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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DD424 it is the complementary color #822BDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DD424. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DD424 shade: #82D41F, #93E632, #A4F845, #B5FF58 and #C6FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DD424. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DD424 shade: #7DD424, #6CC211, #5BB000, #4A9E00 and #398C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DD424 shade: #7ED624, #AED624, #D6CE24, #D69E24 and #D66E24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DD424 shade: #7ED624, #4ED624, #24D62A, #24D65A and #24D68A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DD424 shade matches the following richer shades: #7ED624 and #7EEA10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DD424 shade: #7ED624, #7EC138, #7DAD4D, #7D9961 and #7D8575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DD424 shade: #D6CD24, #AFD624, #80D624, #51D624 and #24D627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DD424 shade: #548F18, #69B21E, #7ED624, #92DF44 and #A7E567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DD424 shade: #7DD424, #24D69D and #D624C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DD424 shade: #7DD424, #2480D6 and #D62480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DD424 shade: #7DD424, #24D69D, #7A24D6 and #D6245C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DD424 shade: #7DD424, #24D6D3, #7A24D6 and #D62427

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 83 / 17

HEX #7DD424

RGB 125 212 36

HSL 89.66, 0.71%, 0.49%

LAB 77.03, -51.98, 70.39

 

Complementary color

CMYK 41 / 80 / 0 / 14

HEX #822BDB

RGB 130 43 219

HSL 269.66, 0.71%, 0.51%

LAB 40.55, 67.16, -73.49

 

CMYK 39 / 0 / 85 / 17

HEX #82D41F

RGB 130 212 31

HSL 87.18, 0.74%, 0.48%

LAB 77.24, -50.49, 71.8

 

CMYK 36 / 0 / 78 / 10

HEX #93E632

RGB 147 230 50

HSL 87.67, 0.78%, 0.55%

LAB 83.46, -51.19, 72.93

 

CMYK 34 / 0 / 72 / 3

HEX #A4F845

RGB 164 248 69

HSL 88.16, 0.93%, 0.62%

LAB 89.61, -51.7, 73.21

 

CMYK 29 / 0 / 65 / 0

HEX #B5FF58

RGB 181 255 88

HSL 86.59, 1%, 0.67%

LAB 92.6, -47.48, 69.72

 

CMYK 22 / 0 / 58 / 0

HEX #C6FF6B

RGB 198 255 107

HSL 83.11, 1%, 0.71%

LAB 93.7, -39.93, 63.52

 

CMYK 41 / 0 / 83 / 17

HEX #7DD424

RGB 125 212 36

HSL 89.66, 0.71%, 0.49%

LAB 77.03, -51.98, 70.39

 

CMYK 44 / 0 / 91 / 24

HEX #6CC211

RGB 108 194 17

HSL 89.15, 0.84%, 0.41%

LAB 70.74, -51.08, 68.48

 

CMYK 48 / 0 / 100 / 31

HEX #5BB000

RGB 91 176 0

HSL 88.98, 1%, 0.35%

LAB 64.38, -49.88, 65.21

 

CMYK 53 / 0 / 100 / 38

HEX #4A9E00

RGB 74 158 0

HSL 91.9, 1%, 0.31%

LAB 57.95, -48.25, 59.88

 

CMYK 59 / 0 / 100 / 45

HEX #398C00

RGB 57 140 0

HSL 95.57, 1%, 0.27%

LAB 51.41, -46.42, 54.47

 

CMYK 41 / 0 / 83 / 16

HEX #7ED624

RGB 126 214 36

HSL 89.66, 0.71%, 0.49%

LAB 77.67, -52.44, 70.98

 

CMYK 19 / 0 / 83 / 16

HEX #AED624

RGB 174 214 36

HSL 73.48, 0.71%, 0.49%

LAB 80.3, -34.8, 74.3

 

CMYK 0 / 4 / 83 / 16

HEX #D6CE24

RGB 214 206 36

HSL 57.3, 0.71%, 0.49%

LAB 81.05, -14.38, 76.11

 

CMYK 0 / 26 / 83 / 16

HEX #D69E24

RGB 214 158 36

HSL 41.12, 0.71%, 0.49%

LAB 68.66, 10.63, 65.66

 

CMYK 0 / 49 / 83 / 16

HEX #D66E24

RGB 214 110 36

HSL 24.94, 0.71%, 0.49%

LAB 57.63, 36.25, 56.14

 

CMYK 41 / 0 / 83 / 16

HEX #7ED624

RGB 126 214 36

HSL 89.66, 0.71%, 0.49%

LAB 77.67, -52.44, 70.98

 

CMYK 64 / 0 / 83 / 16

HEX #4ED624

RGB 78 214 36

HSL 105.84, 0.71%, 0.49%

LAB 75.97, -65.7, 68.82

 

CMYK 83 / 0 / 80 / 16

HEX #24D62A

RGB 36 214 42

HSL 122.02, 0.71%, 0.49%

LAB 75.22, -72.03, 66.3

 

CMYK 83 / 0 / 58 / 16

HEX #24D65A

RGB 36 214 90

HSL 138.2, 0.71%, 0.49%

LAB 75.58, -67.61, 48.6

 

CMYK 83 / 0 / 36 / 16

HEX #24D68A

RGB 36 214 138

HSL 154.38, 0.71%, 0.49%

LAB 76.25, -59.65, 25.8

 

CMYK 41 / 0 / 83 / 16

HEX #7ED624

RGB 126 214 36

HSL 89.66, 0.71%, 0.49%

LAB 77.67, -52.44, 70.98

 

CMYK 46 / 0 / 93 / 8

HEX #7EEA10

RGB 126 234 16

HSL 89.72, 0.87%, 0.49%

LAB 83.61, -60.62, 79.44

 

CMYK 41 / 0 / 83 / 16

HEX #7ED624

RGB 126 214 36

HSL 89.66, 0.71%, 0.49%

LAB 77.67, -52.44, 70.98

 

CMYK 35 / 0 / 71 / 24

HEX #7EC138

RGB 126 193 56

HSL 89.34, 0.55%, 0.49%

LAB 71.46, -42.76, 59.03

 

CMYK 28 / 0 / 55 / 32

HEX #7DAD4D

RGB 125 173 77

HSL 90, 0.38%, 0.49%

LAB 65.58, -32.39, 43.63

 

CMYK 18 / 0 / 37 / 40

HEX #7D9961

RGB 125 153 97

HSL 90, 0.22%, 0.49%

LAB 59.89, -20.1, 26.3

 

CMYK 6 / 0 / 12 / 48

HEX #7D8575

RGB 125 133 117

HSL 90, 0.06%, 0.49%

LAB 54.47, -6.07, 7.62

 

CMYK 0 / 4 / 83 / 16

HEX #D6CD24

RGB 214 205 36

HSL 56.97, 0.71%, 0.49%

LAB 80.79, -13.88, 75.89

 

CMYK 18 / 0 / 83 / 16

HEX #AFD624

RGB 175 214 36

HSL 73.15, 0.71%, 0.49%

LAB 80.37, -34.4, 74.38

 

CMYK 40 / 0 / 83 / 16

HEX #80D624

RGB 128 214 36

HSL 88.99, 0.71%, 0.49%

LAB 77.76, -51.78, 71.1

 

CMYK 62 / 0 / 83 / 16

HEX #51D624

RGB 81 214 36

HSL 104.83, 0.71%, 0.49%

LAB 76.05, -65.04, 68.92

 

CMYK 83 / 0 / 82 / 16

HEX #24D627

RGB 36 214 39

HSL 121.01, 0.71%, 0.49%

LAB 75.21, -72.19, 67.09

 

CMYK 41 / 0 / 83 / 44

HEX #548F18

RGB 84 143 24

HSL 89.75, 0.71%, 0.33%

LAB 53.6, -38.18, 51.81

 

CMYK 41 / 0 / 83 / 30

HEX #69B21E

RGB 105 178 30

HSL 89.59, 0.71%, 0.41%

LAB 65.7, -45.25, 61.46

 

CMYK 41 / 0 / 83 / 16

HEX #7ED624

RGB 126 214 36

HSL 89.66, 0.71%, 0.49%

LAB 77.67, -52.44, 70.98

 

CMYK 35 / 0 / 70 / 13

HEX #92DF44

RGB 146 223 68

HSL 89.81, 0.71%, 0.57%

LAB 81.46, -47.63, 65.09

 

CMYK 27 / 0 / 55 / 10

HEX #A7E567

RGB 167 229 103

HSL 89.52, 0.71%, 0.65%

LAB 84.6, -39.93, 54.38

 

CMYK 41 / 0 / 83 / 17

HEX #7DD424

RGB 125 212 36

HSL 89.66, 0.71%, 0.49%

LAB 77.03, -51.98, 70.39

 

CMYK 83 / 0 / 27 / 16

HEX #24D69D

RGB 36 214 157

HSL 160.79, 0.71%, 0.49%

LAB 76.62, -55.57, 16.33

 

CMYK 0 / 83 / 7 / 16

HEX #D624C7

RGB 214 36 199

HSL 305.06, 0.71%, 0.49%

LAB 51.48, 79.66, -43.71

 

CMYK 41 / 0 / 83 / 17

HEX #7DD424

RGB 125 212 36

HSL 89.66, 0.71%, 0.49%

LAB 77.03, -51.98, 70.39

 

CMYK 83 / 40 / 0 / 16

HEX #2480D6

RGB 36 128 214

HSL 208.99, 0.71%, 0.49%

LAB 52.58, 4.64, -51.46

 

CMYK 0 / 83 / 40 / 16

HEX #D62480

RGB 214 36 128

HSL 328.99, 0.71%, 0.49%

LAB 48.41, 71.16, -6.36

 

CMYK 41 / 0 / 83 / 17

HEX #7DD424

RGB 125 212 36

HSL 89.66, 0.71%, 0.49%

LAB 77.03, -51.98, 70.39

 

CMYK 83 / 0 / 27 / 16

HEX #24D69D

RGB 36 214 157

HSL 160.79, 0.71%, 0.49%

LAB 76.62, -55.57, 16.33

 

CMYK 43 / 83 / 0 / 16

HEX #7A24D6

RGB 122 36 214

HSL 268.99, 0.71%, 0.49%

LAB 38.3, 67.25, -74.36

 

CMYK 0 / 83 / 57 / 16

HEX #D6245C

RGB 214 36 92

HSL 341.12, 0.71%, 0.49%

LAB 47.41, 68.24, 14.29

 

CMYK 41 / 0 / 83 / 17

HEX #7DD424

RGB 125 212 36

HSL 89.66, 0.71%, 0.49%

LAB 77.03, -51.98, 70.39

 

CMYK 83 / 0 / 1 / 16

HEX #24D6D3

RGB 36 214 211

HSL 178.99, 0.71%, 0.49%

LAB 77.98, -41.53, -10.56

 

CMYK 43 / 83 / 0 / 16

HEX #7A24D6

RGB 122 36 214

HSL 268.99, 0.71%, 0.49%

LAB 38.3, 67.25, -74.36

 

CMYK 0 / 83 / 82 / 16

HEX #D62427

RGB 214 36 39

HSL 358.99, 0.71%, 0.49%

LAB 46.58, 65.79, 44.7

 

Description

Color code: HEX #7DD424 | qconv.com Color code: HEX #7DD424 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 212 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 212 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 83 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 83% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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