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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC7AF it is the complementary color #823850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC7AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC7AF shade: #82C7AA, #93D9BD, #A4EBD0, #B5FDE3 and #C6FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC7AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC7AF shade: #7DC7AF, #6CB59C, #5BA389, #4A9176 and #397F63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC7AF shade: #7EC8B0, #7EC89C, #7EC888, #88C87E and #9CC87E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC7AF shade: #7EC8B0, #7EC8C4, #7EB8C8, #7EA4C8 and #7E91C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC7AF shade matches the following richer shades: #7EC8B0, #70D7B5, #61E6BB and #52F4C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC7AF shade: #7EC8B0, #8DB9AB, #9CAAA6, #AB9BA0 and #BA8D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC7AF shade: #7EC888, #7EC89C, #7EC8AF, #7EC8C3 and #7EB9C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC7AF shade: #49AB8B, #62BC9E, #7EC8B0, #9BD4C2 and #B8E1D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC7AF shade: #7DC7AF, #7E88C8 and #C8927E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC7AF shade: #7DC7AF, #AF7EC8 and #C8AF7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC7AF shade: #7DC7AF, #7E88C8, #C87E97 and #C8BE7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC7AF shade: #7DC7AF, #8B7EC8, #C87E97 and #BCC87E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 12 / 22

HEX #7DC7AF

RGB 125 199 175

HSL 160.54, 0.4%, 0.64%

LAB 75.01, -28.48, 4.76

 

Complementary color

CMYK 0 / 57 / 38 / 49

HEX #823850

RGB 130 56 80

HSL 340.54, 0.4%, 0.36%

LAB 34.3, 34.49, 1.16

 

CMYK 35 / 0 / 15 / 22

HEX #82C7AA

RGB 130 199 170

HSL 154.78, 0.38%, 0.65%

LAB 75.14, -28.12, 7.66

 

CMYK 32 / 0 / 13 / 15

HEX #93D9BD

RGB 147 217 189

HSL 156, 0.48%, 0.71%

LAB 81.57, -27.9, 6.84

 

CMYK 30 / 0 / 11 / 8

HEX #A4EBD0

RGB 164 235 208

HSL 157.18, 0.64%, 0.78%

LAB 87.9, -27.69, 6.06

 

CMYK 28 / 0 / 10 / 1

HEX #B5FDE3

RGB 181 253 227

HSL 158.33, 0.95%, 0.85%

LAB 94.15, -27.49, 5.32

 

CMYK 22 / 0 / 4 / 0

HEX #C6FFF6

RGB 198 255 246

HSL 170.53, 1%, 0.89%

LAB 96.07, -19.63, -1.57

 

CMYK 37 / 0 / 12 / 22

HEX #7DC7AF

RGB 125 199 175

HSL 160.54, 0.4%, 0.64%

LAB 75.01, -28.48, 4.76

 

CMYK 40 / 0 / 14 / 29

HEX #6CB59C

RGB 108 181 156

HSL 159.45, 0.33%, 0.57%

LAB 68.49, -28.69, 5.6

 

CMYK 44 / 0 / 16 / 36

HEX #5BA389

RGB 91 163 137

HSL 158.33, 0.28%, 0.5%

LAB 61.85, -28.9, 6.52

 

CMYK 49 / 0 / 19 / 43

HEX #4A9176

RGB 74 145 118

HSL 157.18, 0.32%, 0.43%

LAB 55.09, -29.08, 7.51

 

CMYK 55 / 0 / 22 / 50

HEX #397F63

RGB 57 127 99

HSL 156, 0.38%, 0.36%

LAB 48.2, -29.2, 8.62

 

CMYK 37 / 0 / 12 / 22

HEX #7EC8B0

RGB 126 200 176

HSL 160.54, 0.4%, 0.64%

LAB 75.38, -28.47, 4.75

 

CMYK 37 / 0 / 22 / 22

HEX #7EC89C

RGB 126 200 156

HSL 144.32, 0.4%, 0.64%

LAB 74.92, -32.61, 14.85

 

CMYK 37 / 0 / 32 / 22

HEX #7EC888

RGB 126 200 136

HSL 128.11, 0.4%, 0.64%

LAB 74.52, -36.28, 24.94

 

CMYK 32 / 0 / 37 / 22

HEX #88C87E

RGB 136 200 126

HSL 111.89, 0.4%, 0.64%

LAB 74.86, -34.7, 30.7

 

CMYK 22 / 0 / 37 / 22

HEX #9CC87E

RGB 156 200 126

HSL 95.68, 0.4%, 0.64%

LAB 76, -27.78, 32.41

 

CMYK 37 / 0 / 12 / 22

HEX #7EC8B0

RGB 126 200 176

HSL 160.54, 0.4%, 0.64%

LAB 75.38, -28.47, 4.75

 

CMYK 37 / 0 / 2 / 22

HEX #7EC8C4

RGB 126 200 196

HSL 176.76, 0.4%, 0.64%

LAB 75.9, -23.88, -5.29

 

CMYK 37 / 8 / 0 / 22

HEX #7EB8C8

RGB 126 184 200

HSL 192.97, 0.4%, 0.64%

LAB 71.48, -14.73, -14.06

 

CMYK 37 / 18 / 0 / 22

HEX #7EA4C8

RGB 126 164 200

HSL 209.19, 0.4%, 0.64%

LAB 65.87, -3.95, -22.56

 

CMYK 37 / 28 / 0 / 22

HEX #7E91C8

RGB 126 145 200

HSL 224.59, 0.4%, 0.64%

LAB 60.65, 6.8, -30.59

 

CMYK 37 / 0 / 12 / 22

HEX #7EC8B0

RGB 126 200 176

HSL 160.54, 0.4%, 0.64%

LAB 75.38, -28.47, 4.75

 

CMYK 48 / 0 / 16 / 16

HEX #70D7B5

RGB 112 215 181

HSL 160.19, 0.56%, 0.64%

LAB 79.26, -38.04, 7.58

 

CMYK 58 / 0 / 19 / 10

HEX #61E6BB

RGB 97 230 187

HSL 160.6, 0.73%, 0.64%

LAB 83.3, -46.57, 10.11

 

CMYK 66 / 0 / 21 / 4

HEX #52F4C0

RGB 82 244 192

HSL 160.74, 0.88%, 0.64%

LAB 87.14, -53.9, 12.92

 

CMYK 37 / 0 / 12 / 22

HEX #7EC8B0

RGB 126 200 176

HSL 160.54, 0.4%, 0.64%

LAB 75.38, -28.47, 4.75

 

CMYK 24 / 0 / 8 / 27

HEX #8DB9AB

RGB 141 185 171

HSL 160.91, 0.24%, 0.64%

LAB 71.76, -17.57, 2.33

 

CMYK 8 / 0 / 2 / 33

HEX #9CAAA6

RGB 156 170 166

HSL 162.86, 0.08%, 0.64%

LAB 68.44, -5.69, 0.37

 

CMYK 0 / 9 / 6 / 33

HEX #AB9BA0

RGB 171 155 160

HSL 341.25, 0.09%, 0.64%

LAB 65.47, 6.76, -0.48

 

CMYK 0 / 24 / 17 / 27

HEX #BA8D9B

RGB 186 141 155

HSL 341.33, 0.25%, 0.64%

LAB 63.22, 19.25, -0.77

 

CMYK 37 / 0 / 32 / 22

HEX #7EC888

RGB 126 200 136

HSL 128.11, 0.4%, 0.64%

LAB 74.52, -36.28, 24.94

 

CMYK 37 / 0 / 22 / 22

HEX #7EC89C

RGB 126 200 156

HSL 144.32, 0.4%, 0.64%

LAB 74.92, -32.61, 14.85

 

CMYK 37 / 0 / 13 / 22

HEX #7EC8AF

RGB 126 200 175

HSL 159.73, 0.4%, 0.64%

LAB 75.35, -28.68, 5.25

 

CMYK 37 / 0 / 3 / 22

HEX #7EC8C3

RGB 126 200 195

HSL 175.95, 0.4%, 0.64%

LAB 75.88, -24.12, -4.79

 

CMYK 37 / 8 / 0 / 22

HEX #7EB9C8

RGB 126 185 200

HSL 192.16, 0.4%, 0.64%

LAB 71.76, -15.25, -13.64

 

CMYK 57 / 0 / 19 / 33

HEX #49AB8B

RGB 73 171 139

HSL 160.41, 0.4%, 0.48%

LAB 63.68, -36.58, 7.93

 

CMYK 48 / 0 / 16 / 26

HEX #62BC9E

RGB 98 188 158

HSL 160, 0.4%, 0.56%

LAB 70.2, -34.2, 6.91

 

CMYK 37 / 0 / 12 / 22

HEX #7EC8B0

RGB 126 200 176

HSL 160.54, 0.4%, 0.64%

LAB 75.38, -28.47, 4.75

 

CMYK 27 / 0 / 8 / 17

HEX #9BD4C2

RGB 155 212 194

HSL 161.05, 0.4%, 0.72%

LAB 80.71, -22.04, 3

 

CMYK 18 / 0 / 6 / 12

HEX #B8E1D4

RGB 184 225 212

HSL 160.98, 0.41%, 0.8%

LAB 86.4, -15.89, 1.93

 

CMYK 37 / 0 / 12 / 22

HEX #7DC7AF

RGB 125 199 175

HSL 160.54, 0.4%, 0.64%

LAB 75.01, -28.48, 4.76

 

CMYK 37 / 32 / 0 / 22

HEX #7E88C8

RGB 126 136 200

HSL 231.89, 0.4%, 0.64%

LAB 58.24, 12.03, -34.35

 

CMYK 0 / 27 / 37 / 22

HEX #C8927E

RGB 200 146 126

HSL 16.22, 0.4%, 0.64%

LAB 65.23, 17.76, 18.63

 

CMYK 37 / 0 / 12 / 22

HEX #7DC7AF

RGB 125 199 175

HSL 160.54, 0.4%, 0.64%

LAB 75.01, -28.48, 4.76

 

CMYK 13 / 37 / 0 / 22

HEX #AF7EC8

RGB 175 126 200

HSL 279.73, 0.4%, 0.64%

LAB 60.07, 32.4, -31.16

 

CMYK 0 / 13 / 37 / 22

HEX #C8AF7E

RGB 200 175 126

HSL 39.73, 0.4%, 0.64%

LAB 72.53, 2.01, 28.46

 

CMYK 37 / 0 / 12 / 22

HEX #7DC7AF

RGB 125 199 175

HSL 160.54, 0.4%, 0.64%

LAB 75.01, -28.48, 4.76

 

CMYK 37 / 32 / 0 / 22

HEX #7E88C8

RGB 126 136 200

HSL 231.89, 0.4%, 0.64%

LAB 58.24, 12.03, -34.35

 

CMYK 0 / 37 / 25 / 22

HEX #C87E97

RGB 200 126 151

HSL 339.73, 0.4%, 0.64%

LAB 61.16, 32.04, -1.32

 

CMYK 0 / 5 / 37 / 22

HEX #C8BE7E

RGB 200 190 126

HSL 51.89, 0.4%, 0.64%

LAB 76.44, -5.9, 33.61

 

CMYK 37 / 0 / 12 / 22

HEX #7DC7AF

RGB 125 199 175

HSL 160.54, 0.4%, 0.64%

LAB 75.01, -28.48, 4.76

 

CMYK 31 / 37 / 0 / 22

HEX #8B7EC8

RGB 139 126 200

HSL 250.54, 0.4%, 0.64%

LAB 56.66, 21.58, -36.73

 

CMYK 0 / 37 / 25 / 22

HEX #C87E97

RGB 200 126 151

HSL 339.73, 0.4%, 0.64%

LAB 61.16, 32.04, -1.32

 

CMYK 6 / 0 / 37 / 22

HEX #BCC87E

RGB 188 200 126

HSL 69.73, 0.4%, 0.64%

LAB 78.17, -15.76, 35.66

 

Description

Color code: HEX #7DC7AF | qconv.com Color code: HEX #7DC7AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 199 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 199 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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