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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DEC2F it is the complementary color #8213D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DEC2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DEC2F shade: #82EC2A, #93FE3D, #A4FF50, #B5FF63 and #C6FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DEC2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DEC2F shade: #7DEC2F, #6CDA1C, #5BC809, #4AB600 and #39A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DEC2F shade: #7CEB2D, #AFEB2D, #E2EB2D, #EBC12D and #EB8E2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DEC2F shade: #7CEB2D, #48EB2D, #2DEB45, #2DEB79 and #2DEBAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DEC2F shade matches the following richer shades: #7CEB2D and #78FE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DEC2F shade: #7CEB2D, #7FD940, #82C652, #85B465 and #89A177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DEC2F shade: #E2EB2D, #AFEB2D, #7CEB2D, #4AEB2D and #2DEB43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DEC2F shade: #55B511, #66DB14, #7CEB2D, #93EF53 and #ABF379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DEC2F shade: #7DEC2F, #2DEBC2 and #EB2DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DEC2F shade: #7DEC2F, #2D7CEB and #EB2D7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DEC2F shade: #7DEC2F, #2DEBC2, #9C2DEB and #EB2D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DEC2F shade: #7DEC2F, #2DDCEB, #9C2DEB and #EB3D2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 80 / 7

HEX #7DEC2F

RGB 125 236 47

HSL 95.24, 0.83%, 0.55%

LAB 84.25, -60.69, 74.13

 

Complementary color

CMYK 38 / 91 / 0 / 18

HEX #8213D0

RGB 130 19 208

HSL 275.24, 0.83%, 0.45%

LAB 37.42, 71.17, -72.29

 

CMYK 45 / 0 / 82 / 7

HEX #82EC2A

RGB 130 236 42

HSL 92.78, 0.84%, 0.55%

LAB 84.43, -59.4, 75.62

 

CMYK 42 / 0 / 76 / 0

HEX #93FE3D

RGB 147 254 61

HSL 93.26, 0.99%, 0.62%

LAB 90.52, -60.08, 76.35

 

CMYK 36 / 0 / 69 / 0

HEX #A4FF50

RGB 164 255 80

HSL 91.2, 1%, 0.66%

LAB 91.68, -53.85, 71.47

 

CMYK 29 / 0 / 61 / 0

HEX #B5FF63

RGB 181 255 99

HSL 88.46, 1%, 0.69%

LAB 92.68, -46.65, 65.45

 

CMYK 22 / 0 / 54 / 0

HEX #C6FF76

RGB 198 255 118

HSL 84.96, 1%, 0.73%

LAB 93.81, -38.95, 58.86

 

CMYK 47 / 0 / 80 / 7

HEX #7DEC2F

RGB 125 236 47

HSL 95.24, 0.83%, 0.55%

LAB 84.25, -60.69, 74.13

 

CMYK 50 / 0 / 87 / 15

HEX #6CDA1C

RGB 108 218 28

HSL 94.74, 0.77%, 0.48%

LAB 78.12, -59.8, 72.8

 

CMYK 55 / 0 / 96 / 22

HEX #5BC809

RGB 91 200 9

HSL 94.24, 0.91%, 0.41%

LAB 71.93, -58.57, 70.18

 

CMYK 59 / 0 / 100 / 29

HEX #4AB600

RGB 74 182 0

HSL 95.6, 1%, 0.36%

LAB 65.68, -56.91, 65.97

 

CMYK 65 / 0 / 100 / 36

HEX #39A400

RGB 57 164 0

HSL 99.15, 1%, 0.32%

LAB 59.36, -54.86, 60.76

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 26 / 0 / 81 / 8

HEX #AFEB2D

RGB 175 235 45

HSL 78.95, 0.83%, 0.55%

LAB 86.37, -43.44, 77.45

 

CMYK 4 / 0 / 81 / 8

HEX #E2EB2D

RGB 226 235 45

HSL 62.84, 0.83%, 0.55%

LAB 89.75, -23.27, 81.72

 

CMYK 0 / 18 / 81 / 8

HEX #EBC12D

RGB 235 193 45

HSL 46.74, 0.83%, 0.55%

LAB 79.61, 1.51, 73.26

 

CMYK 0 / 40 / 81 / 8

HEX #EB8E2D

RGB 235 142 45

HSL 30.63, 0.83%, 0.55%

LAB 67.43, 28.39, 62.51

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 69 / 0 / 81 / 8

HEX #48EB2D

RGB 72 235 45

HSL 111.47, 0.83%, 0.55%

LAB 82.37, -73.1, 72.34

 

CMYK 81 / 0 / 71 / 8

HEX #2DEB45

RGB 45 235 69

HSL 127.58, 0.83%, 0.55%

LAB 82.06, -75.32, 64.39

 

CMYK 81 / 0 / 49 / 8

HEX #2DEB79

RGB 45 235 121

HSL 144, 0.83%, 0.55%

LAB 82.57, -69.09, 42.57

 

CMYK 81 / 0 / 27 / 8

HEX #2DEBAC

RGB 45 235 172

HSL 160.11, 0.83%, 0.55%

LAB 83.42, -59.42, 17.97

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 53 / 0 / 90 / 0

HEX #78FE1A

RGB 120 254 26

HSL 95.26, 0.99%, 0.55%

LAB 89.37, -69.24, 82.79

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 41 / 0 / 71 / 15

HEX #7FD940

RGB 127 217 64

HSL 95.29, 0.67%, 0.55%

LAB 78.76, -51.8, 63.51

 

CMYK 34 / 0 / 59 / 22

HEX #82C652

RGB 130 198 82

HSL 95.17, 0.5%, 0.55%

LAB 73.38, -41.36, 50.39

 

CMYK 26 / 0 / 44 / 29

HEX #85B465

RGB 133 180 101

HSL 95.7, 0.34%, 0.55%

LAB 68.44, -29.91, 35.29

 

CMYK 15 / 0 / 26 / 37

HEX #89A177

RGB 137 161 119

HSL 94.29, 0.18%, 0.55%

LAB 63.46, -16.3, 19.17

 

CMYK 4 / 0 / 81 / 8

HEX #E2EB2D

RGB 226 235 45

HSL 62.84, 0.83%, 0.55%

LAB 89.75, -23.27, 81.72

 

CMYK 26 / 0 / 81 / 8

HEX #AFEB2D

RGB 175 235 45

HSL 78.95, 0.83%, 0.55%

LAB 86.37, -43.44, 77.45

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 69 / 0 / 81 / 8

HEX #4AEB2D

RGB 74 235 45

HSL 110.84, 0.83%, 0.55%

LAB 82.41, -72.75, 72.4

 

CMYK 81 / 0 / 71 / 8

HEX #2DEB43

RGB 45 235 67

HSL 126.95, 0.83%, 0.55%

LAB 82.04, -75.48, 65.09

 

CMYK 53 / 0 / 91 / 29

HEX #55B511

RGB 85 181 17

HSL 95.12, 0.83%, 0.39%

LAB 65.76, -53.21, 63.96

 

CMYK 53 / 0 / 91 / 14

HEX #66DB14

RGB 102 219 20

HSL 95.28, 0.83%, 0.47%

LAB 78.19, -62.06, 74.12

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 38 / 0 / 65 / 6

HEX #93EF53

RGB 147 239 83

HSL 95.38, 0.83%, 0.63%

LAB 86.29, -52.75, 64.45

 

CMYK 30 / 0 / 50 / 5

HEX #ABF379

RGB 171 243 121

HSL 95.41, 0.84%, 0.71%

LAB 88.99, -42.82, 51.39

 

CMYK 47 / 0 / 80 / 7

HEX #7DEC2F

RGB 125 236 47

HSL 95.24, 0.83%, 0.55%

LAB 84.25, -60.69, 74.13

 

CMYK 81 / 0 / 17 / 8

HEX #2DEBC2

RGB 45 235 194

HSL 167.05, 0.83%, 0.55%

LAB 83.9, -54.26, 7.16

 

CMYK 0 / 81 / 14 / 8

HEX #EB2DC9

RGB 235 45 201

HSL 310.74, 0.83%, 0.55%

LAB 55.84, 82.16, -37.73

 

CMYK 47 / 0 / 80 / 7

HEX #7DEC2F

RGB 125 236 47

HSL 95.24, 0.83%, 0.55%

LAB 84.25, -60.69, 74.13

 

CMYK 81 / 47 / 0 / 8

HEX #2D7CEB

RGB 45 124 235

HSL 215.05, 0.83%, 0.55%

LAB 52.92, 15.8, -62.71

 

CMYK 0 / 81 / 47 / 8

HEX #EB2D7C

RGB 235 45 124

HSL 335.05, 0.83%, 0.55%

LAB 52.94, 73.86, 3.18

 

CMYK 47 / 0 / 80 / 7

HEX #7DEC2F

RGB 125 236 47

HSL 95.24, 0.83%, 0.55%

LAB 84.25, -60.69, 74.13

 

CMYK 81 / 0 / 17 / 8

HEX #2DEBC2

RGB 45 235 194

HSL 167.05, 0.83%, 0.55%

LAB 83.9, -54.26, 7.16

 

CMYK 34 / 81 / 0 / 8

HEX #9C2DEB

RGB 156 45 235

HSL 275.05, 0.83%, 0.55%

LAB 45.56, 73.75, -74.28

 

CMYK 0 / 81 / 63 / 8

HEX #EB2D56

RGB 235 45 86

HSL 347.05, 0.83%, 0.55%

LAB 52.07, 71.26, 24.9

 

CMYK 47 / 0 / 80 / 7

HEX #7DEC2F

RGB 125 236 47

HSL 95.24, 0.83%, 0.55%

LAB 84.25, -60.69, 74.13

 

CMYK 81 / 6 / 0 / 8

HEX #2DDCEB

RGB 45 220 235

HSL 184.74, 0.83%, 0.55%

LAB 80.6, -36.52, -19.43

 

CMYK 34 / 81 / 0 / 8

HEX #9C2DEB

RGB 156 45 235

HSL 275.05, 0.83%, 0.55%

LAB 45.56, 73.75, -74.28

 

CMYK 0 / 74 / 81 / 8

HEX #EB3D2D

RGB 235 61 45

HSL 5.05, 0.83%, 0.55%

LAB 53.16, 65.02, 49.31

 

Description

Color code: HEX #7DEC2F | qconv.com Color code: HEX #7DEC2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 236 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 236 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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