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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DDBFACE it is the complementary color #822405CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DDBFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DDBFACE shade: #82DBF5CE, #93EDFFCE, #A4FFFFCE, #B5FFFFCE and #C6FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DDBFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DDBFACE shade: #7DDBFACE, #6CC9E7CE, #5BB7D4CE, #4AA5C1CE and #3993AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DDBFACE shade: #7FDCFA, #7FBBFA, #7F99FA, #867FFA and #A77FFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DDBFACE shade: #7FDCFA, #7FBBFA, #7F99FA and #7F7FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DDBFACE shade matches the following richer shades: #7FDCFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DDBFACE shade: #7FDCFA, #8AD6F0, #94D1E5, #9FCCDA and #AAC6CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DDBFACE shade: #7FFAD5, #7FFAF6, #7FDEFA, #7FBDFA and #7F9CFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DDBFACE shade: #2FC6F7, #57D1F9, #7FDCFA, #A7E7FC and #CFF2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DDBFACE shade: #7DDBFA, #B47FFA and #FAE67F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DDBFACE shade: #7DDBFA, #FA7FDE and #DEFA7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DDBFACE shade: #7DDBFA, #B47FFA, #FA9C7F and #C5FA7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DDBFACE shade: #7DDBFA, #D97FFA, #FA9C7F and #A0FA7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 10 / 0 / 2

HEX #7DDBFACE

RGBA 125 219 250 0.81

HSLA 194.88, 0.93%, 0.74%, 0.81

LABA 82.87, -19.76, -23.74, 0.81

 

Complementary color

CMYK 0 / 59 / 78 / 40

HEX #822405CE

RGBA 130 36 5 0.81

HSLA 14.88, 0.93%, 0.26%, 0.81

LABA 29.46, 39.02, 39.56, 0.81

 

CMYK 38 / 9 / 0 / 3

HEX #82DBF5CE

RGBA 130 219 245 0.81

HSLA 193.57, 0.85%, 0.74%, 0.81

LABA 82.91, -20, -21.01, 0.81

 

CMYK 34 / 6 / 0 / 0

HEX #93EDFFCE

RGBA 147 237 255 0.81

HSLA 190, 1%, 0.79%, 0.81

LABA 88.92, -22.44, -17.14, 0.81

 

CMYK 29 / 0 / 0 / 0

HEX #A4FFFFCE

RGBA 164 255 255 0.81

HSLA 180, 1%, 0.82%, 0.81

LABA 94.58, -27.01, -8.61, 0.81

 

CMYK 24 / 0 / 0 / 0

HEX #B5FFFFCE

RGBA 181 255 255 0.81

HSLA 180, 1%, 0.85%, 0.81

LABA 95.4, -22.55, -7.31, 0.81

 

CMYK 18 / 0 / 0 / 0

HEX #C6FFFFCE

RGBA 198 255 255 0.81

HSLA 180, 1%, 0.89%, 0.81

LABA 96.31, -17.77, -5.86, 0.81

 

CMYK 41 / 10 / 0 / 2

HEX #7DDBFACE

RGBA 125 219 250 0.81

HSLA 194.88, 0.93%, 0.74%, 0.81

LABA 82.87, -19.76, -23.74, 0.81

 

CMYK 43 / 11 / 0 / 8

HEX #6CC9E7CE

RGBA 108 201 231 0.81

HSLA 194.63, 0.72%, 0.66%, 0.81

LABA 76.52, -19.47, -23.34, 0.81

 

CMYK 46 / 11 / 0 / 14

HEX #5BB7D4CE

RGBA 91 183 212 0.81

HSLA 194.38, 0.58%, 0.59%, 0.81

LABA 70.07, -19.09, -22.92, 0.81

 

CMYK 50 / 12 / 0 / 20

HEX #4AA5C1CE

RGBA 74 165 193 0.81

HSLA 194.12, 0.49%, 0.52%, 0.81

LABA 63.52, -18.59, -22.47, 0.81

 

CMYK 54 / 13 / 0 / 26

HEX #3993AECE

RGBA 57 147 174 0.81

HSLA 193.85, 0.51%, 0.45%, 0.81

LABA 56.87, -17.9, -21.98, 0.81

 

CMYK 49 / 12 / 0 / 2

HEX #7FDCFA

RGB 127 220 250

HSL 194.63, 0.92%, 0.74%

LAB 83.23, -19.83, -23.19

 

CMYK 49 / 25 / 0 / 2

HEX #7FBBFA

RGB 127 187 250

HSL 210.73, 0.92%, 0.74%

LAB 74.16, -2.49, -37.12

 

CMYK 49 / 39 / 0 / 2

HEX #7F99FA

RGB 127 153 250

HSL 227.32, 0.92%, 0.74%

LAB 65.12, 16.74, -51.3

 

CMYK 46 / 49 / 0 / 2

HEX #867FFA

RGB 134 127 250

HSL 243.41, 0.92%, 0.74%

LAB 59.11, 33.51, -60.84

 

CMYK 33 / 49 / 0 / 2

HEX #A77FFA

RGB 167 127 250

HSL 259.51, 0.92%, 0.74%

LAB 61.91, 41.3, -56.21

 

CMYK 49 / 12 / 0 / 2

HEX #7FDCFA

RGB 127 220 250

HSL 194.63, 0.92%, 0.74%

LAB 83.23, -19.83, -23.19

 

CMYK 49 / 25 / 0 / 2

HEX #7FBBFA

RGB 127 187 250

HSL 210.73, 0.92%, 0.74%

LAB 74.16, -2.49, -37.12

 

CMYK 49 / 39 / 0 / 2

HEX #7F99FA

RGB 127 153 250

HSL 227.32, 0.92%, 0.74%

LAB 65.12, 16.74, -51.3

 

CMYK 49 / 49 / 0 / 2

HEX #7F7FFA

RGB 127 127 250

HSL 240, 0.92%, 0.74%

LAB 58.6, 32, -61.69

 

CMYK 49 / 12 / 0 / 2

HEX #7FDCFA

RGB 127 220 250

HSL 194.63, 0.92%, 0.74%

LAB 83.23, -19.83, -23.19

 

CMYK 49 / 12 / 0 / 2

HEX #7FDCFA

RGB 127 220 250

HSL 194.63, 0.92%, 0.74%

LAB 83.23, -19.83, -23.19

 

CMYK 43 / 11 / 0 / 6

HEX #8AD6F0

RGB 138 214 240

HSL 195.29, 0.77%, 0.74%

LAB 81.72, -16.9, -20.13

 

CMYK 35 / 9 / 0 / 10

HEX #94D1E5

RGB 148 209 229

HSL 194.81, 0.61%, 0.74%

LAB 80.49, -14.56, -16.08

 

CMYK 27 / 6 / 0 / 15

HEX #9FCCDA

RGB 159 204 218

HSL 194.24, 0.44%, 0.74%

LAB 79.4, -11.52, -11.77

 

CMYK 18 / 4 / 0 / 19

HEX #AAC6CF

RGB 170 198 207

HSL 194.59, 0.28%, 0.74%

LAB 78.13, -7.48, -7.66

 

CMYK 49 / 0 / 15 / 2

HEX #7FFAD5

RGB 127 250 213

HSL 161.95, 0.92%, 0.74%

LAB 90.64, -43.12, 7.19

 

CMYK 49 / 0 / 2 / 2

HEX #7FFAF6

RGB 127 250 246

HSL 178.05, 0.92%, 0.74%

LAB 91.48, -35.36, -8.71

 

CMYK 49 / 11 / 0 / 2

HEX #7FDEFA

RGB 127 222 250

HSL 193.66, 0.92%, 0.74%

LAB 83.79, -20.84, -22.35

 

CMYK 49 / 24 / 0 / 2

HEX #7FBDFA

RGB 127 189 250

HSL 209.76, 0.92%, 0.74%

LAB 74.7, -3.58, -36.28

 

CMYK 49 / 38 / 0 / 2

HEX #7F9CFA

RGB 127 156 250

HSL 225.85, 0.92%, 0.74%

LAB 65.9, 15, -50.07

 

CMYK 81 / 20 / 0 / 3

HEX #2FC6F7

RGB 47 198 247

HSL 194.7, 0.93%, 0.58%

LAB 74.64, -21.85, -34.96

 

CMYK 65 / 16 / 0 / 2

HEX #57D1F9

RGB 87 209 249

HSL 194.81, 0.93%, 0.66%

LAB 78.73, -22.04, -29.65

 

CMYK 49 / 12 / 0 / 2

HEX #7FDCFA

RGB 127 220 250

HSL 194.63, 0.92%, 0.74%

LAB 83.23, -19.83, -23.19

 

CMYK 34 / 8 / 0 / 1

HEX #A7E7FC

RGB 167 231 252

HSL 194.82, 0.93%, 0.82%

LAB 88.16, -15.13, -16.62

 

CMYK 18 / 4 / 0 / 1

HEX #CFF2FD

RGB 207 242 253

HSL 194.35, 0.92%, 0.9%

LAB 93.39, -9.03, -9.08

 

CMYK 50 / 12 / 0 / 2

HEX #7DDBFA

RGB 125 219 250

HSL 194.88, 0.93%, 0.74%

LAB 82.87, -19.76, -23.74

 

CMYK 28 / 49 / 0 / 2

HEX #B47FFA

RGB 180 127 250

HSL 265.85, 0.92%, 0.74%

LAB 63.16, 44.59, -54.13

 

CMYK 0 / 8 / 49 / 2

HEX #FAE67F

RGB 250 230 127

HSL 50.24, 0.92%, 0.74%

LAB 90.98, -6.3, 52.25

 

CMYK 50 / 12 / 0 / 2

HEX #7DDBFA

RGB 125 219 250

HSL 194.88, 0.93%, 0.74%

LAB 82.87, -19.76, -23.74

 

CMYK 0 / 49 / 11 / 2

HEX #FA7FDE

RGB 250 127 222

HSL 313.66, 0.92%, 0.74%

LAB 70.02, 58.62, -27.38

 

CMYK 11 / 0 / 49 / 2

HEX #DEFA7F

RGB 222 250 127

HSL 73.66, 0.92%, 0.74%

LAB 94.07, -26.94, 55.46

 

CMYK 50 / 12 / 0 / 2

HEX #7DDBFA

RGB 125 219 250

HSL 194.88, 0.93%, 0.74%

LAB 82.87, -19.76, -23.74

 

CMYK 28 / 49 / 0 / 2

HEX #B47FFA

RGB 180 127 250

HSL 265.85, 0.92%, 0.74%

LAB 63.16, 44.59, -54.13

 

CMYK 0 / 38 / 49 / 2

HEX #FA9C7F

RGB 250 156 127

HSL 14.15, 0.92%, 0.74%

LAB 73.31, 32.08, 29.93

 

CMYK 21 / 0 / 49 / 2

HEX #C5FA7F

RGB 197 250 127

HSL 85.85, 0.92%, 0.74%

LAB 92.47, -36.18, 53.17

 

CMYK 50 / 12 / 0 / 2

HEX #7DDBFA

RGB 125 219 250

HSL 194.88, 0.93%, 0.74%

LAB 82.87, -19.76, -23.74

 

CMYK 13 / 49 / 0 / 2

HEX #D97FFA

RGB 217 127 250

HSL 283.9, 0.92%, 0.74%

LAB 67.15, 54.32, -47.57

 

CMYK 0 / 38 / 49 / 2

HEX #FA9C7F

RGB 250 156 127

HSL 14.15, 0.92%, 0.74%

LAB 73.31, 32.08, 29.93

 

CMYK 36 / 0 / 49 / 2

HEX #A0FA7F

RGB 160 250 127

HSL 103.9, 0.92%, 0.74%

LAB 90.49, -48.75, 50.3

 

Description

Color code: HEX #7DDBFACE | qconv.com Color code: HEX #7DDBFACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 219 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 219 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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