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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DCB12 it is the complementary color #8234ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DCB12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DCB12 shade: #82CB0D, #93DD20, #A4EF33, #B5FF46 and #C6FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DCB12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DCB12 shade: #7DCB12, #6CB900, #5BA700, #4A9500 and #398300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DCB12 shade: #7CCA12, #AECA12, #CAB412, #CA8212 and #CA5112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DCB12 shade: #7CCA12, #4ACA12, #19CA12, #12CA3C and #12CA6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DCB12 shade matches the following richer shades: #7CCA12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DCB12 shade: #7CCA12, #79B823, #77A635, #749547 and #718359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DCB12 shade: #CAB412, #AECA12, #7DCA12, #4CCA12 and #1BCA12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DCB12 shade: #4D7E0B, #65A40E, #7CCA12, #93EB1A and #A5EE3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DCB12 shade: #7DCB12, #12CA83 and #CA12C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DCB12 shade: #7DCB12, #127DCA and #CA127D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DCB12 shade: #7DCB12, #12CA83, #5E12CA and #CA1258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DCB12 shade: #7DCB12, #12CABA, #5E12CA and #CA1221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 91 / 20

HEX #7DCB12

RGB 125 203 18

HSL 85.3, 0.84%, 0.43%

LAB 74.26, -48.93, 71.55

 

Complementary color

CMYK 45 / 78 / 0 / 7

HEX #8234ED

RGB 130 52 237

HSL 265.3, 0.84%, 0.57%

LAB 43.24, 68.08, -79.34

 

CMYK 36 / 0 / 94 / 20

HEX #82CB0D

RGB 130 203 13

HSL 83.05, 0.88%, 0.42%

LAB 74.5, -47.27, 72.51

 

CMYK 33 / 0 / 86 / 13

HEX #93DD20

RGB 147 221 32

HSL 83.49, 0.75%, 0.5%

LAB 80.75, -48.2, 74.94

 

CMYK 31 / 0 / 79 / 6

HEX #A4EF33

RGB 164 239 51

HSL 83.94, 0.85%, 0.57%

LAB 86.93, -48.91, 76.16

 

CMYK 29 / 0 / 73 / 0

HEX #B5FF46

RGB 181 255 70

HSL 84, 1%, 0.64%

LAB 92.48, -48.62, 76

 

CMYK 22 / 0 / 65 / 0

HEX #C6FF59

RGB 198 255 89

HSL 80.6, 1%, 0.67%

LAB 93.56, -41.29, 70.64

 

CMYK 38 / 0 / 91 / 20

HEX #7DCB12

RGB 125 203 18

HSL 85.3, 0.84%, 0.43%

LAB 74.26, -48.93, 71.55

 

CMYK 42 / 0 / 100 / 27

HEX #6CB900

RGB 108 185 0

HSL 84.97, 1%, 0.36%

LAB 67.94, -47.83, 68.31

 

CMYK 46 / 0 / 100 / 35

HEX #5BA700

RGB 91 167 0

HSL 87.31, 1%, 0.33%

LAB 61.53, -46.36, 62.99

 

CMYK 50 / 0 / 100 / 42

HEX #4A9500

RGB 74 149 0

HSL 90.2, 1%, 0.29%

LAB 55.02, -44.79, 57.59

 

CMYK 56 / 0 / 100 / 49

HEX #398300

RGB 57 131 0

HSL 93.89, 1%, 0.26%

LAB 48.39, -43.05, 52.09

 

CMYK 39 / 0 / 91 / 21

HEX #7CCA12

RGB 124 202 18

HSL 85.43, 0.84%, 0.43%

LAB 73.91, -48.87, 71.24

 

CMYK 14 / 0 / 91 / 21

HEX #AECA12

RGB 174 202 18

HSL 69.13, 0.84%, 0.43%

LAB 76.85, -29.67, 74.84

 

CMYK 0 / 11 / 91 / 21

HEX #CAB412

RGB 202 180 18

HSL 52.83, 0.84%, 0.43%

LAB 73.05, -6.7, 72.83

 

CMYK 0 / 36 / 91 / 21

HEX #CA8212

RGB 202 130 18

HSL 36.52, 0.84%, 0.43%

LAB 60.4, 20.16, 63.21

 

CMYK 0 / 60 / 91 / 21

HEX #CA5112

RGB 202 81 18

HSL 20.54, 0.84%, 0.43%

LAB 50.08, 45.51, 55.64

 

CMYK 39 / 0 / 91 / 21

HEX #7CCA12

RGB 124 202 18

HSL 85.43, 0.84%, 0.43%

LAB 73.91, -48.87, 71.24

 

CMYK 63 / 0 / 91 / 21

HEX #4ACA12

RGB 74 202 18

HSL 101.74, 0.84%, 0.43%

LAB 72.05, -63.28, 68.94

 

CMYK 88 / 0 / 91 / 21

HEX #19CA12

RGB 25 202 18

HSL 117.72, 0.84%, 0.43%

LAB 71.21, -70.63, 67.89

 

CMYK 91 / 0 / 70 / 21

HEX #12CA3C

RGB 18 202 60

HSL 133.7, 0.84%, 0.43%

LAB 71.35, -68.64, 56.48

 

CMYK 91 / 0 / 46 / 21

HEX #12CA6E

RGB 18 202 110

HSL 150, 0.84%, 0.43%

LAB 71.89, -62, 34.4

 

CMYK 39 / 0 / 91 / 21

HEX #7CCA12

RGB 124 202 18

HSL 85.43, 0.84%, 0.43%

LAB 73.91, -48.87, 71.24

 

CMYK 39 / 0 / 91 / 21

HEX #7CCA12

RGB 124 202 18

HSL 85.43, 0.84%, 0.43%

LAB 73.91, -48.87, 71.24

 

CMYK 34 / 0 / 81 / 28

HEX #79B823

RGB 121 184 35

HSL 85.37, 0.68%, 0.43%

LAB 68.36, -41.88, 62.82

 

CMYK 28 / 0 / 68 / 35

HEX #77A635

RGB 119 166 53

HSL 84.96, 0.52%, 0.43%

LAB 62.89, -33.56, 51.26

 

CMYK 22 / 0 / 52 / 42

HEX #749547

RGB 116 149 71

HSL 85.38, 0.35%, 0.43%

LAB 57.72, -24.94, 37.14

 

CMYK 14 / 0 / 32 / 49

HEX #718359

RGB 113 131 89

HSL 85.71, 0.19%, 0.43%

LAB 52.36, -14.44, 20.61

 

CMYK 0 / 11 / 91 / 21

HEX #CAB412

RGB 202 180 18

HSL 52.83, 0.84%, 0.43%

LAB 73.05, -6.7, 72.83

 

CMYK 14 / 0 / 91 / 21

HEX #AECA12

RGB 174 202 18

HSL 69.13, 0.84%, 0.43%

LAB 76.85, -29.67, 74.84

 

CMYK 38 / 0 / 91 / 21

HEX #7DCA12

RGB 125 202 18

HSL 85.11, 0.84%, 0.43%

LAB 73.96, -48.52, 71.3

 

CMYK 62 / 0 / 91 / 21

HEX #4CCA12

RGB 76 202 18

HSL 101.09, 0.84%, 0.43%

LAB 72.11, -62.83, 69.01

 

CMYK 87 / 0 / 91 / 21

HEX #1BCA12

RGB 27 202 18

HSL 117.07, 0.84%, 0.43%

LAB 71.23, -70.47, 67.91

 

CMYK 39 / 0 / 91 / 51

HEX #4D7E0B

RGB 77 126 11

HSL 85.57, 0.84%, 0.27%

LAB 47.65, -33.84, 49.69

 

CMYK 38 / 0 / 91 / 36

HEX #65A40E

RGB 101 164 14

HSL 85.2, 0.84%, 0.35%

LAB 61.09, -41.36, 60.85

 

CMYK 39 / 0 / 91 / 21

HEX #7CCA12

RGB 124 202 18

HSL 85.43, 0.84%, 0.43%

LAB 73.91, -48.87, 71.24

 

CMYK 37 / 0 / 89 / 8

HEX #93EB1A

RGB 147 235 26

HSL 85.26, 0.84%, 0.51%

LAB 84.84, -54.04, 79.47

 

CMYK 31 / 0 / 74 / 7

HEX #A5EE3F

RGB 165 238 63

HSL 85.03, 0.84%, 0.59%

LAB 86.75, -47.55, 72.42

 

CMYK 38 / 0 / 91 / 20

HEX #7DCB12

RGB 125 203 18

HSL 85.3, 0.84%, 0.43%

LAB 74.26, -48.93, 71.55

 

CMYK 91 / 0 / 35 / 21

HEX #12CA83

RGB 18 202 131

HSL 156.85, 0.84%, 0.43%

LAB 72.23, -57.98, 24.01

 

CMYK 0 / 91 / 1 / 21

HEX #CA12C7

RGB 202 18 199

HSL 300.98, 0.84%, 0.43%

LAB 48.4, 80.39, -48.72

 

CMYK 38 / 0 / 91 / 20

HEX #7DCB12

RGB 125 203 18

HSL 85.3, 0.84%, 0.43%

LAB 74.26, -48.93, 71.55

 

CMYK 91 / 38 / 0 / 21

HEX #127DCA

RGB 18 125 202

HSL 205.11, 0.84%, 0.43%

LAB 50.76, 0.67, -47.58

 

CMYK 0 / 91 / 38 / 21

HEX #CA127D

RGB 202 18 125

HSL 325.11, 0.84%, 0.43%

LAB 44.9, 71.28, -10.01

 

CMYK 38 / 0 / 91 / 20

HEX #7DCB12

RGB 125 203 18

HSL 85.3, 0.84%, 0.43%

LAB 74.26, -48.93, 71.55

 

CMYK 91 / 0 / 35 / 21

HEX #12CA83

RGB 18 202 131

HSL 156.85, 0.84%, 0.43%

LAB 72.23, -57.98, 24.01

 

CMYK 53 / 91 / 0 / 21

HEX #5E12CA

RGB 94 18 202

HSL 264.78, 0.84%, 0.43%

LAB 31.98, 66.32, -77.92

 

CMYK 0 / 91 / 56 / 21

HEX #CA1258

RGB 202 18 88

HSL 337.17, 0.84%, 0.43%

LAB 43.79, 68.24, 11.41

 

CMYK 38 / 0 / 91 / 20

HEX #7DCB12

RGB 125 203 18

HSL 85.3, 0.84%, 0.43%

LAB 74.26, -48.93, 71.55

 

CMYK 91 / 0 / 8 / 21

HEX #12CABA

RGB 18 202 186

HSL 174.78, 0.84%, 0.43%

LAB 73.49, -44.42, -3.75

 

CMYK 53 / 91 / 0 / 21

HEX #5E12CA

RGB 94 18 202

HSL 264.78, 0.84%, 0.43%

LAB 31.98, 66.32, -77.92

 

CMYK 0 / 91 / 84 / 21

HEX #CA1221

RGB 202 18 33

HSL 355.11, 0.84%, 0.43%

LAB 42.91, 65.78, 43.56

 

Description

Color code: HEX #7DCB12 | qconv.com Color code: HEX #7DCB12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 203 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 203 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 91 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 91% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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