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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC31B it is the complementary color #823CE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC31B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC31B shade: #82C316, #93D529, #A4E73C, #B5F94F and #C6FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC31B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC31B shade: #7DC31B, #6CB108, #5B9F00, #4A8D00 and #397B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC31B shade: #7EC51B, #ACC51B, #C5B11B, #C5831B and #C5551B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC31B shade: #7EC51B, #50C51B, #22C51B, #1BC541 and #1BC56F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC31B shade matches the following richer shades: #7EC51B and #81D809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC31B shade: #7EC51B, #7BB32D, #78A13F, #758F51 and #727D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC31B shade: #C5B21B, #ACC51B, #7EC51B, #51C51B and #23C51B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC31B shade: #507D11, #67A116, #7EC51B, #94E228 and #A6E74C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC31B shade: #7DC31B, #1BC584 and #C51BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC31B shade: #7DC31B, #1B7EC5 and #C51B7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC31B shade: #7DC31B, #1BC584, #621BC5 and #C51B5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC31B shade: #7DC31B, #1BC5B7, #621BC5 and #C51B29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 86 / 24

HEX #7DC31B

RGB 125 195 27

HSL 85, 0.76%, 0.44%

LAB 71.87, -45.39, 67.94

 

Complementary color

CMYK 43 / 74 / 0 / 11

HEX #823CE4

RGB 130 60 228

HSL 265, 0.76%, 0.56%

LAB 43.62, 62.62, -73.6

 

CMYK 33 / 0 / 89 / 24

HEX #82C316

RGB 130 195 22

HSL 82.54, 0.8%, 0.43%

LAB 72.12, -43.73, 69.23

 

CMYK 31 / 0 / 81 / 16

HEX #93D529

RGB 147 213 41

HSL 83.02, 0.68%, 0.5%

LAB 78.43, -44.52, 70.81

 

CMYK 29 / 0 / 74 / 9

HEX #A4E73C

RGB 164 231 60

HSL 83.51, 0.78%, 0.57%

LAB 84.67, -45.11, 71.36

 

CMYK 27 / 0 / 68 / 2

HEX #B5F94F

RGB 181 249 79

HSL 84, 0.93%, 0.64%

LAB 90.84, -45.54, 71.26

 

CMYK 22 / 0 / 62 / 0

HEX #C6FF62

RGB 198 255 98

HSL 81.78, 1%, 0.69%

LAB 93.63, -40.65, 67.17

 

CMYK 36 / 0 / 86 / 24

HEX #7DC31B

RGB 125 195 27

HSL 85, 0.76%, 0.44%

LAB 71.87, -45.39, 67.94

 

CMYK 39 / 0 / 95 / 31

HEX #6CB108

RGB 108 177 8

HSL 84.5, 0.91%, 0.36%

LAB 65.48, -44.42, 65.39

 

CMYK 43 / 0 / 100 / 38

HEX #5B9F00

RGB 91 159 0

HSL 85.66, 1%, 0.31%

LAB 58.99, -43.13, 61.01

 

CMYK 48 / 0 / 100 / 45

HEX #4A8D00

RGB 74 141 0

HSL 88.51, 1%, 0.28%

LAB 52.4, -41.6, 55.54

 

CMYK 54 / 0 / 100 / 52

HEX #397B00

RGB 57 123 0

HSL 92.2, 1%, 0.24%

LAB 45.68, -39.93, 49.96

 

CMYK 36 / 0 / 86 / 23

HEX #7EC51B

RGB 126 197 27

HSL 85.06, 0.76%, 0.44%

LAB 72.53, -45.87, 68.52

 

CMYK 13 / 0 / 86 / 23

HEX #ACC51B

RGB 172 197 27

HSL 68.82, 0.76%, 0.44%

LAB 75.32, -27.94, 71.99

 

CMYK 0 / 10 / 86 / 23

HEX #C5B11B

RGB 197 177 27

HSL 52.94, 0.76%, 0.44%

LAB 71.82, -7.17, 69.95

 

CMYK 0 / 34 / 86 / 23

HEX #C5831B

RGB 197 131 27

HSL 36.71, 0.76%, 0.44%

LAB 60.05, 17.61, 60.35

 

CMYK 0 / 57 / 86 / 23

HEX #C5551B

RGB 197 85 27

HSL 20.47, 0.76%, 0.44%

LAB 50.03, 41.9, 52.12

 

CMYK 36 / 0 / 86 / 23

HEX #7EC51B

RGB 126 197 27

HSL 85.06, 0.76%, 0.44%

LAB 72.53, -45.87, 68.52

 

CMYK 59 / 0 / 86 / 23

HEX #50C51B

RGB 80 197 27

HSL 101.29, 0.76%, 0.44%

LAB 70.68, -59.9, 66.19

 

CMYK 83 / 0 / 86 / 23

HEX #22C51B

RGB 34 197 27

HSL 117.53, 0.76%, 0.44%

LAB 69.72, -68.06, 64.99

 

CMYK 86 / 0 / 67 / 23

HEX #1BC541

RGB 27 197 65

HSL 133.41, 0.76%, 0.44%

LAB 69.86, -66.03, 52.94

 

CMYK 86 / 0 / 44 / 23

HEX #1BC56F

RGB 27 197 111

HSL 149.65, 0.76%, 0.44%

LAB 70.39, -59.52, 31.98

 

CMYK 36 / 0 / 86 / 23

HEX #7EC51B

RGB 126 197 27

HSL 85.06, 0.76%, 0.44%

LAB 72.53, -45.87, 68.52

 

CMYK 40 / 0 / 96 / 15

HEX #81D809

RGB 129 216 9

HSL 85.22, 0.92%, 0.44%

LAB 78.34, -52.91, 75.97

 

CMYK 36 / 0 / 86 / 23

HEX #7EC51B

RGB 126 197 27

HSL 85.06, 0.76%, 0.44%

LAB 72.53, -45.87, 68.52

 

CMYK 31 / 0 / 75 / 30

HEX #7BB32D

RGB 123 179 45

HSL 85.07, 0.6%, 0.44%

LAB 67.01, -38.45, 58.48

 

CMYK 25 / 0 / 61 / 37

HEX #78A13F

RGB 120 161 63

HSL 85.1, 0.44%, 0.44%

LAB 61.52, -30.01, 45.46

 

CMYK 18 / 0 / 43 / 44

HEX #758F51

RGB 117 143 81

HSL 85.16, 0.28%, 0.44%

LAB 56.11, -20.3, 29.96

 

CMYK 9 / 0 / 20 / 51

HEX #727D64

RGB 114 125 100

HSL 86.4, 0.11%, 0.44%

LAB 50.88, -8.94, 12.29

 

CMYK 0 / 10 / 86 / 23

HEX #C5B21B

RGB 197 178 27

HSL 53.29, 0.76%, 0.44%

LAB 72.09, -7.69, 70.16

 

CMYK 13 / 0 / 86 / 23

HEX #ACC51B

RGB 172 197 27

HSL 68.82, 0.76%, 0.44%

LAB 75.32, -27.94, 71.99

 

CMYK 36 / 0 / 86 / 23

HEX #7EC51B

RGB 126 197 27

HSL 85.06, 0.76%, 0.44%

LAB 72.53, -45.87, 68.52

 

CMYK 59 / 0 / 86 / 23

HEX #51C51B

RGB 81 197 27

HSL 100.94, 0.76%, 0.44%

LAB 70.71, -59.66, 66.23

 

CMYK 82 / 0 / 86 / 23

HEX #23C51B

RGB 35 197 27

HSL 117.18, 0.76%, 0.44%

LAB 69.73, -67.95, 65

 

CMYK 36 / 0 / 86 / 51

HEX #507D11

RGB 80 125 17

HSL 85, 0.76%, 0.28%

LAB 47.51, -32.01, 48.22

 

CMYK 36 / 0 / 86 / 37

HEX #67A116

RGB 103 161 22

HSL 85.04, 0.76%, 0.36%

LAB 60.28, -39.1, 58.61

 

CMYK 36 / 0 / 86 / 23

HEX #7EC51B

RGB 126 197 27

HSL 85.06, 0.76%, 0.44%

LAB 72.53, -45.87, 68.52

 

CMYK 35 / 0 / 82 / 11

HEX #94E228

RGB 148 226 40

HSL 85.16, 0.76%, 0.52%

LAB 82.29, -49.64, 74.51

 

CMYK 28 / 0 / 67 / 9

HEX #A6E74C

RGB 166 231 76

HSL 85.16, 0.76%, 0.6%

LAB 84.88, -43.41, 65.97

 

CMYK 36 / 0 / 86 / 24

HEX #7DC31B

RGB 125 195 27

HSL 85, 0.76%, 0.44%

LAB 71.87, -45.39, 67.94

 

CMYK 86 / 0 / 33 / 23

HEX #1BC584

RGB 27 197 132

HSL 157.06, 0.76%, 0.44%

LAB 70.75, -55.37, 21.48

 

CMYK 0 / 86 / 1 / 23

HEX #C51BC3

RGB 197 27 195

HSL 300.71, 0.76%, 0.44%

LAB 47.74, 77.61, -47.5

 

CMYK 36 / 0 / 86 / 24

HEX #7DC31B

RGB 125 195 27

HSL 85, 0.76%, 0.44%

LAB 71.87, -45.39, 67.94

 

CMYK 86 / 36 / 0 / 23

HEX #1B7EC5

RGB 27 126 197

HSL 205.06, 0.76%, 0.44%

LAB 50.9, -1.3, -44.49

 

CMYK 0 / 86 / 36 / 23

HEX #C51B7E

RGB 197 27 126

HSL 325.06, 0.76%, 0.44%

LAB 44.46, 68.81, -11.38

 

CMYK 36 / 0 / 86 / 24

HEX #7DC31B

RGB 125 195 27

HSL 85, 0.76%, 0.44%

LAB 71.87, -45.39, 67.94

 

CMYK 86 / 0 / 33 / 23

HEX #1BC584

RGB 27 197 132

HSL 157.06, 0.76%, 0.44%

LAB 70.75, -55.37, 21.48

 

CMYK 50 / 86 / 0 / 23

HEX #621BC5

RGB 98 27 197

HSL 265.06, 0.76%, 0.44%

LAB 32.73, 63.18, -73.75

 

CMYK 0 / 86 / 53 / 23

HEX #C51B5C

RGB 197 27 92

HSL 337.06, 0.76%, 0.44%

LAB 43.4, 65.81, 8.2

 

CMYK 36 / 0 / 86 / 24

HEX #7DC31B

RGB 125 195 27

HSL 85, 0.76%, 0.44%

LAB 71.87, -45.39, 67.94

 

CMYK 86 / 0 / 7 / 23

HEX #1BC5B7

RGB 27 197 183

HSL 175.06, 0.76%, 0.44%

LAB 71.95, -42.62, -4.38

 

CMYK 50 / 86 / 0 / 23

HEX #621BC5

RGB 98 27 197

HSL 265.06, 0.76%, 0.44%

LAB 32.73, 63.18, -73.75

 

CMYK 0 / 86 / 79 / 23

HEX #C51B29

RGB 197 27 41

HSL 355.06, 0.76%, 0.44%

LAB 42.48, 63.15, 38.37

 

Description

Color code: HEX #7DC31B | qconv.com Color code: HEX #7DC31B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 195 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 195 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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