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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC229 it is the complementary color #823DD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC229 shade: #82C224, #93D437, #A4E64A, #B5F85D and #C6FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC229 shade: #7DC229, #6CB016, #5B9E03, #4A8C00 and #397A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC229 shade: #7DC229, #A6C229, #C2B429, #C28B29 and #C26229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC229 shade: #7DC229, #54C229, #2BC229, #29C251 and #29C27A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC229 shade matches the following richer shades: #7DC229, #7FD516 and #80E803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC229 shade: #7DC229, #7BAF3C, #799C4F, #778962 and #757675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC229 shade: #C2B529, #A6C229, #7DC229, #54C229 and #2CC229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC229 shade: #517D1B, #67A022, #7DC229, #91D63E and #A5DD60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC229 shade: #7DC229, #29C28C and #C229BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC229 shade: #7DC229, #297DC2 and #C2297D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC229 shade: #7DC229, #29C28C, #6E29C2 and #C2295E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC229 shade: #7DC229, #29C2BA, #6E29C2 and #C22931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

Complementary color

CMYK 39 / 71 / 0 / 16

HEX #823DD6

RGB 130 61 214

HSL 267.06, 0.65%, 0.54%

LAB 42.67, 58.74, -67.16

 

CMYK 33 / 0 / 81 / 24

HEX #82C224

RGB 130 194 36

HSL 84.3, 0.69%, 0.45%

LAB 71.86, -42.83, 65.88

 

CMYK 31 / 0 / 74 / 17

HEX #93D437

RGB 147 212 55

HSL 84.84, 0.65%, 0.52%

LAB 78.21, -43.42, 66.43

 

CMYK 29 / 0 / 68 / 10

HEX #A4E64A

RGB 164 230 74

HSL 85.38, 0.76%, 0.6%

LAB 84.47, -43.83, 66.26

 

CMYK 27 / 0 / 63 / 3

HEX #B5F85D

RGB 181 248 93

HSL 85.94, 0.92%, 0.67%

LAB 90.67, -44.12, 65.69

 

CMYK 22 / 0 / 56 / 0

HEX #C6FF70

RGB 198 255 112

HSL 83.92, 1%, 0.72%

LAB 93.75, -39.5, 61.43

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 39 / 0 / 88 / 31

HEX #6CB016

RGB 108 176 22

HSL 86.49, 0.78%, 0.39%

LAB 65.2, -43.67, 62.94

 

CMYK 42 / 0 / 98 / 38

HEX #5B9E03

RGB 91 158 3

HSL 85.94, 0.96%, 0.32%

LAB 58.68, -42.65, 60.32

 

CMYK 47 / 0 / 100 / 45

HEX #4A8C00

RGB 74 140 0

HSL 88.29, 1%, 0.27%

LAB 52.08, -41.2, 55.28

 

CMYK 53 / 0 / 100 / 52

HEX #397A00

RGB 57 122 0

HSL 91.97, 1%, 0.24%

LAB 45.34, -39.54, 49.7

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 14 / 0 / 79 / 24

HEX #A6C229

RGB 166 194 41

HSL 70.98, 0.65%, 0.46%

LAB 74.09, -28.53, 67.34

 

CMYK 0 / 7 / 79 / 24

HEX #C2B429

RGB 194 180 41

HSL 54.51, 0.65%, 0.46%

LAB 72.41, -9.63, 66.66

 

CMYK 0 / 28 / 79 / 24

HEX #C28B29

RGB 194 139 41

HSL 38.43, 0.65%, 0.46%

LAB 61.74, 12.34, 56.97

 

CMYK 0 / 49 / 79 / 24

HEX #C26229

RGB 194 98 41

HSL 22.35, 0.65%, 0.46%

LAB 52.25, 34.58, 47.99

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 57 / 0 / 79 / 24

HEX #54C229

RGB 84 194 41

HSL 103.14, 0.65%, 0.46%

LAB 69.91, -57.18, 61.96

 

CMYK 78 / 0 / 79 / 24

HEX #2BC229

RGB 43 194 41

HSL 119.22, 0.65%, 0.46%

LAB 68.94, -65.34, 60.68

 

CMYK 79 / 0 / 58 / 24

HEX #29C251

RGB 41 194 81

HSL 135.69, 0.65%, 0.46%

LAB 69.22, -61.77, 45.28

 

CMYK 79 / 0 / 37 / 24

HEX #29C27A

RGB 41 194 122

HSL 151.76, 0.65%, 0.46%

LAB 69.8, -55.02, 25.5

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 40 / 0 / 90 / 16

HEX #7FD516

RGB 127 213 22

HSL 87.02, 0.81%, 0.46%

LAB 77.38, -52.16, 73.54

 

CMYK 45 / 0 / 99 / 9

HEX #80E803

RGB 128 232 3

HSL 87.25, 0.97%, 0.46%

LAB 83.08, -59.44, 80.22

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 30 / 0 / 66 / 31

HEX #7BAF3C

RGB 123 175 60

HSL 87.13, 0.49%, 0.46%

LAB 65.9, -35.62, 51.62

 

CMYK 22 / 0 / 49 / 39

HEX #799C4F

RGB 121 156 79

HSL 87.27, 0.33%, 0.46%

LAB 60.25, -25.53, 36.22

 

CMYK 13 / 0 / 28 / 46

HEX #778962

RGB 119 137 98

HSL 87.69, 0.17%, 0.46%

LAB 54.76, -13.88, 18.82

 

CMYK 1 / 0 / 1 / 54

HEX #757675

RGB 117 118 117

HSL 120, 0%, 0.46%

LAB 49.52, -0.58, 0.41

 

CMYK 0 / 7 / 79 / 24

HEX #C2B529

RGB 194 181 41

HSL 54.9, 0.65%, 0.46%

LAB 72.68, -10.14, 66.9

 

CMYK 14 / 0 / 79 / 24

HEX #A6C229

RGB 166 194 41

HSL 70.98, 0.65%, 0.46%

LAB 74.09, -28.53, 67.34

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 57 / 0 / 79 / 24

HEX #54C229

RGB 84 194 41

HSL 103.14, 0.65%, 0.46%

LAB 69.91, -57.18, 61.96

 

CMYK 77 / 0 / 79 / 24

HEX #2CC229

RGB 44 194 41

HSL 118.82, 0.65%, 0.46%

LAB 68.95, -65.2, 60.7

 

CMYK 35 / 0 / 78 / 51

HEX #517D1B

RGB 81 125 27

HSL 86.94, 0.64%, 0.3%

LAB 47.62, -31.11, 45.23

 

CMYK 36 / 0 / 79 / 37

HEX #67A022

RGB 103 160 34

HSL 87.14, 0.65%, 0.38%

LAB 60.02, -38.13, 55.07

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 32 / 0 / 71 / 16

HEX #91D63E

RGB 145 214 62

HSL 87.24, 0.65%, 0.54%

LAB 78.73, -44.58, 64.49

 

CMYK 25 / 0 / 57 / 13

HEX #A5DD60

RGB 165 221 96

HSL 86.88, 0.65%, 0.62%

LAB 82.14, -37.74, 54.65

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 79 / 0 / 28 / 24

HEX #29C28C

RGB 41 194 140

HSL 158.82, 0.65%, 0.46%

LAB 70.14, -51.19, 16.38

 

CMYK 0 / 79 / 4 / 24

HEX #C229BA

RGB 194 41 186

HSL 303.14, 0.65%, 0.46%

LAB 47.75, 72.69, -42.27

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 79 / 36 / 0 / 24

HEX #297DC2

RGB 41 125 194

HSL 207.06, 0.65%, 0.46%

LAB 50.73, -0.56, -43.03

 

CMYK 0 / 79 / 36 / 24

HEX #C2297D

RGB 194 41 125

HSL 327.06, 0.65%, 0.46%

LAB 44.99, 64.74, -10.02

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 79 / 0 / 28 / 24

HEX #29C28C

RGB 41 194 140

HSL 158.82, 0.65%, 0.46%

LAB 70.14, -51.19, 16.38

 

CMYK 43 / 79 / 0 / 24

HEX #6E29C2

RGB 110 41 194

HSL 267.06, 0.65%, 0.46%

LAB 35.59, 59.13, -67.23

 

CMYK 0 / 79 / 52 / 24

HEX #C2295E

RGB 194 41 94

HSL 339.22, 0.65%, 0.46%

LAB 44.04, 61.84, 7.77

 

CMYK 36 / 0 / 79 / 24

HEX #7DC229

RGB 125 194 41

HSL 87.06, 0.65%, 0.46%

LAB 71.63, -44.41, 64.17

 

CMYK 79 / 0 / 4 / 24

HEX #29C2BA

RGB 41 194 186

HSL 176.86, 0.65%, 0.46%

LAB 71.28, -39.34, -6.98

 

CMYK 43 / 79 / 0 / 24

HEX #6E29C2

RGB 110 41 194

HSL 267.06, 0.65%, 0.46%

LAB 35.59, 59.13, -67.23

 

CMYK 0 / 79 / 75 / 24

HEX #C22931

RGB 194 41 49

HSL 356.86, 0.65%, 0.46%

LAB 43.18, 59.17, 34.32

 

Description

Color code: HEX #7DC229 | qconv.com Color code: HEX #7DC229 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 194 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 194 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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