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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DDC82 it is the complementary color #82237D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DDC82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DDC82 shade: #82DC7D, #93EE90, #A4FFA3, #B5FFB6 and #C6FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DDC82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DDC82 shade: #7DDC82, #6CCA6F, #5BB85C, #4AA649 and #399436

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DDC82 shade: #7EDD83, #93DD7E, #ACDD7E, #C6DD7E and #DDDA7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DDC82 shade: #7EDD83, #7EDD9D, #7EDDB6, #7EDDD0 and #7ED0DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DDC82 shade matches the following richer shades: #7EDD83, #71EA77 and #64F76B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DDC82 shade: #7EDD83, #8BD08F, #98C29B, #A6B5A6 and #B3A8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DDC82 shade: #ACDD7E, #93DD7E, #7EDD83, #7EDD9C and #7EDDB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DDC82 shade: #3DCB44, #5DD464, #7EDD83, #9FE5A2 and #BFEEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DDC82 shade: #7DDC82, #7EC5DD and #DD7E9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DDC82 shade: #7DDC82, #837EDD and #DD837E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DDC82 shade: #7DDC82, #7EC5DD, #DD7ED8 and #DD967E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DDC82 shade: #7DDC82, #7EA9DD, #DD7ED8 and #DDB27E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 41 / 14

HEX #7DDC82

RGB 125 220 130

HSL 123.16, 0.58%, 0.68%

LAB 80.27, -46.35, 35.63

 

Complementary color

CMYK 0 / 73 / 4 / 49

HEX #82237D

RGB 130 35 125

HSL 303.16, 0.58%, 0.32%

LAB 32.76, 50.75, -29.85

 

CMYK 41 / 0 / 43 / 14

HEX #82DC7D

RGB 130 220 125

HSL 116.84, 0.58%, 0.68%

LAB 80.41, -45.61, 38.36

 

CMYK 38 / 0 / 39 / 7

HEX #93EE90

RGB 147 238 144

HSL 118.09, 0.73%, 0.75%

LAB 86.68, -45.43, 37.15

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA3

RGB 164 255 163

HSL 119.35, 1%, 0.82%

LAB 92.6, -44.78, 35.61

 

CMYK 29 / 0 / 29 / 0

HEX #B5FFB6

RGB 181 255 182

HSL 120.81, 1%, 0.85%

LAB 93.76, -36.57, 27.8

 

CMYK 22 / 0 / 21 / 0

HEX #C6FFC9

RGB 198 255 201

HSL 123.16, 1%, 0.89%

LAB 95.05, -28.02, 20.08

 

CMYK 43 / 0 / 41 / 14

HEX #7DDC82

RGB 125 220 130

HSL 123.16, 0.58%, 0.68%

LAB 80.27, -46.35, 35.63

 

CMYK 47 / 0 / 45 / 21

HEX #6CCA6F

RGB 108 202 111

HSL 121.91, 0.47%, 0.61%

LAB 73.92, -46.49, 36.9

 

CMYK 51 / 0 / 50 / 28

HEX #5BB85C

RGB 91 184 92

HSL 120.65, 0.4%, 0.54%

LAB 67.48, -46.53, 38.21

 

CMYK 55 / 0 / 56 / 35

HEX #4AA649

RGB 74 166 73

HSL 119.35, 0.39%, 0.47%

LAB 60.97, -46.42, 39.52

 

CMYK 61 / 0 / 64 / 42

HEX #399436

RGB 57 148 54

HSL 118.09, 0.47%, 0.4%

LAB 54.36, -46.04, 40.75

 

CMYK 43 / 0 / 41 / 13

HEX #7EDD83

RGB 126 221 131

HSL 123.16, 0.58%, 0.68%

LAB 80.62, -46.33, 35.59

 

CMYK 33 / 0 / 43 / 13

HEX #93DD7E

RGB 147 221 126

HSL 106.74, 0.58%, 0.68%

LAB 81.52, -40.57, 39.44

 

CMYK 22 / 0 / 43 / 13

HEX #ACDD7E

RGB 172 221 126

HSL 90.95, 0.58%, 0.68%

LAB 82.91, -31.96, 41.49

 

CMYK 10 / 0 / 43 / 13

HEX #C6DD7E

RGB 198 221 126

HSL 74.53, 0.58%, 0.68%

LAB 84.6, -22.31, 43.97

 

CMYK 0 / 1 / 43 / 13

HEX #DDDA7E

RGB 221 218 126

HSL 58.11, 0.58%, 0.68%

LAB 85.51, -11.87, 45.49

 

CMYK 43 / 0 / 41 / 13

HEX #7EDD83

RGB 126 221 131

HSL 123.16, 0.58%, 0.68%

LAB 80.62, -46.33, 35.59

 

CMYK 43 / 0 / 29 / 13

HEX #7EDD9D

RGB 126 221 157

HSL 139.58, 0.58%, 0.68%

LAB 81.06, -41.98, 22.84

 

CMYK 43 / 0 / 18 / 13

HEX #7EDDB6

RGB 126 221 182

HSL 155.37, 0.58%, 0.68%

LAB 81.58, -37.05, 10.44

 

CMYK 43 / 0 / 6 / 13

HEX #7EDDD0

RGB 126 221 208

HSL 171.79, 0.58%, 0.68%

LAB 82.22, -31.23, -2.42

 

CMYK 43 / 6 / 0 / 13

HEX #7ED0DD

RGB 126 208 221

HSL 188.21, 0.58%, 0.68%

LAB 78.91, -21.68, -14.28

 

CMYK 43 / 0 / 41 / 13

HEX #7EDD83

RGB 126 221 131

HSL 123.16, 0.58%, 0.68%

LAB 80.62, -46.33, 35.59

 

CMYK 52 / 0 / 49 / 8

HEX #71EA77

RGB 113 234 119

HSL 122.98, 0.74%, 0.68%

LAB 83.8, -56.86, 45.41

 

CMYK 60 / 0 / 57 / 3

HEX #64F76B

RGB 100 247 107

HSL 122.86, 0.9%, 0.68%

LAB 87.14, -66.26, 54.86

 

CMYK 43 / 0 / 41 / 13

HEX #7EDD83

RGB 126 221 131

HSL 123.16, 0.58%, 0.68%

LAB 80.62, -46.33, 35.59

 

CMYK 33 / 0 / 31 / 18

HEX #8BD08F

RGB 139 208 143

HSL 123.48, 0.42%, 0.68%

LAB 77.63, -34.71, 25.58

 

CMYK 22 / 0 / 20 / 24

HEX #98C29B

RGB 152 194 155

HSL 124.29, 0.26%, 0.68%

LAB 74.59, -21.62, 15.14

 

CMYK 8 / 0 / 8 / 29

HEX #A6B5A6

RGB 166 181 166

HSL 120, 0.09%, 0.68%

LAB 72.17, -8.06, 5.86

 

CMYK 0 / 6 / 1 / 30

HEX #B3A8B2

RGB 179 168 178

HSL 305.45, 0.07%, 0.68%

LAB 70.04, 5.79, -3.72

 

CMYK 22 / 0 / 43 / 13

HEX #ACDD7E

RGB 172 221 126

HSL 90.95, 0.58%, 0.68%

LAB 82.91, -31.96, 41.49

 

CMYK 33 / 0 / 43 / 13

HEX #93DD7E

RGB 147 221 126

HSL 106.74, 0.58%, 0.68%

LAB 81.52, -40.57, 39.44

 

CMYK 43 / 0 / 41 / 13

HEX #7EDD83

RGB 126 221 131

HSL 123.16, 0.58%, 0.68%

LAB 80.62, -46.33, 35.59

 

CMYK 43 / 0 / 29 / 13

HEX #7EDD9C

RGB 126 221 156

HSL 138.95, 0.58%, 0.68%

LAB 81.04, -42.16, 23.34

 

CMYK 43 / 0 / 18 / 13

HEX #7EDDB5

RGB 126 221 181

HSL 154.74, 0.58%, 0.68%

LAB 81.56, -37.26, 10.93

 

CMYK 70 / 0 / 67 / 20

HEX #3DCB44

RGB 61 203 68

HSL 122.96, 0.58%, 0.52%

LAB 72.31, -63.2, 54.53

 

CMYK 56 / 0 / 53 / 17

HEX #5DD464

RGB 93 212 100

HSL 123.53, 0.58%, 0.6%

LAB 76.27, -55.95, 45.08

 

CMYK 43 / 0 / 41 / 13

HEX #7EDD83

RGB 126 221 131

HSL 123.16, 0.58%, 0.68%

LAB 80.62, -46.33, 35.59

 

CMYK 31 / 0 / 29 / 10

HEX #9FE5A2

RGB 159 229 162

HSL 122.57, 0.57%, 0.76%

LAB 85.01, -34.89, 25.89

 

CMYK 20 / 0 / 18 / 7

HEX #BFEEC2

RGB 191 238 194

HSL 123.83, 0.58%, 0.84%

LAB 89.92, -23.37, 16.42

 

CMYK 43 / 0 / 41 / 14

HEX #7DDC82

RGB 125 220 130

HSL 123.16, 0.58%, 0.68%

LAB 80.27, -46.35, 35.63

 

CMYK 43 / 11 / 0 / 13

HEX #7EC5DD

RGB 126 197 221

HSL 195.16, 0.58%, 0.68%

LAB 75.82, -16.07, -18.94

 

CMYK 0 / 43 / 28 / 13

HEX #DD7E9F

RGB 221 126 159

HSL 339.16, 0.58%, 0.68%

LAB 64, 40.62, -1.43

 

CMYK 43 / 0 / 41 / 14

HEX #7DDC82

RGB 125 220 130

HSL 123.16, 0.58%, 0.68%

LAB 80.27, -46.35, 35.63

 

CMYK 41 / 43 / 0 / 13

HEX #837EDD

RGB 131 126 221

HSL 243.16, 0.58%, 0.68%

LAB 57.04, 25.1, -48.02

 

CMYK 0 / 41 / 43 / 13

HEX #DD837E

RGB 221 131 126

HSL 3.16, 0.58%, 0.68%

LAB 64.25, 34.02, 17.66

 

CMYK 43 / 0 / 41 / 14

HEX #7DDC82

RGB 125 220 130

HSL 123.16, 0.58%, 0.68%

LAB 80.27, -46.35, 35.63

 

CMYK 43 / 11 / 0 / 13

HEX #7EC5DD

RGB 126 197 221

HSL 195.16, 0.58%, 0.68%

LAB 75.82, -16.07, -18.94

 

CMYK 0 / 43 / 2 / 13

HEX #DD7ED8

RGB 221 126 216

HSL 303.16, 0.58%, 0.68%

LAB 65.94, 49.54, -30.63

 

CMYK 0 / 32 / 43 / 13

HEX #DD967E

RGB 221 150 126

HSL 15.16, 0.58%, 0.68%

LAB 68.53, 23.88, 23.49

 

CMYK 43 / 0 / 41 / 14

HEX #7DDC82

RGB 125 220 130

HSL 123.16, 0.58%, 0.68%

LAB 80.27, -46.35, 35.63

 

CMYK 43 / 24 / 0 / 13

HEX #7EA9DD

RGB 126 169 221

HSL 212.84, 0.58%, 0.68%

LAB 68.04, -1.02, -30.83

 

CMYK 0 / 43 / 2 / 13

HEX #DD7ED8

RGB 221 126 216

HSL 303.16, 0.58%, 0.68%

LAB 65.94, 49.54, -30.63

 

CMYK 0 / 19 / 43 / 13

HEX #DDB27E

RGB 221 178 126

HSL 32.84, 0.58%, 0.68%

LAB 75.28, 8.86, 32.45

 

Description

Color code: HEX #7DDC82 | qconv.com Color code: HEX #7DDC82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 220 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 220 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 41 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 41% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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