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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DCB55 it is the complementary color #8234AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DCB55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DCB55 shade: #82CB50, #93DD63, #A4EF76, #B5FF89 and #C6FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DCB55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DCB55 shade: #7DCB55, #6CB942, #5BA72F, #4A951C and #398309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DCB55 shade: #7CCA53, #9CCA53, #BCCA53, #CAB953 and #CA9953

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DCB55 shade: #7CCA53, #5CCA53, #53CA6B, #53CA8B and #53CAAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DCB55 shade matches the following richer shades: #7CCA53, #76DC41 and #70EF2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DCB55 shade: #7CCA53, #81B865, #87A678, #8D948A and #93829C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DCB55 shade: #BCCA53, #9DCA53, #7DCA53, #5DCA53 and #53CA69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DCB55 shade: #549B30, #65BB39, #7CCA53, #94D473 and #ACDE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DCB55 shade: #7DCB55, #53CAB8 and #CA53AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DCB55 shade: #7DCB55, #537DCA and #CA537D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DCB55 shade: #7DCB55, #53CAB8, #A153CA and #CA5365

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DCB55 shade: #7DCB55, #53B8CA, #A153CA and #CA6553

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 58 / 20

HEX #7DCB55

RGB 125 203 85

HSL 99.66, 0.53%, 0.56%

LAB 74.65, -44.9, 50.43

 

Complementary color

CMYK 24 / 69 / 0 / 33

HEX #8234AA

RGB 130 52 170

HSL 279.66, 0.53%, 0.44%

LAB 38.03, 52.59, -48.94

 

CMYK 36 / 0 / 61 / 20

HEX #82CB50

RGB 130 203 80

HSL 95.61, 0.54%, 0.55%

LAB 74.85, -43.72, 52.94

 

CMYK 33 / 0 / 55 / 13

HEX #93DD63

RGB 147 221 99

HSL 96.39, 0.64%, 0.63%

LAB 81.19, -43.79, 51.94

 

CMYK 31 / 0 / 51 / 6

HEX #A4EF76

RGB 164 239 118

HSL 97.19, 0.79%, 0.7%

LAB 87.45, -43.78, 50.84

 

CMYK 29 / 0 / 46 / 0

HEX #B5FF89

RGB 181 255 137

HSL 97.63, 1%, 0.77%

LAB 93.08, -42.85, 49.02

 

CMYK 22 / 0 / 39 / 0

HEX #C6FF9C

RGB 198 255 156

HSL 94.55, 1%, 0.81%

LAB 94.28, -34.72, 41.6

 

CMYK 38 / 0 / 58 / 20

HEX #7DCB55

RGB 125 203 85

HSL 99.66, 0.53%, 0.56%

LAB 74.65, -44.9, 50.43

 

CMYK 42 / 0 / 64 / 27

HEX #6CB942

RGB 108 185 66

HSL 98.82, 0.47%, 0.49%

LAB 68.23, -44.76, 51.37

 

CMYK 46 / 0 / 72 / 35

HEX #5BA72F

RGB 91 167 47

HSL 98, 0.56%, 0.42%

LAB 61.71, -44.44, 51.97

 

CMYK 50 / 0 / 81 / 42

HEX #4A951C

RGB 74 149 28

HSL 97.19, 0.68%, 0.35%

LAB 55.11, -43.82, 51.86

 

CMYK 56 / 0 / 93 / 49

HEX #398309

RGB 57 131 9

HSL 96.39, 0.87%, 0.27%

LAB 48.41, -42.76, 50.36

 

CMYK 39 / 0 / 59 / 21

HEX #7CCA53

RGB 124 202 83

HSL 99.33, 0.53%, 0.56%

LAB 74.29, -45.01, 50.9

 

CMYK 23 / 0 / 59 / 21

HEX #9CCA53

RGB 156 202 83

HSL 83.19, 0.53%, 0.56%

LAB 76.03, -33.6, 53.34

 

CMYK 7 / 0 / 59 / 21

HEX #BCCA53

RGB 188 202 83

HSL 67.06, 0.53%, 0.56%

LAB 78.2, -20.96, 56.37

 

CMYK 0 / 8 / 59 / 21

HEX #CAB953

RGB 202 185 83

HSL 51.43, 0.53%, 0.56%

LAB 74.75, -6.53, 52.84

 

CMYK 0 / 24 / 59 / 21

HEX #CA9953

RGB 202 153 83

HSL 35.29, 0.53%, 0.56%

LAB 66.49, 10.53, 43.35

 

CMYK 39 / 0 / 59 / 21

HEX #7CCA53

RGB 124 202 83

HSL 99.33, 0.53%, 0.56%

LAB 74.29, -45.01, 50.9

 

CMYK 54 / 0 / 59 / 21

HEX #5CCA53

RGB 92 202 83

HSL 115.46, 0.53%, 0.56%

LAB 72.98, -54.48, 49.06

 

CMYK 59 / 0 / 47 / 21

HEX #53CA6B

RGB 83 202 107

HSL 132.1, 0.53%, 0.56%

LAB 72.99, -53.49, 37.54

 

CMYK 59 / 0 / 31 / 21

HEX #53CA8B

RGB 83 202 139

HSL 148.24, 0.53%, 0.56%

LAB 73.51, -47.87, 21.71

 

CMYK 59 / 0 / 15 / 21

HEX #53CAAB

RGB 83 202 171

HSL 164.37, 0.53%, 0.56%

LAB 74.2, -40.83, 5.54

 

CMYK 39 / 0 / 59 / 21

HEX #7CCA53

RGB 124 202 83

HSL 99.33, 0.53%, 0.56%

LAB 74.29, -45.01, 50.9

 

CMYK 46 / 0 / 70 / 14

HEX #76DC41

RGB 118 220 65

HSL 99.48, 0.69%, 0.56%

LAB 79.28, -55.7, 63.56

 

CMYK 53 / 0 / 80 / 6

HEX #70EF2F

RGB 112 239 47

HSL 99.69, 0.86%, 0.56%

LAB 84.68, -65.43, 74.34

 

CMYK 39 / 0 / 59 / 21

HEX #7CCA53

RGB 124 202 83

HSL 99.33, 0.53%, 0.56%

LAB 74.29, -45.01, 50.9

 

CMYK 30 / 0 / 45 / 28

HEX #81B865

RGB 129 184 101

HSL 99.76, 0.37%, 0.56%

LAB 69.39, -33.23, 36.44

 

CMYK 19 / 0 / 28 / 35

HEX #87A678

RGB 135 166 120

HSL 100.43, 0.21%, 0.56%

LAB 64.79, -19.46, 20.41

 

CMYK 5 / 0 / 7 / 42

HEX #8D948A

RGB 141 148 138

HSL 102, 0.04%, 0.56%

LAB 60.5, -4.48, 4.4

 

CMYK 6 / 17 / 0 / 39

HEX #93829C

RGB 147 130 156

HSL 279.23, 0.12%, 0.56%

LAB 56.65, 11.48, -11.51

 

CMYK 7 / 0 / 59 / 21

HEX #BCCA53

RGB 188 202 83

HSL 67.06, 0.53%, 0.56%

LAB 78.2, -20.96, 56.37

 

CMYK 22 / 0 / 59 / 21

HEX #9DCA53

RGB 157 202 83

HSL 82.69, 0.53%, 0.56%

LAB 76.09, -33.22, 53.43

 

CMYK 38 / 0 / 59 / 21

HEX #7DCA53

RGB 125 202 83

HSL 98.82, 0.53%, 0.56%

LAB 74.33, -44.68, 50.97

 

CMYK 54 / 0 / 59 / 21

HEX #5DCA53

RGB 93 202 83

HSL 114.96, 0.53%, 0.56%

LAB 73.02, -54.22, 49.11

 

CMYK 59 / 0 / 48 / 21

HEX #53CA69

RGB 83 202 105

HSL 131.09, 0.53%, 0.56%

LAB 72.96, -53.79, 38.5

 

CMYK 46 / 0 / 69 / 39

HEX #549B30

RGB 84 155 48

HSL 99.81, 0.53%, 0.4%

LAB 57.6, -41.67, 47.21

 

CMYK 46 / 0 / 70 / 27

HEX #65BB39

RGB 101 187 57

HSL 99.69, 0.53%, 0.48%

LAB 68.46, -48.58, 55.2

 

CMYK 39 / 0 / 59 / 21

HEX #7CCA53

RGB 124 202 83

HSL 99.33, 0.53%, 0.56%

LAB 74.29, -45.01, 50.9

 

CMYK 30 / 0 / 46 / 17

HEX #94D473

RGB 148 212 115

HSL 99.59, 0.53%, 0.64%

LAB 78.82, -37.65, 41.49

 

CMYK 23 / 0 / 34 / 13

HEX #ACDE92

RGB 172 222 146

HSL 99.47, 0.54%, 0.72%

LAB 83.49, -29.77, 32.19

 

CMYK 38 / 0 / 58 / 20

HEX #7DCB55

RGB 125 203 85

HSL 99.66, 0.53%, 0.56%

LAB 74.65, -44.9, 50.43

 

CMYK 59 / 0 / 9 / 21

HEX #53CAB8

RGB 83 202 184

HSL 170.92, 0.53%, 0.56%

LAB 74.53, -37.61, -1

 

CMYK 0 / 59 / 14 / 21

HEX #CA53AD

RGB 202 83 173

HSL 314.62, 0.53%, 0.56%

LAB 53.77, 57.62, -25.17

 

CMYK 38 / 0 / 58 / 20

HEX #7DCB55

RGB 125 203 85

HSL 99.66, 0.53%, 0.56%

LAB 74.65, -44.9, 50.43

 

CMYK 59 / 38 / 0 / 21

HEX #537DCA

RGB 83 125 202

HSL 218.82, 0.53%, 0.56%

LAB 52.7, 8.83, -44.38

 

CMYK 0 / 59 / 38 / 21

HEX #CA537D

RGB 202 83 125

HSL 338.82, 0.53%, 0.56%

LAB 52.09, 51.25, 0.64

 

CMYK 38 / 0 / 58 / 20

HEX #7DCB55

RGB 125 203 85

HSL 99.66, 0.53%, 0.56%

LAB 74.65, -44.9, 50.43

 

CMYK 59 / 0 / 9 / 21

HEX #53CAB8

RGB 83 202 184

HSL 170.92, 0.53%, 0.56%

LAB 74.53, -37.61, -1

 

CMYK 20 / 59 / 0 / 21

HEX #A153CA

RGB 161 83 202

HSL 279.33, 0.53%, 0.56%

LAB 49.53, 52.02, -49.01

 

CMYK 0 / 59 / 50 / 21

HEX #CA5365

RGB 202 83 101

HSL 350.92, 0.53%, 0.56%

LAB 51.48, 48.82, 14.11

 

CMYK 38 / 0 / 58 / 20

HEX #7DCB55

RGB 125 203 85

HSL 99.66, 0.53%, 0.56%

LAB 74.65, -44.9, 50.43

 

CMYK 59 / 9 / 0 / 21

HEX #53B8CA

RGB 83 184 202

HSL 189.08, 0.53%, 0.56%

LAB 69.74, -24.05, -17.96

 

CMYK 20 / 59 / 0 / 21

HEX #A153CA

RGB 161 83 202

HSL 279.33, 0.53%, 0.56%

LAB 49.53, 52.02, -49.01

 

CMYK 0 / 50 / 59 / 21

HEX #CA6553

RGB 202 101 83

HSL 9.08, 0.53%, 0.56%

LAB 54.54, 38.52, 28.72

 

Description

Color code: HEX #7DCB55 | qconv.com Color code: HEX #7DCB55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 203 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 203 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 58% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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