7

HEX #7DECC2

RGB 125 236 194

HSL 157.3, 0.74%, 0.71%

LAB 86.13, -41.51, 10.61

 

Complementary color

CMYK 0 / 85 / 53 / 49

HEX #82133D

RGB 130 19 61

HSL 337.3, 0.74%, 0.29%

LAB 28.24, 47.53, 4.93

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 42 / 0 / 18 / 0

HEX #93FED0

RGB 147 254 208

HSL 154.21, 0.98%, 0.79%

LAB 92.42, -41.13, 12.42

 

CMYK 36 / 0 / 11 / 0

HEX #A4FFE3

RGB 164 255 227

HSL 161.54, 1%, 0.82%

LAB 93.87, -33.19, 4.8

 

CMYK 29 / 0 / 4 / 0

HEX #B5FFF6

RGB 181 255 246

HSL 172.7, 1%, 0.85%

LAB 95.16, -24.51, -3.02

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 47 / 0 / 18 / 7

HEX #7DECC2

RGB 125 236 194

HSL 157.3, 0.74%, 0.71%

LAB 86.13, -41.51, 10.61

 

CMYK 50 / 0 / 20 / 15

HEX #6CDAAF

RGB 108 218 175

HSL 156.55, 0.6%, 0.64%

LAB 79.86, -41.65, 11.59

 

CMYK 55 / 0 / 22 / 22

HEX #5BC89C

RGB 91 200 156

HSL 155.78, 0.5%, 0.57%

LAB 73.5, -41.72, 12.66

 

CMYK 59 / 0 / 25 / 29

HEX #4AB689

RGB 74 182 137

HSL 155, 0.43%, 0.5%

LAB 67.06, -41.71, 13.82

 

CMYK 65 / 0 / 28 / 36

HEX #39A476

RGB 57 164 118

HSL 154.21, 0.48%, 0.43%

LAB 60.54, -41.56, 15.1

 

CMYK 47 / 0 / 18 / 7

HEX #7EECC2

RGB 126 236 194

HSL 157.09, 0.74%, 0.71%

LAB 86.17, -41.27, 10.67

 

CMYK 47 / 0 / 30 / 7

HEX #7EECA5

RGB 126 236 165

HSL 141.27, 0.74%, 0.71%

LAB 85.58, -47, 24.88

 

CMYK 47 / 0 / 43 / 7

HEX #7EEC87

RGB 126 236 135

HSL 124.91, 0.74%, 0.71%

LAB 85.09, -51.96, 39.36

 

CMYK 38 / 0 / 47 / 7

HEX #93EC7E

RGB 147 236 126

HSL 108.55, 0.74%, 0.71%

LAB 85.86, -47.06, 44.91

 

CMYK 25 / 0 / 47 / 7

HEX #B0EC7E

RGB 176 236 126

HSL 92.73, 0.74%, 0.71%

LAB 87.35, -37.42, 47.09

 

CMYK 47 / 0 / 18 / 7

HEX #7EECC2

RGB 126 236 194

HSL 157.09, 0.74%, 0.71%

LAB 86.17, -41.27, 10.67

 

CMYK 47 / 0 / 5 / 7

HEX #7EECE0

RGB 126 236 224

HSL 173.45, 0.74%, 0.71%

LAB 86.9, -34.47, -3.99

 

CMYK 47 / 8 / 0 / 7

HEX #7EDAEC

RGB 126 218 236

HSL 189.82, 0.74%, 0.71%

LAB 82.18, -22.78, -17.36

 

CMYK 47 / 20 / 0 / 7

HEX #7EBDEC

RGB 126 189 236

HSL 205.64, 0.74%, 0.71%

LAB 74.12, -7.77, -29.64

 

CMYK 47 / 33 / 0 / 7

HEX #7E9FEC

RGB 126 159 236

HSL 222, 0.74%, 0.71%

LAB 65.97, 8.91, -42.29

 

CMYK 47 / 0 / 18 / 7

HEX #7EECC2

RGB 126 236 194

HSL 157.09, 0.74%, 0.71%

LAB 86.17, -41.27, 10.67

 

CMYK 54 / 0 / 21 / 3

HEX #72F8C5

RGB 114 248 197

HSL 157.16, 0.91%, 0.71%

LAB 89.27, -48.57, 13.46

 

CMYK 47 / 0 / 18 / 7

HEX #7EECC2

RGB 126 236 194

HSL 157.09, 0.74%, 0.71%

LAB 86.17, -41.27, 10.67

 

CMYK 38 / 0 / 15 / 12

HEX #8AE0BF

RGB 138 224 191

HSL 156.98, 0.58%, 0.71%

LAB 83.17, -33.34, 8.02

 

CMYK 29 / 0 / 11 / 17

HEX #96D4BD

RGB 150 212 189

HSL 157.74, 0.42%, 0.71%

LAB 80.32, -24.58, 5.06

 

CMYK 19 / 0 / 7 / 22

HEX #A2C8BA

RGB 162 200 186

HSL 157.89, 0.26%, 0.71%

LAB 77.6, -15.44, 2.82

 

CMYK 7 / 0 / 3 / 26

HEX #AEBCB7

RGB 174 188 183

HSL 158.57, 0.09%, 0.71%

LAB 75.07, -5.78, 0.86

 

CMYK 47 / 0 / 43 / 7

HEX #7EEC87

RGB 126 236 135

HSL 124.91, 0.74%, 0.71%

LAB 85.09, -51.96, 39.36

 

CMYK 47 / 0 / 30 / 7

HEX #7EECA5

RGB 126 236 165

HSL 141.27, 0.74%, 0.71%

LAB 85.58, -47, 24.88

 

CMYK 47 / 0 / 18 / 7

HEX #7EECC2

RGB 126 236 194

HSL 157.09, 0.74%, 0.71%

LAB 86.17, -41.27, 10.67

 

CMYK 47 / 0 / 6 / 7

HEX #7EECDF

RGB 126 236 223

HSL 172.91, 0.74%, 0.71%

LAB 86.88, -34.71, -3.5

 

CMYK 47 / 7 / 0 / 7

HEX #7EDBEC

RGB 126 219 236

HSL 189.27, 0.74%, 0.71%

LAB 82.46, -23.28, -16.94

 

CMYK 76 / 0 / 28 / 12

HEX #37E1A1

RGB 55 225 161

HSL 157.41, 0.74%, 0.55%

LAB 80.31, -56.98, 19.41

 

CMYK 61 / 0 / 23 / 10

HEX #5AE6B1

RGB 90 230 177

HSL 157.29, 0.74%, 0.63%

LAB 82.88, -50.13, 14.74

 

CMYK 47 / 0 / 18 / 7

HEX #7EECC2

RGB 126 236 194

HSL 157.09, 0.74%, 0.71%

LAB 86.17, -41.27, 10.67

 

CMYK 33 / 0 / 12 / 5

HEX #A2F1D3

RGB 162 241 211

HSL 157.22, 0.74%, 0.79%

LAB 89.53, -30.5, 6.83

 

CMYK 20 / 0 / 8 / 3

HEX #C6F7E4

RGB 198 247 228

HSL 156.73, 0.75%, 0.87%

LAB 93.51, -19.29, 3.99

 

CMYK 47 / 0 / 18 / 7

HEX #7DECC2

RGB 125 236 194

HSL 157.3, 0.74%, 0.71%

LAB 86.13, -41.51, 10.61

 

CMYK 47 / 38 / 0 / 7

HEX #7E92EC

RGB 126 146 236

HSL 229.09, 0.74%, 0.71%

LAB 62.55, 16.44, -47.68

 

CMYK 0 / 36 / 47 / 7

HEX #EC967E

RGB 236 150 126

HSL 13.09, 0.74%, 0.71%

LAB 70.28, 29.73, 26.16

 

CMYK 47 / 0 / 18 / 7

HEX #7DECC2

RGB 125 236 194

HSL 157.3, 0.74%, 0.71%

LAB 86.13, -41.51, 10.61

 

CMYK 18 / 47 / 0 / 7

HEX #C27EEC

RGB 194 126 236

HSL 277.09, 0.74%, 0.71%

LAB 63.71, 45.68, -45.45

 

CMYK 0 / 18 / 47 / 7

HEX #ECC27E

RGB 236 194 126

HSL 37.09, 0.74%, 0.71%

LAB 80.7, 6.45, 39.72

 

CMYK 47 / 0 / 18 / 7

HEX #7DECC2

RGB 125 236 194

HSL 157.3, 0.74%, 0.71%

LAB 86.13, -41.51, 10.61

 

CMYK 47 / 38 / 0 / 7

HEX #7E92EC

RGB 126 146 236

HSL 229.09, 0.74%, 0.71%

LAB 62.55, 16.44, -47.68

 

CMYK 0 / 47 / 29 / 7

HEX #EC7EA8

RGB 236 126 168

HSL 337.09, 0.74%, 0.71%

LAB 66.2, 46.94, -3.08

 

CMYK 0 / 8 / 47 / 7

HEX #ECD87E

RGB 236 216 126

HSL 49.09, 0.74%, 0.71%

LAB 86.23, -4.9, 46.65

 

CMYK 47 / 0 / 18 / 7

HEX #7DECC2

RGB 125 236 194

HSL 157.3, 0.74%, 0.71%

LAB 86.13, -41.51, 10.61

 

CMYK 41 / 47 / 0 / 7

HEX #8B7EEC

RGB 139 126 236

HSL 247.09, 0.74%, 0.71%

LAB 58.48, 31.28, -54.08

 

CMYK 0 / 47 / 29 / 7

HEX #EC7EA8

RGB 236 126 168

HSL 337.09, 0.74%, 0.71%

LAB 66.2, 46.94, -3.08

 

CMYK 6 / 0 / 47 / 7

HEX #DFEC7E

RGB 223 236 126

HSL 67.09, 0.74%, 0.71%

LAB 90.41, -19.97, 51.53

 

Description

Color code: HEX #7DECC2 | qconv.com Color code: HEX #7DECC2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 236 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 236 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 18 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 18% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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