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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DE25F it is the complementary color #821DA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DE25F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DE25F shade: #82E25A, #93F46D, #A4FF80, #B5FF93 and #C6FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DE25F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DE25F shade: #7DE25F, #6CD04C, #5BBE39, #4AAC26 and #399A13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DE25F shade: #7DE15F, #A0E15F, #C3E15F, #E1DC5F and #E1B95F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DE25F shade: #7DE15F, #5FE164, #5FE187, #5FE1AB and #5FE1CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DE25F shade matches the following richer shades: #7DE15F and #75F150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DE25F shade: #7DE15F, #85D26E, #8DC37E, #96B38D and #9EA49C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DE25F shade: #C3E15F, #A0E15F, #7DE15F, #5FE163 and #5FE186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DE25F shade: #4AC925, #61DB3C, #7DE15F, #99E882 and #B6EEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DE25F shade: #7DE25F, #5FE1DD and #E15FB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DE25F shade: #7DE25F, #5F7DE1 and #E15F7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DE25F shade: #7DE25F, #5FE1DD, #C35FE1 and #E15F63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DE25F shade: #7DE25F, #5FBFE1, #C35FE1 and #E1825F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 58 / 11

HEX #7DE25F

RGB 125 226 95

HSL 106.26, 0.69%, 0.63%

LAB 81.61, -53.29, 53.96

 

Complementary color

CMYK 19 / 82 / 0 / 37

HEX #821DA0

RGB 130 29 160

HSL 286.26, 0.69%, 0.37%

LAB 34.32, 59.13, -48.92

 

CMYK 42 / 0 / 60 / 11

HEX #82E25A

RGB 130 226 90

HSL 102.35, 0.7%, 0.62%

LAB 81.77, -52.29, 56.39

 

CMYK 40 / 0 / 55 / 4

HEX #93F46D

RGB 147 244 109

HSL 103.11, 0.86%, 0.69%

LAB 87.97, -52.37, 55.37

 

CMYK 36 / 0 / 50 / 0

HEX #A4FF80

RGB 164 255 128

HSL 102.99, 1%, 0.75%

LAB 92.12, -49.46, 51.86

 

CMYK 29 / 0 / 42 / 0

HEX #B5FF93

RGB 181 255 147

HSL 101.11, 1%, 0.79%

LAB 93.21, -41.62, 44.41

 

CMYK 22 / 0 / 35 / 0

HEX #C6FFA6

RGB 198 255 166

HSL 98.43, 1%, 0.83%

LAB 94.43, -33.39, 36.87

 

CMYK 45 / 0 / 58 / 11

HEX #7DE25F

RGB 125 226 95

HSL 106.26, 0.69%, 0.63%

LAB 81.61, -53.29, 53.96

 

CMYK 48 / 0 / 63 / 18

HEX #6CD04C

RGB 108 208 76

HSL 105.45, 0.58%, 0.56%

LAB 75.34, -53.11, 54.94

 

CMYK 52 / 0 / 70 / 25

HEX #5BBE39

RGB 91 190 57

HSL 104.66, 0.54%, 0.48%

LAB 69, -52.72, 55.64

 

CMYK 57 / 0 / 78 / 33

HEX #4AAC26

RGB 74 172 38

HSL 103.88, 0.64%, 0.41%

LAB 62.59, -52.02, 55.8

 

CMYK 63 / 0 / 88 / 40

HEX #399A13

RGB 57 154 19

HSL 103.11, 0.78%, 0.34%

LAB 56.12, -50.87, 54.94

 

CMYK 44 / 0 / 58 / 12

HEX #7DE15F

RGB 125 225 95

HSL 106.15, 0.68%, 0.63%

LAB 81.31, -52.9, 53.62

 

CMYK 29 / 0 / 58 / 12

HEX #A0E15F

RGB 160 225 95

HSL 90, 0.68%, 0.63%

LAB 82.99, -41.41, 55.99

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 0 / 2 / 58 / 12

HEX #E1DC5F

RGB 225 220 95

HSL 57.69, 0.68%, 0.63%

LAB 86.02, -13.9, 60.59

 

CMYK 0 / 18 / 58 / 12

HEX #E1B95F

RGB 225 185 95

HSL 41.54, 0.68%, 0.63%

LAB 77, 4.02, 50.35

 

CMYK 44 / 0 / 58 / 12

HEX #7DE15F

RGB 125 225 95

HSL 106.15, 0.68%, 0.63%

LAB 81.31, -52.9, 53.62

 

CMYK 58 / 0 / 56 / 12

HEX #5FE164

RGB 95 225 100

HSL 122.31, 0.68%, 0.63%

LAB 80.29, -60.32, 49.91

 

CMYK 58 / 0 / 40 / 12

HEX #5FE187

RGB 95 225 135

HSL 138.46, 0.68%, 0.63%

LAB 80.76, -55.23, 33.54

 

CMYK 58 / 0 / 24 / 12

HEX #5FE1AB

RGB 95 225 171

HSL 155.08, 0.68%, 0.63%

LAB 81.41, -48.36, 15.84

 

CMYK 58 / 0 / 8 / 12

HEX #5FE1CE

RGB 95 225 206

HSL 171.23, 0.68%, 0.63%

LAB 82.24, -40.25, -1.46

 

CMYK 44 / 0 / 58 / 12

HEX #7DE15F

RGB 125 225 95

HSL 106.15, 0.68%, 0.63%

LAB 81.31, -52.9, 53.62

 

CMYK 51 / 0 / 67 / 5

HEX #75F150

RGB 117 241 80

HSL 106.21, 0.85%, 0.63%

LAB 85.64, -62.67, 64.56

 

CMYK 44 / 0 / 58 / 12

HEX #7DE15F

RGB 125 225 95

HSL 106.15, 0.68%, 0.63%

LAB 81.31, -52.9, 53.62

 

CMYK 37 / 0 / 48 / 18

HEX #85D26E

RGB 133 210 110

HSL 106.2, 0.53%, 0.63%

LAB 77.4, -42.41, 42.01

 

CMYK 28 / 0 / 35 / 24

HEX #8DC37E

RGB 141 195 126

HSL 106.96, 0.37%, 0.63%

LAB 73.67, -30.67, 29.19

 

CMYK 16 / 0 / 21 / 30

HEX #96B38D

RGB 150 179 141

HSL 105.79, 0.2%, 0.63%

LAB 69.93, -17.17, 16.19

 

CMYK 4 / 0 / 5 / 36

HEX #9EA49C

RGB 158 164 156

HSL 105, 0.04%, 0.63%

LAB 66.69, -3.66, 3.4

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 29 / 0 / 58 / 12

HEX #A0E15F

RGB 160 225 95

HSL 90, 0.68%, 0.63%

LAB 82.99, -41.41, 55.99

 

CMYK 44 / 0 / 58 / 12

HEX #7DE15F

RGB 125 225 95

HSL 106.15, 0.68%, 0.63%

LAB 81.31, -52.9, 53.62

 

CMYK 58 / 0 / 56 / 12

HEX #5FE163

RGB 95 225 99

HSL 121.85, 0.68%, 0.63%

LAB 80.28, -60.44, 50.35

 

CMYK 58 / 0 / 40 / 12

HEX #5FE186

RGB 95 225 134

HSL 138, 0.68%, 0.63%

LAB 80.74, -55.4, 34.02

 

CMYK 63 / 0 / 82 / 21

HEX #4AC925

RGB 74 201 37

HSL 106.46, 0.69%, 0.47%

LAB 71.8, -62.23, 64.74

 

CMYK 56 / 0 / 73 / 14

HEX #61DB3C

RGB 97 219 60

HSL 106.04, 0.69%, 0.55%

LAB 78.19, -61.52, 63.99

 

CMYK 44 / 0 / 58 / 12

HEX #7DE15F

RGB 125 225 95

HSL 106.15, 0.68%, 0.63%

LAB 81.31, -52.9, 53.62

 

CMYK 34 / 0 / 44 / 9

HEX #99E882

RGB 153 232 130

HSL 106.47, 0.69%, 0.71%

LAB 85.05, -42.91, 42.01

 

CMYK 24 / 0 / 31 / 7

HEX #B6EEA5

RGB 182 238 165

HSL 106.03, 0.68%, 0.79%

LAB 88.83, -31.07, 29.75

 

CMYK 45 / 0 / 58 / 11

HEX #7DE25F

RGB 125 226 95

HSL 106.26, 0.69%, 0.63%

LAB 81.61, -53.29, 53.96

 

CMYK 58 / 0 / 2 / 12

HEX #5FE1DD

RGB 95 225 221

HSL 178.15, 0.68%, 0.63%

LAB 82.65, -36.39, -8.81

 

CMYK 0 / 58 / 21 / 12

HEX #E15FB2

RGB 225 95 178

HSL 321.69, 0.68%, 0.63%

LAB 59.35, 59.59, -19.21

 

CMYK 45 / 0 / 58 / 11

HEX #7DE25F

RGB 125 226 95

HSL 106.26, 0.69%, 0.63%

LAB 81.61, -53.29, 53.96

 

CMYK 58 / 44 / 0 / 12

HEX #5F7DE1

RGB 95 125 225

HSL 226.15, 0.68%, 0.63%

LAB 54.59, 18.81, -54.32

 

CMYK 0 / 58 / 44 / 12

HEX #E15F7D

RGB 225 95 125

HSL 346.15, 0.68%, 0.63%

LAB 57.73, 53.27, 9.2

 

CMYK 45 / 0 / 58 / 11

HEX #7DE25F

RGB 125 226 95

HSL 106.26, 0.69%, 0.63%

LAB 81.61, -53.29, 53.96

 

CMYK 58 / 0 / 2 / 12

HEX #5FE1DD

RGB 95 225 221

HSL 178.15, 0.68%, 0.63%

LAB 82.65, -36.39, -8.81

 

CMYK 13 / 58 / 0 / 12

HEX #C35FE1

RGB 195 95 225

HSL 286.15, 0.68%, 0.63%

LAB 57.29, 59.37, -49.46

 

CMYK 0 / 58 / 56 / 12

HEX #E15F63

RGB 225 95 99

HSL 358.15, 0.68%, 0.63%

LAB 57.17, 51.01, 23.6

 

CMYK 45 / 0 / 58 / 11

HEX #7DE25F

RGB 125 226 95

HSL 106.26, 0.69%, 0.63%

LAB 81.61, -53.29, 53.96

 

CMYK 58 / 15 / 0 / 12

HEX #5FBFE1

RGB 95 191 225

HSL 195.69, 0.68%, 0.63%

LAB 72.98, -18.64, -25.54

 

CMYK 13 / 58 / 0 / 12

HEX #C35FE1

RGB 195 95 225

HSL 286.15, 0.68%, 0.63%

LAB 57.29, 59.37, -49.46

 

CMYK 0 / 42 / 58 / 12

HEX #E1825F

RGB 225 130 95

HSL 16.15, 0.68%, 0.63%

LAB 64, 33.28, 34.65

 

Description

Color code: HEX #7DE25F | qconv.com Color code: HEX #7DE25F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 226 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 226 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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